Francis Ford Coppola returns to the original source of the Dracula and fashions a modern masterpiece. It follows the tortured journey of the devastatingly seductive Transylvanian Prince (Gary Oldman) as he moves from Eastern Europe to 19th century London in search of his long lost Elisabeta who is reincarnated as the beautiful Mina (Winona Ryder)...
Newly restored and remastered in Dolby Vision, all three films in the landmark saga are released together on 4K Ultra HD Blu-ray⢠for the first time ever. This 4K Ultra HD Limited Collector's Edition will be released in deluxe packaging and includes a hardcover coffee table book featuring stunning photographs, as well as portrait art prints on archival paper. The Limited Collector's Edition set will include The Godfather, The Godfather: Part II, and three versions of The Godfather: Part III: the theatrical cut (first time ever on home media), Coppola's 1991 cut, and Coppola's recently re-edited version of the final film, Mario Puzo's The Godfather Coda: The Death of Michael Corleone on both 4K UHD and on blu-ray disc. The disc set includes commentaries by Coppola on The Godfather, The Godfather: Part II and the 1991 cut of The Godfather: Part III. More special features are included on a blu-ray disc. The Godfather Regarded as one of the best American films ever by the American Film Institute, Francis Ford Coppola's epic masterpiece features Marlon Brando in his Oscar®-winning* role as the patriarch of the Corleone family. The Godfather⢠is a violent and chilling portrait of the Sicilian family's struggle to stay in power in a post-war America of corruption, deceit and betrayal. Coppola begins his legendary trilogy, masterfully balancing the story of the Corleone's family life and the ugly crime business in which they are engaged. Based on Mario Puzo's best-selling novel and featuring career-making performances by Al Pacino, James Caan and Robert Duvall, this searing and brilliant film garnered ten Academy Award® nominations, and won three including Best Picture of 1972. The Godfather Part II In what is undeniably one of the best sequels ever made, Francis Ford Coppola continues his epic Godfather trilogy with this saga of two generations of power within the Corleone family. Coppola, working once again with the author Mario Puzo, crafts two interwoven stories that work as both prequel and sequel to the original. One shows the humble Sicilian beginnings and New York rise of a young Don Vito, now played in an Oscar®-winning* performance for Best Supporting Actor by Robert De Niro. The other shows the ascent of Michael (Al Pacino) as the new Don. Reassembling many of the cast members who helped make The Godfatherâ¢, Coppola has produced a movie of staggering magnitude and vision; the film received eleven Academy Awards® nominations, winning six including Best Picture of 1974. Mario Puzo's The Godfather Coda: The Death Of Michael Corleone Celebrating the 30th Anniversary of The Godfather: Part III, director/screenwriter Francis Ford Coppola brings a definitive new edit and restoration of the final film in his epic Godfather trilogy Mario Puzo's THE GODFATHER Coda: The Death of Michael Corleone. Michael Corleone (Al Pacino), now in his 60s, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. The film's meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending, as well as changes to scenes, shots, and music cues. The resulting project reflects author Mario Puzo and Coppola's original intentions of The Godfather: Part III, and delivers, in the words of Coppola, A more appropriate conclusion to The Godfather and The Godfather: Part II.
Love Never Dies Francis Ford Coppola returns to the original source of the Dracula to create a modern masterpiece. It follows the tortured journey of the devastatingly seductive Transylvanian Prince (Gary Oldman) as he moves from Eastern Europe to 19th century London in search of his long lost Elisabeta who is reincarnated as the beautiful Mina (Winona Ryder)...
