STEP INSIDE, YOU'RE FRIGHTFULLY WELCOME! Just when you thought it was safe to go back into the House the makers of Friday the 13th return with one last terrifying entry in the hit horror franchise! In House IV: The Repossession, a mother and her daughter, still reeling from a car crash which claimed the life of husband Roger, move into the old family homestead to start a new life. Unfortunately for them, not only is the house in the sights of local mobsters, but it's also plagued by a host of hair-raising supernatural phenomena including ghostly visions and showers that run with blood! Featuring scenes to sicken and stupefy in equal measure (the appearance of a ghoulish singing pizza is a particular standout), this fourth and final entry in the House franchise might just be the barmiest of them all! SPECIAL EDITION CONTENTS: ¢ Brand new 2K restoration from original film elements ¢ High Definition Blu-ray (1080p) presentation ¢ Original Stereo and DTS-HD MA 5.1 Audio Options ¢ Optional English subtitles for the deaf and hard of hearing ¢ Audio commentary with director Lewis Abernathy ¢ Home Deadly Home: The Making of House IV brand new documentary featuring interviews with director Lewis Abernathy, producer Sean S. Cunningham, stars Terri Treas, and William Katt actor/stunt coordinator Kane Hodder and composer Harry Manfredini ¢ Theatrical Trailer ¢ Still Gallery ¢ Reversible sleeve featuring original and newly commissioned artwork by Justin Osbourn
A legendary Rescue Swimmer must cope with the loss of his crew while training a cocky new recruit.
Mulan's story is based on a Chinese fable about a young girl who disguises herself as a man to help her family and her country. When the Huns attack China, a call to arms goes out to every village, and Mulan's father, being the only man in the family, accepts the call. Mulan (voiced by Ming-Na Wen, sung by Lea Salonga) has just made a disastrous appearance at the Matchmaker and decides to challenge society's expectations (being a bride). She steals her father's conscription notice, cuts her hair and impersonates a man to join the army. She goes to boot camp, learning to fit in with the other soldiers with some help from her sidekick, Mushu, a wise-cracking dragon (voiced by Eddie Murphy). She trains, and soon faces the Huns eye to eye to protect her Emperor. The film is gorgeous to look at, with a superior blend of classic and computer-generated animation. Directors Tony Bancroft and Barry Cook make the best of it: a battle in the snowy mountains is as thrilling as the best Hollywood action films. The menacing Huns are not cute but simple and bad. The wickedness is subtle, not disturbing. The film is not a fully fledged musical, as it has only five songs (the best, "Be a Man", is sung during boot camp). Eddie Murphy is an inspired choice for the comic-relief dragon, but his lines are not as clever as Robin Williams' in Aladdin. These are minor quibbles, though. The story is strong, and Mulan goes right to the top of Disney animated heroines; she has the right stuff. --Doug Thomas, Amazon.com
One last blowout before reality sets in: it's Labour Day 1988, and although they graduated from high school four years earlier, the kids from the class of '84 get together for a party that will surely (because we're watching a movie about it) settle old scores and kindle new romance. But a little creative improvisation will be necessary for Matt Franklin (Topher Grace, who also co-produced and co-wrote the story), who is wasting his degree from MIT on a summer job at Suncoast Video; he's just told his secret high-school crush (Teresa Palmer) that he works for Goldman Sachs--and she's going to be at the party. Throw in Matt's loud and newly unemployed buddy (Dan Fogler), who has just found a baggie of cocaine in the glove compartment of the car he "borrowed" from his former job, as well as Matt's ambivalent sister (Anna Faris, not quite unleashed enough), and the ingredients are there for an epic night. That's clearly the intention for this movie, and while the ideas are all in place, its grasp of comedy and drama feels generally forced. Forced in its song list, too: all the lumbering behemoths of '80s rock are rolled out, from "Der Kommissar" to Dexy's Midnight Runners. For anybody with a nostalgia jones for the 1980s, there are enough funny bits along the way to justify a look, and the supporting cast has its share of craziness: Chris Pratt as the clueless host of the party, Demetri Martin as a disgruntled classmate, Michael Ian Black as the dream girl's douche-bag boss. And any movie that sets Balls of Fury cutup Fogler on a toot will not lack in energy. But nope, Take Me Home Tonight falls short of the realm of American Graffiti and Dazed and Confused, to which it obviously aspires, and no amount of Wang Chung on the soundtrack is going to hide that. --Robert Horton
After murdering a young girl, Angela Baker assumes her identity and travels to Camp New Horizons, built on the grounds of the camp she terrorized the year before, and starts killing again.
