Al Pacino cuts a noble figure in this very enjoyable drama by director Brian De Palma (Scarface), based on a pair of books by Edwin Torres. Pacino plays a Puerto Rican ex-con trying hard to go straight, but his loyalty to his lowlife attorney (a virtually unrecognisable Sean Penn) and enemies on the street make that choice difficult. Penelope Ann Miller plays, somewhat unlikely, a stripper who has a romance with Pacino's character. The film finds De Palma tempering his more outlandish moves (think of Body Double or Snake Eyes) just as he did with the popular Untouchables and Mission: Impossible. But while Carlito's Way was not as commercially successful as those two movies, it is a genuinely compelling work graced with a fine performance by Pacino and a surprising one from Penn. --Tom Keogh
In medieval times, an army of knights massacre a village of suspected witches and build a gigantic church over mass grave. Now, in the present, the churches new librarian breaks the seal of the crypt, out of curiosity: an action unleashes the spirits beneath it, and triggers the church's ancient automated mechanisms which were installed by builders of the church to trap the spirits and everyone inside.. leaving everyone at the mercy of the reawakening demons!
With Dead Man, his first period piece, JIM JARMUSCH (Down by Law) imagined the nineteenth-century American West as an existential wasteland, delivering a surreal reckoning with the ravages of industrialization, the country's legacy of violence and prejudice, and the natural cycle of life and death. Accountant William Blake (Edward Scissorhands's JOHNNY DEPP) has hardly arrived in the godforsaken outpost of Machine before he's caught in the middle of a fatal lovers' quarrel.Wounded and on the lam, Blake falls under the watch of the outcast Nobody (Powwow Highway's GARY FARMER), a Native American without a tribe, who guides his companion on a spiritual journey, teaching him to dispense poetic justice along the way. Featuring austerely beautiful black-and-white photography by ROBBY MÃLLER and a live-wire score by NEIL YOUNG, Dead Man is a profound and unique revision of the western genre.Special FeaturesNew 4K digital restoration, supervised and approved by director Jim Jarmusch, with 2.0 surround DTS-HD Master Audio soundtrackNew Q&A in which Jarmusch responds to questions sent in by fansRarely seen footage of Neil Young composing and performing the film's scoreNew interview with actor Gary FarmerNew readings of William Blake poems by members of the cast, including Mili Avital, Alfred Molina, and Iggy Pop, accompanied by Jarmusch's location-scouting photosNew selected-scene audio commentary by production designer Bob Ziembicki and sound mixer Drew KuninDeleted scenesTrailerColor photos from the film's productionPlus: Essays by film critic Amy Taubin and music journalist Ben Ratliff
Everything goes to hell for newly pregnant Belinda (Brandy) after her mother-in-law (Kathyrn Hunter) moves in. As the diabolical guest tries to get her claws on the child, Belinda must draw the line somewhere
In this sexy and suspenseful series, Nikita has gone rogue. Division is an ultra-secret government agency whose operatives are recruited young people with severed ties to family, friends and society. Trained to be invisible assassins, no one ever leaves Division-except the charming and deadly Nikit
A lonely writer develops an unlikely relationship with his newly purchased operating system that's designed to meet his every need.
Six all time classic movies form the pens of two of the greatest collaborators in movie history. Titles Comprise:The Sound of MusicThe King and ISouth PacificOklahoma!CarouselState Fair
Fletch is a fairly sarcastic and occasionally very funny Chevy Chase vehicle scripted by Andrew Bergman (Blazing Saddles, The Freshman, Honeymoon in Vegas) from Gregory McDonald's lightweight mystery novel about an undercover newspaper reporter cracking a police drug ring. Enjoyment of the film pivots on whether you find Chase's flippant, smart-ass brand of verbal humour funny, or merely egocentric. If you don't like Chase, there's really no one else worth watching (Geena Davis is sadly underused). Chase seems born to play IM "Fletch" Fletcher, a disillusioned investigative reporter whose cynicism and detached view on life mirrors the actor's understated approach to comedy. Fletcher offers Chase the opportunity to adopt numerous personas, as his job requires numerous (bad) physical disguises, and much of film's humour centres on the ridiculous idea that any of these phoney accents or bad hairpieces could fool anyone. These not-so-clever disguises are put to use when Fletch becomes involved in the film's smart but continually self-mocking two-part mystery. As well as trying to gather drug-smuggling evidence against the LAPD for a long-overdue newspaper story, a rich and apparently terminally ill stranger also offers Fletch a large payoff to kill him. While the film does a fairly good job juggling both of these plots, not to mention tossing in a love interest as well, they're subservient, for better or worse, to Chase's memorable one-liners and disguises. Followed by two forgettable sequels that lack both the original's wit and Chase's attention span.--Dave McCoy, Amazon.com
