4 X SHARPER THAN HD When a ruthless mastermind known as Khan (Benedict Cumberbatch) declares a one-man war on the Federation, Captain Kirk (Chris Pine), Spock (Zachary Quinto), and the daring crew of the U.S.S. Enterprise will embark on the greatest manhunt in history. It will take all of their skills and teamwork to defend Earth and eliminate Khan's threat in J.J. Abrams' exhilarating belter of a blockbuster (The Sun). DISC ONE: 4K ULTRA HD MOVIE DISC TWO: BLU-RAY⢠MOVIE + BONUS FEATURES Creating the Red Planet Attack on Starfleet The Klingon Home World The Enemy of My Enemy Ship to Ship Brawl by the Bay
Explore sanity and real-life horrors in the macabre Briarcliff insane asylum. The second instalment of the award winning psychosexual horror series. Set in 1964, American Horror Story: Asylum takes viewers into a Church-run haven for the criminally insane, ruled with an iron fist by Sister Jude (Jessica Lange), a nun with a troubled past. This grisly tale begins in present day when Leo and Teresa, the unsuspecting newlyweds, choose to spend their honeymoon within the safe haven of a now abandoned asylum. Or is it... once inside, the pair is thrust into a gruesome fight for their lives as the story flashes back to 1964. Originally a tuberculosis ward, Briarcliff Manor, western Massachusetts, was brought by the Catholic Church and transformed into a chilling insane asylum. Monsignor Timothy O'Hara (Joseph Fiennes) and the formidable Sister Jude (Jessica Lange) are in charge with the help of Sister Eunice (Lily Rabe).
Few actresses can play frothy and ditzy as well as Anna Faris, star of the fizzy What's Your Number?. Faris's easy ability to fly along on the wispiest of plot threads, staying likable all the way, is harder than it looks, and Faris's talent makes What's Your Number? a fun, saucy date-night trifle. Faris plays Ally Darling, a woman who's had 20 boyfriends, and makes the mistake of reading a women's magazine article that says that a woman who has had more than 20 lovers has a harder time ultimately marrying. Ally then wonders if one of her "magic 20" might have been The One, and sets about to track them all down. What's Your Number? has a talented cast surrounding Faris, including Blythe Danner as her wedding-obsessed mum, Joel McHale as a former boss (and possible new "number"), and the gorgeous Chris Evans as Colin, Ally's neighbour. Ally and Colin strike up a friendship while she tries to track down her exes, and of course the viewer can see they are perfect for each other long before the script allows them to. Faris and Evans are winning and cunning, and manage to rise above the script that emulates the raunch of Bridesmaids but mostly sidesteps that film's giant heart. But it's not for lack of Faris's trying--she's irresistible, hilarious, and touchingly vulnerable. Her performance in What's Your Number? is a perfect 10. --A.T. Hurley
Star TrekIntroduces five stand-alone stories that take you on an intriguing adventures each focusing on an alien species that has come into contact - and often conflict - with the Federation of Planets.Star Trek Into Darkness Boxse
American Horror Story: Coven tells the secret history of witches and witchcraft in America. Over three hundred years have passed since the turbulent days of Salem and those who managed to escape are now facing extinction. Mysterious attacks have been escalating against their kind and young girls are being sent away to a special school in New Orleans to learn how to protect themselves. Wrapped up in the turmoil is new arrival Zoe who is harboring a terrifying secret of her own. Alarmed by the recent aggression Fiona the long-absent Supreme sweeps back into town determined to protect the Coven and hell-bent on decimating anyone who gets in her way.
