101 Films presents Rabid (1977), an enduringly tense and gruesome horror that marked a landmark in David Cronenberg s early career. Title 009 on 101 Films Black Label, this double Blu-ray is stacked with extras, including Part 1 of a new feature length documentary on Canadian horror film. When Rose suffers terrible injuries in a motorcycle crash, she is taken to a nearby clinic run by Dr Keloid for experimental skin-graft surgery. At first, the revolutionary procedure proves successful, but it soon leaves Rose with a strange orifice protruding from her armpit and an insatiable thirst for human blood. Hell-bent on satisfying her bloodlust, Rose leaves a trail of insane and uncontrollably aggressive victims, as the unknown virus engulfs North America in an orgy of frenetic violence. Starring: Marilyn Chambers, Howard Ryshpan, Frank Moore and Patricia Gage (American Psycho). Rabid is written and directed by David Cronenberg (Videodrome) and produced by John Dunning, Ivan Reitman and Don Carmody. Brand New Extras The Quiet Revolution: State, Society and the Canadian Horror Film Part One: Gimme Shelter: Cinepix and the Birth of the Canadian Horror Film, a brand new feature-length documentary exploring the social contexts behind Canadian horror cinema from filmmaker and author Xavier Mendik Audio commentary with filmmakers Jen & Sylvia Soska Additional Extras Audio commentary with writer-director David Cronenberg Audio commentary with William Beard, author of The Artist as Monster: The Cinema of David Cronenberg Audio interview with Jill C. Nelson, author of Golden Goddesses: 25 Legendary Women Of Classic Erotic Cinema, 1968-1985 and Marilyn Chambers' Personal Appearances Manager Ken Leicht Young And Rabid An interview with actress Susan Roman Archive interview with David Cronenberg The Directors: David Cronenberg a 1999 documentary on the filmmaker Radio spots Trailer
Viggo Mortensen stars in this stylized thriller from director David Cronenberg.
A man awakens from a coma to discover he has a psychic detective ability.
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
David Cronenberg's 1981 horror film Scanners is a darkly paranoid story of a homeless man (Stephen Lack) mistakenly believed to be insane, when in fact he can't turn off the sound of other people's thoughts in his telepathic mind. Helped by a doctor (Patrick McGoohan) and enlisted in a programme of "scanners"--telepaths who also can will heads to explode--he becomes involved in a battle against nefarious forces. A number of critics consider this to be Cronenberg's first great film, and indeed it has a serious vision of destiny that rivals some of the important German expressionist works from the silent cinema. Lack is very good as the odd hero, and McGoohan is effectively eccentric and chilly as the scientist who saves him from the street, only to thrust him into a terrible struggle. --Tom Keogh, Amazon.com
On the eve of World War I, Zurich and Vienna are the setting for a dark tale of sexual and intellectual discovery. Drawn from true-life events, A Dangerous Method takes a glimpse into the turbulent relationships between fledgling psychiatrist Carl Jung, his mentor Sigmund Freud and Sabina Spielrein, the troubled but beautiful young woman who comes between them. Into the mix comes Otto Gross, a debauched patient who is determined to push the boundaries. In this exploration of sensuality, ambition and deceit set the scene for the pivotal moment when Jung, Freud and Sabina come together and split apart, forever changing the face of modern thought. A Dangerous Method was directed by David Cronenberg (Eastern Promises, A History of Violence, Crash) from a screenplay by Academy Award® winning writer Christopher Hampton (Atonement, Dangerous Liaisons), who adapted his own stage play The Talking Cure for the screen. Academy Award® nominee Keira Knightley (Never Let Me Go, Atonement, Pride and Prejudice) stars as Sabina Spielrein opposite fast-rising star Michael Fassbender (Inglourious Basterds, Fish Tank, Hunger and the upcoming Jane Eyre, X-Men: First Class and Prometheus) as Carl Jung, with Academy Award® nominee Viggo Mortensen (Eastern Promises, A History of Violence, Lord of the Rings trilogy) as Sigmund Freud. Vincent Cassel (Black Swan, Mesrine) plays Otto Gross, and Canadian newcomer Sarah Gadon plays Jungs wife Emma.
