"Director: Kriss Rusmanis"

• Handel: Ariodante | DVD | (23/06/2000) from £19.61   |  Saving you £8.37 (50.36%)   |  RRP £24.99

  Ariodante makes extraordinary vocal and acting demands, which the English National Opera brilliantly fulfils in a curious combination of baroque music and post-modern production styles. Handel's intensely emotional arias and the surreal staging combine their energies with powerful impact, aided by some imaginative choreography and a remarkable English singing translation of the Italian text. The subject is the painfully complex love entanglements of five characters: pure idealism and raging jealousy, nefarious plots and deceptions, unscrupulous exploitation, and opportunism, hopelessness mounting to the brink of insanity. The plot, as often happens in baroque opera, is riddled with improbabilities, exaggerations, and coincidence, but they matter not at all. It is essentially no more than a framework on which Handel mounts music of tender passion, rage, delirious joy, hope, resignation--nearly three hours of unrestrained emotional intensity and vocal brilliance. Ann Murray and Joan Rodgers are appealing as the young lovers Ariodante and Ginevra, but the show is nearly stolen by countertenor Christopher Robson as the villainous Polinesso, who convinces Ariodante that Ginevra has been unfaithful. Lesley Garrett performs brilliantly as Polinesso's dupe and accomplice, Dalinda, and Ivor Bolton conducts with a fine sense of baroque style. --Joe McLellan, Amazon.com

• Great Composers - Vol. 2 - Beethoven / Wagner | DVD | (25/02/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

  The second volume of the BBC's excellent Great Composers series consists of two hour-long episodes devoted to Beethoven and Wagner respectively. The format in both cases is that of a standard "life and works" biography, but what makes these episodes so attractive is the high quality of the visual material and the engrossing nature of the insights offered from the contributors. For example, it's fascinating to hear the lead violin of the Lindsay Quartet discuss the personal significance of a certain Beethoven phrase just after Charles Rosen has drawn a parallel with the composer's use of form and the speeches of Robespierre. If this makes the whole project sound as wholesome and dull as dry muesli, everyone also seems alive to the human idiosyncrasies of the subjects: we learn, among other things, that the utterly humourless Cosima Wagner used to keep her husband's eyelashes and carry them around with her in a bag. The musical excerpts are both performed--by the Berlin State Opera Orchestra and other groups--and filmed with panache. Kenneth Branagh narrates. All in all, a good introduction to both composers.--Warwick Thompson