J.J. Abrams' 2009 feature film was billed as "not your father's Star Trek," but your father will probably love it anyway. And what's not to love? It has enough action, emotional impact, humor, and sheer fun for any moviegoer, and Trekkers will enjoy plenty of insider references and a cast that seems ideally suited to portray the characters we know they'll become later. Both a prequel and a reboot, Star Trek introduces us to James T. Kirk (Chris Pine of The Princess Diaries 2), a sharp but aimless young man who's prodded by a Starfleet captain, Christopher Pike (Bruce Greenwood), to enlist and make a difference. At the Academy, Kirk runs afoul of a Vulcan commander named Spock (Zachary Quinto of Heroes), but their conflict has to take a back seat when Starfleet, including its new ship, the Enterprise, has to answer an emergency call from Vulcan. What follows is a stirring tale of genocide and revenge launched by a Romulan (Eric Bana) with a particular interest in Spock, and we get to see the familiar crew come together, including McCoy (Karl Urban), Uhura (Zoe Saldana), Sulu (John Cho), Chekhov (Anton Yelchin), and Scottie (Simon Pegg).The action and visuals make for a spectacular big-screen movie, though the plot by Abrams and his writers, Roberto Orci and Alex Kurtzman (who worked together on Transformers and with Abrams on Alias and Mission Impossible III), and his producers (fellow Losties Damon Lindeloff and Bryan Burk) can be a bit of a mind-bender (no surprise there for Lost fans). Hardcore fans with a bone to pick may find faults, but resistance is futile when you can watch Kirk take on the Kobayashi Maru scenario or hear McCoy bark, "Damnit, man, I'm a doctor, not a physicist!" An appearance by Leonard Nimoy and hearing the late Majel Barrett Roddenberry as the voice of the computer simply sweeten the pot. Now comes the hard part: waiting for some sequels to this terrific prequel. --David Horiuchi
All 20 episodes from the first two seasons of the American drama series adapted from the Joe Hill novel. Teenage artist Vic McQueen (Ashleigh Cummings) discovers that she has a special ability that allows her to transport into other realms and recover lost items. As her family life falls apart Vic becomes involved in a war with Charlie Manx (Zachary Quinto), a demon who kidnaps children in order to harness their energy to keep himself young. Season 1 episodes are: 'The Shorter Way', 'The Graveyard of What Might Be', 'The Gas Mask Man', 'The House of Sleep', 'The Wraith', 'The Dark Tunnels', 'Scissors for the Drifter', 'Parnassus', 'Sleigh House' and 'Gunbarrel'. Season 2 episodes are: 'Bad Mother', 'Good Father', 'The Night Road', 'The Lake House', 'Bruce Wayne McQueen', 'The Hourglass', 'Cripple Creek', 'Chris McQueen', 'Welcome to Christmasland' and 'Bats'.
Synopsis TBC
Few actresses can play frothy and ditzy as well as Anna Faris, star of the fizzy What's Your Number?. Faris's easy ability to fly along on the wispiest of plot threads, staying likable all the way, is harder than it looks, and Faris's talent makes What's Your Number? a fun, saucy date-night trifle. Faris plays Ally Darling, a woman who's had 20 boyfriends, and makes the mistake of reading a women's magazine article that says that a woman who has had more than 20 lovers has a harder time ultimately marrying. Ally then wonders if one of her "magic 20" might have been The One, and sets about to track them all down. What's Your Number? has a talented cast surrounding Faris, including Blythe Danner as her wedding-obsessed mum, Joel McHale as a former boss (and possible new "number"), and the gorgeous Chris Evans as Colin, Ally's neighbour. Ally and Colin strike up a friendship while she tries to track down her exes, and of course the viewer can see they are perfect for each other long before the script allows them to. Faris and Evans are winning and cunning, and manage to rise above the script that emulates the raunch of Bridesmaids but mostly sidesteps that film's giant heart. But it's not for lack of Faris's trying--she's irresistible, hilarious, and touchingly vulnerable. Her performance in What's Your Number? is a perfect 10. --A.T. Hurley
Star TrekJ.J. Abrams' 2009 feature film was billed as "not your father's Star Trek," but your father will probably love it anyway. And what's not to love? It has enough action, emotional impact, humor, and sheer fun for any moviegoer, and Trekkers will enjoy plenty of insider references and a cast that seems ideally suited to portray the characters we know they'll become later. Both a prequel and a reboot, Star Trek introduces us to James T. Kirk (Chris Pine of The Princess Diaries 2), a sharp but aimless young man who's prodded by a Starfleet captain, Christopher Pike (Bruce Greenwood), to enlist and make a difference. At the Academy, Kirk runs afoul of a Vulcan commander named Spock (Zachary Quinto of Heroes), but their conflict has to take a back seat when Starfleet, including its new ship, the Enterprise, has to answer an emergency call from Vulcan. What follows is a stirring tale of genocide and revenge launched by a Romulan (Eric Bana) with a particular interest in Spock, and we get to see the familiar crew come together, including McCoy (Karl Urban), Uhura (Zoe Saldana), Sulu (John Cho), Chekhov (Anton Yelchin), and Scottie (Simon Pegg). The action and visuals make for a spectacular big-screen movie, though the plot by Abrams and his writers, Roberto Orci and Alex