Horror icons Christopher Lee and Peter Cushing team up once again for an Amicus take on Robert Louis Stevenson's classic novella Strange Case of Dr. Jekyll and Mr. Hyde, with Lee occupying the role of the scientist and his deadly alter ego. Directed by Stephen Weeks, making his first feature aged twenty-two, I, Monster presents an inventive take on an iconic tale. Product Features New 2K restoration by Powerhouse Films from original film materials Two presentations of the film: the original 75-minute theatrical cut; and the extended 81-minute version Original mono audio Audio commentary with director Stephen Weeks (2020) Audio commentary with Weeks and film scholar Sam Umland (2005) The BEHP Interview with Peter Tanner Part One, 19141939 (1987, 75 mins): an archival audio recording, made as part of the British Entertainment History Project, featuring the celebrated editor in conversation with Roy Fowler and Taffy Haines I, Maestro (2020, 18 mins): renowned composer Carl Davis discusses his score Introduction by Stephen Laws (2020, 6 mins): appreciation by the acclaimed horror author Stephen Weeks at the Manchester Festival of Fantastic Films (1998, 16 mins): archival video recording of the director in conversation with Stephen Laws Interview with Milton Subotsky (1985, 182 mins): archival audio recording of the famed producer Image galleries: publicity and promotional material Original UK and US theatrical trailers Kim Newman and David Flint trailer commentary (2017, 2 mins): short critical appreciation by the genre-film experts New and improved English subtitles for the deaf and hard of hearing
Winner of both the Academy Award for best foreign-language film and the Cannes Film Festival's Palme d'Or, MARCEL CAMUS' Black Orpheus (Orfeu negro) brings the ancient Greek myth of Orpheus and Eurydice to the twentieth-century madness of Carnival in Rio de Janeiro. With its eye-popping photography and ravishing, epochal soundtrack, Black Orpheus was a cultural event, kicking off the bossa nova craze that set hi-fis across America spinning. SPECIAL EDITION FEATURES: New, restored high-definition digital transfer, with uncompressed monaural soundtrack Optional English-dubbed soundtrack Archival interviews with director Marcel Camus and actress Marpessa Dawn New video interviews with Brazilian cinema scholar Robert Stam, jazz historian Gary Giddins, and Brazilian author Ruy Castro Looking for Black Orpheus, a French documentary about Black Orpheus's cultural and musical roots and its resonance in Brazil today Theatrical trailer PLUS: A booklet featuring an essay by film critic Michael Atkinson Click Images to Enlarge
The L-Shaped Room, adapted by writer-director Bryan Forbes from Lynne Reid Banks' novel, unfolds in a dank, depressing London boarding house. Leslie Caron plays Jane Fosset, a 27-year-old French woman, down on her luck, who takes a room. There are bugs in her mattress. The taps drip. The landlady ("the lovely Doris") is a drunken, malicious busybody. Forbes doesn't paint the English in a flattering light. They're covetous, eccentric and xenophobic. "I never close my door to the nigs," Doris tells Fosset, as if to prove that she is no racist. When Fosset reveals that she's pregnant and unmarried, everybody turns against her. The one real friend Fosset makes is Toby (Tom Bell), an impoverished would-be writer who lives in the room downstairs. She starts an affair with him, but for all his protestations to the contrary, he too turns out to be moralistic and conservative--he can't accept the idea that she is having another man's baby.Forbes' dialogue sometimes grates, the film risks running into a dead end (Fosset is stuck with nowhere to go and no prospects), but this is compelling fare all the same. Cameraman Douglas Slocombe (who went on to shoot Raiders of the Lost Ark) makes the boarding house seem as gloomy and oppressive as a Gothic mansion. Forbes doesn't sentimentalise at all. The London he portrays is nothing like the swinging, hedonistic city shown in later British movies of the 60s. --Geoffrey Macnab
Definitely no clues! In this suspense film even one clue might tell all! THE SEARCH FOR 'BUNNY LAKE' IS ON! When Ann Lake (Carol Lynley) arrives to collect her four-year-old daughter, Bunny, from nursery, she is told that no child of that name is enrolled there. Superintendent Newhouse (Laurence Olivier) is assigned to the case, and before long a number of people are under suspicion, including the child's protective uncle (Keir Dullea), the Lake's eccentric landlord (Noël Coward) and the school's eccentric ex-headmistress (Martita Hunt). However, when he learns that no-one has actually ever seen the child, Newhouse begins to suspect that the young woman may be unbalanced. Extras: 4K restoration from the original negative Original mono audio Audio commentary with film historians Lem Dobbs, Julie Kirgo and Nick Redman Carol Lynley Remembers (2006, 27 mins): the actress discusses her career and working with Otto Preminger Clive Revill Remembers (2017, 14 mins): the celebrated actor discuss his role as Andrews Isolated score: experience Paul Glass' original soundtrack music Original theatrical trailers Image gallery New and improved English subtitles for the deaf and hard-of-hearing
