Dawson (James Van Der Beek) returns to Boston after working as an assistant director in Los Angeles over the summer and reunites with Joey (Katie Holmes) who has spent a relatively angst-free summer in Capeside. However there are plenty of obstacles to overcome for the long-time star-gazers. Meanwhile Pacey is trying to make it in the world of business without selling his soul; Jack worries that Professor Freeman might be aware of his crush; and could Audrey have developed a drin
It's goodbye to Capeside, hello to Boston in Dawson's Creek's fifth season (a.k.a.: Dawson's Creek: The College Years). While the end of the fourth season sent the five friends their separate ways--Dawson (James Van Der Beek) to USC Film School, Joey (Katie Holmes) to Wilmington College, Jen (Michelle Williams) and Jack (Kerr Smith) to Boston Bay College; and Pacey (Joshua Jackson) to the high seas--it doesn't take them long to find themselves together again. That's a good thing, especially when tragedy strikes a family member and threatens to tear the survivors apart. More than anything, the fifth season seems to be about falling into bad relationships. Jen dates a cute but sleazy musician (Chad Michael Murray), Pacey gets a job in a restaurant where he pursues a woman (Lourdes Benedicto) already having an affair with a married man, then fends off a vampish new boss (Sherilyn Fenn, Twin Peaks). Joey is drawn to her handsome English professor (Ken Marino). And Jack joins a frat, becomes a jerk, and starts a devoted relationship with his beer bottle. Dawson meets an eccentric young filmmaker (Jordan Bridges) which in turn leads to a meeting with his favorite Boston film critic (Meredith Salenger). And Joey's new roommate, the annoyance-with-a-heart-of-gold Audrey (Busy Phillipps), becomes the newest major addition to the cast. The irritation factor is high this season, a couple of "Joey is threatened" interludes don't have the punch that they could have, and in the season finale, the inevitable resolution of the show's central relationship doesn't really resolve anything at all. But viewers who have followed the Capeside crew for four seasons will still want to see what happens in the fifth. The fifth season is the first to have no DVD extras at all, and it continues the music-replacement strategy (which, since the second season has replaced much of the music, and since the third season has replaced Paula Cole's theme song, all due to licensing expenses). In addition to the usual background-music switches, some scenes have been edited (for example, the episode "Highway to Hell" has cut two of the performances on-stage at the Drunk & Dead). Also, the opening credits of "The Long Goodbye" and "Downtown Crossing" had originally used instrumental versions of "I Don't Want to Wait," which had underscored the emotion of those episodes. In the DVD set, those have been replaced by the standard version and an instrumental version, respectively, of "Run Like Mad." --David Horiuchi, Amazon.com
Charmed: The Complete First Season recaptures a period when television's WB network was particularly keen on series about the supernatural and specially powered characters. The original home of Buffy the Vampire Slayer and future launch pad for Angel and Smallville, the WB debuted Charmed in 1998 with many of the same intriguing ironies that made those other shows click. Specifically, the greater a character's powers, the more vulnerable he or she becomes; the more superhuman, the more painfully obvious one's lonely, fragile humanity. The Halliwells, a trio of witch heroines and siblings at the center of Charmed, is a case in point. Phoebe (Alyssa Milano) returns to her San Francisco family home after losing her job, and moves in with her older sisters Prue (Shannen Doherty) and Piper (Holly Marie Combs). On her first night back, Phoebe finds the Book of Shadows in the attic and recites a spell giving all three women unique powers they were always meant to have: Prue suddenly has the gift of telekinesis, Piper can make time stand still, and Phoebe can see into the future. All well and good, but along with those extraordinary abilities is a new awareness of dark forces in the world from which mortals need protection. In some cases, those forces have been plotting a long time to steal the Halliwell's magical legacy once they awakened to it--and now they will never let up. Evil warlocks, demons, ancient curses, Grimlocks, and Wendigos (the last two are best left explained by their respective episodes), however, are only half the battle on this sexy dramedy, in which more ordinary matters of emotional and real-world survival also preoccupy the Halliwells. An important ally, Inspector Andy Trudeau (Ted King), is Prue's ex-lover, a delicate detail that mixes pain with duty as the couple rekindles their troubled relationship while solving otherworldly crimes. In "Dead Man Dating," Piper falls for the ghost of a murdered man who needs help, and later competes with Phoebe for the attention of a handyman, Leo (Brian Krause). Jobs and money are always an issue, too. At one time or another, Phoebe works as a psychic, Piper as a caterer, and Prue finds a job at an auction house. As with Buffy, the engine of Charmed is the seamless, sometimes-comic, sometimes-tender way in which all these dynamics in the magic and non-magic worlds blend together, presenting young adult challenges that are both unique and somehow terribly familiar. It is particularly fun to watch this series grow, deepen, and experiment during its first year. The season's true highlight is probably "That 70s Episode," in which the Halliwells go back in time to meet their younger selves. --Tom Keogh, Amazon.com
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