Limited Edition Three-Disc Set: Oldboy + Old Days + Three Hours Of Interviews Often Cited As One Of The Best Films Of The 2000S And Possibly The Definitive Example Of Extreme Asian Cinema, Oldboy Is A Brutal, Lyrical Modern Classic Of The Revenge Genre. Based On The Japanese Manga Of The Same Name, The Film Tells The Horrific Tale Of Oh Dae-Su (Choi Min-Sik), A Businessman Who Is Inexplicably Kidnapped And Imprisoned In A Grim Hotel Room-Like Cell For 15 Years, Without Knowing His Captor Or The Reason For His Incarceration. Eventually Released, He Learns Of His Wife'S Murder And Embarks On A Quest For Revenge Whilst Also Striking Up A Romance With A Young, Attractive Sushi Chef, Mi-Do (Kang Hye-Jung). He Eventually Finds His Tormentor, But Their Final Encounter Will Yield Yet More Unimaginable Horrors... Directed With Immense Flair By Park Chan-Wook (The Handmaiden) As The Second Instalment Of His Vengeance Trilogy, Oldboy Blazed A Trail At The 2004 Cannes Film Festival Where It Was Lauded By The President Of The Jury, Director Quentin Tarantino. The Film Went On To Become A Huge International Smash, Blowing Audiences Minds With Its Concoction Of Filmmaking Virtuosity, Ingenious Plotting, Violence And Pathos. Now, This Masterpiece Has Been Newly Mastered In 4K And Is Presented Here In A Three-Disc Set With A Massive Array Of Extras Including The Feature-Length Documentary Old Days, And Three Hours Of Bonus Interviews. Three-Disc Limited Edition Contents: Brand New 4K Restoration From The Original Camera Negative Supervised By Director Park Chan-Wook High Definition Blu-Ray (1080P) Presentation Original 5.1 Dts-Hd Master Audio And 2.0 Stereo Original Korean And English Soundtracks Music And Effects Track Newly Translated, Optional English Subtitles For The Deaf And Hard Of Hearing For The English Soundtrack Newly Translated English Subtitles For The Korean Soundtrack Audio Commentary With Director Park Chan-Wook Audio Commentary With Park Chan-Wook And Cinematographer Jung Jung-Hoon Audio Commentary With Park Chan-Wook, And Actors Choi Min-Sik, Yu Ji-Tae, Kang Hye-Jung Audio Commentary By Film Critic Shin Hyung-Chul Audio Commentary By Film Critic Kim Young-Jin Old Days: An Oldboy Story, Acclaimed Feature-Length 2016 Documentary About Park Chan-Wook'S Masterpiece Old Days Interviews: Looking Back On The Days Of Oldboy, Over Three Hours Of Extensive Recently Film Interviews With The Film'S Cast And Crew New Introduction To The Film By Director Park Chan-Wook Film Critics On Oldboy, Featurette With Oh Dong-Jin, Lee Dong-Jin, Darcy Paquet And Chris Fujiwara Filmmakers On Oldboy, Featurette With Directors Kim Jee-Woon And Ryoo Seung-Wan Photographer Of Time, An Interview With Stills Photographer Han Se-Jun Autobiography Of Oldboy, A Three-And-A-Half-Hour Video Diary Of The Making Of Oldboy Deleted Scenes With Optional Director Commentary Behind The Scenes Featurettes Extensive Cast And Crew Interviews The Making Of Oldboy, Lengthy Two-Part Featurette On The Film'S Production Le Grand Prix At Cannes, Featurette About The Film'S Success At The 2004 Film Festival Bring My LoveĀ Music Video By Starsailor, Using Clips Of The Film Trailers, Teasers And Tv Spots Image Gallery Double-Sided Fold-Out Poster Limited Edition 100-Page Hardbound Book Featuring New Writing By Simon Abrams, Kat Ellinger, And Original Reviews Limited Edition Packaging Featuring Newly Commissioned Artwork By Matt Ryan Tobin
A deaf mute worker saves all his money for his sister who requires a kidney transplant. He has the wrong blood type to be able to donate one of his kidneys so he arranges a trade with a group of organ dealers: one of his kidneys and 10 million won in return for their finding a kidney for his sister. They renege but a legitimate kidney becomes available for transplant. Unfortunately he no longer has the 10 million won required for the hospital to perform the operation. He and his girlfriend a terrorist seeking to change how the poor are treated in Korea kidnap his former boss's daughter. But events spiral quickly out of control...
