A frank exploration of voyeurism and violence Michael Powell's extraordinary film is the story of a psychotic camerman--his childhood traumas sexual crises and murderous revenge. Reviled by critics upon its initial release for its deeply unsettling subject matter the film has since been hailed as a masterpiece.
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Michael Powell's controversial serial killer classic. A clean-cut focus puller (Carl Boehm) at the local film studio supplements his wages by taking girly photographs in a seedy studio above a newsagent. By night he is a sadistic killer, stalking his victims with his camera forever in his hand trying to capture the look of genuine, unadulterated fear. On its initial release the film, now regarded as a masterpiece of the British horror movement, was savaged by critics and public alike. The fearsome reaction went a long way to ruining director Powell's career and the movie was unavailable for many years.
Michael Powell's controversial meditation on violence and voyeurism effectively destroyed his career when it was first released, but later generations have come to regard it as a masterpiece.
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