The Sergio Leone 'spaghetti westerns' did not simply add a new chapter to the genre...they reinvented it. From his shockingly violent and stylized breakthrough A Fistful of Dollars to the film Quentin Tarantino calls 'the best-directed movie of all time ' The Good The Bad and the Ugly Leone's vision elevated westerns to an entirely new art form. This definitive Leone collection of the most ambitious and influential Westerns ever made includes over five hours of bonus materials that uncover buried gold in these gritty classics' plus a Newly Remastered version of The Good The Bad And The Ugly.
A Fistful Of Dollars: - Languages: English (Dolby Digital Mono) ; Subtitles: English Clint Eastwood's stunning Spaghetti Western debut. When the Man With No Name rides into town the rival gangs of the Baxters and the Rojos soon find themselves fighting each other. As the lean cold-eyed cobra-quick gunfighter Clint became the first of the Western's anti-herores. The cynical enigmatic loner with a clouded past is the same character Eastwood fans have been savouring ever since. 'A Fistful Of Dollars' is the western taken to the extreme - with unremitting violence gritty realism and tongue-in-cheek humour. Leone's direction is taut and stylish and the visuals are striking - from the breathtaking panoramas (in Spain) to the extreme close-ups of quivering lips and darting eyes before the shoot-out begins. And all are accentuated by renowned composer Ennio Morricone's quirky haunting score. For A Few Dollars More - Languages: English and French (Dolby Digital Mono) ; Subtitles: English Dutch French Clint Eastwood had proven so successful in his first foray into European Westerns with 'A Fistful Of Dollars' that a follow up sequel was inevitable. Superbly scripted by Luciano Vincenzoni featuring an unforgettable alliance between ruthless gun-slingers to track down the notorious bandit El Indio played by Gian Maria Volonte. The film is also noted for its array of weaponry a veritable arsenal of rifles that became so startingly influential in future westerns. Sergio Leone's direction is both violent and operatic and Ennio Morricone's atmospheric score keeps the tension taut as the action moves from jail breaks and hold ups to spectacular gun battles. The Good The Bad And The Ugly - Languages: English (Dolby Digital Mono) ; Subtitles: English Dutch By far the most ambitious unflinchingly graphic and stylistically influential western ever attempted 'The Good the Bad and the Ugly' is an engrossing actioner shot through with a volatile mix of myth and realism. Clint Eastwood returns for a final appearance as the invincible Man With No Name this time teaming with two gunslingers (Eli Wallach and Lee Van Cleef) to pursue a cache of 0 000 - and letting no one not even warring factions in a civil war stand in their way. From sun-drenched panoramas to bold hard closeups exceptional camera work captures the beauty and cruelty of the barren landscape and the hardened characters who stride unwaveringly through it. Forging a vibrant and yet detached style of action that had not been seen before and has never been matched since 'The Good the Bad and the Ugly' shatters the western in true Clint Eastwood style. The complex plot of bloodshed and betrayal winds its way through the American Civil War filmed to resemble the French battlefields of WW1 to end in a climactic Dance of Death. Arguably the quintessential Italian Western this 1966 film boasts a fine Ennio Morricone score featuring a main theme that reached No.1 in the world's pop charts.
