The Samurai Trilogy, directed by HIROSHI INAGAKI (The Rickshaw Man) and starring the inimitable TOSHIRO MIFUNE (Seven Samurai), was one of Japan's most successful exports of the 1950s, a rousing, emotionally gripping tale of combat and self-discovery. Based on a novel that's often called Japan's Gone with the Wind, this sweeping saga fictionalizes the life of the legendary seventeenth-century swordsman (and writer and artist) Musashi Miyamoto, following him on his path from unruly youth to enlightened warrior. With these three films1954's Oscar-winning Musashi Miyamoto, 1955's Duel at Ichijoji Temple, and 1956's Duel at Ganryu IslandInagaki created a passionate epic that's equal parts tender love story and bloody action. SPECIAL EDITION FEATURES: New high-definition digital restorations of all three films, with uncompressed monaural soundtracks New interviews with translator and historian William Scott Wilson about the real-life Musashi Miyamoto, the inspiration for the hero of the films Trailers New English subtitle translations PLUS: A booklet featuring essays by film historian Stephen Prince and Wilson Click Images to Enlarge
Yojimbo a ronin (Mifune) is secretly commissioned to travel to Sanshu Pass. This once crucial thoroughfare in the time of the warlords is now just a backroad used by outcasts. There he is to wait until an undisclosed event occurs. On his journey he rescues a woman from her violent husband and takes her away with him. They arrive at an inn run by an old man and his granddaughter. This place has become home to a bunch of misfits including a one-time physician (Katsu) a wandering gambler and an officer of the law together with his prisoner. A dramatic chain of events unfolds forcing the once hostile and untrusting characters to unite in a common cause: their own survival. Ambush At Blood Pass examines the complex nature of the human condition under pressure.
Three features: 'Red Lion' 'Ambush At Blood Pass' and 'Zatoichi Meets Yojimbo'. Red Lion: With the winds of change sweeping through Japan overthrowing three centuries of Shogunate rule Gonzo (Toshiro Mifune) a peasant enlists in the Imperial Restoration Force which promises to reform the oppression of the past. Gonzo persuades his commander to lend him his Red Lion Mane a symbol of authority and rides into his old home town where he receives a hero's welcome. This tale both touching and hilarious traces the difficulties of a simple boastful humane man caught in the web of political intrigue. Casting a cold eye on politicians of all hues at its climax it achieves true tragic intensity. Ambush At Blood Pass: Yojimbo a ronin (Mifune) is secretly commissioned to travel to Sanshu Pass. This once crucial thoroughfare in the time of the warlords is now just a backroad used by outcasts. There he is to wait until an undisclosed event occurs. On his journey he rescues a woman from her violent husband and takes her away with him. They arrive at an inn run by an old man and his granddaughter. This place has become home to a bunch of misfits including a one-time physician (Katsu) a wandering gambler and an officer of the law together with his prisoner. A dramatic chain of events unfolds forcing the once hostile and untrusting characters to unite in a common cause: their own survival. Zatoichi Meets Yojimbo: The gentle breeze the murmur of a babbling brook the scent of plums. These memories call Zatoichi the blind swordsman back to a once-loved village. But memories are deceptive and he arrives to find things much changed. The former boss Hyoroku has been reduced to a carver of statues of Jizo the Buddha of Healing and his daughter Umeno has become a hostess and as she describes herself one of the bad ones. Control of the village is split between a former travelling merchant Eboshiya and his son Masagoro. Eboshiya befriends Zatoichi and seeks his aid against Masagoro's minder the drunken samurai Yojimbo the crooked crook. When a masseur is killed amidst rumours that a large amount of gold has been secreted in the village the two factions begin to size each other up. It is at this point that Masagoro's younger son suddenly decides his father needs more protection and calls on the services of the contract killer Kuzuryu.
The Samurai Trilogy is based around the life of the historical character Musashi Miyamoto. Born around 1584 he perfected the technique of two sword fighting as well as developing into a considerable Zen black ink artist. Having fought his first duel at the age of thirteen he was involved in 60 other engagements before his death in 1645. Musashi Miyamoto: The first episode of the trilogy covers Miyamoto's formative years as he emerges from rural obscurity to search for fame and glory in civil war but returns home a broken man. Brought back to sanity through the love of a warm hearted girl she persuades him to place himself under the spiritual guidance of an unorthodox Buddhist priest. His methods of teaching the ways of enlightenment would make the fiercest of Zen masters seem positively gentle. Gaining in spiritual stature and insight Miyamoto is forced to choose between settling for domestic happiness or continuing his search for perfection in the art of the sword. Several versions of Miyamoto's life have been produced for cinema and television in Japan but none more prestigious than Inagaki's Samurai Trilogy. Winner of the Academy Award for Best Foreign Language Film in 1955 this first film in the trilogy was also Toho's first foray into colour. Duel At Ichijoji Temple: At first a contemptuous wanderer whose only interest is to prove his prowess against the best Japan has to offer Miyamoto is brought to understand that mastery of the sword is mastery of the self. Along the way he moves from casually committing slaughter to adopting a more compassionate and merciful view of his fellow warriors... Duel At Ganryu Island: His destiny continues to pursue him! Settling down to a life on the land in a peasant village Miyamoto is drawn into protecting the villagers against marauding bandits. And beyond this battle lies the ultimate contest with the driven and obsessive Kojuo Sasaki. The epic closes in a stunning sunset duel...
The Samurai Trilogy is based around the life of the historical character Musashi Miyamoto. Born around 1584 he perfected the technique of two sword fighting as well as developing into a considerable Zen black ink artist. Having fought his first duel at the age of thirteen he was involved in 60 other engagements before his death in 1645. Several versions of his life have been produced for cinema and television in Japan but none more prestigious than Inagaki's Samurai Trilogy. Winner of the Academy Award for Best Foreign Language Film in 1955 it was also Toho's first foray into colour. The first episode of the trilogy covers Miyamoto's formative years as he emerges from rural obscurity to search for fame and glory in civil war but returns home a broken man. Brought back to sanity through the love of a warm hearted girl she persuades him to place himself under the spiritual guidance of an unorthodox Buddhist priest. His methods of teaching the ways of enlightenment would make the fiercest of Zen masters seem positively gentle. Gaining in spiritual stature and insight Miyamoto is forced to choose between settling for domestic happiness or continuing his search for perfection in the art of the sword.
The Samurai Trilogy is based around the life of the historical character Musashi Miyamoto. Born around 1584 he perfected the technique of two sword fighting as well as developing into a considerable Zen black ink artist. Having fought his first duel at the age of thirteen he was involved in 60 other engagements before his death in 1645. Several versions of his life have been produced for cinema and television in Japan but none more prestigious than Inagaki's Samurai Trilogy. Winne
The Samurai Trilogy is based around the life of the historical character Musashi Miyamoto. Born around 1584 he perfected the technique of two sword fighting as well as developing into a considerable Zen black ink artist. Having fought his first duel at the age of thirteen he was involved in 60 other engagements before his death in 1645. Several versions of his life have been produced for cinema and television in Japan but none more prestigious than Inagaki's Samurai Trilogy. Winne
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