Clint Eastwood (making his very assured directorial debut) is a poetry-spouting stud-muffin DJ stalked by a maniacally amorous fan after a misguided one-night stand in this enjoyably schlocky, undeniably effective film about good intentions gone murderously wacky. Although many of the very 1970s trappings presented here may ultimately be too dated to be taken seriously (including a highly self-indulgent jazz number and a hilariously gooey seduction number between Eastwood and Donna Mills), the core premise of infatuation taken out of bounds remains uncomfortably plausible--and was influential enough to be appropriated by one of the biggest hits of the 1980s. (Here's a hint--it starred Michael Douglas, Glenn Close, and a very unfortunate bunny rabbit.) A well-staged and occasionally very frightening thriller worth watching for Jessica Walter's peerlessly unhinged performance alone. Frequent Eastwood collaborator Don Siegel (director of Dirty Harry, Coogan's Bluff and The Beguiled, to name but a few) has a nice cameo as Murphy, the moustachioed, chess-playing bartender. --Andrew Wright, Amazon.com
Clint Eastwood (making his very assured directorial debut) is a poetry-spouting stud-muffin DJ stalked by a maniacally amorous fan after a misguided one-night stand in this enjoyably schlocky, undeniably effective film about good intentions gone murderously wacky. Although many of the very 1970s trappings presented here may ultimately be too dated to be taken seriously (including a highly self-indulgent jazz number and a hilariously gooey seduction number between Eastwood and Donna Mills), the core premise of infatuation taken out of bounds remains uncomfortably plausible--and was influential enough to be appropriated by one of the biggest hits of the 1980s. (Here's a hint--it starred Michael Douglas, Glenn Close, and a very unfortunate bunny rabbit.) A well-staged and occasionally very frightening thriller worth watching for Jessica Walter's peerlessly unhinged performance alone. Frequent Eastwood collaborator Don Siegel (director of Dirty Harry, Coogan's Bluff and The Beguiled, to name but a few) has a nice cameo as Murphy, the moustachioed, chess-playing bartender. --Andrew Wright, Amazon.com
Directed by Clint Eastwood, this tells the stories of the six men who raised the American flag at the Battle of Iwo Jima.
Unforgiven Clint Eastwood and Morgan Freeman play retired down-on-their-luck outlaws who pick up their guns one last time to collect a bounty offered by the vengeful prostitutes of the remote Wyoming town of Big Whiskey: Richard Harris is an ill-fated interloper a colourful killer-for-hire called English Bob. Gene Hackman is the sly and brutal local sheriff whose brand of Law enforcement ranges from unconventional to ruthless. Big trouble is coming to Big Whiskey... The Wild Bunch A battle between a ruthless Mexican revolutionary and Texan bandits. This Original Director's Cut restores it to a complete pristine condition unseen since its July 1969 theatrical debut. The image is letterboxed the colour renewed the stereo soundtrack remixed and reintegrated - all to blood-and-thunder effect. Watch William Holden Earnet Borgnine Robert Ryan and more great stars saddle up for the roles of a lifetime! The Outlaw Josey Wales As the Outlaw Josey Wales Clint Eastwood is ideal as a wary fast drawing loner akin to the 'Man With No Name' from his European Westerns. But unlike that other mythic outlaw Josey Wales has a name and a heart. That heart open up as the action unfolds. After avenging his family's brutal murder Wales is pursued by a pack of killers. He prefers to travel alone but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected...
Includes the following great Clint Eastwood movies: Where Eagles Dare: The mission: rescue an important US general from the hands of the German High Command. The obstacle: the most inaccessible fortress in the world. The stakes: the very outcome of World War II... City Heat: A tough cop and a wise-cracking private investigator are forced to work together on a case involving the mob. Heartbreak Ridge: Sergeant Tom Highway (Eastwood) a hardened veteran of Korea
The companion film to "Flags Of Our Fathers", "Letters from Iwo Jima" tells the story of the infamous WW2 battle from the Japanese perspective.
