Kurosawa drew on the thriller 'King's Ransom' by Ed McBain (aka Evan Hunter) for this contemporary study of the inequalities and hierarchical rigidity of modern Japan. In the first half of the film set in a single room an industrialist agonises on whether to pay the huge ransom demanded by kidnappers who have mistakenly snatched his chauffeur's son instead of his own. The second half of the film shot in a frenzied restless style on sleazy urban locations concentrates on the polic
When a wealthy foundry owner and bullying patriarch decides to move his entire family from Tokyo to Brazil to escape the nuclear holocaust which he fears is imminent his family tries to have him declared mentally incompetent... Made at the height of the Cold War when the superpowers were engaged in series of nuclear tests this blazing attack on complacency was one of the director's most deeply-felt but least commercially successful films. Nonetheless it deserves to be more widely
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