A four disc DVD box set of World Cinema classics from acclaimed French director Claude Berri. Jean De Florette (1986): French director Claude Berri's stunning adaptation of the acclaimed Marcel Pagnol novel is the winner of numerous international awards and is the world's most popular foreign language film ever. City-dweller Jean de Florette (Gerad Depardieu) moves his family to the Provence countryside in the 1920's to forge a new life as a farmer. But his proud cocky neig
Franck (Guillaume Canet – The Beach) is a model policeman; disciplined conscientious and appreciated by his superiors. When a number of women are brutally murdered Franck leads the investigation to find the suspected serial killer responsible for the crimes. However all police efforts seem to be in vain as the alleged ‘maniac’ continues to evade capture. That is until Franck loses his private collection of maps detailing the locations on the missing bodies NEXT TIME I’LL AIM FOR THE HEART recalls the true story of Alain Lamare the infamous serial killer whose rampage terrorised France in the late 1970’s and the nationwide manhunt to find him.
Tintin is the world's most famous boy reporter. With his faithful dog Snowy at his side the intrepid pair travel the globe to investigate exciting cases. Along the way they encounter a colourful cast of characters who have become familiar to generations of children and adults: Captain Haddock Thompson and Thomson Professor Calculus and Oliveira da Figueira among many others.
In 1972 newly radicalized Hollywood star Jane Fonda joined forces with cinematic innovator Jean-Luc Godard and collaborator Jean-Pierre Gorin in an unholy artistic alliance that resulted in Tout Va Bien (Everything's Alright). This free-ranging assault on consumer capitalism and the establishment left tells the story of a wildcat strike at a sausage factory as witnessed by an American reporter (Fonda) and her has-been New Wave film director husband (Yves Montand).
At the age of 51 and after twenty months of unemployment, Thierry (Vincent Lindon) starts a new job in security at a supermarket that soon brings him face to face with a moral dilemma. How much is he willing to accept in order to keep his job is the central question that Measure of a Man (La Loi du Marché) addresses. For his role as Thierry, Vincent Lindon, who was the only professional actor in the film, was awarded the Palme for Best Actor at the 2015 Cannes Film Festival, as well as the Cesar for Best Actor in 2016, the French equivalent of the British BAFTA. - See more at: http://www.newwavefilms.co.uk/view-film-detail.html?viewListing=MTM3#sthash.BY0r2HkH.dpuf
Three news-hungry journalists travel to Transylvania hoping to uncover the truth about Dracula. To investigate the evil that protects his power they visit all the cemeteries in the area to decipher the signs and clues that are hidden within. Their willingness to do anything to get the story draws them closer to true evil and deeper into havoc and as they start to disappear one by one they realize that the search for the real Dracula will end up costing them their lives.
YVES SAINT LAURENT: L'AMOUR FOU is a wonderful tribute to beauty, elegance, decadence and a man who so perfectly captured all these things.
On the cusp of WWI army lieutenant and noted womaniser Armande de la Verne (Philippe) wagers his comrades that he can make love to any woman in the town. However the bet backfires on him when he falls in love with his intended quarry the feisty Marie-Louise (Morgan)... Winner of numerous international Awards Les Grandes Manoeuvres is a fabulous film full of fun and frolics with a very early performance from a young and dazzling Brigitte Bardot.
Tintin the world's most famous boy reporter embarked on his very first adventure in 1929. From the beginning he was accompanied by his faithful dog Snowy and for more than half a century this intrepid pair journeyed to exploits around the world. Along the way they encountered a colourful cast of characters who have become familiar to generations of children and adults: Captain Haddock Thompson and Thomson Professor Calculus and Oliveira da Figueira among many others. The eternal
A modern drama inspired by real events, Heat Wave (Apres le sud) is the feature directorial debut of writer/actor/producer/director Jean-Jacques Jauffret. Deftly exploring the divide between the adolescent and adult worlds, it powerfully juxtaposes amusement, carelessness and passion with ideas of authority, consequence and responsibility. A sweltering afternoon in Marseilles. Four lives intersect: those of Stephane and Luigi, two cousins barely out of adolescence, Georges, a retired worker, Amelie, Luigi's girlfriend, and Anne, Amelie's mother. Four mundane lives full of pain, humiliation, fear and fatigue that converge on a series of tragic events.
