Gillian Anderson and Eric Stoltz star in this adaptation of Edith Whartons novel about the hypocrisy at the heart of New York society at the start of the last century.
The story of 19th century American poet Emily Dickinson is brought to vivid life, in a remarkably sensitive biopic by director Terence Davies, exploring her early days as a young schoolgirl through to her later years as a recluse. Now recognised as a genius that penned some of the most important verses in American literature, the poet was virtually unknown in her lifetime, leaving behind a legacy of stunning, astute work that still resonates deeply today. Featuring a curated selection of her poems in voiceover, A Quiet Passion details every facet of Dickinson's character: her wit, her humour and the intimate, close-knit relationship she had with her family. Cynthia Nixon commands a superb performance in the title role, while Davies' elegant direction allows the audience to connect with the hopes, dreams and disappointments of one of the greatest poets of all time.
The wife of a British Judge is caught in a self-destructive love affair with a Royal Air Force pilot.
The story of 19th century American poet Emily Dickinson is brought to vivid life, in a remarkably sensitive biopic by director Terence Davies, exploring her early days as a young schoolgirl through to her later years as a recluse. Now recognised as a genius that penned some of the most important verses in American literature, the poet was virtually unknown in her lifetime, leaving behind a legacy of stunning, astute work that still resonates deeply today. Featuring a curated selection of her poems in voiceover, A Quiet Passion details every facet of Dickinson's character: her wit, her humour and the intimate, close-knit relationship she had with her family. Cynthia Nixon commands a superb performance in the title role, while Davies' elegant direction allows the audience to connect with the hopes, dreams and disappointments of one of the greatest poets of all time.
Renowned British filmmaker Terence Davies' most ambitious film to date, SUNSET SONG, adapted from the classic novel by Scottish writer Lewis Grassic Gibbon, is set for release in the UK and Ireland on 4 December 2015 through Metrodome Distribution. The film will receive its World Premiere at this year's Toronto International Film Festival; a UK Premiere at the BFI London Film Festival where it screens in Official Competition, plus a special Scottish Premiere closer to release. SUNSET SONG stars Agyness Deyn (PUSHER and the Coen Brothers' forthcoming HAIL, CAESAR), Peter Mullan (TYRANNOSAUR, WAR HORSE) and Kevin Guthrie (SUNSHINE ON LEITH). Told with gritty poetic realism by Britain's greatest living auteur, Terence Davies, SUNSET SONG laments the devastation of war and pays fine tribute to the endurance of the land. Set in a rural Scottish community, SUNSET SONG is driven by the young heroine Chris (Agyness Deyn) and her intense passion for life, the unsettled Ewan (Kevin Guthrie) and for the unforgiving land. The impact of the First World War is felt from afar, bringing the rapidly changing modern world to bear on this community in the harshest possible way. Yet, in a final moment of grace, Chris endures the great hardships. Now a woman of remarkable strength, she is able to draw from the ancient land in looking to the future. SUNSET SONG is an epic in emotional scale and deeply romantic at its core.
Set in 1940s England Distant Voices Still Lives is a compassionate look at a radically dysfunctional family. The son and his mother must endure the casual and overt cruelties of the bull-necked father. The ongoing abuse takes its toll in the form of failed marriages and misguided attempts at seeking security outside the family unit. As was the case with his earlier short subject trilogy director Terence Davies based much of the material on his own life combining rheumy-eyed cynicism with soft-edged nostalgia.
Critically-acclaimed World War One biographical drama from award-winning director Terence Davies (Distant Voices Still Lives, A Quiet Passion), starring Peter Capaldi (Doctor Who, The Thick of It, The Suicide Squad) and Jack Lowden (Small Axe, Dunkirk) as the legendary war poet, Siegfried Sassoon, at different stages of his astonishing and impactful life.
Widely hailed as masterpiece Of Time and the City is a cinematic ode to Terence Davies native Liverpool that has taken this years critics and festivals by storm. Equally lyrical and emotive Of Time and the City combines archival and contemporary footage (shot by Davies) with a rich selection of music voices radio clips and the directors voice-over which interweaves literary quotation with personal reminiscence. Of Time and the City was commissioned as part of Liverpools City of Culture celbrations . This haunting film confirms Davies status as one of Britain's greatest living filmmakers.
