West portrays voluptuous Flowerbelle Lee, whose reputation is tarnished when she is seen embracing a masked bandit in her bedroom. Forced to leave town until she can prove she is respectable -and married - Flowerbelle boards a train where she meets incorrigible Guthbert J. Twillie (Fields). Believing he's quite a catch, Flowerbelle accepts Twillie's marriage proposal. The newlyweds stop in the town of Greasewood where Twillie's exaggerated tales of adventures earn him the honor of becoming the sheriff of the town and bartender at 'The Last Gasp' saloon. Mishaps magnify as West continues her flirtatious ways leading to one of the funniest scenes in the film - when the masked bandit visits again and he's not at all who Flowerbelle expects!
The Belles of St Trinian's is a classic comedy film set in the fictional St Trinian's School released in 1954 directed by Frank Launder and written by Frank Launder and Sidney Gilliat. Featuring a star cast of British comedy talent including - Alastair Sim as both Miss Millicent Fritton and Clarence Fritton Joyce Grenfell George Cole Beryl Reid and many others. This 60th anniversary edition has been fully restored plus features brand new extra content. The unruly schoolgirls of St. Trinian’s are more interested in men and mischief than homework and hockey. But greater trouble beckons when the arrival at the school of Princess Fatima of Makyad coincides with the return of recently expelled Arabella Fritton who has kidnap on her mind. Special Features: The Girls of St Trinian’s Interview with Alistair Sim’s Daughter - Merlith McKendrick Interview with Geoff Brown - film historian Interview with Steve Chibnall – Professor of British Cinema De Montfort University Interview with Melanie Williams - Senior Lecturer in Film Studies UEA
Hitchcock's original and praised rendition of the dramatic tale of a child's kidnap and recovery from spies trying to ensure her father's silence. While on holiday in Switzerland Jill Lawrence and her husband become accidentally involved in murder and intrigue when an undercover Secret Service agent whispers the whereabouts of a vital message to Lawrence as he lie dying from a gunshot would. Splendid early Hitchcock movie with memorable sequences.
Norman Wisdom returns as his famous "Pitkin" character, but also for the first time since his appearance in 1958's The Square Peg, Edward Chapman is also back to provide Norman with the excuse to reprise his immortal catch-phrase "Mr Grimsdale". Following on from the previous year's On the Beat, this is actually Wisdom's third adventure as Norman Pitkin, and he certainly has a thing about uniforms. In the previous pictures he was in the army then the police, while here he succeeds in causing chaos in a St. John's Ambulance unit, as well as donning drag to play a blonde nurse complete with suspender belt and silk stockings. Each Norman Wisdom movie usually sees him as the accidental Lord of Misrule in one institution or another, and this time its the NHS: after being banned from his local hospital, Norman resorts to subterfuge to visit a little orphan girl. There's an autobiographical touch here, as Wisdom himself was raised in an orphanage and centred the plot of One Good Turn (1954) around such an establishment. It's all good fun and clearly shows where such later British comedy as Michael Crawford's BBC TV series Some Mothers Do 'Av 'Em (1973-78) found its inspiration. --Gary S. Dalkin
Blarney and bliss, mixed in equal proportions. John Wayne plays an American boxer who returns to the Emerald Isle, his native land. What he finds there is a fiery prospective spouse (Maureen O'Hara) and a country greener than any Ireland seen before or since--it's no surprise The Quiet Man won an Oscar for cinematography. It also won an Oscar for John Ford's direction, his fourth such award. The film was a deeply personal project for Ford (whose birth name was Sean Aloysius O'Fearna), and he lavished all of his affection for the Irish landscape and Irish people on this film. He also stages perhaps the greatest donnybrook in the history of movies, an epic fistfight between Wayne and the truculent Victor McLaglen--that's Ford's brother, Francis, as the elderly man on his deathbed who miraculously revives when he hears word of the dustup. Barry Fitzgerald, the original Irish elf, gets the movie's biggest laugh when he walks into the newlyweds' bedroom the morning after their wedding, and spots a broken bed. The look on his face says everything. The Quiet Man isn't the real Ireland, but as a delicious never-never land of Ford's imagination, it will do very nicely. --Robert Horton
Hold That Ghost: Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house along with several other strangers. In The Navy: Russ Raymond America's number one crooner disappears and joins the Navy under the name Tommy Halstead. Dorothy Roberts a magazine journalist is intent on finding out what happened to Russ and she tries everything sh
During WWI two French officers are captured. Captain De Boeldieu is an aristocrat while Lieutenant Marechal was a mechanic in civilian life. They meet other prisoners from various backgrounds as Rosenthal son of wealthy Jewish bankers. They are separated from Rosenthal before managing to escape. A few months later they meet again in a fortress commanded by the aristocrat Van Rauffenstein. De Boeldieu strikes up a friendship with him but Marechal and Rosenthal still want to escape... One of the very first prison escape movies La Grande Illusion is hailed as one of the greatest films ever made.
While in Tibet Dr. Wilfred Glendon is attacked in the dark. On his return to London he finds himself changing at night into a werewolf and terrorising the city!