Stoker is a masterful psychodrama that teems with unsettling vibrations that hark directly back to Alfred Hitchcock, but also to the wave of contemporary cinema that has been surging in South Korea for the past decade. It is the first American feature by the auteur Park Chan-wook, whose widely seen trilogy of "revenge" films, Sympathy for Mr. Vengeance, Oldboy, and Lady Vengeance, paved the way for the meticulous craftsmanship of Stoker. The inspiration for Wentworth Miller's haunting script was Hitchcock's Shadow of a Doubt, though Stoker makes for an altogether creepier tale of a mysterious uncle, his melancholy niece, and the deadly interplay of family secrets slowly revealed. Park's delicate weaving of style transforms the material into a narrative symphony, with thematic elements conveyed in the smallest details of composition, art direction, and graceful cinematography. Mia Wasikowska is India Stoker, the teenage niece who just lost her father to a violent auto accident. It's a complete surprise to India and her mother Evelyn (Nicole Kidman) when his handsome younger brother Charlie (Matthew Goode) shows up at the brooding family mansion (itself a character that is integral to the story). Charlie's enigmatic smirk signals both calm and danger, and his presence is a catalyst that ratchets up the emotional turmoil India and Evelyn are already experiencing. India senses the danger even as she is drawn to Charlie, and her mother's repressed sexuality turns into a bonfire under his mysterious charm. He tempts and teases them both in an expertly choreographed dance of menace that fuels the rage building in India and puts further pressure on her mother's cataclysmic despair. Charlie's psychopathic presence infests the brooding, yet deceptively airy surroundings of the Stoker estate with a sense of peril that is just out of reach. Several key scenes unfold at the family dinner table, where poison lurks in Freudian undercurrents and maybe in the food and wine, too. The most mesmerising sequence captures a visit from the sheriff, who's investigating the murder of one of India's schoolmates. The crime is just one of many acts of deadly violence that erupt with jarring force in the past, present, and future of Stoker's disturbing timeline. As the sheriff talks to India and Charlie, the camera swirls around to the rhythm of the scene, separating, uniting, then retreating from them in a virtuosic room-to-room sweep. The extended take says much more about the interplay of India and Charlie's dread connection than the oblique dialogue. It's also a breathtaking illustration of Park's obsessive attention to shot design. But Stoker is much more than an exercise in style; it is also an unnerving and understated thriller that gives big rewards for all that attention to detail. To say that there are plot twists is an understatement for a movie whose elegant creativity is the biggest twist of all. --Ted Fry
After being betrayed, Lee Geum-Ja ends up in prison. Years later she gets out, and with the help of her former prison mates seeks revenge.
After being kidnapped and imprisoned for 15 years, Oh Dae-Su is released, only to find that he must find his captor in 5 days.
A deaf mute worker saves all his money for his sister who requires a kidney transplant. He has the wrong blood type to be able to donate one of his kidneys so he arranges a trade with a group of organ dealers: one of his kidneys and 10 million won in return for their finding a kidney for his sister. They renege but a legitimate kidney becomes available for transplant. Unfortunately he no longer has the 10 million won required for the hospital to perform the operation. He and his
I'm A Cyborg the latest film from the Korean director Park Chan-wook is a madcap fantasy screwball romance. Young-goon is admitted to a mental institution believing herself a cyborg she charges herself with a transistor radio. Il-soon a fellow inmate steals the other inmates' personality traits and believes he is fading and will one day turn into a dot. When Young-goon refuses to eat Il-soon decides it's his job to get her on her feet again. This charming tender and visually arresting film cements Park Chanwook's reputation as one of the most gifted and playful filmmakers working today. An offbeat romantic comedy I'm A Cyborg is a touching and highly inventive film from one of Korea's best known director's Park Chan-wook. This charming tender visually arresting film won the Alfred Bauer Prize for a work of particular innovation at the 2007 Berlin Film Festival.