George Lucas's original Star Wars trilogy is a clever synthesis of pop-cultural and mythological references, taking classic fairy-tale themes, adding more than a dash of Arthurian legend, and providing cinematic high adventure inspired as much by Kurosawa's Samurai epics as by Flash Gordon and Buck Rogers. As a result, audiences of all ages can find something to identify with in Luke Skywalker's journey from disaffected teenager dreaming of adventure to Jedi Knight and saviour of the galaxy. He not only rescues a Princess, but discovers she's a close relative. And if there's a lesson to be gleaned from the Skywalker clan, it's that no matter how bad things get in the average dysfunctional family, it's never too late for reconciliation. Originally released in 1977, Star Wars, the first film, was made as a standalone. Perhaps that's why Obi-Wan Kenobi seems a tad inconsistent in his attitude towards his old pupil Anakin Skywalker, and perhaps also why Luke is allowed to develop a guilt-free crush on Princess Leia. Lucas's story, told from the point of view of the two bickering droids (a device taken from Kurosawa's Hidden Fortress), also borrows freely from Errol Flynn's Robin Hood, as does John Williams's seminal Korngold-inspired music score. Thanks in equal part to Leigh Brackett's screenplay and Irvin Kershner's direction The Empire Strikes Back (1980) is the most grown-up instalment in the series. The basic fairy-tale is developed and expanded, with the principal characters experiencing emotional turmoil--blossoming romance, mixed feelings and confused loyalties--amid a very real threat of annihilation as Darth Vader's motivations become chillingly personal. Luke's quasi-Arthurian destiny is complicated still further by the half-truths of his wizardly mentors; and swashbuckler Han Solo finds the past catching up with him, quite literally in the form of bounty hunter Boba Fett. The film is graced by more fabulous landscapes (ice, forest, clouds), more unforgettable new characters (Yoda), more groundbreaking special effects (the asteroid chase), and John Williams's finest score. The difficult third film, 1983's Return of the Jedi, seems schizophrenic in its intentions, hoping to please both the kiddies who bought all the toys and an older audience who appreciated the narrative's epic and mythological strands. The result is a film that splits awkwardly into two. One thread, which might be subtitled "The Redemption of Anakin Skywalker", pursues the story of the Skywalker family to a cathartic conclusion. The other thread, which might be described as "The Care Bears Go to War", attempts to say something profound about primitivism versus technological sophistication, but just gets silly as furry midgets doing Tarzan whoops defeat the Emperor's crack legions. In 1997 Lucas re-released the three original films in digitally remastered "Special Edition" versions, in which many scenes have been restored and enhanced (some would say "unnecessarily tinkered with"). Despite loud and continued criticisms from fans, these Special Editions are now considered definitive, if only by Lucasfilm. --Mark Walker
As kids in the 1980s, Sam Brenner (Adam Sandler), Will Cooper (Kevin James), Ludlow Lamonsoff (Josh Gad), and Eddie The Fire Blaster Plant (Peter Dinklage) saved the world thousands of times at 25 cents a game in the video arcades. Now, they're going to have to do it for real. In Pixels, when intergalactic aliens discover video feeds of classic arcade games and misinterpret them as a declaration of war, they attack the Earth, using the video games as the models for their assaults and now U.S. President Cooper must call on his old-school arcade friends to save the world from being destroyed by PAC-MAN, Donkey Kong, Galaga, Centipede, and Space Invaders. Joining them is Lt. Col. Violet Van Patten (Michelle Monaghan), a specialist supplying the arcaders with unique weapons to fight the aliens.