Later adapted as `My Fair Lady George Bernard Shaws wonderful comedy of manners is given its finest screen outing in this 1938 production. Nominated for four Oscars Shaw himself was one of the recipients of the award for best screenplay. Snobbish Professor Higgins has a wager with his friend Colonel Pickering that with the right instruction he can pass off cockney `gutter-snipe Eliza Doolittle as a `lady among high society. Taken under his wing Eliza is given rigorous coaching i
Laurence Olivier and Elisabeth Bergner star in this enchanting and highly acclaimed adaptation of William Shakespeare's classic comedy. Rosalind (Elisabeth Bergner) the daughter of an exiled Duke falls in love with Orlando (Laurence Olivier) the son of one of her father's courtiers. When Orlando continues to ignore her Rosalind decides the best way to be at his side is by disguising herself as a boy. Her deception works too well as Orlando would rather be in the boy's company than hers! How Rosalind works out her predicament is all part of the fun and farce. Filmed in England in 1936 when Olivier was still considered a 'promising young actor' rather than one of the finest actors ever to play Shakespeare As You Like It is in fact Olivier's first filmed Shakespearean performance and therefore a genuine milestone in film history. This outstanding production boasts a distinguished supporting cast which includes John Laurie and Felix Aylmer as well as editing by David Lean camerawork by the legendary Jack Cardiff and a script adaptation co-authored by J.M. Barrie of 'Peter Pan' fame.
BOB DYLAN is captured on-screen as he never would be again in this ground-breaking film from D. A. PENNEBAKER (Monterey Pop, Company). The legendary documentarian finds Dylan in London during his 1965 tour, which would be his last as an acoustic artist and marked a turning point in his career. In this wildly entertaining vision of one of the twentieth century's greatest artists thrust into the spotlight, Dylan is surrounded by teen fans; gets into heated philosophical jousts with journalists; and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price. Featuring some of Dylan's most famous songs, including Subterranean Homesick Blues, The Times They Are A-Changin', and It's All Over Now, Baby Blue, Don't Look Back is a radically conceived and shot portrait of an American icon that has influenced decades of vérité behind-the-scenes documentaries SPECIAL EDITION FEATURES New, restored 4K digital transfer, approved by director D. A. Pennebaker, with newly restored monaural sound from the original quarter-inch magnetic masters, presented uncompressed on the Blu-ray Audio commentary from 1999 featuring Pennebaker and tour manager Bob Neuwirth 65 Revisited, a 2006 documentary directed by Pennebaker and edited by Walker Lamond Audio excerpt from an interview with Bob Dylan in the 2005 documentary No Direction Home, cut to previously unseen outtakes from Don't Look Back New documentary about the evolution of Pennebaker's filming style, from his 1950s avant-garde work to his '60s musical documentaries, including an excerpt from the filmmaker's footage of Dylan performing Ballad of a Thin Man during his 1966 electric tour Daybreak Express (1953), Baby (1954), and Lambert & Co. (1964), three short films by Pennebaker New conversation between Pennebaker and Neuwirth about their work together, from Don't Look Back through Monterey Pop (1967) and beyond Snapshots from the Tour, a new piece featuring outtakes from Don't Look Back New interview with musician Patti Smith about Dylan and the influence of Don't Look Back in her life Conversation between music critic Greil Marcus and Pennebaker from 2010 Alternate version of the film's Subterranean Homesick Blues cue card sequence Five uncut audio tracks of Dylan songs from the film Trailer PLUS: An essay by critic and poet Robert Polito Click Images to Enlarge
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
This box set features the following films: The Duke Wore Jeans (Dir. Gerald Thomas) (1958): Comedy about a cockney lad who pretends to be a Lord in order to woo a South American princess It's All Happening (Dir. Don Sharp) (1963): Billy Bowles (Tommy Steele) is an A & R talent co-ordinator who has grown up as an orphan. He returns every Saturday to the place he grew up. The sentimental Billy arranges a recording session and a benefit performance to help the orphanage. He gathers a bevy of song and dance professionals in the spirit of Andy Hardy and puts on a show the kids will never forget. The Tommy Steele Story (Dir. Gerard Bryant) (1957): This is the story of the early life and rise to fame of Tommy Steele . His manager wanted him to be a tough rock'n'roller and so challenge Elvis Presley but Tommy was just too nice. Tommy The Toreador (Dir. John Paddy Carstairs) (1959): Tommy is a happy sailor travelling the world singing his favourite songs. When he visits Spain he gets mistaken for a famous bullfighter and somehow ends up in the bull-ring facing a very angry bull and an expecting crowd!