John Haloran dies from a heart attack leaving his wife Louise with something of a problem; she won't get to inherit any of the Haloran family money when Lady Haloran dies if John is already dead. So Louise forges a letter from John in order to convince the rest of his family that he has been called away urgently on business to New York whilst she journeys to the ghostly ancestral home in Ireland. It is her intention to ingratiate herself into the family and ensure a cut of the inheri
This box set of cheesy delights includes six of the greatest low-budget horror flicks ever made. Each of these classics is introduced by Peterson who has dusted off her trademark gothic beehive and voluptuous vamp suit to write and record intros and outros for each film. Carnival of Souls (Dir. Herk Harvey's 1962): Three friends are out for a day's drive when they accept a drag challenge. Their car is forced off a bridge and plunges in to a river. with all three appearing to have drowned. Eventually Mary resurfaces and makes her way into town where she accepts a job as a church organist but a mysterious phantom figure begins to dog her every move. Dementia 13 (Dir. Francis Ford Coppola 1963): John Haloran dies from a heart attack leaving his wife Louise with something of a problem; she won't get to inherit any of the Haloran family money when Lady Haloran dies if John is already dead. So Louise forges a letter from John in order to convince the rest of his family that he has been called away urgently on business to New York whilst she journeys to the ghostly ancestral home in Ireland. It is her intention to ingratiate herself into the family and ensure a cut of the inheritance but things don't go as she had planned... Night of the Living Dead (Dir. George A. Romero 1968): The story begins casually enough; a brother and sister go to visit the grave of their father in a remote graveyard in the woods. There a strange man grabs at O'Dea and her brother rushes to her defense at which the man bites him and knocks him out. Terrified the girl jumps in the car and speeds to a nearby farm house to get help. She goes inside and the house appears to be deserted and the phone disconnected. She looks out the window and to her horror she sees the man trying to get inside the house! That is just the beginning of the seminal horror movie that is Night Of The Living Dead! House on Haunted Hill (Dir. William Castle 1959): Millionaire playboy Frederick Loren invites five guests out to a genuine haunted house offering them each $10 000 if they spend the night. Amongst the inivited is Watson Pritchard a nervous alcoholic who has been in this house before and witnessed some terrible things. Mr. Loren's beautiful but treacherous wife is also present - and might be out to kill Frederick during the course of the evening; then again he might be out to kill her... Severed heads a skeleton an acid vat ghostly screams and a noose that creeps around on its own and strangles unsuspecting victims are just some of the treats on show. The Little Shop of Horrors (Dir. Roger Corman 1959): Seymour Krelbourne works at a struggling flower shop where he shows the owner Gravis Mushnick a plant hybrid he has been working on. Named Audrey II in honour of Audrey Fulguard the plant proves an instant attraction as business booms almost overnight. Delighted Mushnick invites Seymour and Audrey out for a celebratory meal but Audrey already has a date with her boyfriend and Seymour needs to care for his ailing plant. Seymour soon realises that the only thing that can keep Audrey II alive is human blood... and that Audrey II's appetite is growing with her size! The Brain That Wouldn't Die (Dir. Joseph Green 1962): Jan Compton (Virginia Leith) literally loses her head in a fiery car crash and awakens as a monstrosity. Herb (a.k.a. Jason) Evers is Jan's fianc transplant specialist Bill Cortner who is driven to keep the head alive at any cost until he can find a suitably voluptuous replacement body. Locked in a closet by Bill and his assistant Kurt (Leslie Daniels) is yet another monster. A nightmarish patchwork of previous mistakes that becomes Jan's ally in bloody revenge.
Includes: 1. Carnival Of Souls 2. The Ape Man 3. Mesa Of Lost Women 4. Creature From The Haunted Sea 5. The Devil Bat 6. Vampire Bat 7. Dementia 13 8. Shock 9. Black Dragon For more information on individual films please refer to the individual products.
