Orlando
The opera La Clemenza di Tito was composed only a few months before Mozart's death. As this period of his life is not particularly well-documented there are many legends surrounding this composition - some say that it was composed in just 18 days! This production is unique because the secco-recitatives proven to not be Mozart's own are not up to the standard of the main musical numbers and Franz Welser-Mst decided to replace them with abridged spoken dialogue. The Opernhaus Zrich has aimed to look forward with this production and fuel discussions about the possibilities of modern Clemenza performances. Director Jonathan Miller was inspired by Tolstoi and Tchechov and the Flemish painters for this production. They gave the appropriate down to earth feel which he wanted to achieve. Jonas Kaufmann has sung all of the great Mozartian tenor roles so his excellent Titus rounds up his repertoire extremely well.
Der Freischutz spends much of its length being an amiable sing-along about young Max's need to win a shooting competition in order to be allowed to woo his sweetheart Agnes. It is charming and tuneful but not exceptional. It is only when the treacherous Caspar persuades Max to seek supernatural assistance and cast magic bullets with the aid of the demon Samiel that it suddenly becomes one of the touchstones of dark high-Romanticism. One of the strengths of this production is that Albert Dohmen's handsome and vocally impressive Caspar imposes a vivid presence at an early stage so that there is no sudden leap from one style to another. The Wolf's Glen scene is traditionally one in which the designer and director go over the top, and this production is no exception--strobes and sirens abound. Charlotte Margiano provides a soulful, slightly tear-stained Agnes; Sabine Rittersbusch makes the soubrette role of Annchen a source of real comic charm. The orchestral contribution is idiomatic and well served by vivid sound. --Roz KaveneyOn the DVD: The DVD comes equipped with scene selection and with subtitles in German, French and English; the menu is also available in Spanish. --Roz Kaveney
Donizetti: Don Pasquale - Juan Diego Florez
oktor Faust remained a fragment at the time of the composer?s death. Busoni died in 1924, unable to complete what he himself described as his 'state masterpiece' - an opera to which he had a deep personal attachment. The missing scenes from the score - the appearance of Helen and Faust?s closing monologue - were completed by his pupil, Philipp Jarnach, whom Busoni had become acquainted with during his period in exile in Z?rich. In this form the opera was given its fi rst performance in Dresden in 1925. Then in the 1980s the conductor Anthony Beaumont came across previously undiscovered sketches by Busoni and produced a new version of Doktor Faust, which was premiered in Bologna in 1985. The current recording uses the Jarnach score.
ARTH 108057; ARTHAUS MUSIK - Germania; Classica Lirica
Wolfgang Amadeus Mozart - Don Giovanni - Live From The Opernhaus Zurich.
George Frideric Handel's Orlando performed by Orchestra 'La Scintilla' Of The Zurich Opera and conducted by William Christie.
Ferruccio Busoni - Doktor Faust - Live Recording From The Zurich Opera House 2006.
Bruckner:Symphony No.9
Ariadne Auf Naxos (Anthony Martinez Villars Davis)
A powerful and stirring performance of Verdi's Rigoletto recored at the Zurich Opera House.
Live Recording From The Zurich Opera House
Performance of Richard Strauss' Elektra
Giuseppe Verdi: Rigoletto (Live Recording from the Zurich Opera House 2006)
TDK OPELEK DVBD; TDK - EUROPA; Classica Lirica
Please wait. Loading...
This site uses cookies.
More details in our privacy policy