A triple disc, 8 hour digest of newsreels reporting on war related activities and news events occurring on the British Home Front during the Second World War. With strong, instantly recognisable packaging design and the authenticity of the British Pathe newsreel content, this premium release is set to be the cross-over special interest DVD gifting solution for Q4.
The captivating Claudette Colbert stars as the frustrated wife of struggling engineer Joel McCrea. In a seemingly amicable agreement Colbert hops a train to Palm Beach where divorces come easy. Desperate to escape a group of obnoxious millionaires on the train to Florida Colbert hides out in a sleeping car where she meets unbeknownst to her one of the world's richest men (Rudy Vallee) who is relentless in his attempt to romance her. Upon their arrival in Palm Beach Colbert is met by her husband who has come to claim her back only to find that Vallee's man-crazy sister (Mary Astor) is after him! The foursome's story unfolds through intensely humorous dialogue flirtatious situations and a splendid soundtrack.
Perhaps no period of any national cinema extends its influence so powerfully into the present day of movies as that of the German cinema of the Weimar era. From the fraught angles that accompanied magisterial set-design to the dreamlike interplay of light and shadow German films of the pre-WWII era defined the famed ""expressionistic"" visual style even as they tested the boundaries of social and sexual taboos. This collection contains five films. Four are classic films emblematic of the legendary Weimar period and one is an historical curiosity commissioned under the Nazi regime. Paul Wegener's and Carl Boese's 1920 film Der Golem represents the second (and the only fully surviving) film treatment by Wegener of the Yiddish folktale based around a towering clay monster created by magic corrupted by evil and redeemed ultimately by the force of the human soul. From the same year comes Robert Wiene's nightmarish classic The Cabinet of Dr. Caligari - a story of mesmerism sleepwalking and murder - a demented dreamscape that perhaps single-handedly galvanized the Expressionist movement of silent cinema. Nine years on Joe May's Asphalt opens a door to the sordid carnality lurking inside the Weimar heart of darkness - and gives audiences the gift of Betty Amann the greatest ""siren unsung"" of the early silver-screen. No lack of recognition would beset the besotted lead of Josef von Sternberg's 1930 masterpiece The Blue Angel - presented here in both its German- and English-language versions. Simply put this tale of a mild-mannered professor (Emil Jannings) sucked into the world of a licentious cabaret artiste introduced the public to an immortal: her name written among the stars would read ""Marlene Dietrich"". By 1943 a new era had dawned one in which Joseph Goebbels called the shots and it was Josef von Bky's Mnchhausen that epitomized the ""new German epic"" - a state-sanctioned Agfacolor melange of the picaresque and Aryan myth that nevertheless served to inspire Terry Gilliam's more benign modern fantasia The Adventures of Baron Munchausen. Myth sex magick and the ""tall-tale"": Classics of German Cinema: 1920-1943 presents the viewer with a selection of masterpieces that tower not only over the awesome first phase of German movies but over the origins of world cinema as a whole. 1. Der Golem 2. Das Cabinet Des Dr. Caligari 3. Asphalt 4. The Blue Angel 5. Munchhausen
Casablanca: easy to enter but much harder to leave especially if you're wanted by the Nazis. Such a man is Resistance leader Victor Laszlo (Paul Henreid) whose only hope is Rick Blaine (Humphrey Bogart) a cynical American who sticks his neck out for no one...especially Victor's wife Ilsa (Ingrid Bergman) the ex-lover who broke his heart. Ilsa offers herself in exchange for Laszlo's transport out of the country and bitter Rick must decide what counts more – personal happiness or countless lives hanging in the balance. Winner of three Academy Awards including Best Picture Casablanca marks decades as a beloved favourite. No matter how often you've seen it this looks like yet another beginning of a beautiful friendship with an unforgettable classic.
A beautiful princess born in a faraway kingdom is destined by a terrible curse to prick her finger on the spindle of a spinning wheel and fall into a deep sleep which can only be awakened by true love's first kiss. This classic makes wondrous use of Tchaikovsky's same-titled ballet score.
Long Lost Comedy Classics is a collection of films from a golden age of British Cinema remembered for timeless stars and some unique movies that have stood the test of time. So why not take a trip down memory lane and see how cinema used to be? Bill Harper (James Donald) and Petronilla Brand (Jean Lodge) a young couple on a yachting holiday together become involved with Tony Rackham (Kenneth More) who is smuggling brandy from France to a respectable London wine merchants. Through various mishaps Bill and Petronilla find themselves personally responsible for transporting the brandy kegs to London whilst being pursued by Customs officials...
A fantastic cast star in this World War II comedy farce featuring the antics of an eclectic mix of entertainers of an organisation that called itself Entertainment National Service Association. Known as ENSA for short or rather cruelly Every Night Something Awful! Fresh from the music halls they certainly give the camp the run around in more ways than one and bumble their way to triumph!
Set in and around San Francisco, Thieves' Highway is a tale of an American G.I., Nick, who comes home from World War II to find his father, a produce truck driver, paralysed after a fight with a crooked truck driver. So instead of the young vet building a new life for himself and settling down with his girl, Nick gets embroiled in his father's feud. To get back at the thug, Nick tries to lay a trap. But his hunger for revenge changes his personality to the point where he risks losing everything that ever mattered to him.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy