Vernon Sewell (The Blood Beast Terror) directs this Hammeresque horror on the early days of anatomy when the need for fresh corpses led to a series of murders in Edinburgh. When Burke and Hare realise that demand for corpses is outstripping supply they decide to take matters into their own hands and prey on drunken prostitutes. Derren Nesbit Glynn Edwards Yootha Joyce and Francoise Pascal star in this seminal British shocker.
In a remote Costa Rican village, Clara, a woman believed to possess divine healing powers, lives under the repressive care of her pious elderly mother. Clara seeks solace in the natural world until the delicate order of her life is unexpectedly disrupted by a powerful sexual awakening, stirred by the arrival of her young niece's handsome boyfriend. Desire ignites an unstoppable force, leading Clara on a tumultuous path to self-discovery and emancipation. Nathalie Ãlavarez Mesén's mystical, intimate, and richly atmospheric debut film features stunning cinematography and an extraordinary lead performance by Wendy Chinchilla Araya.
She's back... And she's bringing a few of her friends After a one-woman assault on the Umbrella Corporation's fortress Alice's (Milla Jovovich) superhuman abilities are neutralised. Now fleeing the Undead masses created by the T-virus Alice reunites with Claire Redfield (Ali Larter) and her brother Chris (Wentworth Miller). Together they take refuge with other survivors in an abandoned prison where a savage zombie mob stands between them and the safety of Arcadia. Escaping these bloodthirsty mutants will take an arsenal. But facing off with Albert Wesker and the Umbrella Corporation will take the fight for survival to a new level of danger.
Three veteran Riot Squad cops have had enough of a society ruled by hatred, where no one follows the rules anymore in this hard-hitting thriller!
Theres no getting around it: there was simply no better summer blockbuster in 2007 than the astonishing The Bourne Ultimatum. Its a film that defies expectations in many ways. Firstly, its a third entry in a trilogy that by some distance in the best in an already-compelling franchise. Secondly, whenThe Bourne Ultimatum kickstarts with a ferocious energy and pace, you sit there and rightly expect it not to keep the momentum going. But it does. And does it astonishingly well. Just witness the breathless sequence through Waterloo Station, convince yourself that the film has peaked then, then go and watch them top it later on in the movie. The film itself has many trump cards, not least its leading man. Matt Damon fits the character of reluctant lead Jason Bourne perfectly, but the trick is to give him some excellent supporting players to work against. Thus, The Bourne Ultimatum also stars the excellent pair of David Straitharn and a returning Joan Allen, along with Albert Finney, Paddy Considine and Julia Stiles too. But the hidden hero of The Bourne Ultimatum is director Paul Greengrass. Arguably one of the most interesting and talented directors working today (he was rightly Oscar-nominated for his haunting United 93), Greengrass has fashioned a genuinely thrilling action thriller, that bursts with an energy and relentlessness that you simply have no right to expect. That he also managed to wrap up the story Jason Bournes quest for his identity in the midst of it is all the more astonishing. A terrific end to an already-impressive trilogy, theres little else ot say about The Bourne Ultimatum, which is simply a near flawless piece of blockbuster entertainment. Put simply: dont miss this movie. --Simon Brew
Carry On Jack was the 1963 offering from a team which had, by then, become a repertory company with special guests dropping in for a dose of innuendo. "What's all this jigging in the rigging?" demands Kenneth Williams, this time playing a ship's captain, and the scene is set for 90 minutes of ribaldry involving cross-dressing, press-ganging and plank walking. The plot scarcely matters. It's set after the Battle of Trafalgar and the sea is awash with Spanish galleons and pirates as the British navy sets about defending its shores with as much incompetence as possible. Sally, a barmaid at the Dirty Duck (Juliet Mills in feisty principal boy mode), knocks Bernard Cribbins on the head and steals his uniform so that she can go in search of her childhood sweetheart. He is promptly press-ganged and they end up on the same ship. Williams, on the brink of his ascendancy as a star turn, just about keeps the mannerisms under control enough to build the character of the naïve and neurotic captain. Familiar Carry On faces on top form include Charles Hawtrey and Jim Dale, while Peter Gilmore--in his pre-Onedin Line days--appears as a pirate. Peter Rodgers' script is not quite vintage Carry On but the jokes keep coming and it's all good, clean fun. On the DVD: This was one of the first Carry On films to be made in colour. The print is in reasonable condition. The picture quality, apart from a couple of scratchy scenes of sailing ships that were probably drafted in from stock footage, is fair, as is the sound. But apart from the scene index there are no extras on the disc. Given the cult status of the Carry On films, and the wealth of documentary material which has been made about them and their stars, you'd think something extra could have been offered with the DVD releases to make them a more worthwhile alternative to the video. --Piers Ford
The Shaw Brothers veered into outright fantasy territory with HUMAN GODDESS - and often hilarious and very timely look at the state of Hong Kong in the early 1970s! Released in 1972 to adoring audiences, and directed by the iconic Meng Hua Ho (BLACK MAGIC/ MIGHTY PEKING MAN) this is an oddball outing even by the estoric standards of 88 Films and our immortal Asian film line! Taking audiences back to an era of troubled romance, painful poverty and greedy land tycoons - all of whom have to answer to an angel (played by the gorgeous Shanghai-born Li Ching) who has been sent from heaven to look after the residents of the former British colony - HUMAN GODDESS holds up as a riotious viewing experience even today. A mash-up of several genres - from sex comedy to space-age optimism and even political satire - HUMAN GODDESS is one of the most astute Hong Kong movies of its decade and a must-see for anyone curious about the golden age of Hong Kong cinema! Only 88 Films could have brought this true obscurity back from the vaults in a stunning HD transfer that will surely win over a new generation of vixen-enthusiastic viewers.