Kurtzman (who worked together on Transformers and with Abrams on Alias and Mission Impossible III), and his producers (fellow Losties Damon Lindeloff and Bryan Burk) can be a bit of a mind-bender (no surprise there for Lost fans). Hardcore fans with a bone to pick may find faults, but resistance is futile when you can watch Kirk take on the Kobayashi Maru scenario or hear McCoy bark, "Damnit, man, I'm a doctor, not a physicist!" An appearance by Leonard Nimoy and hearing the late Majel Barrett Roddenberry as the voice of the computer simply sweeten the pot. Now comes the hard part: waiting for some sequels to this terrific prequel. --David Horiuchi Star Trek Into DarknessA good portion of Trekkies (or Trekkers, depending on one's level of Star Trek obsession) have special affection for episodes of the original TV series that related to Earth and other-Earth cultures visited by the crew of the Enterprise, version 1.0. Some of the shows unfolded in distorted forms of the past, some in the present day of Star Trek's future reality. Director J.J. Abrams recognised the importance of this relationship in his origin-story reboot of the franchise in 2009, and in Star Trek Into Darkness he has made it an even greater touchstone to the roots of Star Trek creator Gene Roddenberry's defining philosophy from nearly 50 years ago. The human home world is key to the plot of this spectacularly bold leap into Star Trek lore, which cleverly continues along the alternate path that was established as separate from the "original" Star Trek universe in Abrams's first whiz-bang crack at advancing the mythology. But it's not just Earth that is cool and imperiled in this rendering of adventure in the 23rd century; Into Darkness also plays with the original conceit that Earthlings were member to a multi-species United Federation of Planets ruled by a "Prime Directive" of noninterference with other civilisations. The conflict comes when rogue elements in the Earth-based Starfleet Command hunger to shift focus from peaceful exploration to militarisation, a concept that is anathema to the crew of the Enterprise and her ongoing mission. The new cast is again inventively reunited, each of them further investing their characters with traits that reveal novel acting choices while staying true to the caricatures that are ingrained in our popular culture. The interplay between Chris Pine as Kirk and Zachary Quinto as Spock is deeper, and Zoe Saldana as Uhura is a solid third in their relationship. John Cho (Sulu), Simon Pegg (Scotty), Anton Yelchin (Chekov), and Karl Urban (McCoy) all have standout roles in the overall ensemble mystique as well as the plot-heavy machinations of this incarnation's narrative. Fortunately, the burdens of the story are well served by some important additions to the cast. Benedict Cumberbatch's Shakespearean aura, ferociously imperious gaze, and graceful athleticism make him a formidable villain as the mysterious Starfleet operative John Harrison. Harrison has initiated a campaign of terror on Earth before leading the Enterprise to even greater dangers in the enemy territory of Klingon-controlled space. That his background may make dedicated Trekkies/Trekkers gasp is just one acknowledgment of the substantial and ingrained legacy Star Trek has borne. There are many references, nods and winks to those with deep reverence for the folklore (some of them perhaps a little too close to being inside-baseball), though the fantastical and continually exciting story stands as an expertly crafted tale for complete neophytes. Another new face is Peter Weller--iconically famous in sci-fi-dom as RoboCop--here playing a steely, authoritative Starfleet bigwig who may also be following a hidden agenda. Not only is he running a covert operation, he's also at the helm of a fearsome secret starship that looms over the Enterprise like a shark poised to devour its prey. Which brings us to the awesome CGI effects driving the dazzling visual style of Into Darkness and the endlessly fascinating cosmos it makes real. The wow factor extends from the opening set piece on an alien world of primitive humanoids, garish vegetation, and a roiling volcano to the finale of destruction in a future San Francisco that is elegantly outfitted with gleaming-spired skyscrapers and all manner of flying vehicles. (London also gets a breathtaking 23rd-century makeover). With a coolness that glistens in every immaculately composed shot, the movie never forgets that humanism and creativity make the myriad design details and hyper-technology pop out as much more than eye candy. The biggest achievement of Star Trek Into Darkness is that it hews to the highest standard of a highly celebrated tradition. Though Kirk and co. may bend it a little, the Prime Directive remains unbroken. --Ted Fry
American Horror Story: Coven tells the secret history of witches and witchcraft in America. Over three hundred years have passed since the turbulent days of Salem and those who managed to escape are now facing extinction. Mysterious attacks have been escalating against their kind and young girls are being sent away to a special school in New Orleans to learn how to protect themselves. Wrapped up in the turmoil is new arrival Zoe who is harboring a terrifying secret of her own. Alarmed by the recent aggression Fiona the long-absent Supreme sweeps back into town determined to protect the Coven and hell-bent on decimating anyone who gets in her way.
