Set in 1969, the year in which the hippy dreams of so many young Englishmen went sour, 1986's Bruce Robinson's Withnail and I is an enduring British cult. Fellow enthusiasts cry immortal phrases from the endlessly brilliant script to one another like mating calls; "Scrubbers!", "We want the finest wines known to humanity and we want them now!" Withnail is played by the emaciated but defiantly effete Richard E Grant, "I" (i.e., Marwood) by Paul McGann. Out-of-work actors living in desperate penury in a rancid London flat, their lives are a continual struggle to keep warm, alive and in Marwood's case sane, until the pubs open. A sojourn in the country cottage of Withnail's gay Uncle Monty only redoubles their privations--they have to kill a live chicken to eat. The arrival of Monty spells further misery for Marwood as he must fend off his attentions. This borderline homophobic interlude apart, Withnail and I is a delight, enhanced by an aimless but appallingly eventful plot. Popular among students, it strikes a chord with anyone who has undergone a period of debauchery and impoverished squalor prior to finding their way onto life's straight and narrow.--David Stubbs
Withnail And I portrays the last throes of an eccentric friendship during the final days of the sixties. Withnail and I are two young would-be actors who wake up one morning to find only ninety days left in the decade. Bound together by poverty and dreams of stardom they share a flat of indescribable squalor and live on a diet of booze pills and weed. The two friends decide to spend a soul-cleansing weekend in the country in a primitive cottage borrowed from Withnail's eccentric Uncle Monty. From the very start things go wrong and their dreams of an idyllic retreat rapidly degenerate into an hilarious nightmare.
Set in 1969, the year in which the hippy dreams of so many young Englishmen went sour, 1986's Bruce Robinson's Withnail and I is an enduring British cult. Fellow enthusiasts cry immortal phrases from the endlessly brilliant script to one another like mating calls; "Scrubbers!", "We want the finest wines known to humanity and we want them now!" Withnail is played by the emaciated but defiantly effete Richard E Grant, "I" (i.e., Marwood) by Paul McGann. Out-of-work actors living in desperate penury in a rancid London flat, their lives are a continual struggle to keep warm, alive and in Marwood's case sane, until the pubs open. A sojourn in the country cottage of Withnail's gay Uncle Monty only redoubles their privations--they have to kill a live chicken to eat. The arrival of Monty spells further misery for Marwood as he must fend off his attentions. This borderline homophobic interlude apart, Withnail and I is a delight, enhanced by an aimless but appallingly eventful plot. Popular among students, it strikes a chord with anyone who has undergone a period of debauchery and impoverished squalor prior to finding their way onto life's straight and narrow.--David Stubbs
Actor-producer Johnny Depp pays homage to his friend Hunter S. Thompson through this sprightly adaptation of the novelist's semi-autobiographical novel. Depp plays Paul Kemp, the booze-sozzled journalist who takes centre stage in Bruce Robinson's period comedy. Out of desperation, the New Yorker takes a job with a San Juan newspaper in 1960, where he reports to the cynical Lotterman (Richard Jenkins) and shares a squalid flat with laid-back photographer Sala (The Sopranos' Michael Rispoli) and the truly unhinged "crime and religion" reporter Moburg (a scene-stealing Giovanni Ribisi). The three Ugly Americans do their best to drain the island's rum supply until Kemp meets Aaron Eckhart's slick Sanderson, who recruits the writer to promote his real estate ventures, regardless as to the number of poverty-stricken Puerto Ricans his hotels will displace. Politically, Kemp leans left, but he needs the dough, so he accepts the offer, only to find the ultimate temptation in Sanderson's uninhibited fiancée, Chenault (the stunning Amber Heard). It's a tricky balancing act, but when the natives start getting restless, Kemp risks losing everything. If the conclusion feels anticlimactic, Robinson keeps the antic energy going through nerve-wracking car chases, balletic cock fights, and a hilarious acid excursion that recalls the hotel trip-out in Terry Gilliam's Fear and Loathing in Las Vegas, to which Robinson's film serves as a less surrealistic cousin. If it isn't as certain to become a cult classic, like the director's equally inebriated Withnail and I, Depp and company always remain true to Thompson's irascible spirit. --Kathleen C. Fennessy
Written and directed by Bruce Robinson (Withnail and I), this fast-moving potboiler finds its creator getting about as far from Withnail's fine wines and London and Lake District settings as it's possible to get, and into the world of bloody homicides, narrative red herrings and emotionally damaged policemen. John Berlin (Andy Garcia) is a big-city cop and, yes, that means he drinks a lot of coffee and has a terrible personal life (in this case, signified by a wife who just can't stop cheating on him). Leaving town to visit his understanding brother-in law and fellow detective Freddy Ross (Lance Henriksen), he promptly finds himself embroiled in the hunt for a serial killer with a grisly modus operandi for murdering blind women. As you might expect, it's not long before he's bumbling his way into a number of confrontations with the hick cops around him and an affair with Helena (Uma Thurman), the blind room-mate of one of the killer's victims. Slick and pacey, Jennifer 8 throws out so many plot that it eventually winds up falling over them in its haste to get to the overblown climax. Nothing here makes a great deal of sense and yet, despite its inherent cosmic silliness, Robinson handles the suspense-and-relief routine with a flashy aplomb, and the cast do well in the face of the material's shortcomings. (John Malkovich's brief appearance is a redemptive highlight, even if you do have to wait almost 90 minutes for it). --Danny Leigh
The cult classic about two unemployed actors returns ot the big screens some twenty years after it's debut.