The Man with no Name Trilogy A Fistful of DollarsFor a Few Dollars MoreWhen two rival bounty hunters (Oscar Winner Clint Eastwood and Lee Van Cleef) learn they're both after the same murderous bandit they join forces in hopes of bringing him to justice. But all is not as it seems in the hard-hitting second installment of Sergio Leone's trilogy starring Eastwood as the famed Man With No Name. Special Features: The Christopher Frayling Archives: For a few Dollars More Feature Commentary by Noted Film Historian - Sir Christopher Frayling A New Standard (Frayling on For a Few Dollars More) Back for More (Clint Eastwood remembers For a Few Dollars More) Tre Voci: For a few Dollars More For a Few Dollars More: The Original American Release Version Location Comparisons 12 Radio spots Original Theatrical Trailer The Good the Bad and the Ugly
This is the movie that launched the spaghetti Western and catapulted Clint Eastwood to stardom. Before director Sergio Leone picked him out, Clint had played only a few bit parts in features plus his role as Rowdy Yates in the TV Western series Rawhide. Leone cast him for his stillness and physical presence, famously remarking that when Michelangelo was asked what he had seen in a particular block of marble, he said Moses, but that what he, Leone, saw in Eastwood was just that, a block of marble. Leone also claimed that it was he who gave the character his trademark cigar and poncho, though Eastwood has said he brought his own wardrobe to Italy. Whoever takes credit, A Fistful of Dollars (Per un pugno di dollari in Italian) was an extraordinary success when launched in Italy in 1964. Eastwood had to wait longer for it to be a hit in the USA. The film was based on Kurosawa's 1961 samurai picture Yojimbo, but Leone had forgotten to clear the copyright. Eventually a deal was done, but A Fistful of Dollars was not released in the USA until 1967. It scored an equally resounding success, as did its sequels in the Dollar Trilogy, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character, laconic, amoral, dangerous, as The Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the film's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children (women are virtually absent from the Trilogy). Instead it's every man for himself. Striking too was a new emphasis on violence, with stylised, almost balletic gunfights and baroque touches such as Eastwood's armoured breastplate. The popularity of the Dollars films had a marked influence on the Hollywood Western, for example Sam Peckinpah's The Wild Bunch, but its most enduring legacy is Clint Eastwood himself, still in action at the age of 70. --Edward Buscombe
Oscar Winner Clint Eastwood blends a quiet steadiness with a palpable ferocity as the iconic gunslinger The Man With No Name in Sergio Leone's gritty spaghetti western. When a steely blue-eyed mercenary arrives in a dusty border town where two rival bands of smugglers terrorize the impoverished citizens, he pits the gangs against each other in one of the most exhilarating frontier adventure films in cinema history.
The Sergio Leone Spaghetti Westerns did not simply add a new chapter to the genre... they reinvented it. From his shockingly violent and stylized breakthrough A Fistful Of Dollars to the film Quentin Tarantino calls the best directed movie of all time The Good The Bad And The Ugly Leone's vision did for westerns what talkies did for all movies back in the 1920s: it elevated them to an entirely new art form. Fully restored presented with their best-ever audio and including audio commentaries featurettes and more these films are much more than just the definitive Leone collection... they are the most ambitious and influential westerns ever made. Titles Comprise: A Fistful Of Dollars: The first of the spaghetti westerns A Fistful Of Dollars became an instant cult hit. It also launched the film careers of Italian Writer-Director Sergio Leone and a little known American television actor named Clint Eastwood. As the lean cold-eye cobra-quick gunfighter - Clint became the first of the anti-heroes. The cynical enigmatic loner with a clouded past is the same character Eastwood fans have been savouring ever since. A Fistful Of Dollars is the western taken to the extreme - with unremitting violence gritty realism and tongue-in-cheek humour. Leone's direction is taut and stylish and the visuals are striking - from the breathtaking panoramas (in Spain) to the extreme close-ups of quivering lips and darting eyes before the shoot-out begins. And all are accented by renowned film composer Ennio Morricone's quirky haunting score. For A Few Dollars More: Clint Eastwood had proven so successful in his first foray into European Westerns with A Fistful Of Dollars that a follow up sequel was inevitable. Superbly scripted by Luciano Vincenzoni featuring an unforgettable alliance between ruthless gun-slingers Eastwood and Lee Van Cleef. For A Few Dollars More tells the tale of a ruthless quest to track down the notorious bandit El Indio played by Gian Maria Volonte. The film is also noted for its array of weaponry a veritable arsenal of rifles that became so operatic and Ennio Morricone's atmospheric score keeps the tension taut as the action moves from Jail breaks and hold-ups to spectacular gun battles. The Good The Bad And The Ugly: The third and last western in Clint Eastwood's spaghetti trilogy. Director Sergio Leone substitutes for the upright puritan Protestant ethos so familiar in Hollywood westerns a seedy cynical standpoint towards death and mortality as a team of brutal bandits battle to unearth a fortune buried beneath an unmarked grave. Joining Clint clearly The Good is the irredeemably Bad Lee and the resolutely Ugly Eli Wallach. The complete plot of bloodshed and betrayal winds its way through the American Civil War filmed to resemble the French battlefields of World War One to end in the climatic Dance Of Death. Arguably the quintessential Italian Western this 1966 film boasts a fine Ennio Morricone score featuring a main theme that reached No. 1 in the world's pop charts.
Spaghetti Westerns (3 Discs)
The first collaboration between Eastwood and Leone. The story of the man with no name, who tries to turn a gang feud to his own advantage.
