When it comes to on-screen sex and violence it takes a lot to unnerve the French authorities, but Baise-Moi managed it. Three days after the film opened it was pulled from over 60 cinemas across the country, causing a major rumpus, and only allowed back after it had been reclassified X, a category normally reserved for hard-core porn. The title translates literally as "Fuck me", which pretty well sums up the brash, in-your-face style of the film. The classification was not inappropriate, given that the film features plenty of genuine, unsimulated sex. Anyone hoping for arousal, though, might do better to look elsewhere. Baise-Moi is written and directed by Virginie Despentes and Coralie Trinh Thi, working from Despentes' novel, and stars Karen Bach and Rafaella Anderson. Despentes is an ex-prostitute, while Trinh Thi, Bach and Anderson have all acted in porno movies, and what they give us here is sex as female vengeance, a screwing-and-killing rampage that turns the tables on a violent male world. The movie's been compared to Thelma and Louise, but a closer comparison might be with Henry, Portrait of a Serial Killer. As in most porno movies, the plot is the merest pretext. Nadine (Bach) is a part-time prostitute, Manu (Anderson) is a rape victim. When they meet up both have just killed, more by chance than design. On a whim they link up and take off across country, screwing and killing almost every man they meet. They kill a few women, too, just to even things up. The film's shot on crude digital video; technique is minimal and the acting is rudimentary. There's a certain raw energy that prevents the film from becoming totally depressing but the brief running time (77 minutes) comes as something of a relief. --Philip Kemp
Rich, arrogant and married, Richard has invited his lover Jen to his luxury retreat for a romantic getaway. Their plans are interrupted however by the sudden early arrival of his two sleazy ˜associates' for their hunting trip. Their initial leering advances turn much uglier, culminating in a brutal assault and Jen left for dead in the desert. Coralie Fargeat's explosive, stunning debut subverts a well trodden genre, winning widespread critical acclaim and instant cult status. SPECIAL FEATURES Out for Blood: a new interview with Director Coralie Fargeat and Actor Matilda Lutz The Coward: a new interview with Actor Guillaume Bouchede Fairy Tale Violence: a new interview with Cinematographer Robrecht Heyvaert New interview with Composer Robin Coudert New audio commentary by Kat Ellinger, Author and Editor of Diabolique LIMITED EDITION CONTENTS Rigid slipcase featuring new artwork by Adam Stothard Poster with new artwork Soft cover book with new writing by Mary Beth McAndrews and Elena Lazic
Sex and shooting assault the senses in Baise-moi, a bloody buddy movie that's like Thelma and Louise on acid. Banned on release in France, the film has provoked as much horror as it has debate. Manu-a part time porn star - and Nadine-a hooker-set out to leave their town for Paris after witnessing and being subject to rape and violence. They rage against societal expectations in a fury of robbery, orgiastic lust and murder. One of the most controversial movies of the last 20 years, Baise-moi was described as the most sexually explicit film to ever reach British screens by the UK press, the film offers the complacent viewer a cinematic slap in the face. Special Features: Special Features to be announced closer to the time! Original theatrical trailer. Reversible sleeve featuring original and newly commissioned artwork by Joe Wilson. Collector’s booklet featuring writing on the film by author Kier-la Janisse.
Two young women marginalised by society go on a destructive tour of sex and violence. Breaking norms and killing men - and shattering the complacency of polite cinema audiences.
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