Explore sanity and real-life horrors in the macabre Briarcliff insane asylum. The second instalment of the award winning psychosexual horror series. Set in 1964, American Horror Story: Asylum takes viewers into a Church-run haven for the criminally insane, ruled with an iron fist by Sister Jude (Jessica Lange), a nun with a troubled past. This grisly tale begins in present day when Leo and Teresa, the unsuspecting newlyweds, choose to spend their honeymoon within the safe haven of a now abandoned asylum. Or is it... once inside, the pair is thrust into a gruesome fight for their lives as the story flashes back to 1964. Originally a tuberculosis ward, Briarcliff Manor, western Massachusetts, was brought by the Catholic Church and transformed into a chilling insane asylum. Monsignor Timothy O'Hara (Joseph Fiennes) and the formidable Sister Jude (Jessica Lange) are in charge with the help of Sister Eunice (Lily Rabe).
Star TrekJ.J. Abrams' 2009 feature film was billed as "not your father's Star Trek," but your father will probably love it anyway. And what's not to love? It has enough action, emotional impact, humor, and sheer fun for any moviegoer, and Trekkers will enjoy plenty of insider references and a cast that seems ideally suited to portray the characters we know they'll become later. Both a prequel and a reboot, Star Trek introduces us to James T. Kirk (Chris Pine of The Princess Diaries 2), a sharp but aimless young man who's prodded by a Starfleet captain, Christopher Pike (Bruce Greenwood), to enlist and make a difference. At the Academy, Kirk runs afoul of a Vulcan commander named Spock (Zachary Quinto of Heroes), but their conflict has to take a back seat when Starfleet, including its new ship, the Enterprise, has to answer an emergency call from Vulcan. What follows is a stirring tale of genocide and revenge launched by a Romulan (Eric Bana) with a particular interest in Spock, and we get to see the familiar crew come together, including McCoy (Karl Urban), Uhura (Zoe Saldana), Sulu (John Cho), Chekhov (Anton Yelchin), and Scottie (Simon Pegg). The action and visuals make for a spectacular big-screen movie, though the plot by Abrams and his writers, Roberto Orci and Alex Kurtzman (who worked together on Transformers and with Abrams on Alias and Mission Impossible III), and his producers (fellow Losties Damon Lindeloff and Bryan Burk) can be a bit of a mind-bender (no surprise there for Lost fans). Hardcore fans with a bone to pick may find faults, but resistance is futile when you can watch Kirk take on the Kobayashi Maru scenario or hear McCoy bark, "Damnit, man, I'm a doctor, not a physicist!" An appearance by Leonard Nimoy and hearing the late Majel Barrett Roddenberry as the voice of the computer simply sweeten the pot. Now comes the hard part: waiting for some sequels to this terrific prequel. --David Horiuchi Star Trek Into DarknessA good portion of Trekkies (or Trekkers, depending on one's level of Star Trek obsession) have special affection for episodes of the original TV series that related to Earth and other-Earth cultures visited by the crew of the Enterprise, version 1.0. Some of the shows unfolded in distorted forms of the past, some in the present day of Star Trek's future reality. Director J.J. Abrams recognised the importance of this relationship in his origin-story reboot of the franchise in 2009, and in Star Trek Into Darkness he has made it an even greater touchstone to the roots of Star Trek creator Gene Roddenberry's defining philosophy from nearly 50 years ago. The human home world is key to the plot of this spectacularly bold leap into Star Trek lore, which cleverly continues along