In the first season of The X Files, creator Chris Carter was uncertain of the series' future, so each of the episodes is a self-contained suspense story; they do not delve deep into the ongoing X Files mythology or turn to self-parody and humour as do episodes in later seasons. Yet, these episodes display the elements for which the show would become famous: the cinematic production values and top-notch special effects, the stark lighting of the Vancouver sets, the atmospheric halo of Mark Snow's score, and the clever plots dealing with subjects ranging from the occult, religion, and monsters to urban legends, conspiracy theories and science fiction. Most importantly, Season 1 introduces FBI agents Dana Scully (Gillian Anderson) and Fox "Spooky" Mulder (David Duchovny), two of the most attractive government officials around. Scully is the serious-minded medical scientist assigned to join Mulder on the X Files, a division of the FBI dealing with the paranormal. Mulder is the intuitive thinker with a dry wit, a passionate believer in the existence of paranormal phenomena and one of the few characters on television smart enough to figure out who the bad guy is before the audience does. Their muddled relationship, a deep friendship laced with sexual tension, provides the human heart in a world where the bizarre and horrible lurk in everyday society. The materials on the bonus disc provide some interesting trivia and background, but it is the 24 episodes themselves that make this seven-disc boxed set a true find. Those unfamiliar with The X Files often view all the fuss with the same scepticism with which Scully first regards her new partner's ideas. But just as she comes to realise the uncanny accuracy of Mulder's outlandish theories, newcomers to The X Files who sample a few episodes in this boxed set will likely find themselves riveted to their television late into the night. And undoubtedly, the shadows and creaking noises in the house that evening will seem more menacing than usual. --Eugene Wei, Amazon.com
Dare to be duped! The world of movie make-believe meets the gritty New York crime scene in this clever suspense movie. Bryan Brown and Brian Dennehy command the heart-pounding action in the first-class crackling excitement of F/X. Rollie Tyler (Brown) is the best special effects artist in showbiz. But this time it’s not the studios seeking him out it’s the Justice Department. His assignment: to stage the assassination of an important underworld witness. And after he pull
Both F/X films in high definition in this double pack. F/X - Special effects expert Rollie Tyler (Bryan Brown) is widely acknowledged as the best in the business. Hired by the Justice Department to fake the death of Mafia boss-turned-informant Nicholas DeFranco, Rollie pulls the job off without a hitch. However, when the Mafioso kingpin goes missing for real, it is the SFX man who is collared for his murder. On the run from both the police and the mob, Rollie now has to rely on his skills of deception in order to survive. F/X 2 - Follow-on from the 1986 film 'FX - Murder by Illusion' in which Tyler (Bryan Brown) is now semi-retired. However, his girlfriend s ex-husband talks him out of the quiet life after five years and into taking part in a police-sting operation. When the latter is murdered, Tyler investigates; with the help of his old police partner (Brian Dennehy) and soon they are trapped in a dangerous web of murder, treachery and deceit.
Season Two, the 1994-95 run, of The X Files was the one where creator Chris Carter, having had a surprise hit when he expected a one-season wonder, started trying to make sense of all the storylines he had thrown into the pile in the first year. Moreover, he had to cope with Gillian Anderson's maternity leave by having Scully get abducted by aliens (back then, a pretty fresh device) for a few episodes and come back strangely altered. The season also inaugurated the tradition of opening ("Little Green Men") and closing ("Anasazi") with the show's worst episodes, both pot-boiling attempts to keep the alien infiltration/government conspiracy balls up in the air while seeming to offer narrative forward-thrusts or revelations.But it's also a show noticeably surer of itself than Season One, with its stars reading from the same page in terms of their characters' relationship and attitudes to the wondrous. Scully's no-longer-workable scepticism finally starts to erode in the face of Mulder's increasingly cracked belief. There are fewer marking-time leftover-monster-of-the-week shows--although we do get a human fluke ("The Host"), vampires ("3"), an invisible rapist ("Excelsius Dei") voodoo ("Fresh Bones")--and the flying-saucer stories at last seem to be going somewhere. The powerful two-episode run ("Duane Barry", "Ascension") features Steve Railsback as Mulder's possible future, an FBI agent burned out after a UFO abduction who has become a hostage-taking terrorist, which climaxes with Scully's disappearance into the light. The standout episode is also a stand-alone--"Humbug"--the first and still most successful of the show's self-parodies (written by Darin Morgan, who had played the Flukeman in "The Host"), in which the agents investigate a murder in a circus