The cult classic about two unemployed actors returns ot the big screens some twenty years after it's debut.
The cult classic about two unemployed actors returns ot the big screens some twenty years after it's debut.
The cult classic about two unemployed actors returns ot the big screens some twenty years after it's debut.
Richard E. Grant plays a successful advertising executive who cracks up while trying to think up a campaign for a new spot cream. He then develops a spot himself, which soon enough grows a face and begins talking to him.
Commencing a risky game of cat and mouse with corrupt D.A. Martin Hunter (Michael Douglas), ambitious reporter C.J. (Jesse Metcalfe) frames himself as a murder suspect to catch Hunter in the act!
Starring Richard E. Grant and Paul McGann in career defining roles, Withnail And I is one of the most hilarious and iconic comedies of British cinema. Written and directed by Bruce Robinson, this twisted, timeless and acerbic masterpiece is a genuine cult classic.It's 1969 and London isn't exactly swinging for struggling, unemployed actors Withnail (Richard E. Grant) and I (Paul McGann). Living amongst the crumbling squalor of a Camden flat their uneventful existence is fuelled by cheap drugs, bad booze and lighter fluid. When Withnail's eccentric Uncle Monty (Richard Griffiths) offers them his cottage retreat, both Withnail and I decide to escape to the glorious English countryside for a carefree weekend. But what they find is less than idyllic as they're forced to contend with disastrous weather conditions, hostile locals and the amorous motives of a certain Uncle Monty. It's the end of the greatest decade in the history of mankind and there's going to be a lot of refugees.
Camden Town the arse-end of the sixties. Two struggling unemployed actors decide some respite is in order and so depart their miserable flat for a week in the Lake District – one that will involve rain booze minimal supplies a randy bull and an even randier Uncle Monty. Based on the real-life experiences of former actor turned writer/director Bruce Robinson WITHNAIL and I has become one of British cinema’s most fondly remembered comedies. A cult film in the truest sense that has also become a classic. Perfectly cast – with career-defining roles for Richard E. Grant Paul McGann Richard Griffiths and Ralph Brown – and crammed with irresistibly quotable dialogue WITHNAIL and I is a sheer delight even on the umpteenth viewing.
Starring Richard E. Grant and Paul McGann in career defining roles, Withnail And I is one of the most hilarious and iconic comedies of British cinema. Written and directed by Bruce Robinson, this twisted, timeless and acerbic masterpiece is a genuine cult classic.It's 1969 and London isn't exactly swinging for struggling, unemployed actors Withnail (Richard E. Grant) and I (Paul McGann). Living amongst the crumbling squalor of a Camden flat their uneventful existence is fuelled by cheap drugs, bad booze and lighter fluid. When Withnail's eccentric Uncle Monty (Richard Griffiths) offers them his cottage retreat, both Withnail and I decide to escape to the glorious English countryside for a carefree weekend. But what they find is less than idyllic as they're forced to contend with disastrous weather conditions, hostile locals and the amorous motives of a certain Uncle Monty. It's the end of the greatest decade in the history of mankind and there's going to be a lot of refugees.
