"Director: Martin Farina"

• Taekwondo | DVD | (27/03/2017) from £8.95   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Fernando is on holiday with his closest friends in a beautiful country house in a chic suburb of Buenos Aires. Without the presence of their girlfriends the boys are eager to talk about their deepest feelings, their sexual desire for the girls, their fear of the future and their conflicts. Disconnected from the outside world, they do little more than bask in the hot sun, play in the swimming pool, smoke pot and drink. As in all men only situations, they feel free to walk around naked or half- naked, being in such intimate proximity to each other. In that context, Fernando decides to invite a newcomer, Germa n, a close friend from his Taekwondo class. Germa n is quickly by the group, but also has a preference that Fernando ignores- he is attracted to men. Little by little the two friends get closer and more intimate, verging quickly on romance. Bringing a kind of potent sexuality in this totally bro environment, they need to decide whether to be explicit about it or not. Brimming with overwhelming sexuality throughout its entire running time, TAEKWONDO is steaming with eroticism and lust.

• Fulboy | DVD | (28/09/2015) from £7.95   |  Saving you £8.04 (101.13%)   |  RRP £15.99

  On the verge of achieving his dream career Tomás allows his older brother Martín Farina an inside look at his life as a professional football player. Martín never able to fulfill his own dream of playing football steps into the world of Tomás and his teammates through the lens of his camera. However the rest of the club has their own opinions – some viewing Martín as an intruder as he exposes their most vulnerable moments and their concerns for the future after the game has ended. Fulboy offers an uncensored confessional look at how the athletes behind the most popular sport in the world behave during their time off the field. At the same time  Fulboy reflexively interrogates Farina’s aesthetic choices and point-of-view – as well as the viewer’s gaze at the male form.