""Why I can smile and murder while I smile And cry 'Content' to that which grieves my heart And wet my cheeks with artificial tears And frame my face to all occasions..."" Soon after Edward IV is crowned King his brother Richard a hunchback twisted in mind as well as body starts scheming for the throne of England. He woos and wins Lady Anne and then poisons Edward's mind against their brother Clarence later organising his death. But even after his coronation
Laurence Olivier was Oscar-nominated for his mesmerising performance as King Henry V which was made to boost the morale of British troops during World War Two.
Laurence Olivier was Oscar-nominated for his mesmerising performance as King Henry V which was made to boost the morale of British troops during World War Two.
Set Comprises: King Lear Henry V Hamlet Merchant of Venice Richard III As You Like It
During the 1940s the Rank Organisation was a phenomenal success in the film world boasting five studios two newsreels a great many production companies a staff of 31 000 650 cinemas and an incredible turnover of 45 million. To celebrate 70 years of Britain's most acclaimed film studio this fantastic collection encompasses some of Ranks most prestigious and successful films. The Red Shoes The tragic and romantic story of Vicky Page the brilliant young dancer who must giv
In the opening scene of Hamlet, Laurence Olivier describes the play in a voice-over as "the tragedy of a man who couldn't make up his mind". But Olivier's screen adaptation is considerably more thoughtful and complex than this thesis would suggest. The contradictions and ambiguities of the title character, who prowls cavernous sets filled with vast, ancient corridors and winding staircases, emerge as if from a dream. The plethora of tracking shots--precise enough to impress Stanley Kubrick--encircle Olivier and his tightly constructed geometry of demise. Drawing on his experience playing the Prince on stage at Elsinore in 1937, the legendary thesp provides the film with the patina of greatness and shows how the constitution of the formerly cheerful Prince weakens increasingly under the burden of his own thoughts and inability to accept his mother's o'er-hasty marriage to uncle Claudius (Basil Sydney). Indeed, if emotions could possess ghosts, Olivier's Hamlet shows how they would manifest themselves. There is even a dollop of Freud, suggesting that Queen Gertrude (Eileen Herlie) has perhaps loved her offspring too closely--thus providing the fuel for Hamlet's actions. As Ophelia, Jeans Simmons captures the character's early spirit better than her gradual disintegration (Helena Bonham Carter fares better in Franco Zeffirelli's fine 1990 remake). Purists may bemoan the loss of Fortinbras, Rosencrantz and Guildenstern, but these choices allow Olivier to focus more squarely on Hamlet's plight. His monologues, many held in secret enclaves, glow with the dramatic markedness of a Dostoevski novel, with all of the master's irony, allusions and witticisms in place. The winner of four Oscars (Best Picture, Actor, Art Direction, and Costumes), this is a Hamlet for the ages. The rest is silence. --Kevin Mulhall
Directed by Laurence Olivier and featuring a specially commissioned score by composer William Walton this filmed production of Anton Chekhov's classic play by London's world-renowned National Theatre Company is featured here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. The action takes place in a Russian provincial town at the turn of the century. It tells the story of Olga Masha and Irina daughters of a dead general who with their brother Andrei live out their days bound together by feelings of melancholy endless yearning and disappointment. The themes of troubled unrequited love provincial boredom and the imagined glamour of the capital to which the sisters long to return are brilliantly conveyed in outstanding performances by some of the twentieth century's greatest theatrical players. SPECIAL FEATURES [] Original Theatrical Trailer [] Image Gallery [] Promotional Material PDF
A classic adaptation of Shakespeare's play. Richard III has helped to put his older brother Edward on the throne of England. But jealousy and resentment cause Richard to seek the crown for himself and he conceives a lengthy and carefully calculated plan using deception manipulation and outright murder to achieve his goal. His plotting soon had tumultuous consequences both for himself and for England when after Edward IV is murdered - drowned in a vat of wine - Richard finds his kingdom in dire peril and must defend his realm at the battle of Bosworth.
