In order to save an orphanage from closure, a cook dons a masks and moonlights as a luchador.
Jennifer Lopez plays a workaholic wedding planner who falls for the fiance of one of her clients.
Woody Allen's gentlest and most unassuming movie, Radio Days isn't so much a story as a series of anecdotes loosely linked together by a voice-over spoken by the director. The film is strongly autobiographical in tone, presenting the memories of a young lad Joe (clearly a stand-in for Allen himself) growing up in a working-class Jewish family in the seafront Brooklyn suburb of Rockaway during the late 1930s and early 40s. In this pre-TV era the radio is ubiquitous, a constant accompaniment churning out quiz shows, soap operas, dance music, news flashes and Joe's favourite, the exploits of the Masked Avenger. Given Allen's well-publicised gallery of neuroses, you might expect childhood traumas. But no, everything here is rose-tinted and even the outbreak of war makes little impact on the easygoing, protective tenor of family life. Now and then Allen counterpoints his family album with the doings of the radio folk themselves (blink, and you'll miss a young William H Macy in the studio scene when the news of Pearl Harbour comes through). The rise to fame of Sally (Mia Farrow), a former night-club cigarette girl turned crooner, is the nearest the film comes to a coherent storyline. But most of the time Allen is content to coast on a flow of easy nostalgia, poking affectionate fun at the broadcasting conventions of the period and basking in the mildly rueful Jewish humour and small domestic crises of Joe's extended family. There aren't even any of his snappy one-liners, and the humour is kept low-key, raising at most an indulgent smile. A touch of Allen's usual acerbity wouldn't have come amiss. But for anyone who shares these memories, Radio Days will surely be a delight. On the DVD: Not much besides the theatrical trailer, scene menu and a choice of languages. The screen's the full original ratio, but nothing seems to have been done to enhance the soundtrack, and the dialogue's not always clear. A boost in volume may help.--Philip Kemp
Jack is Francis Coppola at his most pointless noodling, looking for the film he wants to make instead of just making it. Robin Williams stars as 10-year-old Jack, a boy with an inexplicable disease that ages him at four times the normal human rate. Kept at home like a contemporary Boo Radley, Jack becomes a neighbourhood legend until his parents relent and send him to school. In time, the other kids befriend him and stay loyal as his hyperdevelopment puts a strain on his body and emotions. The idea is sound, but the execution is a bore. The best the script and Coppola can come up with are painfully long scenes in which Williams's character proves himself on the playground and in gross-out contests in a tree house. Coppola fishes around for signs of life and spontaneity in these scenes, but the film is actually best when Jack has to cope with certain feelings in his mature body (such as his attraction to a character played by Fran Drescher) that he isn't prepared for emotionally. Jack would have been a lot better if Coppola had embraced a plan from beginning to end and stuck to it. --Tom Keogh, Amazon.com
His baseball coach is Reggie Jackson, his own personal McDonald's is inside the family mansion, and his array of gadgets like the Dadlink, the Smell-Master and RoboBee would astonish any techno-buff. You've never seen a world like Richie Rich's. But now the welcome mat is out for you to stay as long as you like. In a comedy adventure with lots of heart (Los Angeles Times), Macaulay Culkin portrays the world's wealthiest youngster, likable but isolated, who has everything except friends until he hits it off with some sandlot kids. He'll need their help when a scheming advisor (John Larroquette) plots to dispose of Richie's parents (Edward Herrmann and Christine Ebersole) and plunder the family vault. It's all such exciting fun even the world's richest kid can't afford to miss it!
Four Eddie Izzard DVD features in one box set
Burke And Hare is a comedic take on the true story of the Edinburgh body-snatchers William Burke (Simon Pegg) and William Hare (Andy Serkis). These two Irish entrepreneurs spurred on by a chance meeting with a gorgeous actress (Isla Fisher) discover that a dead body can fetch a hefty price when the demands of the leading medical professors Dr. Knox (Tom Wilkinson) and Dr. Monroe (Tim Curry) reach beyond that of the local supply.
The world's greatest detectives have been invited to dinner. But when murder is on the menu who will make it to dessert? You are cordially invited to join an all-star cast featuring Peter Sellers David Niven Peter Falk James Coco Elsa Lanchester Maggie Smith Alec Guinness Eileen Brennan Nancy Walker James Cromwell and Estelle Winwood for Neil Simon's hilarious murder-mystery spoof 'Murder By Death'. The isolated mansion of eccentric millionaire Lionel Twain (Truman Capote
As graduation nears for the class of 1955 at Angel Beach High, the gang once again faces off against their old enemy, Porky, who wants them to throw the school's championship basketball game because he's betting on the opposing team.