Stoker is a masterful psychodrama that teems with unsettling vibrations that hark directly back to Alfred Hitchcock, but also to the wave of contemporary cinema that has been surging in South Korea for the past decade. It is the first American feature by the auteur Park Chan-wook, whose widely seen trilogy of "revenge" films, Sympathy for Mr. Vengeance, Oldboy, and Lady Vengeance, paved the way for the meticulous craftsmanship of Stoker. The inspiration for Wentworth Miller's haunting script was Hitchcock's Shadow of a Doubt, though Stoker makes for an altogether creepier tale of a mysterious uncle, his melancholy niece, and the deadly interplay of family secrets slowly revealed. Park's delicate weaving of style transforms the material into a narrative symphony, with thematic elements conveyed in the smallest details of composition, art direction, and graceful cinematography. Mia Wasikowska is India Stoker, the teenage niece who just lost her father to a violent auto accident. It's a complete surprise to India and her mother Evelyn (Nicole Kidman) when his handsome younger brother Charlie (Matthew Goode) shows up at the brooding family mansion (itself a character that is integral to the story). Charlie's enigmatic smirk signals both calm and danger, and his presence is a catalyst that ratchets up the emotional turmoil India and Evelyn are already experiencing. India senses the danger even as she is drawn to Charlie, and her mother's repressed sexuality turns into a bonfire under his mysterious charm. He tempts and teases them both in an expertly choreographed dance of menace that fuels the rage building in India and puts further pressure on her mother's cataclysmic despair. Charlie's psychopathic presence infests the brooding, yet deceptively airy surroundings of the Stoker estate with a sense of peril that is just out of reach. Several key scenes unfold at the family dinner table, where poison lurks in Freudian undercurrents and maybe in the food and wine, too. The most mesmerising sequence captures a visit from the sheriff, who's investigating the murder of one of India's schoolmates. The crime is just one of many acts of deadly violence that erupt with jarring force in the past, present, and future of Stoker's disturbing timeline. As the sheriff talks to India and Charlie, the camera swirls around to the rhythm of the scene, separating, uniting, then retreating from them in a virtuosic room-to-room sweep. The extended take says much more about the interplay of India and Charlie's dread connection than the oblique dialogue. It's also a breathtaking illustration of Park's obsessive attention to shot design. But Stoker is much more than an exercise in style; it is also an unnerving and understated thriller that gives big rewards for all that attention to detail. To say that there are plot twists is an understatement for a movie whose elegant creativity is the biggest twist of all. --Ted Fry
Taken without reason; imprisoned for 15 years; released without reason. 5 days to seek the truth... One day in 1988 ordinary white collar worker Oh Dae-soo is kidnapped and incarcerated in a private makeshift prison cell dressed up like a cheap hotel room. With only a TV for company Dae-soo makes numerous attempts to escape and to commit suicide but they all end up in failure. All the while Dae-soo asks himself what made a man hate him so much enough to imprison him in solitary confinement with no explanation. While suffering from his near-madness Dae-soo becomes shocked when he watches the news and hears that his beloved wife was brutally murdered. At this very moment Dae-soo swears to take revenge on the man who destroyed his happy life. 15 years on and without a word of warning Dae-soo is released. Given a new set of clothes a mobile phone and the attentions of curious sushi waitress Mido Dae-soo begins to track down his enemy only to find he may be the pawn in a much bigger game which is only just beginning. Taunting Dae-soo the culprit gives him just 5 days to catch and kill his captor or Mido will die... Based on Japanese manga of the same name by Minegishi Nobuaki and Tsuchiya Garon 'Old Boy' is a masterfully inventive revenge thriller complete with blackly comedic moments.
A priest becomes a vampire…another man’s wife is coveted…a deadly seduction triggers murder. Thirst is the new film from director Park Chan-wook (Old Boy Sympathy for Mr. Vengeance Sympathy for Lady Vengeance) and already a box-office smash in Korea Continuing his explorations of human existence in extreme circumstances the director spins a tale that he conceived and then developed over several years with co-screenwriter Chung Seo-kyung inspired by Émile Zola's Thérèse Raquin. Sang-hyun (played by top Korean star Song Kang-ho of The Good The Bad The Weird The Host and Sympathy for Mr. Vengeance) is a priest who cherishes life; so much so that he selflessly volunteers for a secret vaccine development project meant to eradicate a deadly virus. But the virus takes the priest and a blood transfusion is urgently ordered up for him. The blood he receives is infected so Sang-hyun lives - but now exists as a vampire.
