TV repairman, Clayton Poole, still has feelings for his old high school girlfriend, Carla Naples. However, Carla is now a glamorous movie star and the pregnant wife of a Mexican bullfighter. When her husband is tragically killed and she needs to keep the baby a secret, the star turns to Clayton for help. He is thrilled at the prospect of acting as babysitter. But Carla neglects to tell him she's had triplets...Product FeaturesHigh-Definition TransferUK Blu-ray⢠PremiereOptional English SDH Subtitles
In 1964 the biggest band on the planet made their big screen debut with A Hard Day's Night a ground-breaking film that presented a 'typical' day in the life of The Fab Four as they tried to outrun screaming fans find Paul's mischievous grandfather deal with a stressed TV producer and make it to the show on time. Directed with unrelenting verve by Richard Lester whose innovative techniques paved the way for generations of music videos the film's frenetic mix of comic escapades legendary one-liners and pop perfection captured a moment in time that defined a generation. The most iconic band in music history had arrived. Special Features: In their own voices: A new piece combining 1964 interviews with The Beatles with behind-the-scenes footage and photos You can't do that: The Making of 'A Hard Day's Night': a documentary by producer Walter Shenson including an outtake performance by The Beatles Things they said today: Documentary about the film featuring director Richard Lester music producer George Martin screenwriter Alun Owen and Cinematographer Gilbert Taylor Picturewise: A new piece about Richard Lester's early work featuring a new audio interview with the director Anatomy of a style: A new piece on Richard Lester's methods Interview with author Mark Lewisohn Audio Commentary with Cast and Crew 50th Anniversary Trailer
Featuring Bill's trademark musical interludes observations and stories of the road Dandelion Mind will be based loosely on the theme of doubt (or will it?) as we follow Bill from his real-life saga of being trapped by the ash cloud to his barely contained rants about celebrity TV creationism and Michael Winner. He demonstrates new instruments both ancient and modern he sings an internet love song a lament about punk heroes Iranian hip-hop and plays a mean folk-bouzouki. Thomas the Doubter gets a new look and Darwin's curious obsessions and the myth of intelligent design are all worked over in Bailey's own surreal style. He revisits the music of his youth with a brand-new French Disco re-working of Gary Numan's hit Cars played in his own inimitable way and maybe some Wurzel-based remixes of classic German techno. Just your normal Bill Bailey gig then.
A straitlaced businessman meets a quirky, freespirited woman at a downtown New York greasy spoon. Her offer of a ride back to his office results in a lunchtime motel rendezvousjust the beginning of a capricious interstate road trip that brings the two facetoface with their hidden selves. Featuring a killer soundtrack and electric performances from Jeff Daniels, Melanie Griffith, and Ray Liotta, Something Wild, directed by oddball American auteur Jonathan Demme, is both a kinky comic thriller and a radiantly offkilter love story. Features: New, restored digital transfer, supervised by director of photography Tak Fujimoto and approved by director Jonathan Demme, with DTSHD Master Audio soundtrack New video interviews with Demme and writer E. Max Frye Original theatrical trailer PLUS: A booklet featuring a new essay by film critic David Thompson New cover by Sam Smith
The third series of cult comedy set in a second hand bookshop. Dylan Moran stars as the bohemian and frequently drunk owner who has one major problem with his line of work: he hates customers! Help is at hand however in the form of mild-mannered Manny (Bill Bailey) who proves to be something of a star at selling books and Fran (Tamsin Greig) their under achieving friend. This dubious trio form a family of sorts to protect each other from the realities of modern London but not
Film-makers often remark that it's just so hard to make a bad picture that few would take on the challenge if they weren't so naive. Steve Martin's Bobby Bowfinger is cut from that pattern, one of those sweet, indomitable operators of Hollywood who seem to be descended directly from Ed Wood (of Plan 9 from Outer Space infamy). To resurrect his ramshackle existence, Bowfinger opts to film his accountant's sci-fi spectacular,Chubby Rain, about aliens invading in raindrops. The snag is he needs to attach action megastar Kit Ramsey (Eddie Murphy), an actor so paranoid he counts the occurrences of the letter "k" in scripts to uncover possible Ku Klux Klan influences. When his effort fails, Bowfinger hits on an ingenious scheme to film Ramsey without his knowledge, throwing his actors at the hapless star whenever he appears in public. Only Kit begins to believe he's being hounded by aliens for real, and runs hysterically to his guru (Terence Stamp) at a Scientology-clone group called MindHead, where people walk around in fine suits wearing white pyramids on their heads. Deprived of his star, yet not to be undone, Bowfinger hires a look-alike, Jiff (also Eddie Murphy), to fill in. The tone of the picture is sometimes flat, rather than deadpan, but that's nitpicking. The farce is quick and engrossing, and populated with terrific performances, especially by Eddie Murphy, whose dual role as Kit and Jiff showcases his character-building gift, and by Martin, whose Bowfinger, part con man and part would-be visionary, manages to capture your sympathies. Heather Graham's would-be actress cheerfully sleeps her way to the top like she knows she's supposed to, and Christine Baranski plays her shopworn method actor with myopic self-absorption. --Jim Gay, Amazon.com
When a group of hard working guys find out they've fallen victim to a wealthy business man's Ponzi scheme, they conspire to rob his high-rise residence.
