After a series of murders bearing all the markings of the Jigsaw killer, law enforcement find themselves chasing the ghost of a man dead for over a decade and embroiled in a new game that's only just begun. Is John Kramer back from the dead to remind the world to be grateful for the gift of life? Or is this a trap set by a killer with designs of their own? Features: Audio Commentary with Producers Mark Burg, Oren Koules and Peter Block I Speak for the Dead: The Legacy of Saw The Choice is Yours: Exploring the Props
A KNIGHT'S TALE is the rousing story of lowborn William Thatcher's quest to change his stars, win the heart of a fair maiden, & rock his medieval world.
An intoxicating, time-bending experience bathed in the golden glow of oil lamps and wreathed in an opium haze, this gorgeous period reverie by HOU HSIAO-HSIEN (The Assassin) traces the romantic intrigue, jealousies, and tensions swirling around four late-nineteenth-century Shanghai flower houses, where the courtesans live confined to a gilded cage, ensconced in opulent splendour but forced to work to buy back their freedom. Among the regular clients is the taciturn Master Wang (In the Mood for Love's TONY LEUNG CHIU-WAI), whose relationship with his long time mistress (The Mystery of Rampo's MICHIKO HADA) is roiled by a perceived act of betrayal. Composed in a languorous procession of entrancing long takes, Flowers of Shanghai evokes a vanished world of decadence and cruelty, an insular universe where much of the dramatic action remains tantalizingly offscreeneven as its emotional fallout registers with quiet devastation. Special Features: New, restored 4K digital transfer, supervised by director Hou Hsiao-hsien and director of photography Mark Lee Ping-bing, with 5.1 surround DTS-HD Master Audio soundtrack New introduction by critic Tony Rayns Beautified Realism, a new documentary by Daniel Raim and Eugene Suen on the making of the film, featuring behind-the-scenes footage and interviews with Lee, producer and editor Liao Ching-sung, production designer Huang Wen-ying, and sound recordist Tu Duu-chih Excerpts from a 2015 interview with Hou, recorded for the Academy of Motion Picture Arts and Sciences' Oral History Project Trailer English subtitle translation by Rayns PLUS: An essay by film scholar Jean Ma and a 2009 interview with Hou conducted by scholar Michael Berry
Gay Rights Activist. Friend. Lover. Unifier. Politician. Fighter. Icon. Inspiration. Hero. His life changed history, and his courage changed lives.
Though this film is a relatively minor one in the massive canon of Peter Sellers, it has moments of absolute hilarity. Written and directed by Blake Edwards, one of Sellers' most fertile collaborators, the film stars Sellers as a would-be actor from India (let them try to get away with that today) who is a walking disaster area. After ruining a day's shooting as an extra on a film, he finds himself unintentionally invited to a big Hollywood party. That's pretty much it as far as plot goes, but Edwards and Sellers know how to milk a simple idea for an unending string of slapstick gags. The result is a film that is episodic and sketchy but also frequently loony in an inspired way. --Marshall Fine
It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi himself is just a bit dull--such is the fate of an Everydeer--his rabbit sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert Horton
Valentine Wilmot, the owner of the popular Piccadilly Club finds his lead male attraction, Victor Smiles (Cyril Ritchard) has quit and that the public has judged Victor's partner Mabel as over the hill. Though they are lovers, Valentine must find another dancer to replace Mabel or face an uncertain future. When a customer (Charles Laughton in his first feature film) complains of a dirty dish, Valentine discovers the answer to all his problems down in the club's scullery After many years of supporting roles in Hollywood, Anna May Wong left for Europe in search of better roles. And did she find one. Her electric, sexuallycharged performance in Piccadilly is a revelation. The camera adores her, and against Alfred Junge's astonishing set design, her beauty glows in every frame. Piccadilly was the brilliant apex to Dupont's trilogy of backstage life (Varieté and Moulin Rouge), showcasing the director's signature mix of great acting, amazing imagery and astonishing camera movements. Special Features Remastered by the BFI National Archive and presented in High Definition Talk of the Town (2021): an in-depth interview with film critic, author and filmmaker Jasper Sharp on the life and career of Anna May Wong Piccadilly: A Video Essay (2021): a newly recorded video essay by BFI curator and silent film expert Bryony Dixon Cosmopolitan London (1924, 10 mins) Neil Brand on composing for Piccadilly (2004, 20 mins): the composer discusses his score for the film Prologue from the sound version of the film (5 mins) Newly commissioned sleeve art by David Downton **FIRST PRESSING ONLY** Fully illustrated booklet with new writing on the film by BFI curator Bryony Dixon and an essay on the score by Neil Brand
From Jacques Tourneur director of numerous horror classics including Cat People I Walked with a Zombie and Night of the Demon comes The Comedy of Terrors – a gleefully macabre tale which brings together genre greats Vincent Price Peter Lorre and Boris Karloff. Price plays Waldo Trumbull a perpetually inebriated down-on-his-luck undertaker who has struck on an interesting way to boost business – by hastening the deaths of those whom he buries. When landlord Mr. Black (Basil Rathbone) threatens to put him out on the street for falling behind with the rent Trumbull together with his reluctant and bumbling assistant Felix Gillie (Lorre) hatches an ill-advised plan to “kill two birds with one stone” so to speak… The penultimate directorial effort from Tourneur The Comedy of Terrors bears many of the hallmarks of the master filmmaker’s earlier works whilst adding a healthy dash of humour to the proceedings. Careful – you might just die laughing!