Standard Dvd Edition Often Cited As One Of The Best Films Of The 2000S And Possibly The Definitive Example Of Extreme Asian Cinema, Oldboy Is A Brutal, Lyrical Modern Classic Of The Revenge Genre. Based On The Japanese Manga Of The Same Name, The Film Tells The Horrific Tale Of Oh Dae-Su (Choi Min-Sik), A Businessman Who Is Inexplicably Kidnapped And Imprisoned In A Grim Hotel Room-Like Cell For 15 Years, Without Knowing His Captor Or The Reason For His Incarceration. Eventually Released, He Learns Of His Wife'S Murder And Embarks On A Quest For Revenge Whilst Also Striking Up A Romance With A Young, Attractive Sushi Chef, Mi-Do (Kang Hye-Jung). He Eventually Finds His Tormentor, But Their Final Encounter Will Yield Yet More Unimaginable Horrors... Directed With Immense Flair By Park Chan-Wook (The Handmaiden) As The Second Instalment Of His Vengeance Trilogy, Oldboy Blazed A Trail At The 2004 Cannes Film Festival Where It Was Lauded By The President Of The Jury, Director Quentin Tarantino. The Film Went On To Become A Huge International Smash, Blowing Audiences Minds With Its Concoction Of Filmmaking Virtuosity, Ingenious Plotting, Pathos And Violence. Now, This Masterpiece Has Been Newly Remastered And Is Presented Here With An Array Of Extras. Dvd Special Edition Contents: Brand New Restoration From The Original Camera Negative Supervised By Director Park Chan-Wook Standard Definition Presentation Original 5.1 Surround Sound And 2.0 Stereo Original Korean And English Soundtracks Newly Translated, Optional English Subtitles For The Deaf And Hard Of Hearing For The English Soundtrack Newly Translated English Subtitles For The Korean Soundtrack Audio Commentary With Director Park Chan-Wook Audio Commentary With Park Chan-Wook And Cinematographer Jung Jung-Hoon Audio Commentary With Park Chan-Wook, And Actors Choi Min-Sik, Yu Ji-Tae, Kang Hye-Jung Audio Commentary By Film Critic Shin Hyung-Chul Audio Commentary By Film Critic Kim Young-Jin New Introduction To The Film By Director Park Chan-Wook Film Critics On Oldboy, Featurette With Oh Dong-Jin, Lee Dong-Jin, Darcy Paquet And Chris Fujiwara Filmmakers On Oldboy, Featurette With Directors Kim Jee-Woon And Ryoo Seung-Wan Photographer Of Time, An Interview With Stills Photographer Han Se-Jun Interview With Director Park Chan-Wook Deleted Scenes With Optional Director Commentary Trailers, Teasers And Tv Spots Reversible Sleeve Featuring Original And Newly Commissioned Artwork By Justin Erickson
A firefight occurs at the 'Bridge Of No Return' in the Korean DMZ (De-Militarized Zone) where two North Korean soldiers are killed. The North claims that the incident was a flagrant attack by the South Koreans while the South claims that one of their soldiers was kidnapped. The only events that both sides confirm are that after a shoot-out and a wounded soldier stumbled out of a guard post in the pouring rain three North Korean soldiers have been struck down; two are dead the oth
A firefight occurs at the 'Bridge Of No Return' in the Korean DMZ (De-Militarized Zone) where two North Korean soldiers are killed. The North claims that the incident was a flagrant attack by the South Koreans while the South claims that one of their soldiers was kidnapped. The only events that both sides confirm are that after a shoot-out and a wounded soldier stumbled out of a guard post in the pouring rain three North Korean soldiers have been struck down; two are dead the other wounded. All point the finger at South Korean Sergeant Lee (Lee Byung-heon). In order to solve the dispute the NNSC (Neutral Nations Supervisory Commission) dispatches half-Korean half-Swiss Army Intelligence Bureau officer Major Sophie E. Jean (Lee Young-ae). With no cooperation from either side the case appears to be unsolvable. However Major Jean discovers that the number of bullets fired from the pistols and the number found at the scene differ and she begins to dig deeper into the backgrounds of the soldiers involved. Subsequently she finds out about a previous encounter involving the same two North Korean soldiers (Song Kang-ho Shin Ha-kyun) and their South Korean opponent Lee. With secrets from Major Jean's own past coming to the fore the story begins to unravel... Winner of 4 awards at the 21st Chongryong Film Festival including Best Film Best Photography Award Best Director (Park Chan-wook) and Best Supporting Actor (Shin Ha-kyun).