The Jane Austen Collection
A newly arrived governor finds his province under the control of the corrupt Colonel Huerta. To avoid assassination by Huerta, he pretends to be weak and indecisive so Huerta will believe he poses no threat. But secretly he masquerades as Zorro, and joins the monk Francisco and the beautiful aristocrat Ortensia in their fight for justice against Huerta and his soldiers.
Shin Hazama is a normal high school boy living an ordinary life in Tokyo a life that is about to be turned upside-down when he encounters Jin, a boy who looks identical to him but claims to originate from another world entirely. Jin's world is one very different to our own - a world where an evil queen named Kotoko serves as its dictator, controlling all wealth and crushing any opposition with lethal force. Perhaps more importantly for Shin, the next step in Kotoko's plan for total domination is to expand her realm by invading his world.
It's hazing season at Phi Up and the boys are up to all sorts of nasty pranks on their hapless pledges, in between regular bouts of 'wetting their whistles' at the campus watering hole with some of the area's beautiful sorority babes. But this is going to be one literal 'hell week' as they unwittingly unleash the spirit of Acid Sid; an unfortunate pledge who was accidentally dissolved in acid during a hazing prank gone wrong some 20 years earlier. As the helpless fratboys and pledges fall victim to Sid's wrath and seemingly indestructible towering zombie corpse, it's up to the stragglers to figure out how to kill someone who's been dead for two decades...or die trying. Special Features Hell Weeks - a video interview with director Paul Ziller. Graduating to Horror - a video interview with writer/producer Joyce Snyder. Hazing from Hell - a video interview with actor Robert Lentini. The Bad Man - a video interview with actor Arthur Lundquist. Locations featurette. Original theatrical Trailer.
Meet Tony Soprano: your average middle-aged businessman. Tony's got a dutiful wife. A not-so-dutiful daughter. A son named Antony Jr. A mother he's trying to coax into a retirement home. A hot-headed uncle. A not too-secret mistress. A nd a shrink to tell all his secrest except the one she already knows:Tony's a mob boss. These The Sopranos chronicles a dysfunctional suburban American family. For Tony Soprano there's the added complexity posed by heading twin families his mob clan and his own nouveau-riche brood. The beginning of the epic Sopranos story can now be enjoyed in superior Blu-ray high definition and sound. Episodes Comprise: 1. The Sopranos 2. 46 Long 3. Denial Anger Acceptance 4. Meadowlands 5. College 6. Pax Soprano 7. Down Neck 8. Tennessee Moltisante 9. Boca 10. A Hit Is A Hit 11. Nobody Knows Anything 12. Isabella 13. Jeanne Cusamano
Two ex lovers, Bill (David Duchovny) and Willa (Meg Ryan) get snowed in at a regional airport overnight. Indefinitely delayed, Willa, a magical thinker, and Bill, a catastrophic one, find themselves just as attracted to and annoyed by one another as they did decades earlier. But as they unpack the riddle of their mutual past and compare their lives to the dreams they once shared, they begin to wonder if their reunion is mere coincidence, or something more enchanted.