Siren DVD's three-disc Roger Corman Collection contains The Little Shop of Horrors and The Terror, which Corman directed, as well as Dementia 13, which he produced. Though he has a reputation as one of the craftiest businessmen in Hollywood, Corman was too cheapskate in the 1960s to bother copyrighting a bunch of his films and so the same titles have been showing up on video and now DVD from many different distributors. All these films were thrown together in odd circumstances to take advantage of leftover sets, contracted performers or tied-up production funds. Little Shop of Horrors (a disguised remake of A Bucket of Blood) was famously made over a three-day weekend "because it was raining and we couldn't play tennis". The Terror exists because Boris Karloff owed a few days' work after completing The Raven and castle sets were still standing. Dementia 13 was written and directed by a young Francis Coppola in Ireland to take advantage of a European trip made for Corman's The Young Racers. All the films are interesting, in themselves and as footnotes to distinguished filmographies. Little Shop of Horrors has a lasting cult reputation for its blackly comic tale of codependency between a skid-row botanist (Jonathan Haze, relying a bit too much on a Jerry Lewis impersonation) and a blood-drinking, flesh-hungry mutant plant voiced by screenwriter Chuck Griffith ("feed meeee!"), with a creepy cameo from a young Jack Nicholson as a masochist who loves to visit the dentist. The Terror, which has Nicholson as the bewildered lead, is a wilfully incomprehensible Gothic picture made up on the spot by Corman and a handful of other directors (including Coppola and Monte Hellman), climaxing with Karloff's bogus baron and a decaying spectre woman swept away by a flood in the dungeons. Dementia 13, a saga of axe murders and mad sculptors, is brisk grand guignol with a lot of creepy imagery to do with drowned children and family rituals. On the DVD: The Roger Corman Collection limply claims the films are "digitally mastered" (note, not "remastered") as they are simply copies of low-quality video onto disc. Because these titles are public domain no one seems willing to take any care with transfers, and all three films are in terrible state. The Terror, the only colour film, looks especially atrocious (Vistascope cropped to full-frame) but the black-and-white films also suffer all manner of damage. The packaging is classy, but it's a shame more work wasn't done on the films themselves.--Kim Newman
'Dementia 13' will delight all fans who thrive on classics such as 'Night Of The Living Dead' and 'Texas Chainsaw Massacre' with the plot revolves around a seemingly benign member of a family who is the mad axe-murderer and is steadily picking off the rest of the relations... 'Dementia 13' is guaranteed to make you double lock all your doors at night!
This monolith of a boxed set features 22 all time classics horror flicks. Disc 1: 1. Horror Hotel 2. The Terror 3. The Corpse Vanishes Disc 2: 1. House On A Haunted Hill 2. Ghoul 3. A Bucket Full Of Blood Disc 3: 1. Little Shop Of Horror 2. The Bat 3. Bride Of A Monster Disc 4: 1. Carnival Of Souls 2. The Ape Man 3. Mesa Of Lost Women Disc 5: 1. Creature From The haunted Sea 2. The Devil Bat 3. Vampire Bat disc 6: 1. Dementia 13 2. Shock 3. Black Dragons Disc 7: 1. Attack Of The Ginat Leeches 2. The Amazing Transparent Man 3. King Of The Zombies
The Firm: Three-time Oscar nominee Tom Cruise delivers the most electrifying performance of his career in this riveting film based on the international best-seller. Cruise plays Mitch McDeere a brilliant and ambitious Harvard Law grad. Driven by a fierce desire to bury his working class past Mitch joins a small prosperous Memphis firm that affords Mitch and his wife (Jeanne Tripplehorn) an affluent lifestyle beyond their wildest dreams. But when FBI agents confront him with evidence of corruption and murder within the firm Mitch sets out to find the truth in a deadly crossfire between the FBI the Mob and a force that will stop at nothing to protect its interests - The Firm. The Rainmaker: Francis Ford Coppola directs and scripts an exciting star-packed adaptation of John Grisham''s novel about an idealistic young attorney who takes on the case of a lifetime. Matt Damon (Good Will Hunting) plays Rudy Baylor a rookie lawyer in over his head on a high-profile case. Opposing him: an army of seasoned legal sharks (led by Jon Voight). On Rudy''s side: Deck Shifflet (Danny DeVito) a feisty ''paralawyer'' who specialises in flunking the bar exam. Rudy''s chances are slim to none until he uncovers a trail of corruption that might lead to the one thing that could win his case: the truth.