freakshow, allowing the actors to make fun of the mannerisms they have earnestly built up in a run of solemn, even somnolent, explorations of the murk. Other worthy efforts: "Aubrey", about genetic memory; "Irresistible", a rare (and creepy) straight psycho-chiller with little paranormal content; and "The Calusari", a good ghost/mystery. Rising deputy characters include Nicholas Lea as the perfidious Krycek and Brian Thompson as the shapeshifting alien bounty hunters. Notable guest stars: Charles Martin Smith, C.C.H. Pounder, Leland Orser, Terry O'Quinn, Bruce Weitz, Daniel Benzali, John Savage, Vincent Schiavelli, Tony Shalhoub. --Kim NewmanOn the DVD: The individual episode discs have a small selection of deleted scenes, foreign language clips and behind-the-scenes footage, but the bulk of the extra material is on the final disc. There's not a lot to get to grips with, but what there is consists of a 14-minute documentary about the making of Season Two, with contributions from Chris Carter, various directors, writers and actors (but not the two principals); Carter talking briefly about each episode in turn; a series of short TV spots and pieces about the show's FX and secondary characters; and three very short behind-the-scenes glimpses, one of which has the self-explanatory title "Gillian eats a cricket". There's also a DVD-ROM utility with Web links and a game. --Mark Walker
With the original conspiracy plot arc fallen into a muddle of loose ends no-one could possibly fathom, once-hungry lead actors on the verge of big screen careers and making demands for more time off or shots at writing and directing, and the initial wish list of monsters-of-the-week long exhausted, it's a miracle The X Files is still making its airdates, let alone managing something pretty good every other show and something outstanding at least once every four episodes. Season seven opens with a dreary two-parter ("Sixth Extinction" and "Amor Fati") and winds up with the traditional incomprehensible cliffhanger ("Requiem"), but along the way includes a clutch of shows that may not match the originality of earlier seasons but still effortlessly equal any other fantasy-horror-sf on American television. Highlights in this clutch: "Hungry", a brain-eating mutant story told from the point of view of a monster who tries to control his appetite by going to eating disorder self-help groups; "The Goldberg Variation", a crime comedy about a weaselly little man who has the gift of incredible good luck, which means Wile E Coyote-style doom for anyone who crosses him; "The Amazing Maleeni", guest-starring Ricky Jay in a rare non-fantastic crime story about a feud between stage magicians that turns out to be a cover for a heist; "X-Cops", a brilliant skit on the US TV docusoap Cops with Mulder and Scully caught on camera as they track an apparent werewolf in Los Angeles (season-best acting from David Duchovny and Gillian Anderson); "Theef", a complex revenge drama with gaunt Billy Drago as a hillbilly medicine man stalking a slick doctor; "Brand X", a horror comic tale of corruption in the tobacco industry; "Hollywood AD" (written and directed by Duchovny), in which Tea Leoni and Garry Shandling are cast as Scully and Mulder in a crass movie version of a real-life X file; and "Je Souhaite", a deadpan comedy about a wry, cynical genie at the mercy of trailer trash masters who haven't an idea what to wish for. Among the disasters are: "Fight Club", a grossly laboured comedy; "All Things", Gillian Anderson's riotously pretentious religious-themed writing-directing debut; "En Ami", written and understood by William B Davis, the cigarette-smoking villain; and the very silly "First Person Shooter", the lamest killer video-game plot imaginable courtesy of distinguished guest writer William Gibson. Still essential, despite the occasional pits, but yet again you go away thinking that the next season had better come up with some answers. --Kim Newman
Special effects expert Rollie Tyler (Bryan Brown) is widely acknowledged as the best in the business. Hired by the Justice Department to fake the death of Mafia boss-turned-informant Nicholas DeFranco, Rollie pulls the job off without a hitch. However, when the Mafioso kingpin goes missing for real, it is the SFX man who is collared for his murder. On the run from both the police and the mob, Rollie now has to rely on his skills of deception in order to survive. Dare to be duped! The world of movie make-believe meets the gritty New York crime scene in this taut and clever suspense movie. Bryan Brown (Cocktail) and Brian Dennehy (First Blood) command the heart-pounding action in the first-class, crackling excitement of F/X. Rollie Tyler (Brown) is the best special effects artist in showbiz. But this time it's not the studios seeking him out.... it s the Justice Department. His assignment: to stage the assassination of an important underworld witness. And after he pulls the illusion off, making the informant disappear - Rollie is dumbfounded to learn that he is being pinned for the murder! Double-crossed and now hunted by those who hired him, Rollie quickly learns that he can trust no one...and that the only thing that can save his life is his unequalled mastery of illusion.
