Jules and Jim meet in Paris just before the start of World War I where they also meet Catherine an enchanting but unpredictable woman. This story focuses on the life-long friendship of Jules and Jim and their mutual love for the same woman and what becomes the most amicable of love triangles.
In occupied Paris an actress hides her Jewish, theatre director husband to protect him against Nazi persecution, in this enthralling exploration of humanity at its best and worst. Featuring mesmerising performance from French cinema icons Catherine Deneuve and GeÌrard Depardieu, The Last Metro is a powerful character study set against the backdrop of fascist tyranny. An award-winning, late-career masterpiece from director François Truffaut, this thrilling tale of resistance and tolerance is presented in a new 2K restoration.
The Woman Next Door (1981) Madame Jouve the narrator tells the tragedy of Bernard and Mathilde. Bernard was living happily with his wife Arlette and his son Thomas. One day a couple Philippe and Mathilde Bauchard moves into the next house. This is the accidental reunion of Bernard and Mathilde who had a passionate love affair years ago. The relationship revives... A somber study of human feelings. The 400 Blows (1959) For his feature-film debut critic-turned-director Franois Truffaut drew inspiration from his own troubled childhood. The 400 Blows stars Jean-Pierre Laud as Antoine Doinel Truffaut's preteen alter ego. Misunderstood at home by his parents and tormented in school by his insensitive teacher (Guy Decomble) Antoine frequently runs away from both places. The boy finally quits school after being accused of plagiarism by his teacher. He steals a typewriter from his father (Albert Remy) to finance his plans to leave home. The father angrily turns Antoine over to the police who lock the boy up with hardened criminals. A psychiatrist at a delinquency center probes Antoine's unhappiness which he reveals in a fragmented series of monologues. Shoot the Pianist (1960) Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother Chico a crook takes refuge in the bar because he is chased by two gangsters Momo and Ernest. We will discover that Charlie's real name is Edouard Saroyan once a virtuose who gives up after his wife's suicide. Charlie now has to deal wih Chico Ernest Momo Fido (his youngest brother who lives with him) and Lena... Jules and Jim (1962) Acclaimed French director Franois Truffaut's third and for many viewers best film is an adaptation of a semi-autobiographical novel by Henri-Pierre Roch. Set between 1912 and 1933 it stars Oskar Werner as the German Jules and Henri Serre as the Frenchman Jim kindred spirits who while on holiday in Greece fall in love with the smile on the face of a sculpture. Back in Paris the smile comes to life in the person of Catherine (Jeanne Moreau); the three individuals become constant companions determined to live their lives to the fullest despite the world war around them. When Jules declares his love for Catherine Jim agrees to let Jules pursue her despite his own similar feelings; Jules and Catherine marry and have a child (Sabine Haudepin) but Catherine still loves Jim as well. Anne and Muriel (1971) Story of two British sisters who are in love with the same Frenchman over a period of 20 years. Screenplay by Francois Truffaut Jean Grault Based on the novel by Henri-Pierre Roche. Finally Sunday! (1963) Claude Massoulier is murdered while hunting at the same place than Julien Vercel an estate agent that knew him and whose fingerprints are found on Massoulier's car. As the police discovers that Marie-Christine Vercel Julien's wife was Massoulier's mistress Julien is very suspected. But his secretary Barbara Becker while not quite convinced he is innocent defends him and leads her private investigations...
Louis Mahe a tobacco planter of Reunion Island desires to marry the mail-order bride he has grown to love through her love letters only when he meets her for the first time she does not look like the girl in the picture she had sent of herself. After he marries her despite being misled she turns out to be someone else and runs off with his money. He pursues her and so begins their passionate love story...
Francois Truffaut portrays a film noir world of gangsters and intrigue with Charles Aznavour as a famous concert pianist who leaves his former life behind to play in a sleazy Parisian bar. He gradually becomes involved in the criminal activities of the big-city underworld.
François Truffaut co-writes and directs this classic drama adapted from Ray Bradbury's novel. In the not-too-distant future, forbidden volumes of literature are burned regularly by the 'firemen'. Montag (Oskar Werner) is the man in charge of the burnings, but after meeting a revolutionary book-owner, schoolteacher Clarisse (Julie Christie), he begins to have doubts - both about his vocation and his dead marriage to pleasure-seeking Linda (also Christie). Curious about the draw of literature, Montag keeps forbidden volumes of books for himself, and soon embarks on a secret affair with Linda. The cast also includes Anton Diffring and Cyril Cusack.