Michele Soavi, the director of THE CHURCH and THE SECT, now sears our retinas and our emotions with his cool, sexy DELLAMORTE DELLAMORE, for the first time on Shameless Blu-ray! This remastered HD version finally does justice to his undisputed Grand Guignol masterpiece and to the luscious visions of Anna Falchi and dreamy Rupert Everett. Meet Francesco Dellamorte (Rupert Everett), the cemetery-man, gravedigger and guardian of the mythical Buffalora Cemetery where the dead just don t stay dead. Seven days after burial, the fresh cadavers claw their way out of their coffins looking for flesh to eat. And it s Francesco s job to dispatch these Returners before they escape into the local community. But his quest to stop the dead from invading the world of the living falters when he falls in love with a beautiful and enigmatic widow visiting her husband s crypt. For when he kills her by mistake, and is cursed to see her face for eternity, the difference between being alive and dead become chillingly confused in his shocked and romantically damaged brain. Features: DELLAMORTE DELLAMORE is presented in a remastered HD version, for the first time on Shameless Blu-ray! New interview with writer-producer Gianni Romoli New interview with SFX genius Sergio Stivaletti Audio Commentary & Fact-Track by director Michele Soavi & writer Gianni Romoli English Audio & Optional Italian Audio with revised English Subtitles Collector s reversible inlay sleeve with original poster artwork
Because every 27 years evil revisits the town of Derry, Maine, IT Chapter Two brings the characterswho've long since gone their separate waysback together as adults, nearly three decades after the events of the first film.
The story within a story of Watchmen Tales Of The Black Freighter is a gruesome 25 minute manga-style CG animated pirate story following the lone survivor of an attacked vessel and his desperate journey to safely return home. Based on the comic book within the Watchmen universe it is an example of post-modern Metafiction and a comic-within-a-comic that also serves as a foil for the main plot.
Follow the Money takes us into the world of economic crime in the banks, on the stock exchanges, and in the board rooms. It is the story of speculators, swindlers, corporate moguls and the crimes they commit in their hunt for wealth. It is also the story of us human beings, the rich, the poor, the greedy and the fraudulent who ll go to any lengths to build the lives of their dreams. When a dead body is found in the sea near a wind farm off the coast of Denmark, Mads, the police detective assigned to the investigation, refuses to believe that it is just an accident. The deeper he digs, the more suspicious he becomes of quickly expanding energy company Energen, and he is drawn into a morass of shady financial and legal dealings.
Manhunt II: The Night Stalker, a four part drama, is the real life story of the police pursuit of a notorious serial rapist, whose 17 year reign of terror left thousands of elderly people in south east London living in fear. It is based on the diaries of Colin Sutton.
