The railroad's got to run through the town of Rock Ridge. How do you drive out the townfolk in order to steal their land? Send in the toughest gang you've got...and name a new sheriff who'll last about 24 hours. But that's not really the plot of Blazing Saddles just the pretext. Once Mel Brooks' lunatic film many call his best gets started logic is lost in a blizzard of gags jokes quips puns howlers growlers and outrageous assaults upon good taste or any taste at all! Cleavo
If you were to argue Mel Brooks' Young Frankenstein ranks among the top-10 funniest movies of all time, nobody could reasonably dispute the claim. Spoofing classic horror in the way that Brooks' previous film Blazing Saddles sent up classic Westerns, the movie is both a loving tribute and a raucous, irreverent parody of Universal's classic horror films Frankenstein (1931) and Bride of Frankenstein (1935). Filming in glorious black and white, Brooks recreated the Frankenstein laboratory using the equipment from the original Frankenstein (courtesy of designer Kenneth Strickfaden), and this loving attention to physical and stylistic detail creates a solid foundation for non-stop comedy. The story, of course, involves Frederick Frankenstein (Gene Wilder) and his effort to resume experiments in re-animation pioneered by his late father. (He's got some help, since dad left behind a book titled How I Did It.) Assisting him is the hapless hunchback Igor (Marty Feldman) and the buxom but none-too-bright maiden Inga (Teri Garr), and when Frankenstein succeeds in creating his monster (Peter Boyle), the stage is set for an outrageous revision of the Frankenstein legend. With comedy highlights too numerous to mention, Brooks guides his brilliant cast (also including Cloris Leachman, Madeline Kahn, Kenneth Mars and Gene Hackman in a classic cameo role) through scene after scene of inspired hilarity. Indeed, Young Frankenstein is a charmed film, nothing less than a comedy classic, representing the finest work from everyone involved. Not one joke has lost its payoff, and none of the countless gags have lost their zany appeal. From a career that includes some of the best comedies ever made, this is the film for which Mel Brooks will be most fondly remembered. No video library should be without a copy of Young Frankenstein. And just remember--it's pronounced "Fronkensteen". --Jeff Shannon
Herein lies 7 of the funniest Mel Brooks comedies ever committed to film. The Twelve Chairs: Russian bureaucrat Ron Moody learns that his mother is dying and has hidden the family fortune in one of twelve dining chairs left in their ancestral home. He rushes home only to find the chairs have gone to the Ministry of Housing to be relocated! Young Frankenstein: Mel Brooks' monstrously crazy tribute to Mary Shelley's classic pokes hilarious fun at just about every Fra
Low rent Broadway producer Max Bialystock (Zero Mostel) and his high-strung accountant Leo Bloom (Gene Wilder) discover that with the help of a few gullible investors they can make more money on a flop than on a hit! Armed with the worst show ever written (Springtime For Hitler) and an equally bizarre cast this double dealing duo is banking on disaster. But when their sure-to-offend musical becomes a smash hit they find themselves in the middle of a Broadway blitzkrieg! Winner of an Oscar for Best Original Screenplay Mel Brooks recently adapted his classic film as a Broadway musical and scooped a record-breaking 12 Tony awards.
If you were to argue Mel Brooks' Young Frankenstein ranks among the top-10 funniest movies of all time, nobody could reasonably dispute the claim. Spoofing classic horror in the way that Brooks' previous film Blazing Saddles sent up classic Westerns, the movie is both a loving tribute and a raucous, irreverent parody of Universal's classic horror films Frankenstein (1931) and Bride of Frankenstein (1935). Filming in glorious black and white, Brooks recreated the Frankenstein laboratory using the equipment from the original Frankenstein (courtesy of designer Kenneth Strickfaden), and this loving attention to physical and stylistic detail creates a solid foundation for non-stop comedy. The story, of course, involves Frederick Frankenstein (Gene Wilder) and his effort to resume experiments in re-animation pioneered by his late father. (He's got some help, since dad left behind a book titled How I Did It.) Assisting him is the hapless hunchback Igor (Marty Feldman) and the buxom but none-too-bright maiden Inga (Teri Garr), and when Frankenstein succeeds in creating his monster (Peter Boyle), the stage is set for an outrageous revision of the Frankenstein legend. With comedy highlights too numerous to mention, Brooks guides his brilliant cast (also including Cloris Leachman, Madeline Kahn, Kenneth Mars and Gene Hackman in a classic cameo role) through scene after scene of inspired hilarity. Indeed, Young Frankenstein is a charmed film, nothing less than a comedy classic, representing the finest work from everyone involved. Not one joke has lost its payoff, and none of the countless gags have lost their zany appeal. From a career that includes some of the best comedies ever made, this is the film for which Mel Brooks will be most fondly remembered. No video library should be without a copy of Young Frankenstein. And just remember--it's pronounced "Fronkensteen". --Jeff Shannon
In Life Stinks Goddard Bolt a billionaire developer is challenged by business rival Vance Crasswell to live on the streets without money for one month among the homeless. Goddard is forced to dance for his money avoid turf wars develop survival tactics live in a cardboard box and more. But along the way he makes valuable friends among the street people who teach him that life is not about owning material items but about the integrity of the human spirit. One of t
A little something to offend everyone... Mel Brooks' uproarious version of history proves nothing is sacred as he takes us on a laugh-filled look at what really happened throughout time. His delirious romp features everything from a wild send-up of 2001: A Space Odyssey to the real stories behind the Roman Empire (Brooks plays a stand-up philosopher at Caesar's Palace) the French Revolution (Brooks as King Louis XVI) and the Spanish Inquisition (a splashy song-a
Welcome to the Western only Mel Brooks could create. Voted #6 on AFI’s 100 Years...100 Laughs this comedy classic stars Cleavon Little and Gene Wilder as a sheriff and sharpshooter defending a small town from villains Slim Pickens and Harvey Korman. Featuring a brilliant cast that includes Brooks and an Oscar®-nominated Madeline Kahn and loaded with one-liners gags and cameos this breakthrough parody still breaks the rules breaks stereotypes and breaks wind all in one sitting. See it again and be offended like it’s the first time!