An ingenious and poignant experience, Francois Truffaut's fascinating The Wild Child is based on a real-life 18th-century behavioural scientist's efforts to turn a feral boy into a civilised specimen. In a piece of resonant casting that immediately turns this story into an echo of the creative process, Truffaut himself plays Dr Itard, a specialist in the teaching of the deaf. Itard takes in a young lad (Jean-Pierre Cargol) found to have been living like an animal in the woods all his life. In the spirit of social experiment, Itard uses rewards and punishments to retool the boy's very existence into something that will impress the world. Beautifully photographed in black and white and making evocative use of such charmingly antiquated filmmaking methods as the iris shot, The Wild Child has a semi-documentary form that barely veils Truffaut's confessional slant. What does it mean to turn the raw material of life into a monument to one's own experience and bias? The question has all sorts of intriguing reverberations when one considers that Truffaut's own wild childhood was rescued by love of the cinema and that a degree of verisimilitude factors into his films starring Jean-Pierre Leaud--the troubled lad who grew up in Truffaut's work from The 400 Blows onward. (The Wild Child is dedicated to Leaud.) --Tom Keogh
Bernard Coudray has a beautiful family and is happy with his life. That is until Philippe and Mathilde Bauchard move into the house next door. Bernard and Mathilde know each other they were once passionately in love but went their separate ways. Once reunited the pair starts a fervent but turbulent affair.
Francois Truffaut's classic tale of a love triangle which takes place over 20 years both before and after World War I. Jeanne Moreau stars as Catherine the beautiful and unpredictable woman who maintains a delicate relationship with two friends the quiet German Jules (Oskar Werner) and the romantic Parisian Jim (Henri Serre). The War intervenes and drives the men to the opposing fronts; afterwards the two quickly resume their friendship but the balance of their relationship with Catherine is now upset by more adult concerns.
Claude Roc a young Parisian and Anne Brown a young Englishwoman meet in Paris and soon become friends. Anne invites Claude to her home in Wales where he will meet Muriel Anne's younger sister to whom she destines Claude to marry. Eventually Claude proposes to Muriel he is turned down but not wholeheartedly. Then Claude and Muriel's mothers impose a seperation on them suggesting that if they still both love each other in a year then they can wed. During this year apart Muriel falls in love with Claude but he takes a different path and upon his return to Paris pursues many women including Anne Muriel's sister....
A deceptively simple film, Francois Truffaut's The Man Who Loved Women is neither an indictment nor an apology for philandering; rather, it's a courageous, lovingly detailed portrait of a complex, intelligent man suffering from an altogether intractable complaint. Scientist Bertrand Morane, "never in the company of men after 5", seduces women by evening and writes about the experiences in the early morning. Though 40-ish and somewhat square, no woman in the town of Montpelier seems capable of resisting his earnest advances. Not much else happens in them film, but in the hands of master visual storyteller Truffaut, the threadbare plot accumulates deep and ominous philosophical resonances. What drives Morane from woman to woman, and what accounts for his remarkable success? Does he secretly dislike women and consider them interchangeable (as one of the more prurient characters charges, to Morane's genuine befuddlement), or is his enthusiasm a kind of celebration? Truffaut refuses to answer plainly, but does drop clues; as his camera focuses on everyday objects, many take on a chilling, otherworldly lustre, and coldly foreshadow Morane's fate. This film was clumsily remade in English in 1983 by Blake Edwards, with Burt Reynolds assuming the role played here with such understated skill by the wonderful Charles Denner. --Miles Bethany
Francois Truffaut's filmic alter ego Antoine Doinel (first seen in 'Les Quatre Cents Coups') is once again the subject in this fourth of a series of five films. Antoine experiences the early years of marriage and faces fatherhood and adultery with a beautiful Japanese girl.
Winning an incredible ten French Academy Awards in 1981 The Last Metro is one of Truffaut's most highly acclaimed and popular films. Starring Catherine Deneuve and Gerard Depardieu in magnetic performances the story is set in Paris 1942 during the Nazi occupation of France. When Lucas Steiner (Heinz Bennett) the Jewish owner of the Montparnasse Theatre is forced into hiding his wife and lead actress Marion (Deneuve) takes over. Desperate to keep both the troupe and Lucas alive she stages a new play which must be a success to continue. She hires the womanising actor Bernard Granger (Depardieu) for the lead in their next production. Just as the actors begin their rehearsals an anti-semitic journalist ensconces himself in the theatre creating an atmosphere of fear and insecurity. Will he discover Lucas' hideaway and the political affiliations of the group's lead actor? Truffaut delivers a captivating study of artists (the actors) struggling against the odds (the Nazis) and a compelling insight into the atmosphere of wartime Paris and the theatre set against a backdrop of exquisite period detail.