Academy Award nominee Barbara Hershey stars as Carla Moran, a hard-working single mother who, one terrible night is raped in her bedroom by someone or something that she cannot see. Met with sceptical psychiatrists, she is repeatedly attacked in her car, in the bath, and in front of her children. Could this be a case of hysteria, a manifestation of childhood sexual trauma, or something even more horrific? Now, with a group of daring parapsychologists, Carla will attempt an unthinkable experiment: to seduce, trap and ultimately capture the depraved spectral fury that is The Entity. Eureka Entertainment is proud to present this ground-breaking horror on Blu-ray. Special Features: Optional English subtitles for the deaf and hard-of-hearing Trailer
For his first foray into horror cinema the genre in which he would ensure his legacy Norman J Warren teamed up with critic-turned-screenwriter David McGillivray (House of Whipcord) and Hammer veteran Michael Gough (The Phantom of the Opera) for a tale of witchcraft and occultism. Candace Glendenning (Tower of Evil) plays a young woman who witnesses the death of her parents en route to visiting her uncle (played by Gough) and cousin (Martin Potter, Goodbye Gemini). While recovering from the trauma at his isolated estate, she begins to suspect all is not as it seems and that dark magic may be at work Special Features 2K restoration, supervised and approved by director Norman J Warren Original mono audio Two presentations of the film: the director's cut (89 mins); and the export version (90 mins) Audio commentary with Warren and screenwriter David McGillivray (2004) Audio commentary with Warren and composer John Scott (2019) Before the Blood (2019, 29 mins): Warren recalls his earliest experiences in the film industry All You Need Is Blood (1976, 13 mins): vintage making of' documentary, presented in High Definition for the first time All You Need Is Blood Outtakes (1976, 33 mins): rare and previously unseen footage shot on location Creating Satan (2004, 30 mins): archival documentary featuring interviews with Warren, McGillivray, actor Martin Potter, and others Devilish Music (2004, 13 mins): archival interview with John Scott Two deleted scenes with commentary by Warren Censoring Satan's Slave' (2019, 16 mins): video demonstration of the cuts imposed by the British Board of Film Censors in 1976 Original U' certificate theatrical trailer Original R'-rated theatrical trailer Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard-of-hearing
The incredible story of a hard-working student and the warped way of life that made her go wacky! Virginia Madsen (Candyman, Sideways) and Richard Cox (Cruising) star in this humorous thriller about the bizarre happenings that occur in a prestigious boarding school. It seems to Andrea Miller (Madsen) that the upperclassmen act like robots. They're the perfect students dedicated, involved and loyal. Their clothes are perfectly pressed and their hair is perfectly styled. It seems that the teachers have something to do with this ingratiating behaviour. And when Andrea, the new kid at school, sees her friends turning into clones, she starts to suspect the worst. The film features a great supporting cast including Sherilyn Fenn (Twin Peaks, Ray Donovan), Scott Coffey (Mulholland Drive, Lost Highway) and Paul Feig, who would go on to create the TV series Freaks And Geeks and direct such films as Spy, Bridsmaids and the 2016 remake of Ghostbusters.
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After an unprecedented series of natural disasters threatened the planet, the world's leaders came together to create an intricate network of satellites to control the global climate and keep everyone safe. But now, something has gone wrongthe system built to protect the Earth is attacking it, and it's a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything...and everyone along with it.
As with the great John Ford (Young Mr. Lincoln) before him, it would be out of character for Steven Spielberg to construct a conventional, cradle-to-grave portrait of a historical figure. In drawing from Doris Kearns Goodwin's Team of Rivals, the director instead depicts a career-defining moment in the career of Abraham Lincoln (an uncharacteristically restrained Daniel Day-Lewis). With the Civil War raging, and the death toll rising, the president focuses his energies on passage of the 13th Amendment. Even those sympathetic to the cause question his timing, but Lincoln doesn't see the two issues as separate, and the situation turns personal when his son, Robert (Joseph Gordon-Levitt), chooses to enlist rather than to study law. While still mourning the loss of one son, Mary (Sally Field) can't bear to lose another. Playwright Tony Kushner, who adapted the screenplay, takes a page from the procedural handbook in tracing Lincoln's steps to win over enough representatives to abolish slavery, while simultaneously bringing a larger-than-life leader down to a more manageable size. In his stooped-shoulder slouch and Columbo-like speech, Day-Lewis succeeds so admirably that the more outspoken characters, like congressman Thaddeus Stevens (Tommy Lee Jones) and lobbyist W.N. Bilbo (James Spader), threaten to steal the spotlight whenever they enter the scene, but the levity of their performances provides respite from the complicated strategising and carnage-strewn battlefields. If Lincoln doesn't thrill like the Kushner-penned Munich, there's never a dull moment--though it would take a second viewing to catch all the political nuances. --Kathleen C. Fennessy
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