Lets Make Love is a curious picture in many ways: Marilyn Monroe was the superstar, Yves Montand new to Hollywood, but she seems peripheral to the action and he's in almost every scene. Meanwhile director George Cukor, always happy with theatrical material, can't make the off-off-Broadway milieu come to believable life. In short, Let's Make Love lacks the sparkle promised by its talent roster, and for Monroe especially the bloom is off the rose. This 1960 film was her next to last, and she appears weary, although isolated moments have the old oomph (and she has a terrific romp through her first number, Cole Porter's "My Heart Belongs to Daddy"). Cameos by Milton Berle, Bing Crosby, and Gene Kelly increase the time-capsule feeling. The biggest failing is the lack of chemistry between Monroe and Montand, yet off-screen they had a romance during filming. A curious picture indeed.--Robert Horton, Amazon.com
Gustav Flaubert's celebrated novel of obsessive ardour undergoes a dazzling retrofit for the screen, courtesy of French neurosis-master Claude Chabrol. The basic story (a woman's selfish quest for happiness ends up obliterating all she holds dear) may be the same but Chabrol's talent for biting through to the dark marrow of passion makes this a startling experience, even for people familiar with the source material or the numerous other cinematic adaptations. Casting Isabelle Huppert in the title role (she's at least a decade older than the standard conception of this wilfully tragic heroine) was a potentially risky gambit that paid off big; underneath her glorious surface lies a startling foundation of brilliant ice. The same can be said about this stunning film. Viewers intrigued by this potent actress-director pairing may also want to check out The Story of Women and the wonderful La Ceremonie. The film is in French with English subtitles. --Andrew Wright
A breathtaking odyssey that follows the stages of human development from birth to maturity with each stage presented by a Cirque du Soleil act. The signature Cirque du Soleil celebration of colour light music and costume combine with a backdrop of various natural and historical landmarks around the world creating a triumph of artistry beyond compare. From the opening explosion of light and sound that represents the universe's formation 'Journey Of Man' leads us through the birth of the Universal Child as it travels from childhood through adolcence and manhood on to maturity. An awe-inspiring feast for the senses incomparable artistry and stylish elegance make this an adventure of a lifetime!
A five disc box set featuring a quintet of the finest films from around the world. Includes: Jean De Florette (Dir. Claude Berri 1986) French director Claude Berri's stunning adaptation of the acclaimed Marcel Pagnol novel is the winner of numerous international awards and is the world's most popular foreign language film ever. City-dweller Jean de Florette (Gerad Depardieu) moves his family to the Provence countryside in the 1920's to forge a new life as a farmer.
Quai Des Orfevres (1947): Blacklisted for his daring ""anti-French"" masterpiece Le Corbeau Henri-Georges Clouzot returned to cinema four years later with the provocative 1947 crime fiction adaptation Quai des Orfevres. Set within the vibrant dancehalls and historic crime corridors of 1940s Paris ambitious performer Jenny Lamour her covetous piano-playing husband Maurice Martineau and their devoted confidante Dora Monier attempt to cover one another's tracks when a sexually ogreish high-society acquaintance is murdered. Enter Inspector Antoine whose seasoned instincts lead him down a circuitous path in this classic whodunnit murder mystery. Le Corbeau (1943): An anonymous series of poison-pen letters spread suspicion and fear amongst the population of a small French town. The author of the letters who signs himself ""The Raven "" has enough defamatory information to provoke tension and suicide... Wages of Fear (1952): The film that continues to serve as the benchmark for Clouzot's magnificent career. The Wages of Fear established the writer-director on a truly international level after carrying off major prizes at the Cannes and Berlin film festivals. Part road movie part suspense thriller the plot is high-tension simplicity itself. In the South American jungle supplies of nitro-glycerine are urgently needed at a remote oil field. The unscrupulous American oil company pays four out-of-work men (Yves Montand Charles Vanel - the creepy cop in Les Diaboliques Folco Lulli and Peter Van Eyck) to deliver the supplies in two sets of drivers: a tension magnified thousand fold by the unforgiving heat the lure of filthy lucre and the rough and rocky roads where the slightest jolt can result in agonising death. Which of the disparate desperate desperadoes will survive the white-knuckle journey and claim the loot and the glory?