The Bucket List Two terminally ill men escape from a cancer ward and head off on a road trip with a wish list of to-dos before they die. Space Cowboys When a retired engineer is called upon to rescue a failing satellite, he insists that his equally old teammates accompany him into space. Something's Gotta Give A swinger on the cusp of being a senior citizen with a taste for young women falls in love with an accomplished woman closer to his age.
Clint Eastwood held the dual role of director and star of this 1975 spy thriller, which makes up for sluggish pacing with a breathtaking climax on a treacherous peak in the Swiss Alps. The plot kicks into gear when Eastwood, playing a retired assassin, is recruited back into a secret organisation to avenge the murder of an old friend. He's then blackmailed into making a second "hit"; this time his target is one of three men who will be attempting to conquer the Eiger, a dangerous peak in Switzerland. An accomplished climber, Eastwood's character joins the expedition with George Kennedy as leader of the ground crew. Shifting loyalties, apparent betrayals, and paranoid suspicion factor into the suspenseful climax on the sheer face of the mountain. This memorable sequence--for which Eastwood performed his own mountain-climbing stunts--is effectively intense, built on a standard plot of double-cross and intrigue that was intended to combine Eastwood's screen persona with the global adventure of the James Bond films. For the most part it works--it's not one of Eastwood's better films, but it's got some first-class thrills (and a sly performance by Jack Cassidy) to grab and hold your interest. --Jeff Shannon, Amazon.com
Clint Eastwood held the dual role of director and star of this 1975 spy thriller, which makes up for sluggish pacing with a breathtaking climax on a treacherous peak in the Swiss Alps. The plot kicks into gear when Eastwood, playing a retired assassin, is recruited back into a secret organisation to avenge the murder of an old friend. He's then blackmailed into making a second "hit"; this time his target is one of three men who will be attempting to conquer the Eiger, a dangerous peak in Switzerland. An accomplished climber, Eastwood's character joins the expedition with George Kennedy as leader of the ground crew. Shifting loyalties, apparent betrayals, and paranoid suspicion factor into the suspenseful climax on the sheer face of the mountain. This memorable sequence--for which Eastwood performed his own mountain-climbing stunts--is effectively intense, built on a standard plot of double-cross and intrigue that was intended to combine Eastwood's screen persona with the global adventure of the James Bond films. For the most part it works--it's not one of Eastwood's better films, but it's got some first-class thrills (and a sly performance by Jack Cassidy) to grab and hold your interest. --Jeff Shannon, Amazon.com
In the 1950s four pilots were passed over for astronaut training, but forty years later they finally get their chance.
Unforgiven is a modern classic that summarizes everything I feel about the Western director/star Clint Eastwood told the Los Angeles Times. This American Film Institute Top-100 American Movies selection rode off with four 1993 Academy Awards including Best Picture Director Supporting Actor (Gene Hackman) and Editing (Joel Cox). Eastwood and Morgan Freeman play retired outlaws who pick up their guns one last time to collect a bounty. Richard Harris is an ill-fated killer-for-hire. And Hackman is a lawman of sly charm...and chilling brutality. Unforgiven is a Western for the ages (Kenneth Turan Los Angeles Times).
Director and piano player Clint Eastwood explores his life long passion for piano blues using a treasure trove of rare historical footage in addition to interviews and performances by living legends.
Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities - and resentful pawns in a wartime publicity campaign - after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history. As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatising the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. Critically hailed as an instant classic, Clint Eastwood's Letters from Iwo Jima is a masterwork of uncommon humanity and a harrowing, unforgettable indictment of the horrors of war. In an unprecedented demonstration of worldly citizenship, Eastwood (from a spare, tightly focused screenplay by first-time screenwriter Iris Yamashita) has crafted a truly Japanese film, with Japanese dialogue (with subtitles) and filmed in a contemplative Japanese style, serving as both complement and counterpoint to Eastwood's previously released companion film Flags of Our Fathers. Where the earlier film employed a complex non-linear structure and epic-scale production values to dramatise one of the bloodiest battles of World War II and its traumatic impact on American soldiers, Letters reveals the battle of Iwo Jima from the tunnel- and cave-dwelling perspective of the Japanese, hopelessly outnumbered, deprived of reinforcements, and doomed to die in inevitable defeat. While maintaining many of the traditions of the conventional war drama, Eastwood extends his sympathetic touch to humanise "the enemy," revealing the internal and external conflicts of soldiers and officers alike, forced by circumstance to sacrifice themselves or defend their honour against insurmountable odds. From the weary reluctance of a young recruit named Saigo (Kazunari Ninomiya) to the dignified yet desperately anguished strategy of Japanese commander Tadamichi Kuribayashi (played by Oscar-nominated The Last Samurai costar Ken Watanabe), whose letters home inspired the film's title and present-day framing device, Letters from Iwo Jima (which conveys the bleakness of battle through a near-total absence of colour) steadfastly avoids the glorification of war while paying honorable tribute to ill-fated men who can only dream of the comforts of home. --Jeff Shannon
Clint Eastwood's 25th film as a director, Million Dollar Baby stands proudly with Unforgiven and Mystic River as the masterwork of a great American filmmaker. In an age of bloated spectacle and computer-generated effects extravaganzas, Eastwood turns an elegant screenplay by Paul Haggis (adapted from the book Rope Burns: Stories From the Corner by F.X. Toole, a pseudonym for veteran boxing manager Jerry Boyd) into a simple, humanitarian example of classical filmmaking. Eastwood mines gold for each and every character: charting the powerful bonds that develop between "white-trash" Missouri waitress and aspiring boxer Maggie Fitzgerald (Hilary Swank), her reluctant trainer Frankie Dunn (Eastwood), and training-gym partner Eddie "Scrap-Iron" Dupris (Morgan Freeman). --Jeff Shannon
This box set includes the following five great films starring Oscar winner Gene Hackman: Heist: Getting the goods? That's easy. Getting away after the robbery? A veteran thief knows that's always the hard part. Who's going to walk away smiling and who's not going to walk at all? Unforgiven: Clint Eastwood and Morgan Freeman play retired down-on-their-luck outlaws who pick up their guns one last time to collect a bounty offered by the vengeful prostitutes of the remot
Includes the following 8 great films: Dirty Harry The Outlaw Josey Wales Kelly's Heroes Magnum Force Pale Rider Space Cowboys The Gauntlet True Crime
The complicated life of J. Edgar Hoover is thoughtfully and quietly distilled into a feature film by director Clint Eastwood. J. Edgar is a movie, therefore, thats free of fuss. Told mainly through an older Hoover reciting back his life story, its a conventional structure that allows Eastwood to cherry-pick some of the most interesting moments from the contrversial life of the man who was the first director of the modern day FBI. J. Edgar, as a movie, is sometimes a little too cautious for its own good, sidestepping one or two areas of its subjects life. But in the title role, Leonardo DiCaprio is in excellent form. Sometimes weighed down by ageing make-up, but always able to hold the screen, its his central performance thats the compelling reason to watch the movie. Judi Dench has less to work with as his mother, although Armie Hammer fares better as Clyde Tolson, the man who may or may not have been Hoovers lover. The disc release does dig into Hoover a little bit more, with a feature exploring the complexity of the man. At the very least, it serves as a starting point to find out more about one of the most fascinating people in modern American history. The film and disc certainly scratch the surface on him, and theres plenty here to like and admire. They do leave you with a lot more to discover, though --Jon Foster
Nick Pulovski is a tough veteran cop with a history of training new partners who end up dead -- usually thanks to his recklessness. His most recent assignment is a cocky rookie with emotional problems and a lot of leftover hostility from his childhood. The two team up to crack a car-stealing ring; but when Pulovski gets kidnapped by a pair of sadistic thieves it's up to the brash rookie to save him. And this young cop won't let useless technicalities like The Law stand in his way.
