Tracklist 1. Opening Credits And Introduction Act I 2. Viva! Viva Amina! 3. Tutto Gioia, Tutto Festa 4. Care Compagne . . . Come Per Me Sereno 5. Sempre, O Felice Amina . . . Sovra Il Sen La Man Mi Posa 6. Io Pi Di Tutti, O Amina 7. Prendi: L'anel Ti Dono 8. Scritti Nel Ciel Gi Sono . . . Ah! Vorrei Trovar Parole 9. Domani, Appena Aggiorni10. Vi Ravviso . . . Tu Non Sai Con Quei Begli Occhi11. Contezza Del Paese . . . A Fosco Cielo12. Basta Cos. Elvino! E Me Tu Lasci13. Son Geloso Del Zefiro Errante14. Davver, Non Mi Dispiace15. Che Veggio?16. Oh Ciel! Che Tento?17. Osservate: L'uscio Aperto18. Menzogna19. D'un Pensiero E D'un Accento20. Non Pi Nozze21. Interview With Natalie Dessay And Juan Diego FlrezAct II22. Qui La Selva Pi Folta Ed Ombrosa23. Reggimi, O Buona Madre24. Vedi, O Madre25. Viva Il Conte! . . . Ah! Perch Non Posso Odiarti26. Lasciami... De' Lieti Auguri A Voi Son Grata27. E Fia Pur Vero, Elvino... Signor Conte, Agli Occhi Miei28. Lisa! Mendace Anch'essa!29. Signor? Che Creder Deggio?30. Oh! Se Una Volta Sola31. Ah! Non Credea Mirarti32. No, Pi Non Reggo33. Ah! Non Giunge Uman Pensiero34. Bows And Closing Credits
Tracklist:Disc 1
Nighthawks: After the end of his workday staid schoolteacher Jim explores the disco's and secret meeting places of London's gay underground unable to reconcile his sexual identity with the rest of his life - until the strain of living a lie threatens to take its toll at last. Nighthawks 2: British director Ron Peck's look back at at the production of his groundbreaking Nighthawks which candidly explored a closeted gay schoolteacher's inner conflicts. The director tells very poignantly his own story of self-discovery and coming out. Most striking is the story of how much effort and determination it took to get Nighthawks made and why there are hundreds of names in the closing credits that the producers would like to give thanks to - they are people who sent in small amounts of money after reading in a London gay paper that the filmmakers needed funds to continue the project.
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