Cesar et Rosalie is a 1972 French romance starring Yves Montand (Jean De Florette) and Romy Schneider (What's New Pussycat? Sissi), directed by Claude Sautet (Un Coeur en Hiver, Les Chose de la Vie). Rosalie is a beautiful vivacious young woman involved with a charming, successful businessman called Cesar. He is crazy about her and his exuberant vitality satisfies Rosalie's terrific lust for life. One day out of the blue Rosalie's old flame David appears, desperate to win back her affections. Cesar's intense jealousy shocks Roaslie and she ends up running into the arms of David and the pair are separated. Rosalie however begins to doubt that she's made the right choice, until fate ends up deciding for her. Special Features: Serenade for Three
Cesar et Rosalie is a 1972 French romance starring Yves Montand (Jean De Florette) and Romy Schneider (What's New Pussycat? Sissi), directed by Claude Sautet (Un Coeur en Hiver, Les Chose de la Vie). Rosalie is a beautiful vivacious young woman involved with a charming, successful businessman called Cesar. He is crazy about her and his exuberant vitality satisfies Rosalie's terrific lust for life. One day out of the blue Rosalie's old flame David appears, desperate to win back her affections. Cesar's intense jealousy shocks Roaslie and she ends up running into the arms of David and the pair are separated. Rosalie however begins to doubt that she's made the right choice, until fate ends up deciding for her. Special Features: Serenade for Three
A sex symbol becomes a thing", says Marilyn Monroe, her voice being approximated by Trudi Jo Marie Keck, who also doubles as the editor of We Remember Marilyn, an historical appreciation of the life of the much-vaunted sex goddess. "I always thought symbols were things you clashed together", she continues to muse, "but if I'm going to be a symbol of anything, I'd rather it be sex than some other things there are symbols for. I know how they'll remember me: 'Here lies Marilyn Monroe, 34-24-36'. But, anyway, they'll remember me." And remember her they do, in this concoction written and directed by Ted Newsom (Ed Wood--Look Back in Angora). Newsom doesn't bother to cite the source for the above words ascribed to Ms. Monroe so it's hard to say where they came from, but they pointedly set the tone for any discussion of sex-symbol iconography. And how better to sum up a career that moved between celebrity and the highest seats of power on a vehicle of sex, and ended early and abruptly. Film clips, photos (where Marilyn the icon truly shone), and a rich array of stock footage form the backdrop for the proceedings. At one point, the voice of director John Huston enriches the soundtrack. --Jim Gay, Amazon.com
With Betty Fisher and Other Stories, writer-director Claude Miller follows the examples of Claude Chabrol and Pedro Almodóvar in adapting a Ruth Rendell novel to the screen. In this case the original novel, The Tree of Hands, has been translated seamlessly and stylishly to a Parisian setting. The plot interweaves a complexity of characters and stories, but the central thread concerns the eponymous Betty, a novelist whose young son dies while her disturbed mother Margot is staying with her. Margot, with terrifying directness, calmly abducts another child of similar age to replace the dead boy. From this loopy act there stems a whole series of consequences and side-effects involving a widening and socially diverse circle of people across the city. Miller lucidly traces his way through the intricate story with cool, ironic humour and a sure touch for the different social milieus. Once or twice the plot strains credulity--bringing three major characters together by chance for the showdown at Charles de Gaulle airport is just a little too convenient--but most of the time the social and emotional cross-currents are deftly navigated. As Betty, Sandrine Kiberlain gives an almost painfully vulnerable performance, as if she lacks several layers of skin, while Nicole Garcia makes her mother Margot into a monster of overriding, self-pitying egomania. Their scenes together carry the weight of a whole lifetime of ill-suppressed mutual aversion. As with Rendell's novels, it's endlessly fascinating to watch these people, but you feel very glad you dont know them. --Philip Kemp
You've never seen a sex comedy quite like The Decline of the American Empire. That's because there's no sex in this comedy--just a lot of entertaining talk about it (and a few discreet flashbacks). The speakers are eight Montreal academics. For most of the film, the men--Rémy (Rémy Girard), Claude (Yves Jacques), Pierre (Pierre Curzi), and Alain (Daniel Brière)--fix dinner while talking about sex. The women--Dominique (Dominique Michel), Louise (Dorothée Berryman), Diane (Louise Portal), and Danielle (Geneviève Rioux)--work out while talking about sex. That evening, they all gather for dinner... and talk about sex. The Decline of the American Empire made the reputation of writer-director Denys Arcand, but his greatest success would arrive 17 years later with The Barbarian Invasions. In that 2003 Oscar-winner, Arcand revisits the lovably loquacious characters from the first film, all of whom are older, wiser--and just as obsessed with sex. --Kathleen C. Fennessy
Please wait. Loading...
This site uses cookies.
More details in our privacy policy