the alternate path that was established as separate from the "original" Star Trek universe in Abrams's first whiz-bang crack at advancing the mythology. But it's not just Earth that is cool and imperiled in this rendering of adventure in the 23rd century; Into Darkness also plays with the original conceit that Earthlings were member to a multi-species United Federation of Planets ruled by a "Prime Directive" of noninterference with other civilisations. The conflict comes when rogue elements in the Earth-based Starfleet Command hunger to shift focus from peaceful exploration to militarisation, a concept that is anathema to the crew of the Enterprise and her ongoing mission. The new cast is again inventively reunited, each of them further investing their characters with traits that reveal novel acting choices while staying true to the caricatures that are ingrained in our popular culture. The interplay between Chris Pine as Kirk and Zachary Quinto as Spock is deeper, and Zoe Saldana as Uhura is a solid third in their relationship. John Cho (Sulu), Simon Pegg (Scotty), Anton Yelchin (Chekov), and Karl Urban (McCoy) all have standout roles in the overall ensemble mystique as well as the plot-heavy machinations of this incarnation's narrative. Fortunately, the burdens of the story are well served by some important additions to the cast. Benedict Cumberbatch's Shakespearean aura, ferociously imperious gaze, and graceful athleticism make him a formidable villain as the mysterious Starfleet operative John Harrison. Harrison has initiated a campaign of terror on Earth before leading the Enterprise to even greater dangers in the enemy territory of Klingon-controlled space. That his background may make dedicated Trekkies/Trekkers gasp is just one acknowledgment of the substantial and ingrained legacy Star Trek has borne. There are many references, nods and winks to those with deep reverence for the folklore (some of them perhaps a little too close to being inside-baseball), though the fantastical and continually exciting story stands as an expertly crafted tale for complete neophytes. Another new face is Peter Weller--iconically famous in sci-fi-dom as RoboCop--here playing a steely, authoritative Starfleet bigwig who may also be following a hidden agenda. Not only is he running a covert operation, he's also at the helm of a fearsome secret starship that looms over the Enterprise like a shark poised to devour its prey. Which brings us to the awesome CGI effects driving the dazzling visual style of Into Darkness and the endlessly fascinating cosmos it makes real. The wow factor extends from the opening set piece on an alien world of primitive humanoids, garish vegetation, and a roiling volcano to the finale of destruction in a future San Francisco that is elegantly outfitted with gleaming-spired skyscrapers and all manner of flying vehicles. (London also gets a breathtaking 23rd-century makeover). With a coolness that glistens in every immaculately composed shot, the movie never forgets that humanism and creativity make the myriad design details and hyper-technology pop out as much more than eye candy. The biggest achievement of Star Trek Into Darkness is that it hews to the highest standard of a highly celebrated tradition. Though Kirk and co. may bend it a little, the Prime Directive remains unbroken. --Ted Fry
A perfect stranger. The boy next door. A sparring partner. A friend from abroad. Boys on Film presents eight encounters from across the globe, where the dangerous allure of a risky attraction yields emotional results - proving that the age-old adage of taking the plunge is as relevant - and sexy - as ever before.
