Four young people find themselves stranded in Moscow, fighting to survive in the wake of a devastating alien attack.
A husband and wife struggle to survive when multiple dirty bombs are detonated in Los Angeles.
Four young people find themselves stranded in Moscow, fighting to survive in the wake of a devastating alien attack.
Four young people find themselves stranded in Moscow, fighting to survive in the wake of a devastating alien attack.
Four young people find themselves stranded in Moscow, fighting to survive in the wake of a devastating alien attack.
In TimeAs a storyteller, Andrew Niccol tends to think big, tackling heady subjects such as genetic predestination (Gattaca), the nature of reality (The Truman Show), and celebrity in the cyber age (S1m0ne). In Time, Niccol's first film since 2005's Lord of War, has a typically gigantic premise--a world where everyone over 25 years old must pay for every continued second of their existence--but stumbles in the execution. While the ideas are exceedingly clever, the telling isn't especially witty. Justin Timberlake stars as a goodhearted but desperate minimum-wager trapped in a society where the rich are essentially immortal and the poor see their lifespan shorten with every purchase. (A cup of coffee costs 4 minutes, taking the bus also takes 30 minutes off of your life, and so on.) After being gifted with a century by a mysterious benefactor, he begins a romance with a beautiful socialite (Amanda Seyfried), whose father holds the key to the entire monetary system. Matters are complicated with the introduction of a relentless time cop (Cillian Murphy) with his own motivations for restoring the unnatural balance of things. Niccol has fun laying out the aspects of a world where even the elderly are genetically frozen at age 25 (the scenes where Timberlake interacts with his mother, played by a disturbingly spry Olivia Wilde, are an unsavoury hoot), but has difficulty translating the ingenuity of his concept to a compelling narrative, which rapidly devolves into a mix of uninspired chase scenes and a succession of time-related puns that would have trouble passing muster on a Laffy Taffy wrapper. (The bad guys threaten to clean Timberlake's clock. Repeatedly.) While science fiction aficionados will find much to chew on in Niccol's askew reality, In Time never quite hits the marks that its own ideas suggest. As a film, it's more fun to think about than watch. --Andrew Wright The Darkest HourFancy a sci-i movie where you can shift your brain to neutral, and just sit back and watch an alien invasion take place? Then The Darkest Hour presents itself as a fine candidate for a blockbuster night in front of the television. There's nothing massively radical about the concept. A bunch of five young Americans find themselves in Moscow, just as the world finds itself under the threat of alien invasion. As such, The Darkest Hour trains its focus on its principal quintet, as they battle to survive. Which, as you've probably correctly guessed by now, is all the excuse needed for a mixture of special effects, a few thrillers, and a fun hour and a half of mayhem. The Darkest Hour doesn't quite have a blockbuster-level budget. The picture sparkles in particular, with the lively visuals benefiting enormously from the clarity of a 1080p video transfer and don't overlook the workout your audio system gets, either. This is a loud, fast film, that's happy to put any half-decent surround sound system through its paces. It gladly does so, too. Awards aren't going to be lavished at the door of The Darkest Hour anytime soon, but it's an enjoyable film, that notwithstanding. In fact, it's an enjoyable film that's just as entertaining second time round. And while occasionally the economy of its budget is evident, The Darkest Hour nonetheless punches above its weight. --Jon Foster
Set Comprises: Hard Candy (2006): A smart and charming teenage girl Hayley probably shouldn't be going to a local coffee shop to meet Jeff a 30 something fashion photographer she met on the internet. But before she knows it she's mixing drinks at Jeff's place and stripping off for an impromptu photo shoot. It's Jeff's lucky night. But Hayley isn't as innocent as she looks and the night takes a turn when she begins to impose a hard hitting investigation on Jeff in an attempt to reveal his possibly scandalous past. Right At Your Door (2006): After multiple dirty bombs are detonated spreading deadly toxic ash across Los Angeles Brad (Rory Cochrane) inadvertently quarantines his wife Lexi (Mary McCormack) outside their new home by safely sealing himself inside. With the city under siege and Martial Law in affect Brad and Lexi struggle to survive with little supply limited time and no information-all the while separated by thin doors and thinner sheets of plastic. When 'help' finally does arrive it appears to be anything but. Mothman Prophecies (2002): Distraught by the sudden tragic death of his wife (Debra Messing) John Klein (Richard Gere) a journalist for The Washington Post finds himself mysteriously drawn to a small West Virginia town when his car inexplicably strands him. Rescued by the sympathetic but skeptical local police sergeant (Laura Linney) he soon learns that many of the town's residents have been beset by bizarre events including sightings of an eerie ""moth-like"" entity similar to the one seen by his late wife. Investigating further and having his own terrifying encounters with the creature he becomes obsessed with the idea that this supernatural being can predict impending calamities and is trying to warn the town of one. Is this a psychic delusion brought on by his grief or can he convince the police sergeant that there's a tragedy that must be averted? His life and potentially other's lives depend on his making the right choices before time runs out.
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