Dustin Hoffman and Emma Thompson star in this beguiling romance as two strangers meet in London and change one another's lives forever
Capturing Keaton's first steps in front of a camera, this box set charts his early association with ex-Keystone Kop Roscoe 'Fatty' Arbuckle through to starring in, headlining, and directing his own box office smash hits. Using Chaplin's old Hollywood studios in 1920, Keaton's sophisticated technical inventiveness coupled with his haunted-yet-handsome 'Stone Face' persona, created a succession of the most timeless, classic comedy shorts ever realised. The Masters of Cinema Series is proud to present these films on Blu-ray from meticulous restorations.Featuring: The Butcher Boy (1917), The Rough House (1917), His Wedding Night (1917), Oh, Doctor! (1917), Coney Island (1917), Out West (1918), The Bell Boy (1918), Moonshine (1918), Good Night Nurse (1918), The Cook (1918), Backstage (1919), The Hayseed (1919), The Garage (1919), The High Sign * (finished 1920, released 1921), One Week* (1920), Convict 13* (1920), The Scarecrow (1920), Neighbors (1920), The Haunted House (1921), Hard Luck (1921), The Goat (1921), The Playhouse* (1921), The Boat* (1921), The Paleface (1922), Cops* (1922), My Wife's Relations (1922), The Blacksmith (1922), The Frozen North (1922), Daydreams (1922), The Electric House (1922), The Balloonatic (1923), The Love Nest (1923)* Audio Commentary availableProduct Features1080p presentations across four Blu-ray DiscsMultiple scores on selected titlesArchival audio commentaries by Joseph McBride on The 'High Sign', One Week, Convict 13, The Playhouse, The Boat, and CopsVersion of The Blacksmith containing four minutes of previously unseen footageAlternate ending for Coney IslandAlternate ending for My Wife's RelationsThat's Some Buster, video essay by critic and filmmaker David CairnsAn introduction by preservationist Serge BrombergThe Art of Buster Keaton, actor Pierre Ãtaix discusses Keaton's styleLife with Buster Keaton, Keaton re-enacts Roscoe Arbuckle's Salomé dance performed in The CookAudio recording of Keaton at a party in 1962.
Bottom Live 2003: Weapons Grade Y-Fronts Tour is reputedly the swan song for Adrian Edmondson and Rik Mayall's Eddie Hitler and Richie Richard. If so, it's a mixed blessing, for while much of it is funny, it's also a long way from the original BBC Bottom series. The TV incarnation was always crude, but worked hilariously because it balanced real characterisation and comically absurd ingenuity with the vulgarity. Here Edmundson and Mayall spend 90 minutes swearing as loudly and repulsively as possible and indulging in cartoon violence, which can never--for reasons of self-preservation and the legal ramifications of killing people on stage--be as insanely inventive as on television. With no other characters (where are you Spudgun and Dave Hedgehog when you're most needed?) and a barely existent story involving a device that inserts a sofa in a part of Richie where no sofa should fit, and a time machine that takes our heroes on a quest to reach the bar before the audience, the material is thinly stretched. Nevertheless, the theatre audience at the Cliffs Pavilion, Southend-on-Sea seem to have had a fantastic time being roundly abused by the stars. Probably, you just had to be there. On the DVD: Bottom Live 2003 is presented with, for a live theatre show, a strong, anamorphically enhanced 16:9 image and perfectly serviceable, clear stereo sound. It's far from special, but notably better than the technical quality of previous Bottom live videos. The only extra is a slideshow of backstage images, which runs for a minute-and-a-half. --Gary S Dalkin
This comedy stars Rob Schneider ("Deuce Bigalow")as a police cadet who, after nearly dying in a car accident while driving through a remote area, is rescued by a strange beast who performs surgery on him in a barn, using animal parts as transplants.