After receiving a scholarship to an exclusive prep school working-class teen David Green (Fraser) becomes a star athlete and wins the attention of a beautiful debutant (Amy Locane). But the ties of his newfound friendship are broken when a student reveals the secret David has tried to conceal - he is Jewish. Now David must take the most important stand of his life one that will touch the lives of many and forvever change the course of his future.
It has become traditional for The X-Files to kick off each new season with a humourless conspiracy two-parter, and Season 9 is no exception: in The X Files: Nothing Important Happened Today David Duchovnys Mulder is gone, along with everything in his apartment, and Gillian Andersons Scully is mostly at home with her perhaps-telekinetic baby, which leaves the bulk of the investigation to promising new characters Doggett (Robert Patrick) and Reyes (Annabeth Gish).The A-plot features Lucy Lawless as a water-breathing terminatrix who could be an alien, a government experiment or a mermaid without it making any difference, but too much time is spent on impossible-to-follow subplots about internal FBI politics and everyones intricate backstory (if ever a release needed a "previously..." prologue, this is it). Usually, the series gets over these heart-sinking openers and livens up a bit, but this time theres a feeling that this is the end of the line for a thoroughly battered premise.Chris Carter joins Gene Roddenberry in the exclusive category of producer-creators who turn in the worst scripts for their own shows, and all the strengths of The X-Files (shivers, wit, provocative ideas) are missing in action here as the engine grinds on empty.On the DVD: The X-Files: Nothing Important Happened Today on disc arrives with two three-minute filler featurettes, focusing on Gishs character and the making of this show. The good news is that this anamorphic widescreen release is the best The X-Files has ever looked in a television format, showing that however dramatically exhausted it might be, the show remains technically impressive. --Kim Newman
As with earlier releases, The X-Files: Providence splices together two episodes, "Provenance" and "Providence", into a pseudo-movie. Again, the results fall way below the series average as the long-dead alien conspiracy business is flogged, with a lot of running around and ominous rumbling still not adding up to anything like an actual story. FBI agent Neal McDonaugh (of Minority Report) inexplicably survives a flaming motorcycle crash, leaving behind brass rubbings taken from an alien spaceship, then shows up and tries to murder Scully's psychokinetic baby, who is promptly kidnapped by a UFO cult. In Part 2, Scully (Gillian Anderson) and Reyes (Annabeth Gish) fend off enemies and friends within the bureau as they track down the cultists, who are having trouble with a spaceship they've dug up, and a typical pointless climax has things happen without the characters doing anything to contribute. Even at this late, post-Duchovny stage in the game, The X-Files has turned out some fine stand-alone episodes, but these dreary wallowings go a long way towards explaining why only diehards are still watching. After the child says "I made this" at the end of the credits, it's becoming very hard not to shout "well, clean it up then". On the DVD: The X-Files: Providence, as with Nothing Important Happened Today, arrives in a great-looking anamorphic widescreen transfer. There are two slight promotional "featurettes"--three-minute clips/talking heads promos focusing on the episode "Providence" and actor Cary Elwes' character. --Kim Newman
Focused lightning bolts, stigmata, possession, and ancient curses become secondary in Season 3 of The X-Files as more episodes are devoted to pursuing the increasingly complex story threads. "The Blessing Way" is an explosive start, introducing the Syndicate's well-manicured man (John Neville), while Scully's sister Melissa is shot and Mulder experiences Twin-Peaks-like prophetic visions. We learn of medical records of millions, including Scully, who have been experimented upon ("Paper Clip"): the fast-paced train-bound two-parter "Nisei" and "731" suggests the experiments are about alien hybridisation. Krycek turns out to be hosting an alien in the next double-act, "Piper Maru" and "Apocrypha", in which Skinner is shot by Melissa's killer. Two great one-offs outside the arc are "Clyde Bruckman's "Final Repose", a bittersweet tale of foreseeing death (featuring an Emmy-winning performance from Peter Boyle) and Jose Chung's " From Outer Space", a spoof of alien conspiracy theories through an author's investigations into abductees. --Paul Tonks
If you were one of the many complaining that the ending of the first series of Lost was something of a damp squib, that fear not.