While director Norman Jewisons Moonstruck is a romantic cornerstone, this 1994 film is often overlooked. Its a sweet valentine about a young woman, aptly named Faith (Marisa Tomei, never cuter), who chases an unknown man to Europe because the name "Damon Bradley" was once spelled on a Ouija board as her true love. With her sister-in-law (Bonnie Hunt, whose own marriage seems to be falling apart), she travels the streets of Rome looking for Damon Bradley. And lo and behold, she literally runs into a man claiming to be Damon. Is this meant to be? Faith certainly thinks so. Robert Downey Jr. (also never cuter) plays Damon in a role that showcases his charms. He shows his quick wit in handing Faiths advances and his absolute devotion to her when the winds change. Despite the cuteness factor, this is a movie to fall in love with. Jewison and Sven Nykvist (Ingmar Bergmans cameraman) present a sun-kissed Italy so beautiful, you might be tempted to hop on a plane immediately after viewing the movie. --Doug Thomas
A New York advertising exec travels to a small Southern town to collect an inheritance but finds he must create a succcesful gospel choir before he can collect. Cuba Gooding Jr and Beyonce Knowles team up for a belting musical comedy.
Created by written by and starring the one and only Victoria Wood 'Dinnerladies' chronicles the antics of a group of workers in a manky old canteen up in the north of England... Episodes comprise: 1. Catering 2. Trouble 3. Holidays 4. Fog 5. Gamble 6. Christmas 7. Minnellium 8. Christine 9. Gravy 10. Toast
From the irreverent minds of Mike Judge (Office Space, Beavis and Butt-Head) and Alec Berg (Barry, Curb Your Enthusiasm) comes this satirical HBO® comedy that takes viewers inside the world of tech start-ups and the socially awkward misfits trying to navigate their lucrative potential. Featuring a talented ensemble of young comic actors, including Thomas Middleditch, Zach Woods, Kumail Nanjiani and Martin Starr, Silicon Valley® charts the rising fortunes of Richard, an introverted computer programmer stuck working parttime at a large tech company called Hooli. But when a mid-level Hooli executive is apprised of Richard's novel compression algorithm, Richard finds himself caught in the middle of an extreme bidding war between Hooli founder Gavin Belson and independent billionaire venture capitalist Peter Gregory. Commentaries on Select Episodes Three Behind-the-Scenes and Making-of Featurettes Tour of the Hacker Hostel Deleted Scenes
A guidance counselor mistakenly sends out the wrong transcripts to Stanford University under the name of an over-achieving high schooler.
Includes all 8 series and 137 episodes of the series Doctor In the House Doctor At Large Doctor In Charge Doctor At Sea Doctor On The Go.
Satirical sitcom about life on the tabloid side of Fleet Street. Robert Hardy stars as muck-raking editor Russell Spam forever battling his superior Harold Stringer (Geoffrey Palmer) who tries but fails to maintain what he sees as the 'dignity' of the press.
Woodfall Film's portmanteau feature is a major rediscovery, never before released in the UK. Comprised of three compelling tales, it brings together a trio of Britain's most innovative directors and embodies the creativity and audacity at the heart of Swinging Sixties cinema. Comic legend Zero Mostel (A Funny Thing Happened on the Way to the Forum) mixes slapstick and surrealism as a tardy opera star traversing London in Ride of the Valkyrie while The White Bus , scripted by Shelagh Delaney (A Taste of Honey), blends realism and poetry with poetry with New Wave detachment as a young woman travels home from the north of England. Tony Richardson (Tom Jones) directs Vanessa Redgrave in the final part of the film, Red and blue a musical, melancholy romantic reverie. Special features: Presented in High Definition and Standard Definition About The White Bus (1968, 59 mins): documentary on the making of Lindsay Anderson's segment Lindsay Anderson Introduction/Stills Gallery (1968, 5 mins): an audio recording of Anderson addressing the NFT in 1968, played over stills Behind the scenes of Red and Blue (1966, 7 mins): Kevin Brownlow's 16mm footage of cast and crew Kevin Brownlow on Red, White and Zero (2018, 15 mins): the Red and Blue and The White Bus editor on making the films Billy Williams on Red and Blue (2018, 14 mins): the cinematographer recalls working with Tony Richardson on the segment No Arks (1969, 7 mins): political cartoonist Abu's satirical reworking of the Noah story, narrated by Vanessa Redgrave Audio commentary by Adrian Martin Illustrated booklet with new writing by Sarah Wood, Paul Fairclough, So Mayer and Philip Kemp and Katy McGahan, plus full film credits
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