The Most controversial film ever made as you have never seen it before. From the moment he ascends to the throne, the Emperor Caligula enforces one of the most depraved reigns in history. Depicting his descent into madness and immorality with graphic sex and violence, this unprecedented uncut edition presents a bolder and more revealing Caligula than ever before, with a pristine new transfer from recently uncovered film. Featuring a stellar cast including Malcolm McDowell, Helen Mirren, Peter O Toole and John Gielgud this unflinching look at the decadence of Ancient Rome will startle and amaze like no other film before.
A portmanteau work from four of Ealing's best directors, Alberto Cavalcanti, Charles Crichton, Basil Dearden & Robert Hamer. Starring Mervyn Johns, Michael Redgrave and Googie Withers, Dead Of Night represented a departure for Ealing from the classic comedy mode and is instead a spooky psychological thriller made up of five chilling ghost stories.
A police detective falls in love with the woman whose murder he's investigating.
Stunning adaptation of Boris Pasternak's most celebrated novel scripted by acclaimed dramatist Andrew Davies (Pride And Prejudice Bridget Jones's Diary Othello). The sweep and scale of the Russian Revolution acts as the backdrop for the intense and ultimately heart-breaking love story of Doctor Yury Zhivago the physician and poet who wrestles with the anguish of being torn between the love of two women Tonya and Lara. Starring Sam Neill Keira Knightley and Hans Matheson. Now the winner of 4 major awards from the New York Film Festivals 2004.
Daniel (Mark Lester, Oliver!) and Ornshaw (Jack Wild, Oliver! Robin Hood: Prince of Thieves), two mischievous schoolboys attending a south London comprehensive, strike up a trusting friendship despite their vastly different social backgrounds. But when Daniel falls head over heels in love with fellow pupil Melody, Ornshaw resents being neglected. Not only is their friendship compromised, but the dull, grumpy adult world that surrounds them is about to be turned upside down when ten-year-olds Daniel and Melody announce their plans to get married. Brilliantly and poignantly capturing the world of the pre-adolescent, Melody revels in the joys of youthful rebellion. Since its original release in 1971, it has gained an immense, international cult following and become one of British cinemas most cherished films. Not only was it Alan Parker's (The Commitments, Midnight Express) first screenplay, but also David Puttnam's (Chariots Of Fire, The Killing Fields) debut as a feature film producer. Melody features a fantastic, unforgettable soundtrack from The Bee Gees and Crosby, Stills, Nash and Young EXTRAS: New Interviews with David Puttnam, Alan Parker, Waris Hussian and Mark Lester and Stills Gallery
This CinemaScope treatment of Frank Loesser's hit Broadway musical Guys and Dolls is a deeply rewarding visual and musical experience. Frank Sinatra turns in one of his best screen performances running a close second to Marlon Brando and Jean Simmons, looking adorable and singing sweetly. In essence this is a piece of photographed theatre mounted on a handsome scale. The striking set designs and a brilliantly executed soundtrack are courtesy of two Broadway craftsmen Oliver Smith and conductor Jay Blackton. Photographer Harry Stradling brings a meticulous eye for detail when his camera stationed on the auditorium side of the frame, peers into Miss Adelaide's bathroom cupboard as she views the lines of medicine bottles in her celebrated "lament". Sinatra, in his vocal prime, sings a new number to Adelaide (Vivian Blaine)--arranged by Nelson Riddle--and Brando and Simmons strike chords in all their scenes from their opening duet "I'll Know" through to their evening out at a Havana bistro where she gets pie-eyed on a Bacardi milk-shake, tipsily wondering "If I were a Bell". Stubby Kaye also from the Broadway cast recreates the show-stopping "Sit Down You're Rockin' the Boat". Michael Kidd's choreography for "Luck Be a Lady" is razor-sharp and superbly captured in the CinemaScope format, though the formalised staging of the opening ought to have been rethought for this medium. The biggest pity is that Loesser amended some of his lyrics and replaced several tunes from his original score with inferior material. On the DVD: The DVD trailer hosted by Ed Sullivan makes much of the $1,000,000 cheque producer Samuel Goldwyn paid for the rights and the previews of the picture he obtained for his weekly television show. There's no denying that the remastered stereophonic soundtrack captures the Broadway sound to thrilling effect without it being overglamorised. The picture looks splendid too--never settle for the compromise version we've endured all these years on television! --Adrian Edwards
What A Cast! What A Past! What A Show!This black comedy opens with Louisa Foster donating a multimillion dollar check to the IRS. The tax department thinks she's crazy and sends her to a psychiatrist. She then discusses her four marriages, in which all of her husbands became incredibly rich and died prematurely because of their drive to be wealthy...
Dracula appears at Dr. Edelman's office on the pretense of a cure for his vampirism his real intention is the Doctor's beautiful female assistant...
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