Tarzan star Lex Barker and Hollywood legend Mickey Rooney head a glittering international cast in this crime thriller from British B-movie mogul Harry Alan Towers – Barker starring as the pilot of a stricken American airliner and Rooney as the purser whose eye for easy money sees him tangling with a ruthless gang of smugglers. Blending glamour humour and action – and boasting stunning location film of mid-sixties Beirut – 24 Hours to Kill is presented here in a brand-new transfer from the original film elements in its original aspect ratio. When a jet airliner with engine trouble lands in Beirut for a twenty-four hour stopover purser 'Jonesey' fears his life is in danger from a gold-smuggling gang whom he double-crossed on a previous trip. So begins a day of chilling suspense as he and other crew members find themselves embroiled in a desperate race to get out of the country alive! Features: German Theatrical Trailer Image Gallery Original Pressbook PDF
Holmes and Watson are on the trail to find a necklace that once belonged to Cleopatra. Holmes must unravel the mystery which brings him face to face with his arch rival Moriarty...
A Fistful Of Dollars (1964): In his own way he is perhaps the most dangerous man who ever lived! The first of the ""spaghetti westerns"" A Fistful Of Dollars became an instant cult hit. It also launched the film careers of Italian Writer-Director Sergio Leone and a little known American television actor named Clint Eastwood. As the lean cold-eye cobra-quick gunfighter - Clint became the first of the ""anti-heroes"". The cynical enigmatic loner with a clouded past is the same character Eastwood fans have been savouring ever since. A Fistful Of Dollars is the western taken to the extreme - with unremitting violence gritty realism and tongue-in-cheek humour. Leone's direction is taut and stylish and the visuals are striking - from the breathtaking panoramas (in Spain) to the extreme close-ups of quivering lips and darting eyes before the shoot-out begins. And all are accented by renowned film composer Ennio Morricone's quirky haunting score. For A Few Dollars More (1965): The man with no name is back... The man in black is waiting... a walking arsenal - he uncoils strikes and kills! Clint Eastwood had proven so successful in his first foray into European Westerns with A Fistful Of Dollars that a follow up sequel was inevitable. Superbly scripted by Luciano Vincenzoni featuring an unforgettable alliance between ruthless gun-slingers Eastwood and Lee Van Cleef. For A Few Dollars More tells the tale of a ruthless quest to track down the notorious bandit El Indio played by Gian Maria Volonte. The film is also noted for its array of weaponry a veritable arsenal of rifles that became so operatic and Ennio Morricone's atmospheric score keeps the tension taut as the action moves from Jail breaks and hold-ups to spectacular gun battles. The Good The Bad And The Ugly (1966): For three men the civil war wasn't hell. It was practice! The Good The Bad And The Ugly written by Age Scarpelli Luciano Vincenzoni and Sergio Leone is the third and last western in Clint Eastwood's spaghetti trilogy. Director Sergio Leone substitutes for the upright puritan Protestant ethos so familiar in Hollywood westerns a seedy cynical standpoint towards death and mortality as a team of brutal bandits battle to unearth a fortune buried beneath an unmarked grave. Joining Clint clearly ""The Good"" is the irredeemably ""Bad"" Lee and the resolutely ""Ugly"" Eli Wallach. The complete plot of bloodshed and betrayal winds its way through the American Civil War filmed to resemble the French battlefields of World War One to end in the climatic Dance Of Death. Arguably the quintessential Italian Western this 1966 film boasts a fine Ennio Morricone score featuring a main theme that reached No. 1 in the world's pop charts. This special edition DVD has been restored to its full length with the addition of three missing scenes from the original Italian version.
Oscar Winner Clint Eastwood blends a quiet steadiness with a palpable ferocity as the iconic gunslinger The Man With No Name in Sergio Leone's gritty spaghetti western. When a steely blue-eyed mercenary arrives in a dusty border town where two rival bands of smugglers terrorize the impoverished citizens he pits the gangs against each other in one of the most exhilarating frontier adventure films in cinema history. Special Features: The Christopher Frayling Archives: Fistful of Dollars Feature Commentary by Noted Film Historian - Sir Christopher Frayling A New Kind of Hero A Few Weeks in Spain: Clint Eastwood on the Experience of Making the Film Tre Voci: Fistful of Dollars Not Ready for Primetime: Renowned filmmaker Monte Hellman Discusses the Television Broadcast of a Fistful of Dollars The Network Prologue - with Harry Dean Stanton Location Comparisons: Then to Now' 10 Radio Spots Double Bill Trailer Fistfull of Dollars Trailer
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