Hostel The hallowed tradition of the post-college European backpacking trip turns into an unimaginable nightmare for two unsuspecting American 20-somethings in Eli Roth's (Cabin Fever) sensational second outing. Paxton (Jay Hernandez) and Josh (Derek Richardson) have embarked upon a hedonistic tour of the continent, and somewhere along the way pick up travelling companion Oli (Eythor Gudjonsson). In Amsterdam the trio partakes of the pastimes most dear to frat boys everywhere: weed, prostitutes, and nightclubs. But when a fellow traveller tells these thrill-seekers about the decadent scene that awaits them in Bratislava, they find themselves unable to resist its lures. Enticed by the promise of a hostel full of beautiful girls who love Americans, they set out for the remote areas of Eastern Europe. There, the sex farce to which the film's first half is devoted slowly turns ominous, as the boys hook up immediately with the gorgeous Natalya (Barbara Nedeljakova) and Svetlana (Jana Kaderabkova), whose eagerness masks more sinister intentions. Soon, the disagreeable backpackers find themselves on the other side of the flesh trade, sold by the girls into an exclusive human trafficking operation that gives its customers the opportunity to torture and kill a helpless victim. Much of what follows consists of the squirm-inducing surgical horrors that characterise precursors such as Saw, with the implications regarding the capitalist system and the human soul becoming ever darker. Produced by Quentin Tarantino, the film amps up the gore factor as much as it can get away with, and, in the tradition of the best horror films, offers a satirical socially conscious commentary. Hostel Part II The inevitable sequel to one of the decade's most intriguing and well-made horror films, Hostel Part II, as the title implies, picks up pretty much where the last film left off. And it doesn't take too long for the sequel to find the same groove that earned its predecessor so much attention. The setting is once again an underground club, where people bid for the right to torture residents at the hostel of the title. Hostel Part II, however, lets us see events from the other perspective too, as we meet the wealthy businessmen who are availing themselves of the club's services. It's a logical dynamic for the movie, and it does bring a fresh perspective to a film that does eventually settle down to a cavalcade of gore and shock. As a director, Eli Roth has clearly improved since last time around, even if this time he too often succumbs to the temptation to show rather than imply, and Hostel Part II as a result feels a little less fresh and more uncomfortable than its predecessor. Yet it's most certainly an unsettling piece of cinema, and one likely to find favour with Roth's increasing fanbase. A word of warning, though: Hostel Part II isn't shy about pulling its punches, and it very much justifies its 18 certificate. It's also a cut above many of its modern day contemporaries in the genre, even though it fails to measure up to part one. --Jon Foster Vacancy A confined setting is a useful tool for thriller-makers, and Vacancy is definitely boxed in: a run-down motel way, way off the Interstate, the kind of place where unsuspecting movie characters go to get stabbed to death in the shower. If Vacancy doesn't quite live up to its Hitchcockian forebears, at least it provides 80 minutes of well-designed mayhem. You know somebody's paying attention just from the opening credits, a clever vortex with pounding music by Paul Haslinger. Then we meet unhappy couple Luke Wilson and Kate Beckinsale, driving along in the dark and forced to stay at the Pinewood Motel after a car breakdown. There's a night man (Frank Whaley, World Trade Center) in the tradition of Dennis Weaver's