Invasion Of The Body Snatchers (1956): Plant-like extraterrestrials have invaded Earth replicating the villagers in giant seed ""pods"" and taking possession of their souls while they sleep. Soon the entire town is overwhelmed by the inhuman horror but it won't stop there. In a terrifying race for his life Dr. Bennell escapes to warn the world of the deadly invasion of the pod people! The Thing From Another World (1951): Artic researchers discover a huge frozen spacel
A funny, powerful and beautifully bittersweet story that follows Margot as she struggles to choose between two different types of love. As her mind and heart battle against each other, Margot uncovers a side to herself that she never knew existed.
The success of the first year meant that Stargate SG-1's second series could afford to spread its wings. In only the second episode, Carter is temporarily possessed by a good Goa'uld. This immediately allowed for both any amount of quick fix inside knowledge as well as story off-shoots, now that the show was bent on franchise longevity. There appeared to be information overload (splinter group Tok'ra, Earth's second Gate, Machello, endless Apophis encounters), as the finely interwoven threads of alien histories and inter-relationships were developed. But thankfully, SG-1 never lost sight of the need for great individual stories. There was a planet of Native American Indians; a planet on the edge of a Black Hole; a planet of aliens sensitive to sound. Even a planet run by Dwight Schultz! Better still, they found time to have fun with their universe, too. "1969" remains one of the best comic romps the series has enjoyed, and is a near-perfect self-contained time-travel story to boot. The team of actors had obviously bonded early on in the first year. It may be a bit of a military faux pas that there is only ever four of them leading every major explorative expedition, but the limited number of principals is actually something else the show has always had in its favour, allowing quality screen time to be spent on each of them from the outset (although Richard Dean Anderson would probably rather not have spent an entire episode impaled by a spike). --Paul Tonks
Lena Dunham returns for the highly anticipated fifth season of Girls, the award-winning hit comedy series that follows the assorted humiliations and triumphs of a group of girls in their mid-20s each facing new challenges in life and love this season. As Season 5 begins, Hannah is, for the moment, putting her writing ambitions aside, continuing to work as a teacher alongside new boyfriend (and refreshingly nice guy) Fran a relationship which her friends urge her not to screw up. Meanwhile, Marnie micro-manages her upstate wedding to her musical partner Desi, but upon returning from the honeymoon, begins to realize she needs more space, literally and figuratively. Jessa, working towards becoming a therapist, tries to stay on the straight and narrow, while managing a budding relationship. And Shoshanna, who makes a brief return to the U.S. for Marnie's wedding, is thriving at her new job in Japan, where she flirts with her boss despite her long-distance relationship with Scott back home. Honest and uproarious, with unexpected surprise turns, Girls' fifth season promises to maintain the series' place as one of the most talked-about shows on television.
A young African American man visits his Caucasian girlfriend's cursed family estate. Click Images to Enlarge
Hattie Jacques finally got to the play the title role in 1972 when Carry On Matron immortalised the character she had developed during several previous outings, most notably in Carry On Doctor. And she seized it with gusto. This is no one-dimensional performance, but a very human portrait of a woman doing her best to retain her authority in the face of mounting chaos--a raid planned by Sid James to steal the hospital's supply of contraceptive pills. Certainly, she's obsessed with regular bowel movements--this wouldn't be a Carry On film otherwise--but she remains a majestic figure of dignity with a touch of human warmth. Occasionally, too, a real hint of irony peeks through the slapstick and the innuendo. Surely scriptwriter Talbot Rothwell had his tongue lodged firmly in his cheek when he gave Barbara Windsor--then married to Ronnie Knight--a the line, "I don't fancy being a gangster's moll!" Terry Scott makes a guest appearance and Sid James is at his most conniving and lecherous. Theatre impresario Bill Kenwright has a cameo role and there's an early appearance from Wendy Richard as a prototype Pauline Fowler. But it's the female stalwarts who shine. Joan Sims and Hattie Jacques truly were comic actresses of the highest order. On the DVD: Presented like most of the other Carry On DVD releases in 4:3 picture format and mono soundtrack, this release has all the comfy quality of a lazy Saturday afternoon in front of the television. But where are the extras? It's one thing to launch a highly popular series of films as classic entertainment, but they deserve more than the budget treatment. As always, a cast list, some sort of documentary extra and biographies of at least the key players would really do them justice. --Piers Ford
Travelling from wild coastlines to urban habitats, this fascinating natural history series from the BBC explores the behaviour of birds, revealing all aspects of their lives.
Batman 4-Film Collection 1989 - 1997 includes Batman (1989), Batman Returns (1992), Batman Forever (1995) and Batman & Robin (1997), plus hours of special features, including must-see profiles, documentaries, making -of featurettes, director commentaries by Tim Burton and Joel Schumacher, theatrical trailers and music videos. Special Features: Includes Director Commentaries
The original Creature from the Black Lagoon is one of the silver screen's most unforgettable characters and, along with the other Universal Classic Monsters, defined the Hollywood horror genre. The Creature from the Black Lagoon: Complete Legacy Collection includes all 3 films from the original legacy including the gripping classic and the sequels that followed. These landmark motion pictures perfectly blended Universal's classic monster heritage with the science-fiction explosion of the 1950s and continue to inspire remakes and adaptations that strengthen the legend of the Creature from the Black Lagoon to this day. Bonus Features: Back to the Black Lagoon Documentary 3 Feature Commentaries Production Photographs Theatrical Trailers
World War Two drama starring James Mason. When four intelligence officers arrive in occupied France on a mission to determine the strength of the German forces, they know full well that they are on a suicide mission. But once they penetrate the Nazi headquarters, can they survive long enough to get their information to the British troops? Roland Culver, Michael Wilding and Hugh Williams co-star.