The Prince and the Showgirl (1957) was Marilyn Monroe's only British-made film and scores highly for curiosity value. There's something rather outrageous about this iconic American star playing a second-rate hoofer living in a theatrical boarding house in Brixton. Monroe herself is predictably good and touching as Elsie Marina, plucked from the chorus to entertain the Regent of Carpathia for the evening and ultimately smoothing his rough edges. There is, however, a rather uphill feeling all the way. The making of the movie was by all accounts a troubled experience for everybody concerned. Monroe, increasingly unreliable and exasperating, had an unsympathetic director in Laurence Olivier, also playing the Regent Charles, who hardly had the patience for a star of her mercurial talents with her own ideas of professional behaviour. His own performance as the Balkan royal is hammy and mannered and there isn't even a damp squib of sexual chemistry between them. Terence Rattigan's script, based on his successful play, is far too wordy and stage-bound. But somehow Monroe effervesces through all this adversity, aided considerably by British character actor Richard Wattis and the great Sybil Thorndyke, who became her ally during the difficult filming. Not vintage Marilyn but fascinating all the same, and she looks fantastic. On the DVD: The Prince and the Showgirl is presented in 4:3 with an occasionally muffled, apparently mono, soundtrack, giving this DVD a rather dusty quality which is in keeping with the vintage British 1950s production values. Extras include a cast list, original trailer and newsreel footage of the announcement that Marilyn was to make the film with Olivier, referred to at that stage as The Sleeping Prince. --Piers Ford
Laurence Oliver delivers one of his greatest Shakespearean performances as Hamlet. Seldom has the tragic story of the Danish prince tortured by his duty to his murdered father and by the guilt and fear he feels at the prospect of revenge been so brilliantly portrayed. It is the tragedy of a man who thinks but fails to act. For as long as Shakespeare is performed this film will stand as a definitive production.
Directed and produced by and starring Laurence Olivier this iconic 1955 feature is for many the definitive film adaptation of Shakespeare's famous history play – a damning characterisation of the last Plantagenet king that has resonated through the centuries. Earning Olivier an Oscar nomination and BAFTAs for Best British Actor and Best British Film among numerous other awards this star-studded adaptation features towering performances from his co-stars including John Gielgud Ralph Richardson Cedric Hardwicke Claire Bloom Esmond Knight and Stanley Baker. Richard III is presented in a brand-new Film Foundation High Definition restoration from original film elements in its as-exhibited theatrical aspect ratio. Soon after Edward IV is crowned his brother Richard a hunchback whose disfigured body houses a twisted soul begins scheming for the throne of England. He woos and wins the Lady Anne then poisons Edward's mind against their brother Clarence later securing his death. But even after his coronation Richard continues with his villainous campaign to secure his position as king... Special Features: Original Intermission Cards Original Theatrical and TV Trailers Extensive Image Galleries The Trial of Richard III
The greatest actor of the 20th century presents five works by great 20th-century playwrights. Stars include Olivier Natalie Wood Robert Wagner Maureen Stapleton Alan Bates Malcolm McDowell Helen Mirren Joanne Woodward Carrie Fisher Greta Scacchi and Joan Plowright.. The Plays: Cat on a Hot Tin Roof (by Tennessee Williams): A rich plantation owner and his family come to grips with their greed envy and self-delusion. The Collection (by Harold Pinter): What did or did not take place in a Leeds Hotel ruffles the lives of four habitus of fashionable London. Hindle Wakes (by Stanley Houghton): An independent young mill worker refuses to bow to convention after an indiscretion with the boss's son. Come Back Little Sheba (by William Inge): Loss and regret bubble to the surface of a troubled marriage after a young boarder moves in. Saturday Sunday Monday (by Eduardo de Filippo): A monumental argument erupts smolders and subsides over a weekend in the life of a boisterous Italian family. The Ebony Towers (by John Fowles): Laurence Olivier portrays an elderly painter who has locked himself away from the world in a crumbling French chateau. Olivier is not quite a hermit; he enjoys the attentions of two nubile admirers played by Greta Scacchi and Toyah Willcox. This situation is disturbed by the arrival of young transient Roger Rees.