From director Roland Emmerich comes a sweeping odyssey into a mythical age of prophesies and gods, when spirits rule the land and mighty mammoths shake the earth.
As Treme opens, a group of New Orleans residents are celebrating their first "second-line parade" since Hurricane Katrina blew through the city and across the Gulf Coast just three months earlier. Folks are strutting and dancing, a brass band is blowing a joyful noise--it's a celebration of "NOLA's" resilience and proud spirit ("Won't bow--don't know how," as they say). But there's darkness just below this shiny surface, and anyone familiar with The Wire, cocreator-writer David Simon's last show, won't be a bit surprised to find that he and fellow Treme writer-producer Eric Overmyer aren't shy about going there. The New Orleans we see is a city barely starting to recover from what one character calls "a man-made catastrophe of epic proportions and decades in the making." Many people's homes are gone, and insurance payments are a rumor. Other locals haven't come back, and still others are simply missing. The people have been betrayed by their own government, and New Orleans's reputation for corruption is hardly helped by the fact that the police force is in such disarray that the line between cop and criminal is sometimes so fine as to be nonexistent. Bad, but not all bad. NOLA still has its cuisine, its communities, and best of all its music, which permeates every chapter, from the Rebirth Brass Band's "I Feel Like Funkin' It Up" in episode 1 to Allen Toussaint and "Cha Dooky-Doo" in episode 10. There's Dixieland and zydeco, natch, but also hip-hop and rock; there are NOLA stalwarts like Dr. John, Ernie K-Doe, Lee Dorsey, and the Meters (as well as appearances by Elvis Costello, Steve Earle, and others), but plenty of younger, lesser knowns, too. Whether we hear it in the street, in a club or a recording studio, at home, or anywhere, music is the lifeblood of the city and this series, and it's handled brilliantly. Treme has a lot of characters and their stories to keep up with. There's trombonist Antoine Batiste (Wendell Pierce), a wonderful player but kind of a dog, especially to his current baby mama and his ex-wife, LaDonna (Khandi Alexander), a bar owner who's desperately searching for her missing brother. There's Creighton Bernette (John Goodman), a writer preoccupied with telling the world what's really going on in the city, and his wife Toni (Melissa Leo), a lawyer and thorn in the side of the authorities. There's Davis McAlary (Steve Zahn), a well-meaning but annoyingly clueless radio DJ, his occasional girlfriend Janette (Kim Dickens), who's struggling to keep her restaurant open, and Albert Lambreaux (Clarke Peters), who returns from Houston, finds his house in ruins, and sets about rebuilding it. You might not like all of them. Not all get through the series unscathed, or even alive. But that's part of the deal. The show feels authentic: dialogue (natural, plain, and profane), story lines, locations, camera work, the utter lack of gloss and glamour--this is no Chamber of Commerce travelogue. It's not a documentary either, but there are moments when it's just down and dirty enough to pass for one. --Sam Graham
Anti death penalty activist David Gale finds himself days away from execution on death row. A reporter interviews him hoping to find his motive for the crime but starts doubting the whole conviction.
After the visual bombast of many contemporary CGI and motion-capture features, the drawn characters in The Princess and the Frog, Walt Disney Studio's eagerly awaited return to traditional animation, feel doubly welcome. Directed by John Musker and Ron Clements (The Little Mermaid, Aladdin), The Princess and the Frog moves the classic fairy tale to a snazzy version of 1920s New Orleans. Tiana (voice by Anika Noni Rose), the first African-American Disney heroine, is not a princess, but a young woman who hopes to fulfill her father's dream of opening a restaurant to serve food that will bring together people from all walks of life. Tiana may wish upon a star, but she believes that hard work is the way to fulfill your aspirations. Her dedication clashes with the cheerful idleness of the visiting prince Naveen (Bruno Campos). A voodoo spell cast by Dr. Facilier (Keith David) in a showstopping number by composer Randy Newman initiates the events that will bring the mismatched hero and heroine together. However, the animation of three supporting characters--Louis (Michael-Leon Wooley), a jazz-playing alligator; Ray (Jim Cummings), a Cajun firefly; and 197-year-old voodoo priestess Mama Odie (Jenifer Lewis)--is so outstanding, it nearly steals the film. Alternately funny, touching, and dramatic, The Princess and the Frog is an all-too-rare example of a movie a family can enjoy together, with the most and least sophisticated members appreciating different elements. The film is also a welcome sign that the beleaguered Disney Feature Animation Studio has turned away from such disasters as Home on the Range, Chicken Little, and Meet the Robinsons and is once again moving in the right direction. --Charles Solomon
Millionaire Cecil Fox (Harrison) feigns terminal illness in an attempt to trick three of his former mistresses and find out which of them really cares for him rather his money. The women soon come to his bedside, but what was intended as a wily scheme soon becomes serious as one of his former lovers attempts to give nature a helping hand... Directed by acclaimed filmmaker Joseph L. Mankiewicz (All about Eve), this comedy re-working of 'Volpone' stars the great Rex Harrison (My Fair Lady), Susan Hayward (Valley of the Dolls) and Cliff Robertson (Obsession).
The rogue vampire Alucard is the Hellsing Organization's deadliest instrument in its mission to protect the British Empire from satanic ghouls and Nazi freaks. He is not alone in his assault on the occult; the master has a servant. Policewoman Seras Victoria accepted Alucard's gift of dark salvation after falling in the line of duty and now the remnants of her human soul struggle against her growing vampire urges. Together they haunt the shadows as a sinister force of good - and tonight the foggy streets of England shall flow with the blood of their evil prey.Contains OVA episodes 1-4.
Constructed around a 14-hour interview, McKellen: Playing the Part uncovers the remarkable story of actor Sir Ian McKellen. From his upbringing living through the Second World War, working through repertory and West End theatre becoming a pioneering stage star, coming out and being a leader in the campaign for equality, to his mainstream film breakouts as Magneto and Gandalf. His work and influence transcends generations, celebrated here in this fully authorized insight. Directed by the award-winning Joe Stephenson, this remarkable film features unprecedented access to private photo albums, a wealth of never-before-seen archive material, including diaries written when he was 12, and exclusive behind the scenes of theatre shows and films alongside McKellen's personal thoughts on a life long lived.
Long before South Korea became a pop culture phenomenon the country still possessed a fascinating pool of filmmaking talent and few were more prolific than the late Shin Sang-ok. Creating several genius genre efforts, such as the early K-horror creeper THE SNAKE WOMAN (1969), the director helmed one of his most famous and acclaimed creep-shows with THE GHOST LOVERS (1974). Made in Hong Kong for the Shaw Brothers, this ghoulishly effective supernatural horror classic has a beautiful babe from beyond-the-grave reach out to her beau... but, unfortunately for our feisty femme fatale, the struggles and shocks of a romance that includes outer-body terror and spirited surprises is difficult to contain! Both deceivingly romantic and eerily effective, this five star spine-tingler has been remastered for BluRay by the Asian cinema junkies at 88 Films. THE GHOST LOVERS has returned to British shelves in colourful and creepy HD condition to once again steal your soul!!!
Shoya Ishida starts bullying the new girl in class, Shoko Nishimiya, because she is deaf. But as the teasing continues, the rest of the class starts to turn on Shoya for his lack of compassion. When they leave elementary school, Shoko and Shoya do not speak to each other again... Until an older, wiser Shoya, tormented by his past behaviour, decides he must see Shoko once more. He wants to atone for his sins, but is it already too late...? Contains the film on Blu-Ray and DVD with both the English dub and the original Japanese track with English subtitles. Presented in Collectors packaging.
Tinker, Tailor, Soldier, Spy finds George Smiley (Gary Oldman), a recently retired MI6 agent, doing his best to adjust to a life outside the secret service. However, when a disgraced agent reappears with information concerning a mole at the heart of the service, Smiley is drawn back into the murky field of espionage. Tasked with investigating which of his trusted former colleagues has chosen to betray him and their country, Smiley narrows his search to four suspects - all experienced, skilled and successful agents - but past histories, rivalries and friendships make it far from easy to pinpoint the man who is eating away at the heart of the British establishment.An acting masterclass from the crme de la crme of British film (Colin Firth, The King's Speech; Tom Hardy, Inception; Mark Strong, Kick Ass; Benedict Cumberbatch, Sherlock Holmes) and inspired direction from Let The Right One In's Tomas Alfredson make this gripping and tense adaptation of John le Carr's classic spy novel essential viewing.
Available for the first time on Blu-ray in the UK these stunning films by master filmmaker Roberto Rossellini are all undisputed classics of world cinema. This limited edition Blu-ray box set includes Rossellini’s celebrated War Trilogy made during and immediately after World War II – Rome Open City Paisà and Germany Year Zero – as well as his controversial 1948 film L’Amore starring Anna Magnani and Federico Fellini. These are the films that established Roberto Rossellini’s as one of the most important and influential filmmakers of all time. All of the films in this strictly limited Blu-ray box set (of 3000 numbered units) have been restored in 4K. Features: Restored versions of Rome Open City (1945) Paisà (1948) Germany Year Zero (1948) L’Amore (1948) Booklet with film notes and complete credits Other extras TBC
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