The Weiss family are an archetypical Hollywood dynasty - Dr Stafford Weiss (John Cusack) is a psychotherapist whose self-help books have made him a fortune. His wife Cristina (Olivia Williams) is the overbearing mom-ager of their thirteen-year old son Benjie a prodigious child star fresh out of drug rehab and their estranged daughter Agatha (Mia Wasikowska) has recently been released from a psychiatric hospital. Agatha is now back in Hollywood making friends with a wannabe actor named Jerome (Robert Pattinson) and has landed a new job as PA to one of Stafford’s clients - the neurotic and tempestuous actress Havana Segrand (Julianne Moore) whose dream of reprising her dead mother’s starring role from the 1960s is beginning to haunt her.
Spider is a man with a fragile grip on reality. He is released from psychiatric care into a boarding house near where he grew up and in an attempt to reconstruct his tortured past he returns to his childhood haunts.
On the eve of World War I, Zurich and Vienna are the setting for a dark tale of sexual and intellectual discovery. Drawn from true-life events, A Dangerous Method takes a glimpse into the turbulent relationships between fledgling psychiatrist Carl Jung, his mentor Sigmund Freud and Sabina Spielrein, the troubled but beautiful young woman who comes between them. Into the mix comes Otto Gross, a debauched patient who is determined to push the boundaries. In this exploration of sensuality, ambition and deceit set the scene for the pivotal moment when Jung, Freud and Sabina come together and split apart, forever changing the face of modern thought. A Dangerous Method was directed by David Cronenberg (Eastern Promises, A History of Violence, Crash) from a screenplay by Academy Award® winning writer Christopher Hampton (Atonement, Dangerous Liaisons), who adapted his own stage play The Talking Cure for the screen. Academy Award® nominee Keira Knightley (Never Let Me Go, Atonement, Pride and Prejudice) stars as Sabina Spielrein opposite fast-rising star Michael Fassbender (Inglourious Basterds, Fish Tank, Hunger and the upcoming Jane Eyre, X-Men: First Class and Prometheus) as Carl Jung, with Academy Award® nominee Viggo Mortensen (Eastern Promises, A History of Violence, Lord of the Rings trilogy) as Sigmund Freud. Vincent Cassel (Black Swan, Mesrine) plays Otto Gross, and Canadian newcomer Sarah Gadon plays Jungs wife Emma.
Titles Comprise: The Fly (1958): A brilliant scientist becomes obsessed with perfecting a device that can transmit matter from one location to another. Successful in his initial tests he experiments with a human guinea pig - himself. But an ordinary housefly makes the journey with him and when they emerge both creatures have been extraordinarily changed. This is the chilling story of a man fighting to retain his humanity and a desperate woman's attempt to save the man she loves. Return of the Fly: The boundaries of science are pushed to their every limits in this sequel to the classic ever-popular The Fly. Here Philippe the son of the ill-fated scientist naively continues his father's misguided experiments. The victim of his traitorous assistant's greedy ambitions Philippe finds himself in a terrifying limbo - he's grown the head and limbs of a fly! Taking spectacular revenge on his betrayers Philippe must also race against time and find a way to reverse the horrifying mutation. Curse of the Fly: The conclusion to the terrifying story of the Delambre family in which three descendants of the original teleportation scientist (the son and two grandsons) continue the experiments in an effort to perfect the machine... The Fly: A remake of the 1958 horror classic about a brilliant scientist who develops a machine that molecularly transports objects in seconds but inadvertently turns him into a fly incredibly agile super strong and driven to insanity by appetites he cannot control. The Fly II: Martin Brundle son of 'The Fly' continues his father's work on the teleporters for Bartok Industries. He is ignorant of his father's true identity and believes himself to have a growth disease. When Martin falls in love with Beth his life changes. As he loses his innocence he also learns the full horror...