Academy Award® Winner Nicole Kidman Mia Wasikowska and Matthew Goode star in this 'darkly wicked beautifully executed mystery' (Los Angeles Times) by critically acclaimed filmmaker Park Chan-wook (Oldboy). Following the death of her father India Stoker meets her charismatic uncle whom she never knew existed. When he moves in to comfort India and her mother the two find that the newest member of their family might actually be their worst nightmare.
From the award winning director of Oldboy comes a thrilling a tale of deceit misunderstanding and the ultimate futility of war. On the hyper-militarized border between North and South Korea shots ring out and a wounded South Korean soldier stumbles back across no-mans land leaving two North Korean soldiers dead. The South Korean Army praises him as a hero but was the soldier's actions far less courageous? Is only part of the tale being told? Tough brutal and fiercely intelligent this powerful film from one of the world's most critically acclaimed new directors stars leading actors Kang-ho Song (Shiri and Sympathy for Mr Vengeance) and He-kyun Shin (Save the Green planet and Sympathy for Mr. Vengeance).
Stoker: After India's father dies, her Uncle Charlie, who she never knew existed, comes to live with her and her unstable mother. She comes to suspect this mysterious, charming man has ulterior motives and becomes increasingly infatuated with him. Black Swan: A ballet dancer wins the lead in 'Swan Lake' and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
Unable to afford proper care for his sister dying from kidney failure Ryu (Shin Ha-kyun -Lady Vengeance JSA Save The Green Planet) turns to the black market to sell his own organs only to end up cheated of his life savings. His girlfriend (Bae Doo-na - The Host Barking Dogs Never Bite Linda Linda Linda) urges Ryu to kidnap the daughter of wealthy industrialist Dong-jin (Song Kang-ho - Lady Vengeance The Host JSA The Foul King) who recently laid him off. Ryu agrees but unforeseen tragedies turn an innocent con into a merciless quest for revenge...
A young woman who believes she's a cyborg hears voices and harms herself while at work making radios. She's hospitalized in a mental institution where she eats nothing and talks to inanimate objects. She's Young-goon granddaughter of a woman who thought she was a mouse (and whose dentures Young-goon wears) and a mother who's a butcher without much social grace. Young-goon comes to the attention of Il-sun a ping-pong playing patient at the institution who makes it his goal to get her to eat. Will he succeed? Which way does sanity lie?
Taken without reason; imprisoned for 15 years; released without reason. 5 days to seek the truth... One day in 1988 ordinary white collar worker Oh Dae-soo is kidnapped and incarcerated in a private makeshift prison cell dressed up like a cheap hotel room. With only a TV for company Dae-soo makes numerous attempts to escape and to commit suicide but they all end up in failure. All the while Dae-soo asks himself what made a man hate him so much enough to imprison him in solitary confinement with no explanation. While suffering from his near-madness Dae-soo becomes shocked when he watches the news and hears that his beloved wife was brutally murdered. At this very moment Dae-soo swears to take revenge on the man who destroyed his happy life. 15 years on and without a word of warning Dae-soo is released. Given a new set of clothes a mobile phone and the attentions of curious sushi waitress Mido Dae-soo begins to track down his enemy only to find he may be the pawn in a much bigger game which is only just beginning. Taunting Dae-soo the culprit gives him just 5 days to catch and kill his captor or Mido will die... Based on Japanese manga of the same name by Minegishi Nobuaki and Tsuchiya Garon 'Old Boy' is a masterfully inventive revenge thriller complete with blackly comedic moments.
Gritty tale about a deaf-mute boy who embarks on a disastrous kidnap plan which goes horriby wrong.
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