The sixth series of The X-Files picks up after the events of the big-screen movie. So it is that "The Beginning" attempts to fit the film into the TV chronology before moving on to tackle plot points left dangling from series five's "The End" (note the guard asleep at the nuclear power plant console is named Homer!). Between story arc threads are several pleasing one-off excursions: time travel to a Bermuda Triangle boatload of Nazis ("Triangle"); further temporal escapades akin to Groundhog Day ("Monday"); a demonic baby case featuring genre stalwart Bruce Campbell ("Terms of Endearment"); and "The Dreamland, Parts 1 and 2", in which David Duchovny gets to play someone else via personality switching. Back in the conspiracy scheme of things, Mulder chases "S.R. 819", a Senate resolution tying conspiracies together; "Two Fathers" and "One Son" indicates that the abductee experiments are intended to cure the black oil disease; and the year finishes with "BioGenesis", in which a beach-buried UFO has Scully and the audience wondering if we are from Mars. --Paul Tonks
The pretentiously titled Existence is another two-part X-Files yarn glued together to make a feature-length episode. Here the story concerns the birth of Scully's perhaps-alien-tinged child and proves the old maxim that you should stop watching any series when the characters start having babies. By now, newbie Robert Patrick is settled into the role of Agent Doggett, Scully's new partner on the X-Files, but David Duchovny's contract negotiations have enabled Fox Mulder, no longer in the FBI, to come back and hang about the delivery, clashing and then bonding with his replacement. The action content comes from a mild-mannered alien abductee transformed into an unstoppable killing machine, ripping through everything as he tries to prevent the upcoming nativity for reasons that (as ever) don't quite become clear. Also in the support cast are semi-regular Nicholas Lea as lurking plot-explaining conspirator Alex Krycek, and the more welcome Annabeth Gish, whose interestingly spiritual Agent Monica Reyes is being worked up as a replacement for Scully when Gillian Anderson gets out of her contract. Weirdly, The X-Files is in pretty good shape for a show that's been running this long--the performances and the direction are still strong, and outside the "continuing story" shows individual episodes hold up well. But this dreary muddle of running about (plus the odd decapitation) and agonised rumination (blathery philosophical musings about the miracle of life and childbirth) does not represent the series' strengths, suggesting that the best thing that could happen would be to get shot of the long-time stars and their played-out characters to make room for a revitalised show starring Patrick and Gish. On the DVD: The full-screen print, with the extra detail of the DVD image and Dolby Digital, allow you to pick up a lot more than from the murky telecasts. "Alex Krycek Revealed" Parts 1 and 2, a couple of character profiles, turn out to be very snippet-like Fox TV promo pieces, with some interview footage and behind-the-scenes stuff amid the usual teaser clips.--Kim Newman
A recently married man must search through his new wife's tangled past when she suddenly disappears...
The fifth season of The X-Files is the one in which the ongoing alien conspiracy arc really takes over, building towards box-office glory for the inevitable cinematic leap in The X-Files Movie (1998). The series opener "Redux" begins with Mulder having been framed for everything going. Scully finally sees a UFO ("The Red and the Black") before being presented with a potential daughter (the two-part "Christmas Carol" and "Emily"). By "The End", there's an enormous tangle of threads for the big-screen adaptation to unravel (or not, as it turned out). Cigarette Smoking Man is being hunted, playing every side against the middle, as well as chasing after information on Mulder's sister. Krycek is back, too, as is an old flame for Mulder in the shape of Agent Diana Fowley. If that wasn't enough to goad viewers into the cinema, there was the Lone Gunmen's 1989-set back story ("Unusual Suspects", with Richard Belzer playing his Homicide: Life on the Streets character), a musical number in the black and white Frankenstein homage "Post Modern Prometheus", and scripts co-written by Stephen King ("Chinga"), William Gibson ("Kill Switch"), and even Darren McGavin (who had inspired the show as Kolchak: The Night Stalker) in "Travellers". On the DVD: The X-Files, Season 5 extras include Chris Carter's commentary over "Post Modern Prometheus", which reveals the decision making behind shooting in black and white as well as the problems it caused. A second commentary is from writer/coproducer John Shiban on "Pine Bluff Variant", where he openly admits the influence of The Spy Who Came in from the Cold. Across the six discs (only 20 episodes because of the movie of course) you get credits for every episode, their TV promo spots, deleted and international versions of several scenes (some with commentary from Carter), and a couple of TV featurettes. The best of these is "The Truth About Season 5", talking to an excited Dean Haglund (Langly) amongst other crew members.--Paul Tonks