The finest cult film known to humanity! Camden Town the arse-end of the sixties. Two struggling unemployed actors decide some respite is in order and so depart their miserable flat for a week in the Lake District – one that will involve rain booze minimal supplies a randy bull and an even randier Uncle Monty. Based on the real-life experiences of former actor turned writer/director Bruce Robinson Withnail & I has become one of British cinema’s most fondly remembered comedies. A cult film in the truest sense that has also become a classic. Perfectly cast – with career-defining roles for Richard E. Grant Paul McGann Richard Griffiths and Ralph Brown – and crammed with irresistibly quotable dialogue Withnail & I is a sheer delight even on the umpteenth viewing. Only 2 000 are being made available in this format – Please contact me to discuss a pre-order quantity allocation. Features: New 2K restoration of Withnail & I from the original camera negative supervised and approved by director of photography Peter Hannan High Definition Blu-ray (1080p) and Standard Definition DVD Presentation of both films -Original uncompressed mono 1.0 PCM audio for both films -Optional English subtitles for the deaf and hard-of-hearing -Audio commentary by writer-director Bruce Robinson Audio commentary by critic and writer Kevin Jackson author of the BFI Modern Classic on Withnail & I Bruce Robinson’s follow-up feature How to Get Ahead in Advertising newly transferred from original film elements and approved by director of photography Peter Hannan All four original ‘Withnail Weekend’ documentaries first screened on Channel 4 in 1999 including The Peculiar Memories of Bruce Robinson which looks at the director’s career Withnail & Us which focuses on the film’s making and two shorter documentaries I Demand to Have Some Booze and Withnail on the Pier Newly filmed interviews with key members of Withnail & I’s behind-the-scenes team Theatrical trailers for both films Exclusive limited edition hardback book packaging (2 000 copies) containing new writing on the films reprints of key articles on Withnail & I deleted scenes and more across 200 pages illustrated with original production stills -More to be announced!
How To Get Ahead In Advertising
How to Get Ahead in Advertising stars Richard E. Grant as Dennis Dimbleby Bagley a brilliant young advertising executive whose constant fretting over an inability to devise a slogan for a revolutionary new pimple cream causes a growth to appear on his neck... which soon develops into a miniature talking head. Are two heads really better than one?
The career where two heads are better than one! To hotshot advertising executive Dennis Bagley (Richard E. Grant) people are pathetic sheep to whom he can sell anything...except a brand-new pimple cream. Creatively blocked Dennis becomes so stressed that he sprouts a pimple of his own...a pimple that eventually grows intoia huge head with a mind and a voice! Before long the sassy carbuncle takes over Dennis' life revealing to him a diabolical plan to control the masses. Now Dennis must find courage deep within himself to save society and himself from the beastly blemish!
Titles Comprise: Long Good Friday: In the savage and deadly world of the gangland king the man at the top is ruler but only as long as he controls everything in his territory. For that man the rewards can be infinate but so are the dangers. Harold Shand (Bob Hoskins) is enjoying the height of his powers and he is on the verge of something which would make his current 'arrangements' small fry. But stronger forces than even he can control have moved in and taken over. Climaxing in one long bloody day of terror an Easter Good Friday he is to see his empire begin to crack and crumble. Withnail & I London. The '60s. Two unemployed actors-acerbic elegantly wasted Withnail (Richard E. Grant) and the anxiety-ridden I (Paul McGann) - drown their frustrations in booze pills and lighter fluid. When Withnail's Uncle Monty (Richard Griffiths) offers his cottage they escape the squalor of their flat for a week in the country but soon realise they've gone on holiday by mistake when their wits - and friendship - are sorely tested by violent downpours less-than-hospitable locals and empty cupboards. An intelligent superbly acted and hilarious film. Freebird: Three London motorcycle couriers Fred (Gary Stretch) Tyg (Geoff Bell) and Grouch (Phil Daniels) set off from the capital in search of an elusive hippy and his cannabis farm in the Welsh mountains. Originally intended as a nice weekend in the country Fred has now found himself making a promise to his old friend the Chairman that whatever situations arise he will not return empty handed. Grouch has also made a promise that come Monday morning he'll be moving himself and his belongings into his new found love Lucinda's flat and finally making an attempt at the world of serious relationships. As for Tyg no such pact. This is a man who's never been further than the outskirts of London and as far as he's concerned an industrial unit near Heathrow Airport is pretty much the back of beyond. No Tyg's out to explore; to broaden his horizons; to lose any ignorance and soak up the hospitality of another nation. But what are those wild beast noises coming from the woods and why are there two gangs of bikers in the area about to settle an old score? Throw in a seven foot masked lovesick Russian wrestler and things could really get out of hand. That said it may also have something to do with the wild mushrooms they had for breakfast. It's a three and a half hour journey from London to the Welsh mountains but for Fred Tyg and Grouch it's just about to turn into the trip of a lifetime.
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