The second series of the award-winning BBC2 mockudrama The Office exceeded even the sky-high standards of the first. Indeed, it ventured beyond caricature and satire, touching on the very edge of darkness. Ricky Gervais was once again excruciatingly superb as David Brent, a subtly shaded modern English comic grotesque in the desperate and self-deluding tradition of Alan Partridge and Basil Fawlty. In this series, however, Brent's to-camera assertions concerning his man-management qualities and executive capabilities are seriously challenged when the Slough and Swindon branches are merged and his former Swindon equivalent Neil takes over as area manager. To compensate Brent cultivates his pathologically mistaken image of himself as an entertainer/motivator/comedian whose stage happens to be the workplace. This culminates in a comically disastrous motivational session ending with a sing-along of Tina Turner's "Simply the Best", which is greeted, typically, with stunned, appalled silence. Meanwhile, Tim, who can only maintain his sanity by teasing the priggish, puddingbowl-haired Gareth, continues to wrestle with his yearning for receptionist Dawn, a sympathetic character persisting with a relationship with a yobbish bloke about whom she still maintains unspoken reservations. As ever, it's the awkward, reality TV-style pauses and silences, the furtive, meaningful and unmet glances across the emotional gulf of the open-plan office, that say it all here. As for Brent, his own breakdown is prefaced by a moment of hideous hilarity--an impromptu office dance, a mixture of "Flashdance and MC Hammer" as Brent describes it, but in reality bad beyond description. Then, when his fate is sealed, he at last reveals himself as a humiliated and broken man in a memorable finale to perhaps the greatest British sitcom, besides Fawlty Towers, ever made. All this and Keith too. --David Stubbs On the DVD: The Office, Series 2 is a single-disc release unlike the more generous Series 1. Extra features are enjoyable nonetheless. Ricky Gervais and Stephen Merchant feature in a gleefully shambolic video diary--highlights of which include Gervais flicking elastic bands at his cowriter and taping their editor to his swivel chair. The ubiquitous Gervais also mockingly introduces some outtakes (mostly of him corpsing throughout dozens of takes) and a series of deleted scenes, notably of Gareth arriving in his horrendous cycle shorts. --Mark Walker
Many of the leading lights of screen and comedy began life with appearances on Saturday Night Live; on this fantastic compilation we bring you the very best of the first ever series with the likes of Peter Cook and Dudley Moore Elliott Gould and Chevy Chase.
Ted As the result of a childhood wish John Bennett's teddy bear Ted came to life and has been by John's side ever since - a friendship that's tested when Lori John's girlfriend of four years wants more from their relationship. Ted 2 Newlywed couple Ted and Tami-Lynn want to have a baby but in order to qualify to be a parent Ted will have to prove he's a person in a court of law.
Open All Hours (Series 1-4): Arkwright (Ronnie Barker) a stammering tight-fisted corner shop owner from Yorkshire has a special way of running his business with nephew Granville (David Jason). When he buys a large batch of damaged tinned goods with no labels he thinks nothing of passing them off as good stock to his customers. Always on the look out for a bargain he spots a broken down ice cream van. Before you know it he's got himself a mobile store. But will Nurse Gladys
Peter O'Toole is dazzling as Jeffrey Bernard: Spectator columnist raconteur hopeful lover hopeless husband heroic drinker and funniest man you are ever likely to meet. Recorded live at the Old Vic Theatre in London this video of Keith Waterhouse's brilliant play immortalises a host of insanely hilarious characters from the bitingly critical stagehand at the Royal Opera House to the mad genius who invented cat racing.
The new police recruits call them slobs call them jerks call them gross just don't call them when you're in trouble! The Police Academy adopts a completely open admissions policy hence a large number of unemployable social misfits promptly enrol. This hilarious motley crew are the last people you would want as upholders of the law.
A genius he may have been, but Peter Sellers' film work often demonstrated appalling lapses of taste, as with the weak wartime farce Soft Beds, Hard Battles. Little more than a vehicle for a range of Sellers racial stereotypes and an excuse to feature a succession of scantily clad young women, the film centres on a Parisian brothel during the Second World War and its various clients from all the countries involved. Thus Sellers is given reign to trot out his comedy Frenchman, Englishman, German and Chinaman-none of which come across as anything other than hugely dated. The plot is weak and the hopelessly erotic air gives a feel of Confessions of a Window Cleaner in uniform or "'Allo 'Allo: The Movie". With so many better examples of Sellers' work available, this must surely be close to the bottom of anyone's list. On the DVD: Soft Beds, Hard Battles's picture and sound are bright and bawdy, with some degree of digital remastering obviously having taken place. There is a 10-minute selection of material deleted from the original cinematic print but these are merely odds and sods that cannot save Soft Beds, Hard Battles from being little more than a woefully outdated curio. --Phil Udell
Please wait. Loading...
This site uses cookies.
More details in our privacy policy