Season One It's hard to remember a science fiction series that has hit so big so quickly. Yet by the end of the first series of Heroes, it feels - for all the right reasons - that the show's been around for longer than it has, such is the huge amount of success it's enjoyed. The setup is simple, yet undeniably intriguing. It essentially tells the stories of a series of people who discover they have legitimate, differing superhero powers. On top of that, these people then gradually appreciate that these powers are needed for reasons that soon become apparent, and the story of Heroes builds up from there. Heavily influenced by comics both in its structure and story, Heroes sustains interest through a number of story arcs of different magnitudes, skillfully weaving them throughout the 23 episodes that make up the season. It's contained enough to keep you interested, yet offers enough threads to make several more seasons a very appealing prospect. Heroes, though, really gels because the basics are right. It's plotted intelligently, written and directed with real nerve and talent, and has a cast who you can't help but get emotionally involved with. It's also, for the overwhelming majority of its episodes, utterly compelling television. Ironically, its few miss-steps of any note come right at the back end, by which time you really would forgive it pretty much anything. Heroes is rightly being heralded as a sci-fi classic in the making. Yet even if subsequent seasons don't fully do justice to those words - and at the time of writing, season two is still some way from debuting - this boxset will serve as a glowing testament to just how good television can be when it's just done right. Season Two Truncated to a slim 11 episodes as a result of the writers' strike that was ongoing in America during its production, Heroes' second season nonetheless packs enough in to keep the momentum rolling on one of the most exciting Stateside shows of the moment. Heroes is, at heart, the comic book tale of a varied group of people, each with special powers that they struggle to come to terms with. With such powers, of course, come troubling foes and situations to face, and that proves to be the case here. So this time, we pick up four months after the events of the first series, and there's the small matter of the Shanti virus to contend with. This provides the main thrust for the series' story arc, and allows room for several interesting sub-plots to develop too. Yet while, in the world of Heroes, you suspect that this second series will never rank with the best, there's easily enough here to justify the asking price, and the show emerges easily with its reputation intact. Even when it's not at the top of its game, Heroes is exciting, interesting and polished entertainment. Season Three There's a lot that's fitted in to Heroes' third season, a run that tried valiantly to correct some of the problems that the show encountered with its less-than-successful second series. Season three features two volumes of the Heroes story, Villains and Fugitives, but once more it gets off to a bumpy start. The early stages of Heroes' third season suffer from many of the problems that plagued season two, as it tries to deal with the threads that were left behind. But the show finally finds its feet as it heads towards the back end of the series, with a genuine feeling returning that the show knows exactly which way it's going again. Characters begin to find out more about one another, there's a bit more of a grounding in some kind of reality, and finally a narrative thrust that scoops back up many who have been left baffled by the direction that Heroes has taken since its terrific maiden season. And it's good to see the show back on form. Even in its weaker moments, Heroes' production values were sky high, and there are many genuinely impressive sequences thrown in your direction over the course of season three. But most impressive of all is the feeling that the show has dug itself out of the hole that it managed to find itself in, and courtesy of an impressive rally at its back end, season three is certainly worth picking up. Even if you might need to grit your teeth a bit in the early stages... Season Four Experience all the explosive action and shocking twists in Heroes Season 4.
4 X SHARPER THAN HD From Director Justin Lin and Producer J.J. Abrams comes one of the best-reviewed action movies of the year. Dispatched on a rescue mission to the farthest reaches of space, the USS Enterprise is ambushed by Krall, a ruthless enemy sworn against the Federation. Crash-landing on an uncharted hostile world, Captain Kirk, Spock and the crew are separated with no means of escape. Only Jaylah, a rebellious alien warrior, can help them reunite and find a way off the planet in a race against time to stop Krall's deadly army from triggering all-out galactic war. DISC ONE: 4K ULTRA HD MOVIE DISC TWO: BLU-RAY⢠MOVIE + BONUS FEATURES Deleted Scenes Beyond the Darkness: Story Origins Enterprise Takedown: Destroying an Icon Trekking in the Desert: On Location in Dubai To Live Long and Prosper: 50 Years of Star Trek For Leonard and Anton AND MORE!
From three-time Oscar-winner, Oliver Stone, SNOWDEN is a riveting personal look at one of the most polarising figures of the 21st century, the man responsible for what has been described as the most far-reaching security breach in U.S. intelligence history. Click Images to Enlarge
Introducing Ultra HD. 4 Times Sharper than HD. Offers Brilliant Brights and Deepest Darks with HDR (High Dynamic Range) and Wider Colour Spectrum adding Dazzling Colours to your viewing experience. Hitman: Agent 47 is now available in this new format. Rupert Friend stars in this exhilarating action adventure based on the award-winning video game series. A genetically engineered assassin with superhuman abilities, 47(Friend), and an equally gifted young woman (Hannah Ware) turn the tables on a sinister organisation that's out to create an army of unstoppable killers. Also starring Zachary Quinto, this spectacular fi lm, filled with breathtaking effects, will keep you on the edge of your seat from start to finish!
A chronicle of the early days of James T. Kirk and his fellow USS Enterprise crewmembers.
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