Mel Brooks scored his first commercial hit with this raucous Western spoof starring the late Cleavon Little as the newly hired (and conspicuously black) sheriff of Rock Ridge. Sheriff Bart teams up with deputy Jim (Gene Wilder) to foil the railroad-building scheme of the nefarious Hedley Lamarr (Harvey Korman). The simple plot is just an excuse for a steady stream of gags, many of them unabashedly tasteless, that Brooks and his wacky cast pull off with side-splitting success. The humour is so juvenile and crude that you just have to surrender to it; highlights abound, from Alex Karras as the ox-riding Mongo to Madeline Kahn's uproarious send-up of Marlene Dietrich as saloon songstress Lili Von Shtupp. Adding to the comedic excess is the infamous campfire scene involving a bunch of hungry cowboys, heaping servings of baked beans and, well, you get the idea. --Jeff Shannon
May the farce be with you in this hysterically funny space oddity, created by comic genius Mel Brooks, that will send you into hyperspace with fits of laughter! Lampooning everything from Star Wars to Star Trek, this outrageous send-up of epic sci-fi movies is full of cosmic crazies who score eight trillion on the laugh-meter! Fearless - and clueless - space heroes Lone Starr (Bill Pullman) and his half man/half dog sidekick Barf (John Candy) wage interstellar warfare to free Princess Vespa (Daphne Zuniga) from the evil clutches of Dark Helmet (Rick Moranis). On the way to the rescue - in their Winnebago - they confront the huge, gooey Pizza the Hutt (voice of Dom DeLuise), sassy robot Dot Matrix (voice of Joan Rivers) and a wise little creature named Yogurt (Brooks), who teaches them the mystical power of The Schwartz in order to bring peace - and merchandising rights - to the entire galaxy!
Low rent Broadway producer Max Bialystock (Zero Mostel) and his high-strung accountant Leo Bloom (Gene Wilder) discover that with the help of a few gullible investors they can make more money on a flop than on a hit! Armed with the worst show ever written (Springtime For Hitler) and an equally bizarre cast this double dealing duo is banking on disaster. But when their sure-to-offend musical becomes a smash hit they find themselves in the middle of a Broadway blitzkrieg! Winner of
May the farce be with you in this hysterically funny space oddity created by comic genius Mel Brooks that will send you into hyperspace with fits of laughter! Lampooning everything from 'Star Wars' to 'Planet Of The Apes' and 'Alien' this is an outrageous send-up of epic sci-fi movies. Fearless and clueless space heroes Lone Starr (Bill Pullman) and his half-man/half-dog sidekick Barf (John Candy) wage interstellar warfare to free Princess Vespa (Daphne Zuniga) from the evil clutches of Dark Helmet (Rick Moranis). On the way to the rescue in their Winnebago they confront the huge gooey Pizza The Hutt (voiced by Dom De Luise) sassy robot Dot Matrix (voiced by Joan Rivers) and a wise little creature named Yogurt (Mel Brooks) who teaches them the mystical power of 'The Schwartz' in order to bring peace - and merchandising rights - to the entire galaxy!