Touch of Evil gargoyle, but the real mess of trouble is waiting in room number four. Director Nimrod Antal, who scored a stylish international hit with the Hungarian thriller Kontroll, squeezes maximum juice out of the Route 66 atmosphere of the motel, although the movie doesn't get under your skin the way Kontroll did. Wilson and Beckinsale are a little too marquee-namish for this kind of heavy-breathing work, and the script doesn't give them much to play with. But hey, it's not that kind of movie. Where it really belongs is on the top half of a drive-in double bill, or maybe as a nightmare-scenario TV movie from the Seventies. Either way, it works. --Robert Horton, Amazon.com Bram Stoker's Dracula Francis Ford Coppola's take on the Dracula myth is visually stunning and overflows with passionate seduction and Gothic romance. In Bram Stoker's Dracula, Coppola draws from the original source of the Dracula story to create a modern masterpiece. Gary Oldman's metamorphosis as Dracula, who grows from old to young, from man to beast, is breathtaking. Winona Ryder brings as much intensity to the character of the beautiful young woman who becomes the object of Dracula's devastating desire. Anthony Hopkins co-stars as the famed doctor who dares to believe in Dracula and then dares to confront him. Opulent and irresistible, Bram Stoker's Dracula is an unforgettable film. The Covenant Renny Harlin (Die Hard 2, Deep Blue Sea) directs this supernatural thriller about descendants of powerful New England families. The sons of Ipswich are legendary at Spenser Academy, the local boarding school. Handsome and popular, these four teenage friends can trace their roots to the founding families of the Ipswich Colony, settled in the late 1600s. For years these Massachusetts families have harboured the secret that they possess supernatural powers. Their descendants--Caleb (Steven Strait), Reid (Toby Hemingway), Tyler (Chace Crawford), and Pogue (Taylor Kitsch)--have inherited magical powers that first manifested themselves when the boys turned 13 years old. In a nutshell, they can do anything. As they approach their 18th birthdays, they are preparing to 'ascend', which means their powers will grow stronger. The downside? The magic is seductive and addictive, and causes premature aging with each use. Ringleader Caleb tries to keep his friends from using magic recklessly, but as the school year begins, strange events and a strong gut instinct convince Caleb that someone is using very powerful magic. Meanwhile, Caleb is exploring his newfound affection for transfer student Sarah (Laura Ramsey). To Caleb''s dismay, Sarah becomes a pawn in a power struggle with a descendant of the fifth founding family of Ipswich, a line thought to be lost during Salem''s witch trials. Is Caleb strong enough to maintain his power and keep his family and friends safe, or will he yield to this new threat and sacrifice himself? The film draws interesting parallels between the luring, addictive power of magic and the addictions real teenagers face. The sufficiently creepy setting echoes New England and sets the stage for supernatural phenomena. The Covenant also stars Sebastian Stan as Chase Collins, a wealthy newcomer to Spenser, and Jessica Lucas as Kate, Sarah's roommate and Pogue's girlfriend.
In 1960s Tulsa, the 'right' and 'wrong' sides of the tracks are represented by rival gangs, the upscale Socs and the underprivileged Greasers. Darrel Curtis (Patrick Swayze) is doing his best to raise his two younger brothers, Sodapop (Rob Lowe in his first film role) and Ponyboy (C. Thomas Howell). Sensitive Ponyboy is a budding writer in love with Cherry (Diane Lane), the unobtainable beauty from the enemy gang. When Ponyboy's buddy, troubled Johnny Cade (Ralph Macchio), kills one of the So...