In Season 4 of The X-Files, Scully is a bit upset by her on-off terminal cancer and Mulder is supposed to shoot himself in the season finale (did anyone believe that?), but in episode after episode the characters still plod dutifully around atrocity sites tossing off wry witticisms in that bland investigative demeanour out of fashion among TV cops since Dragnet. Perhaps the best achievement of this season is "Home", the most unpleasant horror story ever presented on prime-time US TV. It's not a comfortable show--confronted with this ghastly parade of incest, inbreeding, infanticide and mutilation, you'd think M & S would drop the jokes for once--but shows a willingness to expand the envelope. By contrast, ventures into golem, reincarnation, witchcraft and Invisible Man territory throw up run-of-the-mill body counts, spotlighting another recurrent problem. For heroes, M & S rarely do anything positive: they work out what is happening after all the killer's intended victims have been snuffed ("Kaddish"), let the monster get away ("Sanguinarium") and cause tragedies ("The Field Where I Died"). No wonder they're stuck in the FBI basement where they can do the least damage. The series has settled enough to play variations on earlier hits: following the liver vampire, we have a melanin vampire ("Teliko") and a cancer vampire ("Leonard Betts"), and return engagements for the oily contact lens aliens and the weasely ex-Agent Krycek ("Tunguska"/"Terma"). Occasional detours into send-up or post-modernism are indulged, yielding both the season's best episode ("Small Potatoes") and its most disappointing ("Musings of a Cigarette-Smoking Man"). "Small Potatoes", with the mimic mutant who tries out Mulder's life and realises what a loser he is (how many other pin-up series heroes get answerphone messages from their favourite phone-sex lines?), works as a genuine sci-fi mystery--for once featuring a mutant who doesn't have to kill people to live--and as character insight. --Kim Newman
This release consists of two episodes--"This is Not Happening" and "Deadalive"--of the eighth series of The X-Files spliced together into a feature-length story. With David Duchovny contracted only to do a certain percentage of shows this year, Robert Patrick was brought in as Agent John Doggett, partnering Gillian Anderson's Agent Scully while Duchovny's Mulder is off being tortured by alien-abductors in what looks like an industrial dentist's chair. This story comes about two-thirds of the way through the arc and sets up Duchovny's return to the show--though he literally has to die and come back to get back on the case. It's an unfortunate paradox that most X-Files stand-alone releases concentrate on the dreary alien-abduction/conspiracy episodes which carry the greater storyline of the show, giving the misleading impression that the series is a drearily solemn, badly plotted, straight-faced but stupid sci-fi soap opera. Always skipped over are the far more interesting, entertaining and impressive stand-alone supernatural mysteries or strange comic exercises. Though Duchovny is mostly lying in a hospital bed with oatmeal all over his face, Anderson--whose character is pregnant this series, another dull sub-plot--still gives an amazingly committed performance and gets terrific support from Patrick, whose character has shaken up a lot of what was settled or stale about the show, and the always-underrated Mitch Pileggi as Assistant Director Skinner. The story features several wild-eyed UFO guru types (including Roy Thinnes, once star of The Invaders) and returned abductees transformed into un-killable alien zombies. It's as well made as ever, with ominous shadows and the odd smart line, but you need to have been paying very close attention for seven years to understand what's going on. With Duchovny a potential escapee and Anderson perhaps in line to follow, this episode brings on the excellent Annabeth Gish as Agent Monica Reyes, a specialist in bizarre rituals, who is being effectively set up to partner Patrick in a post-Mulder-and-Scully X-Files that might well keep the franchise going on forever Star Trek-fashion. --Kim Newman
An ice hockey star is accosted by a youth gang who attempt to rob him. After he chases them off he catches the youngest member and gives him a ride home where he meets the boys mother. A romantic plot ensues as well as a confrontation with the gang leaders.....
Bobby Barbato is an all-star hockey player who is dedicated to his sport and of course to himself. Denise Canno is dedicated to her son whom she is struggling to raise in a tough neighbourhood. Denise and her son both want Bobby in their lives. Whether you're a romantic a sports fan or indeed both this is a heart warming tale.
Featuring a few tasty morsels from X-Files: Season 1! Ideal for people who want to give the unknown their first try. You won't be disappointed by the sci-fi thrills of The X-Files. And don't forget; the truth is out there...
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