Ursula Andress voted the greatest Bond Girl ever sports another iconic bikini and this time it literally kills! Set in the near future the film opens with Andress killing her penultimate victim in The Big Hunt a reality-TV style game show which selects both 'Hunter' and 'Victim' from participants; the two then chase one another around the globe: kill your 10th victim and you win millions! Andress' final victim is the cool sun-loving Italian Marcello (Mastroianni) who also needs to notch up another kill! Oscar Winning director Elio Petri's ground-breaking film heralded generations of films like 'Rollerball' or Schwarzenegger's 'Running Man' about gladiatorial-death shows and announced our age of increasingly outrageous reality-TV and the latest fascination with 'Hunger Games' dystopia. Its exquisite Pop-Art visuals and humorous visual observations have influenced countless films none more than the Austin Powers's sets and costumes. Sourced from HD master restored in original widescreen format this truly seminal cult film is released for the 1st time in UK in this numbered collector's edition. Special Features: Exclusive Interview with Kim Newman and Paola Petri English and Italian audio with optional English Subtitles Theatrical Trailer and Shameless Trailers Photo Gallery
Aspiring, but cash-strapped, actress Sumika (Eriko Sato) returns home to the village of Ishikawa to attend her parents' funeral and renews her feud with younger sister Kiyomi (Aimi Satsukawa), who previously damaged Sumika's reputation by portraying her as an underhand character in her popular manga comic. Hoping to inherit a sizeable sum, Sumika is forced to stick around when brother Shinji (Masatoshi Nagase) tells her of lengthy legal delays. As Sumika settles back into her old room, a series of flashbacks brings to life the family's previously eccentric life, contrasting it against the calm and peaceful setting of rural Japan.
After the success of A NIGHTMARE ON ELM STREET in 1984, many a movie that moulded together slasher thrills and supernatural chills was rushed into production - from SLAUGHTERHOUSE ROCK (1988) to THE HORROR SHOW (1989) and Wes Craven's own SHOCKER (1989). None, however, were quite as notable nor as notorious as the bombastic blood-spiller BAD DREAMS from 1987, which roped in its own Freddy Krueger alumni with sexy Scream Queen starlet Jennifer Ruben (from A NIGHTMARE ON ELM ST 3: THE DREAM WARRIORS). Also starring the late, great B-thespian Richard Lynch (CUT AND RUN) as a Jim Jones-style reverend who begins to avenge his creepy cult of followers from beyond-the-grave, BAD DREAMS features some frantic and ferocious special effects, plenty of tormented teens and some of the finest frights of its decade! Featuring the legendary Bruce Abbott (RE-ANIMATOR) and produced by Hollywood heavyweight Gale Anne Hurd (ALIENS), whilst featuring a screenplay from DIE HARD's Steven E. de Souza, it is no wonder that BAD DREAMS became one of the most popular slasher classics of the 1980s... and 88 Films is proud to present this work of gruesome genius in horrific HD! It might just stop you getting a good night's kip!
Lucio "King of the Eyeball Gag" Fulci made his name with a series of gory, gooey horror epics, and The Beyond stands above all as his outré masterpiece. The largely incoherent plot has something to do with a turn-of-the-century curse and a doorway to hell in the cellar of an old New Orleans hotel. Fulci shows his usual sensitivity with wooden acting, clumsy dialogue, and buckets of oozing blood and pus, but don't let that get in the way of enjoying this mad tale of zombies from hell invading Earth and eating their way through a cast of humans: crucified martyrs, blind visionaries, creepy hotel handymen, befuddled cops, and a plucky pair of heroes desperately fleeing a horde of hungry undead. The blood-red art direction is eerily beautiful, and Fulci's relentless long takes, punctuated by jolting shock cuts and eruptions of grotesque violence, create a mood of sheer paranoid horror right down to the final, mind-bending image. And don't forget the Fulci claim to fame: eyes are gouged out, eaten away, melted with acid, and (shudder) popped out by a spike through the back of the skull. Yech! If you dare ignore such piddling details as narrative logic and let yourself get carried away on the creepy visuals, it's a deliciously stylish treat, an edgy bit of Gothic gore pitched in all its bone-crunching, flesh-ripping, organ-splatting glory. This sadistic, sanguinary hell-spawn tale is for gore-hounds only. --Sean Axmaker, Amazon.com
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