Stolen Kisses reunites François Truffaut and Jean-Pierre Léaud to catch up with Truffaut's cinematic alter ego, Antoine Doinel, the troubled adolescent of The 400 Blows. Stolen Kisses opens with the now-grown Doinel sprung from military prison with a dishonourable discharge, drawn directly from Truffaut's own history of delinquency, but the parallels end there. Lovesick Doinel woos the perky but unresponsive object of his affections, Christine (Claude Jade) while he engages in a series of professions--hotel night-watchman, private investigator, TV repairman--with mixed success and comic entanglements. But when he falls in love with the elegant wife of his client (Delphine Seyrig at her most beautiful and charming), Christine realises she misses Antoine's persistence and clumsy passes, so she embarks on a seductive plan of her own. Truffaut's comic confection is full of deadpan gags and screwball chaos, a world away from the heavy seriousness of The 400 Blows, and Léaud is endearingly naive as the determined Doinel, forging ahead with more pluck and passion than aptitude. It may be Truffaut's most sweetly romantic film, a knowing man's embrace of eager innocence and storybook sentiment. Doinel returned two years later in Bed and Board. --Sean Axmaker
Hitchcock-influenced thriller from director Francois Truffaut. Pierre (Jean Desailly) is a married middle-aged author who begins an affair with an air stewardess (Francoise Dorleac) while on a lecture tour in Portugal. However when his wife discovers his infidelity she becomes consumed with a desire for revenge.
The last instalment of the Antoine Doinel story Love On The Run sees Antoine and his wife Christine in the final stages of their divorce after five years together. When he by chance meets up with his first love Collette they reminisce on his past relationships including his infidelities and Antoine realises that he wants to share his life with his new love Sabine.
Praised by film-makers (Akira Kurosawa called it One of the most beautiful films that I have ever seen) and critics the world over Truffaut's 400 Blows launched the Nouvelle Vague and paved the way for some of cinema's most important and influential directors. Twelve-year-old Antoine Doinel has troubles at home and at school. Ignored and neglected by his parents his relationship with his mother is further strained when he discovers that she has taken a secret lover. Added to this his school teachers have written him off as a troublemaker and with luck seemingly never on his side it is Antoine who ends up getting the blame for bad behaviour. Finding refuge only in his love of cinema Antoine soon finds it necessary to break free and discover what the world can offer outside of the confines of his everyday life. This remarkable film features the extraordinary talent of Jean-Pierre Leaud as the rebellious Antoine a character based on Truffaut himself. Antoine Doinel was to make appearances in a number of Truffaut's films (including 'Stolen Kisses' 'Bed and Board' and 'Love on the Run') all of which chart his further adventures into adulthood.
She was a bride when the violence happened... Now she's a widow and it's going to happen again. An engrossing enigmatic tale of passion and revenge this 1969 Golden Globe Nominee from director Francois Truffaut and co-writer Jean Louis Richard. The bewitching Jeanne Moreau is remarkable as a woman who will stop at nothing to avenge her husband's death. Julie (Moreau) a beautiful young bride has just married her childhood sweetheart and love of her life. But just moments after the ceremony her beloved is murdered on the steps of the church. Emotionally distraught Julie becomes obsessed with her bridegroom's death and begins a descent into madness as she relentlessly pursues the men responsible. One by one Julie sees to their demises and with each murder more bone-chilling and diabolically clever than the last the question is not who will be next - but rather how they will meet their ghastly end.
François Truffaut again tackles the elusive nature of creativity and creation in his thoughtful, sumptuous 1980 film The Last Metro. Nominated for the Best Foreign Language film Oscar, and a winner of various Césars, The Last Metro is set in occupied France during World War II. Marion Steiner (Catherine Deneuve) manages the Theatre Montmarte in the stead of her Jewish husband, director Lucas Steiner (Heinz Bennent). He has purportedly fled France but is really hiding in the basement of the theatre. The one hope to save the Montmarte is a new play starring the dashing Bernard Granger (Gérard Depardieu). The attraction between Marion and Bernard is palpable, and as usual Truffaut creates tension and drama from even the most casual of occurrences. The theme of the director locked away while his lover and his creation are appropriated by others makes for interesting Truffaut study, but first and foremost this is a well-spun romance.--Keith Simanton, Amazon.com
Jules Et Jim' is Francois Truffaut's beautiful and enigmatic film about the lifelong friendship between two writers - French novelist Jim (Henri Serre) and Austrian children's author Jules (Oskar Werner) - and their mutual love for the eccentric Catherine (Jeanne Moreau). With artful black-and-white imagery the story begins in 1920s Paris when Jules and Jim first meet and become friends. As young single men they gallavant about Paris chasing women or studying ancient art. When they meet the equally energetic Catherine whose impulses range from dressing up as a man to taking midnight plunges into the Seine their circle is complete. But when World War II erupts with Jules and Jim fighting on opposite sides everything changes. Jules marries Catherine before going off to battle. After the war they settle into a quiet existence in the French countryside. But Catherine is restless and unfaithful. Jim reunites with his oldest and closest friend and Catherine makes room for him in their house asking him to move in and become her lover. Jim complies as he wants nothing more than to please his friend Jules who agrees to the plan...
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