The Fly (Dir. David Cronenberg 1986): This frightening but extremely moving and romantic horror film stars Jeff Goldblum as an over-ambitious scientist who accidentally merges with a housefly while conducting a bizarre teleporting experiment. A journalist (Geena Davis) who has fallen in love with him while covering his scientific endeavours suddenly finds herself caring for a horrific creature whose insect half gradually begins to take over. The Fly 2 (Dir. Chris Walas
LONG LIVE THE NEW FLESH! Combining the bio-horror elements of his earlier films whilst anticipating the technological themes of his later work, Videodrome exemplifies Cronenberg's extraordinary talent for making both visceral and cerebral cinema. Max Renn (James Woods) is looking for fresh new content for his TV channel when he happens across some illegal S&M-style broadcasts called Videodrome'. Embroiling his girlfriend Nicki (Debbie Harry) in his search for the source, his journey begins to blur the lines between reality and fantasy as he works his way through sadomasochistic games, shady organisations and body transformations stunningly realised by the Oscar-winning makeup effects artist Rick Baker. Hailed by his contemporaries John Carpenter (he's better than all of us combined) and Martin Scorsese (no one makes films like he does) as a genius, Videodrome, was Cronenberg's most mature work to date and still stands as one of his greatest.
BEING TERRIFIED IS JUST THE BEGINNING... Initially reviled in its native land (some critics took exception to the fact the film was largely funded by the Canadian taxpayer), Shivers is an intensely claustrophobic, subversive masterpiece and an essential entry in the oeuvre of one of the horror genre s most gifted auteurs. Some 40 years after its release, it still retains its power to shock. Starliner Island is an idyllic community. Cut off from the rest of the world, the luxury apartment block affords its occupants the chance to escape from the hustle and bustle of the big city. But this isolation is to prove fatal when a new breed of parasite a combination of aphrodisiac and venereal disease which arouses sexual aggression in its hosts is let loose in the building, resulting in an orgy terror and mayhem. Known under a host of alternate titles such as The Parasite Murdersand They Came From Within!, Shivers is the startling debut full-length feature from director David Cronenberg which anticipates the body-horror concerns of his later films such as The Fly and Videodrome.
Scanners (Dir. David Cronenberg 1981): Cameron Vale is living on the fringe of society self-induced due to his telepathic ability to read other people's minds. Darryl Revok has the same condition and is the head of an underground association of so-called Scanners that want world domination. When Vale is taken to Dr Paul Ruth as a result of supposed insanity he's enlisted into a program that will involve him in a battle against his fellow Scanners. Scanners 2 - The New Order (Dir. Christian Duguay 1991): In order to take over the city corrupt police commander Forrester intends to use a telepathic breed of human Scanners. To control the Scanners Forrester enlists the help of evil scientist Dr Morse who wants to conduct mind control experiments on the Scanners with a new drug. Unfortunately the side effects render the Scanners incapable so Forrester finds David Kellum a good rational Scanner who unaware of his own powers agrees to work with him. Scanners 3 - The Takeover (Dir. Christian Duguay 1992): A young lovable Scanner with extraordinary telepathic powers transforms into a murderous megalomaniac after taking one of her father's experimental drugs. After taking over his pharmaceutical drugs company the deranged Scanner runs amok on a killing spree and takes over a television company in her quest for world domination. Will her Scanner brother fresh from a spell in a Thai Monastery have the power to stop her?
Viggo Mortensen and Naomi Watts star in this new thriller which centres on one of London's most notorious organized crime families.
