Titles Comprise: Mildred Pierce: Joan Crawford delivers a critically acclaimed performance as Mildred Pierce a woman clawing her way to success to provide her daughter with everything she lacks. No sacrifice is too much - ending her middle class marriage climbing to the top of a male-dominated business world and marrying a man she doesn't love - but is murder a step too far? Grand Hotel: Oscar-winning drama with an all-star cast exploring the interwoven relationships of the residents of a plush Berlin hotel... Humoresque: Glamorous socialite Helen Wright (Joan Crawford) takes what she wants clothes alcohol men uses them up and tosses them aside. Then she meets brilliant young violinist Paul Boray (John Garfield). But this is one toy she can't break. Instead her love for Paul brings Helen to the breaking point. In this acclaimed and profound exploration of desire Crawford makes Helen a rich layered character torn between selfless love and selfish impulses. Garfield matches her as the driven genius. Possessed: She loves him when he goes away for months. She loves him when he refuses to marry her. But when callow David Sutton chooses to marry someone else Louise Howell's love for him takes a darker turn. Give her a gun and she'll love him to death. Joan Crawford reteams with producer Jerry Wald of her Academy Award winning 'Mildred Pierce' and claims a 1947 Best Actress Oscar nomination for her portrayal of tempestuous mentally unstable Louise. The Damned Don't Cry: It's a man's world. And Ethel Whitehead learns there's only one way for a woman to survive in it: be as tempting as a cupcake and as tough as a 75-cent steak. In the first of three collaborations with director Vincent Sherman Joan Crawford brings hard-boiled glamour and simmering passion to the role of Ethel who moves from the wrong side of the tracks to a mobster's mansion to high society one man at a time. Some of those men love her. Some use her. And one a high-rolling racketeer abuses her. When the racketeer murders his rival in Ethel's swanky living room she flees a sure murder rap right back to the poverty she thought she had escaped. And this time there may not be a man to pick up the pieces of her shattered life.
Mildred Pierce:Joan Crawford delivers a critically acclaimed performance as Mildred Pierce a woman clawing her way to success to provide her daughter with everything she lacks. No sacrifice is too much - ending her middle class marriage climbing to the top of a male-dominated business world and marrying a man she doesn't love - but is murder a step too far? Grand Hotel:Oscar-winning drama with an all-star cast exploring the interwoven relationships of the residents of a plush Berlin hotel... Humoresque:Glamorous socialite Helen Wright (Joan Crawford) takes what she wants clothes alcohol men uses them up and tosses them aside. Then she meets brilliant young violinist Paul Boray (John Garfield). But this is one toy she can't break. Instead her love for Paul brings Helen to the breaking point. In this acclaimed and profound exploration of desire Crawford makes Helen a rich layered character torn between selfless love and selfish impulses. Garfield matches her as the driven genius. Possessed:She loves him when he goes away for months. She loves him when he refuses to marry her. But when callow David Sutton chooses to marry someone else Louise Howell's love for him takes a darker turn. Give her a gun and she'll love him to death. Joan Crawford reteams with producer Jerry Wald of her Academy Award winning 'Mildred Pierce' and claims a 1947 Best Actress Oscar nomination for her portrayal of tempestuous mentally unstable Louise. The Damned Don't Cry:It's a man's world. And Ethel Whitehead learns there's only one way for a woman to survive in it: be as tempting as a cupcake and as tough as a 75-cent steak. In the first of three collaborations with director Vincent Sherman Joan Crawford brings hard-boiled glamour and simmering passion to the role of Ethel who moves from the wrong side of the tracks to a mobster's mansion to high society one man at a time. Some of those men love her. Some use her. And one a high-rolling racketeer abuses her. When the racketeer murders his rival in Ethel's swanky living room she flees a sure murder rap right back to the poverty she thought she had escaped. And this time there may not be a man to pick up the pieces of her shattered life.
Years after serving together in the French Foreign Legion American soldier of fortune Franz Propp (Charles Bronson) and French doctor Dino Barron (Alain Delon) are unexpectedly reunited under the most extraordinary circumstances. Hoping to help a friend who has embezzled some bonds Barron tries to break into a safe in the dead of night. Sneaking into an underground vault he is surprised to discover that his old pal Propp is also on the premises likewise intending to crack the saf
Humoresque (Dir. Jean Negulesco 1946): Helen Wright a neurotic society woman sets her sights on ambitious young violinist Paul Boray who returns her love but is undeterred from his music. She becomes his patroness helping him to great success but cannot abide being of secondary importance (""second fiddle?"") in his life. Tragedy ensues. Possessed (Dir. Jean Negukesco 1947): A dazed woman walks the streets of Los Angeles looking for a man named David. After collapsing in a diner she's taken to the psychiatric ward of a nearby hospital. Flashbacks reveal her obsession for David as a result of borderline personality disorder which ultimately leads to murder. The Damned Don't Cry (Dir. Vincent Sherman 1950): The murder of gangster Nick Prenta touches off an investigation of mysterious socialite Lorna Hansen Forbes who seems to have no past and has now disappeared. In flashback we see the woman's anonymous roots; her poor working-class marriage which ends in tragedy and her determination to find ""better things."" Soon finding that sex appeal is her only salable commodity she climbs from man to man toward the center of a nationwide crime syndicate...a very perilous position. Grand Hotel (Dir. Edmund Goulding 1932): Berlin's plushest most expensive hotel is the setting where in the words of Dr. Otternschlag ""People come people go. Nothing ever happens."". The doctor is usually drunk so he missed the fact that Baron von Geigern is broke and trying to steal eccentric dancer Grusinskaya's pearls. He ends up stealing her heart instead. Powerful German businessman Preysing brow beats Kringelein one of his company's lowly bookkeepers but it is the terminally ill Kringelein who holds all the cards in the end. Meanwhile the Baron also steals the heart of Preysing's mistress Flaemmchen but she doesn't end up with either one of them in the end...
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