In 'Hamlet' we find Olivier acting and directing Shakespeare's immortal story of murder intrigue madness and despair. 'Henry V' is one of Shakespeare's most compelling histories complete with the great Battle Of Agincourt and directed by Olivier in lush technicolour became the most expensive film made by a British studio...
The third and final entry in Laurence Olivier's Shakespeare triptych, Richard III is an audacious portrait of a man determined to prove himself a villain. A pure master of the political stage, Richard deploys a barrage of odious, unscrupulous traps in an attempt to exercise complete control over his rivals. As the personification of evil impudence, Olivier portrays the Duke of Gloucester with such aplomb that he even lures the audience on to his side. This is true even as Richard engineers plots to murder his brother Clarence (John Gielgud), betray his cousin Buckingham (Ralph Richardson) and seduce his niece Lady Anne (Claire Bloom). From the play's famous opening lines ("Now is the winter of our discontent"), Olivier delivers every speech with truly Machiavellian splendour. As usual, his voice is a force of nature--a full-bodied coloratura at one moment, an earthy baritone cello a few beats later. As a director, Olivier fully realises but underplays the corners of the script that most directors would hinge their dramatisation on. But he can also play it large: Olivier's superb staging of the climactic battle rivals his work on Henry V. Though Richard is finally brought down by the whispered curses of Queen Margaret, the audience exits feeling that the journey has been both entertaining and complete. Regrettably, this would be Olivier's last Shakespeare film, as a planned adaptation of Macbeth was abandoned for financial reasons. Olivier justly received an Oscar nomination for his performance; and believe it or not, this film was the inspiration for the original Blackadder! --Kevin Mulhall
In a remote little town in turn of the century Russia three sisters - Olga (Jeanne Watts) Irina (Louise Purnell) and Masha (Joan Plowight) - and their brother Andrei (Derek Jacobi) fantasise about their return to their former home in Moscow. For them Moscow is a city of dreams magnetism and inspiration - a far cry from their current life - an oppressive and overbearing existence devoid of hope. As they muddle through life they hold on to the memory of a place they once knew and
In a remote little town in turn of the century Russia three sisters - Olga (Jeanne Watts) Irina (Louise Purnell) and Masha (Joan Plowight) with their brother Andrei (Derek Jacobi) fantasise about their return to their former home in Moscow. For them Moscow is a city of dreams magnetism and inspiration - a far cry from their current life - an oppressive and overbearing existence devoid of hope. As they muddle through life they hold on to the memory of a place they once knew and t
Sir Laurence Olivier is regarded as one of the greatest actors of the 20th Century. Olivier dazzled audiences with brilliant acting athleticism and elaborate costumes makeup and vocal techniques. He began acting as a child and went on to gain international movie stardom and a catalogue of prestigious awards. This collection celebrates the career of possibly the greatest acting talent Britain and the world has ever seen. Set Comprises: Richard III (1955) Henry V (1944) A
One of the later films of her notably stellar career The Prince and The Showgirl teams Marilyn Monroe with the world's most respected thespian Sir Laurence Olivier in a humorous romp of a stately prince charming and his love for a humble but incredibly infectious performer. A fairy tale born in the Hollywood dream factory this film continues to be a lasting favourite. This Deluxe Series box set will include: DVD of 'The Prince And The Showgirl' DVD documentary 'The Legend Of Marilyn Monroe' a film Senitype'' (image from the film and 35mm film frame) US one sheet movie poster and an exclusive commemorative 16-page picture book of rare Marilyn images.
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