1926: In the French region of Landes near Bordeaux marriages are arranged to merge property and unite neighbouring families. Thus young Thérèse Larroque becomes Madame Desqueyroux. However her avant-garde ideas soon clash with local conventions and her domineering husband and in order to break free from the fate imposed upon her she will resort to tragically extreme measures...
The discovery of a deep family secret and and a passionate story as seen through the eyes of Francois an only child who invents an imaginary brother and imagines his parents' past. The day he reaches 15 a family friend reveals an upsetting truth to the young Francois but one that will make him stronger.
With Betty Fisher and Other Stories, writer-director Claude Miller follows the examples of Claude Chabrol and Pedro Almodóvar in adapting a Ruth Rendell novel to the screen. In this case the original novel, The Tree of Hands, has been translated seamlessly and stylishly to a Parisian setting. The plot interweaves a complexity of characters and stories, but the central thread concerns the eponymous Betty, a novelist whose young son dies while her disturbed mother Margot is staying with her. Margot, with terrifying directness, calmly abducts another child of similar age to replace the dead boy. From this loopy act there stems a whole series of consequences and side-effects involving a widening and socially diverse circle of people across the city. Miller lucidly traces his way through the intricate story with cool, ironic humour and a sure touch for the different social milieus. Once or twice the plot strains credulity--bringing three major characters together by chance for the showdown at Charles de Gaulle airport is just a little too convenient--but most of the time the social and emotional cross-currents are deftly navigated. As Betty, Sandrine Kiberlain gives an almost painfully vulnerable performance, as if she lacks several layers of skin, while Nicole Garcia makes her mother Margot into a monster of overriding, self-pitying egomania. Their scenes together carry the weight of a whole lifetime of ill-suppressed mutual aversion. As with Rendell's novels, it's endlessly fascinating to watch these people, but you feel very glad you dont know them. --Philip Kemp
1926: In the French region of Landes near Bordeaux marriages are arranged to merge property and unite neighbouring families. Thus young Thérèse Larroque becomes Madame Desqueyroux. However her avant-garde ideas soon clash with local conventions and her domineering husband and in order to break free from the fate imposed upon her she will resort to tragically extreme measures...
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