A never-before-seen and newly restored cut of Francis Ford Coppola's spectacular cinematic masterpiece in a way which the director believes looks better than it has ever looked and sounds better than it has ever sounded. Apocalypse Now was nominated for 8 Academy Awards® (including Best Picture) and won 2 Academy Award® for Best Cinematography and Best Sound, 2 BAFTAs for Best Direction and Best Supporting Actor and the Palme d'Or in Cannes. Starring Academy Award® winner Marlon Brando (1972, Best Actor, The Godfather), Academy Award® winner Robert Duvall (1983, Best Actor, Tender Mercies), Golden Globe® winner Martin Sheen (2001, Best Actor TV Series, The West Wing), Academy Award® nominee Dennis Hopper (1986, Best Supporting Actor, Hoosiers), Academy Award® nominee Laurence Fishburne (1993, Best Actor, What's Love Got to Do with It), and Academy Award® nominee Harrison Ford (1985, Best Actor, Witness), the film follows Army Captain Willard (Martin Sheen), a troubled man sent on a dangerous and mesmerizing odyssey into Cambodia to assassinate a renegade American colonel named Kurtz (Marlon Brando), who has succumbed to the horrors of war and barricaded himself in a remote outpost. The best visual and sound technologies have been used to present Coppola's true vision of the film: one that delivers deep, visceral visual and auditory impact. The audience will be able to see, hear and feel this film how I always hoped it could befrom the first bang' to the final whimper said the film-maker. All three versions of this film are available on this release including Apocalypse Now: The Final Cut, Apocalypse Now: Theatrical Cut, and Apocalypse Now Redux Extended Cut. Restored from the original negative for the first time ever, Apocalypse Now Final Cut is Coppola's most complete version of his multi-awarded classic. This is the first time the original negative has ever been scanned and over 11 months and 2,700 hours were spent on cleaning and restoring the film's 300,173 frames. Brought to life through ultra-vivid picture quality with Dolby Vision®, delivering spectacular colours never before seen on a screen, with highlights that are up to 40 times brighter, and blacks that are 10 times darker. It has also been mixed in Dolby Atmos® to offer a truly immersive sound experience and it has been enhanced Meyer Sound Laboratories' newly developed Sensual Soundâ¢, a technology engineered to output audio below the limits of human hearing. Extras: Intro by Francis Ford Coppola Audio Commentary by Director Francis Ford Coppola An Interview with John Milius A Conversation with Martin Sheen and Francis Ford Coppola Fred Roos: Casting Apocalypse Featurette The Mercury Theatre on the Air: Heart of Darkness November 6, 1938 The Hollow Men Featurette o Monkey Sampan Lost Scene Additional Scenes Destruction of the Kurtz Compound End Credits The Birth of 5.1 Sound Featurette Ghost Helicopter Flyover Sound Effects Demonstration The Synthesizer Soundtrack Article by Bob Moog A Million Feet of Film: The Editing of Apocalypse Now Featurette Heard Any Good Movies Lately? The Sound Design of Apocalypse Now Featurette The Final Mix Featurette 2001 Cannes Film Festival: Francis Ford Coppola Featurette PBR Streetgang Featurette The Color Palette of Apocalypse Now Featurette Disc Credits Hearts of Darkness: A Filmmaker's Apocalypse (with Optional Audio Commentary by Francis and Eleanor Coppola) NEW: Tribeca Film Festival Q&A with Francis Ford Coppola and Steven Soderbergh NEW: Never-Before-Seen B-Roll Footage o NEW: Apocalypse Now Dolby featurette (HD) NEW: A history of Apocalypse Now on Home Video (HD) John Milius Script Excerpt with Francis Coppola Notes (Still Gallery) Storyboard Collection Photo Archive ⪠Unit Photography ⪠Mary Ellen Mark Photography Marketing Archive ⪠1979 Teaser Trailer ⪠1979 Theatrical Trailer ⪠1979 Radio Spots ⪠1979 Theatrical Program ⪠Lobby Card and Press Kit Photos ⪠Poster Gallery ⪠Apocalypse Now Redux Trailer
Zavvi Exclusive Apocalypse Now Special 3 disc Edition Steelbook 3 disc Edition Includes Apocalypse Now, Apocalypse Now Redux and the award winning documentary, Heart Of Darkness. Artwork authorised by Francis Ford Coppola. Five-time Academy Award winner Francis Ford Coppola (The Godfather Trilogy) brings this epic and horrifying tale set in the midst of the Vietnam War. Captain Willard (Martin Sheen) has been put forward by Colonel Lucas (Harrison Ford) to partake in an extremely dangerous mission to Cambodia where he must assassinate Colonel Walter E. Kurtz (Marlon Brando). Kurtz is a highly skilled and exceptionally dangerous Green Beret who has believed to have gone insane and has set himself up as a godly figure to a tribe of violent followers. Willard soon realises that Kurtz is a highly decorated officer in the US army and must now put his life on the line to put a stop to Kurtz's madness. But does he have what it takes?
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