The Professionals (Dir. Richard Brooks): Four soldiers of fortune are hired by a wealthy Texan oil baron to rescue his kidnapped wife (Cardinale) who's been spirited across the Mexican border by a band of mercenaries led by Jesus Raza (Palance). The four rugged professionals each regarded as a specialist in his selected field - an expert marksman and tracker (Strode) the explosives master (Lancaster) horse handler (Ryan) and one skilled in tactics and weaponry (Marvin) - make their way across the treacherous landscape to retrieve the beautiful kidappee but discover all is not what it seems... High Plains Drifter (Dir. Clint Eastwood): Eastwood portrays a mysterious stranger who emerges out of the heat waves of the desert and rides into the guilt-ridden town of Lago. After committing three murders and one rape in the first 20 minutes The Stranger is hired by the town to protect it from three gunmen just out of jail. The Stranger then paints the entire town bright red renames it ""Hell "" and supplies Divine retribution in a fiery climax. Tall In The Saddle (Dir. Edwin L. Marin): When a stranger arrives in a western town he finds that the rancher who sent for him has been murdered. Further most of the townsfolk seem to be at each other's throats and the newcomer has soon run contrariwise to most of them... Shenandoah (Dir. Andrew V. McLaglen): James Stewart stars as a Virginia farmer during the Civil War. He refuses to support the Confederacy because he is opposed to slavery yet he will not support the Union because he is deeply opposedito war. When his son is taken prisoner Stewart goes to search for the boy. Seeing first-hand the horrors of war he is at last forced to take his stand...
THE SEARCHERS: (Languages:English French Italian:MONO Subtitles:English French Italian Dutch Arabic Spanish Portuguese German Romanian Bulgarian) Often acclaimed as John Ford's best film The Searchers is the saga of an ex-Confederate soldier named Ethan Edwards who embarks on a long obsessive search for his niece Debbie who was kidnapped by Comanche Indians. Accompanied by Martin Pawley a young man he had saved from Indians several years earlier Ethan searches throughout the West in vain. This DVD includes Jeffrey Hunter and Natalie Wood Interviews Two Trailers and featurettes. UNFORGIVEN: (Languages: English 5.1 SURROUND Subtitles: English Arabic) Clint Eastwood's film Unforgiven is an exciting modern classic that rode off with four 1992 Academy Awards including Best Picture and Director (Eastwood). Eastwood and Morgan Freeman play retired down-on-their-luck outlaws who pick up their guns one last time to collect a bounty offered by the vengeful prostitutes of the remote Wyoming town of Big Whiskey. Richard Harris is an ill-fated interloper a colorful killer-for-hire called English Bob. And Best Supporting Actor Oscar-winner Gene Hackman is the sly and brutal local sheriff whose brand of law enforcement ranges from unconventional to ruthless. Big trouble is coming to Big Whisky. Written by David Webb Peoples (12 Monkeys). WILD BUNCH: DIRECTOR'S CUT: (Languages: English 5.1 SURROUND Subtitles: English Arabic) By any standard director Sam Peckinpah's film The Wild Bunch a powerful tale of hang-dog desperados bound by a code of honour rates as one of the all-time greatest westerns perhaps one of the greatest of all films. This Original Director's Cut restores it to a complete pristine condition unseen since its July 1969 theatrical debut. The image is letterboxed the colour renewed the stereo soundtrack remixed and reintegrated - all to blood-and-thunder effect. This DVD also features (on side B) the home video debut of The Wild Bunch: An Album in Montage the Acadaemy Award-nominated 1996 documentary by Paul Seydor and Nick Redman.
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