Adapted from the controversial novel by J.G. Ballard, Crash will either repel or amaze you, with little or no room for a neutral reaction. The film is perfectly matched to the artistic and intellectual proclivities of director David Cronenberg, who has used the inspiration of Ballard's novel to create what critic Roger Ebert has described as "a dissection of the mechanics of pornography". Filmed with a metallic colour scheme and a dominant tone of emotional detachment, the story focuses on a close-knit group of people who have developed a sexual fetish around the collision of automobiles. They use cars as a tool of arousal, in which orgasm is directly connected to death-defying temptations of fate at high speeds. Ballard wrote his book to illustrate the connections between sex and technology--the ultimate postmodern melding of flesh and machine--and Cronenberg takes this theme to the final frontier of sexual expression. Holly Hunter, James Spader and Deborah Unger are utterly fearless in roles that few actors would dare to play, and their surrender to Cronenberg's vision makes Crash an utterly unique and challenging film experience. --Jeff Shannon, Amazon.com
Like many other films by Canadian director David Cronenberg (especially Crash), Dead Ringers presents the cinematic and psychological equivalent of an automobile accident--you dare not look, but you can't turn away. The film marked a directorial breakthrough for Cronenberg, who was able to continue some of the themes explored in his earlier horror films while graduating to a higher, more critically "respectable" level of artistic sophistication. The film is loosely based, amazingly enough, on a true story about twin gynaecologists who routinely traded each others' identities, lives and even lovers. Utilizing innovative split-screen technology (years before computer manipulation made such trickery much easier), the film stars Jeremy Irons in flawless dual roles as the identical brothers Beverly and Elliot Mantle. Their ability to instantly switch identities leads them to a shared relationship with a well-known actress (Genevieve Bujold) and, ultimately, a physical and psychological tailspin that sends them both to the brink of madness and death. The scenario suggests that both men are halves of a whole, and that one cannot exist without the other. But when Beverly pursues a kinky, drug-addicted affair with the actress, his more self-controlled brother is helpless to prevent their mutual decline. In this way Dead Ringers becomes a fascinating and stylistically clinical study of duality, and Cronenberg doesn't shy away from the dark and unpleasant aspects of the story. (One look at the movie's display of bizarre gynaecological instruments and you'll know why women find this film particularly--and unforgettably--disturbing.) The Criterion Collection DVD includes illuminating commentary by Cronenberg, Irons, production designer Carol Spier and others; extensive production information; interviews with the principal cast; and a detailed examination of the film's groundbreaking use of invisible special effects. --Jeff Shannon, Amazon.com --This text refers to the DVD edition of this video.
Be afraid. Be very afraid... This frightening but extremely moving and romantic horror film stars Jeff Goldblum as an over-ambitious scientist who accidentally merges with a housefly while conducting a bizarre teleporting experiment. A journalist (Geena Davis) who has fallen in love with him while covering his scientific endeavours suddenly finds herself caring for a horrific creature whose insect half gradually begins to take over.
Director David Cronenberg's eXistenZ is a stew of corporate espionage, virtual reality gaming, and thriller elements, marinated in Cronenberg's favourite Crock-Pot juices of technology, physiology and sexual metaphor. Jennifer Jason Leigh is game designer Allegra Geller, responsible for the new state-of-the-art eXistenZ game system; along with PR newbie Ted Pikul (Jude Law), they take the beta version of the game for a test drive and are immersed in a dangerous alternate reality. The game isn't quite like PlayStation, though; it's a latexy pod made from the guts of mutant amphibians and plugs via an umbilical cord directly into the user's spinal column (through a BioPort). It powers up through the player's own nervous system and taps into the subconscious; with several players it networks their brains together. Geller and Pikul's adventures in the game reality uncover more espionage and an antigaming, proreality insurrection. The game world makes it increasingly difficult to discern between reality and the game, either through the game's perspective or the human's. More accessible than Crash, eXistenZ is a complicated sci-fi opus, often confusing, and with an ending that leaves itself wide open for a sequel. Fans of Cronenberg's work will recognize his recurring themes and will eat this up. Others will find its shallow characterisations and near-incomprehensible plot twists a little tedious. --Jerry Renshaw, Amazon.com
One of David Cronenberg's most successful early films, Rabid features porn star Marilyn Chambers as a woman who becomes infected with a virus after an operation. As result she grows a kind of phallus with which she penetrates her victims as she sucks their blood and thus the disease spreads rapidly. The film displays all Cronenberg's usual horrified fascination with the human body and its sexual function. Looking back, it can be read as a kind of parable about AIDS, but it works perfectly well as an effective low-budget shocker. On the DVD: the widescreen image on the DVD is acceptable quality, as is the sound. The fairly routine extras consist of excerpts from a TV interview with Cronenberg, lasting about 10 minutes; a collection of stills from the film; some written notes by horror expert Kim Newman that give useful background, though in part reproduce what is said in the interview; full filmographies for Cronenberg and the three principal performers, including a long list of Chambers' porn credits. --Ed Buscombe
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