!Peter Greenaway became a director of international status with this witty, stylised, erotic country house murder mystery. In an apparently idyllic 17th century Wiltshire, an ambitious draughtsman is commissioned by the wife of an aristocrat to produce twelve drawings of her husband's estate and negotiates terms to include sexual favours from his employer. But when a corpse is dragged from the moat, the draughtsman's drawings may reveal more than he realised. Extravagant costumes, a twisting plot, elegantly barbed dialogue and a mesmerising score by Michael Nyman make the film a treat for ear, eye and mind. Now newly remastered in 4K (from the original Super 16mm Eastmancolor negative and magnetic track master) by the BFI National Archive, experience Greenaway's intoxicating vision like never before. Extras Newly remastered by the BFI National Archive Limited edition 2-disc set The Greenaway Alphabet (2017, 68 mins): an intimate portrait of painter and filmmaker Peter Greenaway, directed by his wife Saskia Boddeke. Together with his daughter Pip, Greenaway formulates an alphabet that represents his personality and thoughts about art and life H Is for House (1973, 10 mins): experimental short film by Peter Greenaway Audio commentary by Peter Greenaway Introduction by Peter Greenaway Interview with Michael Nyman Behind-the-scenes footage Deleted scenes Trailers Stills gallery Newly created audio description track Other extras TBC
"Solomon Kane" is an epic adventure adapted from the classic pulp stories by Robert E. Howard, creator of "Conan the Barbarian."
It's been 40 years since Laurie Strode survived a vicious attack from crazed killer Michael Myers on Halloween night. She now faces a terrifying showdown when Michael returns to Haddonfield, Ill. -- but this time, Laurie is ready for him. In Halloween (2018) Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago. Master of horror John Carpenter executive produces and serves as creative consultant on this film, joining forces with cinema's current leading producer of horror, Jason Blum (Get Out, Split, The Purge, Paranormal Activity). Inspired by Carpenter's classic, filmmakers David Gordon Green and Danny McBride crafted a story that carves a new path from the events in the landmark 1978 film, and Green also directs.
Following French atomic bomb tests in theSouth Pacific, an unknown creature is spotted passing through the Panama Canal. ScientistNiko Tatopoulos is called in to investigate the matter, and he quickly arrives at the conclusion that a giant, irradiated lizard has been created by the explosions. Godzilla then makes its way north, landing inManhattan to begin wreaking havoc in the big city.
After learning she can teleport to another world and back, Mitsuha plans to use her powers to get rich and retire early. To attain this easy life, she'll first have to master the marketplace, keep her backstory a secret, and defend the city from invaders!
Upon its release in 1980, Brian De Palma's Dressed to Kill was as acclaimed for its stylish set-pieces and lush Pino Donaggio score as it was condemned for its sexual explicitness but the glee with which the writer/director turns this material inside out is completely infectious, as he delves deep inside the troubled psyches of his characters to undermine expectations at every turn. After sexually frustrated housewife Kate Miller (Angie Dickinson) has a session with her psychiatrist, Dr Elliott (Michael Caine), she silently seduces a man in an art gallery an assignation that ends in murder and the only witness, high-class prostitute Liz Blake (Nancy Allen), being stalked by the killer in turn. One of De Palma's darkest and most controversial suspense thrillers, Arrow Video is proud to present this iconic neo-Hitchcockian masterwork in stunning 4K alongside a raft of archival and newly commissioned bonus features. 4K ULTRA HD LIMITED EDITION CONTENTS ¢ 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) ¢ Original lossless 1.0 mono soundtrack ¢ Optional lossless 5.1 soundtrack ¢ Optional English subtitles for the deaf and hard of hearing ¢ Brand new audio commentary by critics Drusilla Adeline and Joshua Conkel ¢ Audio commentary by critic Maitland McDonagh ¢ Beyond Good and Evil, a brand new visual essay by critics BJ and Harmony Colangelo ¢ The Empathy of Dressed to Kill, a brand new visual essay by critic Jessica Crets ¢ Strictly Business, a 2022 interview with actress Nancy Allen ¢ Killer Frames, a 2022 interview with associate producer/production manager Fred C. Caruso ¢ An Imitation of Life, a 2022 interview with actor Keith Gordon ¢ Archival interviews with actors Angie Dickinson, Nancy Allen and Keith Gordon, and producer George Litto ¢ The Making of a Thriller, an archival documentary on the making of the film ¢ Unrated, R-rated and TV-rated comparison featurette ¢ Slashing Dressed to Kill, an archival featurette examining the changes made to avoid an X rating ¢ Photo gallery ¢ Theatrical trailer ¢ Reversible sleeve featuring original and newly commissioned artwork by Gilles Vranckx ¢ Collector's booklet featuring new writing on the film by Sara Michelle Fetters, Alexandra Heller-Nicholas, Matthew Sorrento and Heather Wixson