Mel Brooks's comedy masterpiece, The Producers - widely regarded as one of the funniest films ever - has been stunningly restored in 4K. Max Bialystock (Zero Mostel) is a washed up Broadway producer forced to romance old ladies to finance his plays. When timid accountant Leo Bloom (Gene Wilder) is brought in to do his books, he inadvertently reveals to Bialystock that under the right circumstances, a producer could make more money with a flop than a hit. Bialystock cajoles Bloom into helping him achieve this end and together they come up with what they consider to be a sure-fire disaster waiting to happen a musical version of Adolf and Eva's love story entitled ˜Springtime For Hitler'. But is it possible that they might actually have the most unlikely hit of all time on their hands? Features: Q&A with Mel Brooks and TCM host Ben Mankiewicz from the TCM Classic Film Festival 2018 Tempo episode with Zero Mostel Making of The Producers Paul Mazursky reads Peter Sellers ad Sketch gallery slideshow Deleted Scenes Soundtrack Spoofs New The Producers trailer
May the farce be with you in this hysterically funny space oddity created by comic genius Mel Brooks that will send you into hyperspace with fits of laughter! Lampooning everything from 'Star Wars' to 'Planet Of The Apes' and 'Alien' this is an outrageous send-up of epic sci-fi movies. Fearless and clueless space heroes Lone Starr (Bill Pullman) and his half-man/half-dog sidekick Barf (John Candy) wage interstellar warfare to free Princess Vespa (Daphne Zuniga) from the evil clu
Can this one-joke spoof possibly be from the same man who gave us The Producers, Blazing Saddles and Young Frankenstein? Sadly, the answer is yes. Mel Brooks treads water shamelessly with Robin Hood: Men in Tights and the few laughs to be had depend almost entirely on mocking Kevin Costner's earnest blockbuster Robin Hood: Prince of Thieves from two years earlier ("Unlike some other Robin Hoods, I can speak with an English accent", boasts Cary Elwes' Robin). Not only is this far too easy a target for a skit, but the single-film parody concept is stretched way too thin over an entire movie (Brooks elected to repeat the trick with 1995's Dracula: Dead and Loving It). Elwes models his portrayal on Errol Flynn, but only infrequently gets to have fun with the legend: in the climactic sword fight, for example, the shadow play of Flynn and Basil Rathbone's sheriff is affectionately parodied, but such moments are few and far between. Brooks regular Dom DeLuise chips in with a Marlon Brando impersonation, but everyone else is simply taking off characters from the Costner movie: Patrick Stewart even gives us his best Sean Connery impression as a Scottish Richard I. Brooks himself does his stock Jewish act, this time as Rabbi Tuckman; Isaac Hayes has a small cameo in the Morgan Freeman part but seems to think Jerusalem is in Africa; while his on-screen son (David Chappelle) makes the mistake of reminding the audience of what they are missing: "A black sheriff? Why not, it worked in Blazing Saddles". Indeed it did. On the DVD: Precious few extras here, just a small behind the scenes feature and trailer. But the anamorphic picture looks good. --Mark Walker
Mel Brooks's comedy masterpiece, The Producers - widely regarded as one of the funniest films ever - has been stunningly restored in 4K. Max Bialystock (Zero Mostel) is a washed up Broadway producer forced to romance old ladies to finance his plays. When timid accountant Leo Bloom (Gene Wilder) is brought in to do his books, he inadvertently reveals to Bialystock that under the right circumstances, a producer could make more money with a flop than a hit. Bialystock cajoles Bloom into helping him achieve this end and together they come up with what they consider to be a sure-fire disaster waiting to happen a musical version of Adolf and Eva's love story entitled ˜Springtime For Hitler'. But is it possible that they might actually have the most unlikely hit of all time on their hands? Features: Q&A with Mel Brooks and TCM host Ben Mankiewicz from the TCM Classic Film Festival 2018 Tempo episode with Zero Mostel Making of The Producers Paul Mazursky reads Peter Sellers ad Sketch gallery slideshow Deleted Scenes Soundtrack Spoofs New The Producers trailer
The railroad's bound to run right through the sleepy tow of Rock Ridge. Land there will be worth a fortune - but the townsfolk already own their own land. How do you drive them out? Send in the roughest toughest meanest leanest gang you've got...and appoint a new sheriff you figure will last about 24 hours. But that's not really the plot of Blazing Saddles just the pretext. Once Mel Brooks' lunatic film - many call it his best - gets under way logic is lost in a blizzard of gags jokes quips puns howlers growlers and outrageous assaults upon good taste - or any taste at all.
The legend that had it coming Robin Hood: Men In Tights wipes away the mystery - and the dignity! - of England's most infamous stocking-filler as Robin of Loxley and his merry men bring a dose of sheer mayhem to Sherwood Forest! Throwing away their titles and their trousers Robin and his nylon-clad crew battle to bring down evil Prince John and hideous side-kick the Sheriff of Rottingham to procure the key to Maid Marian's heart... and her chastity belt!
In this perceptive sidesplitting homage to Hichcock films director star and writer Mel Brooks plays the average American guy psychiatrist Richard Thorndyke (as in Roger Thorndike Cary Grant's character in North By Northwest) who's terrified of heights. He becomes the new chief of the Institute for the Very Very Nervous where things are not what they seem and it's not long before Richard finds himself embroiled in murder deception and other hilarious situations
Low rent Broadway producer Max Bialystock (Zero Mostel) and his high-strung accountant Leo Bloom (Gene Wilder) discover that with the help of a few gullible investors they can make more money on a flop than on a hit! Armed with the worst show ever written (Springtime For Hitler) and an equally bizarre cast this double dealing duo is banking on disaster. But when their sure-to-offend musical becomes a smash hit they find themselves in the middle of a Broadway blitzkrieg! Winner of an Oscar for Best Original Screenplay Mel Brooks recently adapted his classic film as a Broadway musical and scooped a record-breaking 12 Tony awards.
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