Tom Berenger plays an ex-boxer who quits the ring after killing an opponent and along with his partner (Jack Scalia) runs a talent agency for strippers among them his bi-sexual ex-girlfriend and star attraction (Melanie Griffith). When two of their dancers are brutally mutilated and murdered against a backdrop of mob-controlled violence and NYPD gritty police work it is left to Berenger to return to his murderous fighting skills and find the psycho killer...
An aging movie star (Daniel Craig) returns to his English seaside hometown for the funeral of his childhood friend where he unearths many troubling memories.
Robin Williams plays the sinister operator of a one hour photo development lab who becomes obsessed with a young suburban family in this acclaimed thriller.
The debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M Emmett Walsh) to follow his cheating wife (Frances McDormand in her first film appearance) and then kill her and her lover (John Getz). The gumshoe turns the tables on his client and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple established the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom Keogh, Amazon.com
Carry On Don't Lose Your Head parodies the adventures of the Scarlet Pimpernel, with crinkly cackling Sid James as master of disguise the Black Fingernail and Jim Dale as his assistant Lord Darcy. He must rescue preposterously effete aristocrat Charles Hawtrey from the clutches of Kenneth Williams' fiendish Citizen Camembert and his sidekick Citizen Bidet (Peter Butterworth). The Black Fingernail is assisted in his efforts to thwart the birth of the burgeoning republic by the almost supernatural stupidity of his opponents, who fail to recognise the frankly undisguisable Sid James even when dressed as a flirty young woman. What with an executioner who is tricked into beheading himself in order to prove the efficacy of his own guillotine, it's all a little too easy. As usual, no groan-worthy pun is left unturned, or unheralded by the soundtrack strains of a long whistle or wah-wah trumpet. This is pretty silly stuff even by Carry On standards, with most of the cast barely required to come out of first gear and an overlong climactic swordfight sequence hardly raising the dramatic stakes. Most of the humour here resides neither in the script nor the characterisation but in the endlessly watchable Williams' whooping, nasal delivery (occasionally lapsing into broad Cockney) and the jowl movements of the always-underrated Butterworth. --David Stubbs
Set on the sun-drenched Bahaman islands Children of God is an award-winning timeless and brave love story. Blond haired blue-eyed Jonny travels to the island of Eleuthera intent on finding some artistic inspiration. After arriving he meets the confident attractive black musician Romeo and it is instantly clear that there is a spark between them. Although Romeo has a fianc he has secretly played with the boys on the side before - but Johnny is not just any boy and soon their relationship becomes far more complex than a simple fling. Struggling to overcome rampant homophobia and anti-gay crusade erupting around them it is going to take more than wishful thinking for their love to last. A beautifully shot captivating romance Children of God paints a universally relevant portrait of desire sexual conflict tolerance and self-acceptance
An artist unwittingly unleashes a wave of violence after learning the true history behind the urban legend of Candyman in this chilling film from Nia DaCosta and Jordan Peele.
The film, loosely based on the 1968 Broadway musical Hair: An American Tribal Love-Rock Musical, centres on two men, Claude (John Savage, The Deer Hunter, a naïve young man from America's 'Bible Belt' and Berger (Treat Williams), the leader of a hippie tribe in New York. Drafted into the army and soon to ship out to Vietnam, Claude spends his last time as a civilian with Berger, learning for the first time about race and class issues in 60s America. He soon meets and falls for Shelia, a rich debutante with a rebellious soul. Welcome to the Age of Aquarius. The film marked Milos Forman's return to directing after winning an Oscar® for One Flew Over The Cuckoo's Nest in 1975 and was nominated for two Golden Globes in 1980. Special features: Presented in High Definition and Standard Definition Aquarius (1966, 8 mins): the Age of Aquarius arrives in Nancy Hanna's jazzy psychedelic animation San Francisco (1968, 15 mins): Anthony Stern's award-winning impressionistic documentary shot on the streets of San Fran, stunningly soundtracked with a rare early version of Pink Floyd's 'Interstellar Overdrive' Indian Pop Instrumental (c1970, 3 mins): enigmatic English musos look east with this marvellously mysterious music film Discomania (1979, 24 mins): Oscar Riesel's star-spangled British disc-dancing extravaganza from the glory days of glitterballs, lurex, sequins and rollerskates Nicholas Ray in Conversation (1969, audio only): the legendary filmmaker memorably concluding his screen career in Hair - reflects upon his legacy with film critic VF Perkins at London's NFT ***FIRST PRESSING ONLY*** Fully illustrated booklet with new writing on the film by Ellen Cheshire, new interview with the film's screenwriter Michael Weller and an essay on director Milos Forman by Kieron McCormack
Filmmaker David Ayer (End Of Watch) directs SABOTAGE, an action thriller that follows one of the best assault teams on the planet, an elite special operations team of ten DEA agents.
Excited about Batman Begins? Why not reacquaint yourself with the first four films in this tremendous 4 disc box set? Batman (Dir. Tim Burton 1989): (Fullscreen / English - Dolby Digital 5.1 / Subtitles - English ; Arabic ; English for the hard of hearing) After a young boy witnesses his parents' murder on the streets of Gotham City he grows up to become Batman a mysterious figure in the eyes of Gotham's citizens who takes crime-fighting into his own hands.
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