A new 4K restoration of the classic crime thriller which helped to popularise the Italian Poliziotteschi subgenre, inspired by the social unrest and criminality in 1970's Italy. HIGH CRIME, directed by ENZO G. CASTELLARI (Kill Them All and Come Back Alone, The Inglorious Bastards), now available on DVD & Blu-ray in the UK for the first time. Vice-Commissioner Belli (Franco Nero) is investigating a series of crimes committed by a drug-running gang in Genoa. He approaches the apparently reformed old-fashioned gangster Cafiero (Fernando Rey) for information on the new gang in town, not knowing that Cafiero plans to take care of them himself. Belli's boss, Commissioner Aldo Scavino (James Whitmore), takes a dossier to the DA on the possible Mafia connections of the gang but is intercepted and the dossier stolen. Belli is forced to step up as the Commissioner and must fight to defend his family from threats by the criminals, before learning of a deal in Marseilles where he may have a chance to take down the underworld organisation once and for all. Part of the STUDIOCANAL Cult Classics collection, featuring both Italian and English language options and an exclusive set of art cards. Also known by the Italian title La polizia incrimina la legge assolve. Product Features A Criminal Conversation - Enzo G. Castellari Remembers High Crime: A newly filmed interview with the director of the film, exploring the production of the film 40 years ago. The Scene of the Crime - An Interview with Roberto Girometti: A newly filmed interview with the camera operator and long term collaborator of Castellari on his experiences from the film. High and Dry - The Stuntwork of Massimo Vanni: A new featurette on the creative stunt choreography for the film.
The UV copy is only available in the UK and Ireland. Written and directed by Academy Award® nominee Damien Chazelle, LA LA LAND tells the story of Mia [Emma Stone], an aspiring actress, and Sebastian [Ryan Gosling], a dedicated jazz musician, who are struggling to make ends meet in a city known for crushing hopes and breaking hearts. Set in modern day Los Angeles, this original musical about everyday life explores the joy and pain of pursuing your dreams.
For Creepshow 2, the quickie 1987 sequel to the Stephen King-scripted/George Romero-directed 1982 original, Romero shifted jobs to become the screenwriter, earning King (who also has a goony cameo as a trucker) a "based on stories by" credit. Cinematographer Michael Gornick stepped up to make an uninspiring directorial debut, turning out a conventional TV-look picture unlike the sometimes striking Creepshow. A frame story mixes live action and cartoon as a small boy leafs through the latest issue of his favourite horror comic while plotting revenge against neighbourhood bullies. A pun-dropping host called the Creep (played by Tom Savini when not a cartoon) introduces three anecdotes. In "Old Chief Wooden Head", George Kennedy and Dorothy Lamour are kindly Western shopkeepers killed by tearaways and avenged by the wooden Indian which stands outside the place. In "The Raft", four obnoxious teens are terrorised on a lake by a hungry slime-monster. And in "The Hitch-Hiker", hit-and-run driver Lois Chiles is haunted by her squashed victim, who keeps reappearing in a progressively battered forms. Though King and Romero deliver a good mix of cynical and melodramatic dialogue, the stories are disappointingly thin and predictable, with especially weak punch-lines. Of the performers, only Chiles really works up the hysterical attack needed to play a comic book character. On the DVD: just a trailer. The picture is a fullscreen print that cuts off crucial details in the comic book panels. --Kim Newman
Shocker allows Wes Craven to hang onto his title as the master of the horror genre--but only just. Centring once more on a charismatic lead character (Horace Pinker) Shocker continues Craven's penchant for combining fantasy and horror. Pinker (played with zeal by Mitch Pileggi of X-Files fame) is a serial killer--the "family slasher"--terrorising the inhabitants of the city of. Having murdered the foster family and girlfriend of all-American boy Jonathon Parker (Peter Berg), the latter finds he can foresee Pinker's actions in his dreams. The resulting supernatural developments (including ghosts, magic charms and possessed bodies) are more than a little muddled but underpinned by the continuous gruesome hack and slash action. A film with its brain most definitely disengaged, Shocker is still undemanding, wince-inducing fun. On the DVD: Not much to offer from this format. The splendidly dated 1980's American heavy metal soundtrack (including Kiss and Megadeth) comes through loud and clear and the sound effects are certainly horribly audible. Picture quality is fine but not spectacular. Extras are limited to scene selection, the trailer and a selection of storyboards and their cinematic equivalents. --Phil Udell
Please wait. Loading...
This site uses cookies.
More details in our privacy policy