Terence Davies film, depicting life in working-class Liverpool from the 1940s into the 50s, is 30 years old this year, and already a modern classic. Now that Eileen, Maisie, and Tony are adults, their childhood memories and in particular those associated with their father are inconsistent. While Eileen clings to happier times, her siblings remember his brutal violent nature, which has been a major influence on their growth and development. This troubled family must deal with the day-to-day alongside their past. Terence Davies creates a loving portrait with this partly autobiographical tale (shot in two sections), and it was voted one of the greatest British films by Sight and Sound. Distant Voices, Still Lives has been restored in 4K resolution by the BFI under the supervision and approval of director Terence Davies. Special Features: New 4K digital restoration from the original 35mm camera negative, approved by director Terence Davies Q&A With Terence Davies (2018, 32 mins): recorded after the UK premiere of the new restoration at BFI Southbank Audio commentary by Terence Davies: the director scrutinises his film in this commentary from 2007 Interview With Terence Davies (2007, 20 mins): director Terence Davies discusses his work with film critic Geoff Andrew Interview With Miki van Zwanenberg (2007, 7 mins): the film's art director looks back on its making Introduction by Mark Kermode (2016,2 mins) Images of Liverpool in Archive Film (1939-42, 62 mins): three archive shorts depicting the city of Liverpool and its community Original and 2018 trailers Image gallery Fully illustrated booklet with new writing on the film by critic Derek Malcolm and art director Miki van Zwanenberg, essays by Geoff Andrew and Adrian Danks, and full film credits
For the first time ever on DVD comes BFI Fellowship Awarded Terence Davies' masterpiece The Long Day Closes which acts as Davies' follow up to Distant Voices Still Lives his autobiographical memoirs of growing up in Liverpool in the 1950's. In post-war Liverpool the rain-drenched streets lice-ridden impoverishment and high unemployment makes for a wreckage of a town and growing up here was no easy feat. But for eleven-year-old Bud despite the hardships he found a warmth and bliss rarely seen. The love of his mother his sexual awakening and the rich culture springing up around him as pop music and cinema take off add to his childhood bliss. Davies sticks to his fragmented patchwork narrative to show the nature of his own personal memory interspersed with snatched songs and surreal daydreams and so the audience can emphasise with his every grin and grimace. With Liverpool's City Of Culture recognition The Long Day Closes becomes ever more important as its appreciation of the pop music and cinema which came out of Liverpool is accredited with Bud's happiness and therefore Terence Davies' and his admission into cinema himself.
Considered by many to be Britain's most gifted and remarkable filmmaker Terence Davies' visually stunning intensely personal films have impressed audiences the world over and seen him acclaimed by critics as one of contemporary cinema's true poets. Packaged here together for the first time with a host of extra features are four of Davies' most evocative works: The Terence Davies Trilogy (1976-1983) Distant Voices Still Lives (1988) The Long Day Closes (1992) and Of Time and the City (2008).
Revisit recent British classics by visionary directors Andrew Haigh, Terence Davies, Andrea Arnold and Lynne Ramsay with a special collection of films celebrating Artificial Eye's 40th anniversary. Read more at http://www.curzonartificialeye.com/artificial-eye-40th-anniversary-collection-volume-1-contemporary-british-cinema/#44ulBRqwOaqMTGZ3.99
The crushing pressures of social conformity have always been a central concern of Terence Davies' movies, so Edith Wharton's astringent novel of innocence destroyed makes an ideal choice for him. Set in the edgy, nouveau riche ambience of 1900s New York, the story traces the downfall of the lovely but imprudent Lily Bart (Gillian Anderson) in a world where hypocrisy and predatory vice lurk behind genteel facades. Wharton (whose later novel The Age of Innocence was brilliantly filmed by Martin Scorsese) has an acute feel for the subtleties of social nuance, the way insiders and outsiders are defined, and Davies skilfully renders these hints and insidious judgments in cinematic terms. Working to a tighter budget than most period dramas, he turns his limitations to advantage. The film's never in danger of being swamped by the gorgeousness of its sets and costumes, or turned into an exercise in easy nostalgia. The northern austerity of Glasgow effectively stands in for New York. Throwing off the mantle of Scully (from The X-Files), Gillian Anderson gives a powerful and wholly convincing performance as Lily, movingly despairing as her options are closed off one by one; and there's a fine portrayal of self-satisfied brutality from Dan Aykroyd as the chief agent of her downfall. --Philip Kemp
For the first time ever on DVD from BFI Fellowship Awarded Terence Davies The Terence Davies Trilogy. The Terence Davies Trilogy acts as do his two later films Distant Voices Still Lives and The Long Day Closes as a reconstruction of his childhood and youth in working class post-war Liverpool. In his trilogy he uses alter ego Robert Tucker a shy and introverted child who is assumed to be not as able mentally as his peers and so bullied by those around him. His home life is darkly overshadowed by his violent abusive father and his guilt over homosexual feeling which is exacerbated by his strict Catholic upbringing. These dark and unhappy memories though are interspersed by his tender and warm feelings towards the entertainment culture springing up around Liverpool listening to the wireless and visiting the cinema being favourite pastimes of his. Davies sticks to his fragmented patchwork narrative to show the nature of his own personal memory interspersed with snatched songs and surreal daydreams and so the audience can emphasise with his every grin and grimace. With Liverpool's City Of Culture recognition The Terence Davies Trilogy becomes ever more important as its appreciation of the pop culture which came out of Liverpool is accredited with Robert's happiness and therefore Terence Davies' and his admission into cinema himself.
Renowned British filmmaker Terence Davies' most ambitious film to date, SUNSET SONG, adapted from the classic novel by Scottish writer Lewis Grassic Gibbon, is set for release in the UK and Ireland on 4 December 2015 through Metrodome Distribution. The film will receive its World Premiere at this year's Toronto International Film Festival; a UK Premiere at the BFI London Film Festival where it screens in Official Competition, plus a special Scottish Premiere closer to release. SUNSET SONG stars Agyness Deyn (PUSHER and the Coen Brothers' forthcoming HAIL, CAESAR), Peter Mullan (TYRANNOSAUR, WAR HORSE) and Kevin Guthrie (SUNSHINE ON LEITH). Told with gritty poetic realism by Britain's greatest living auteur, Terence Davies, SUNSET SONG laments the devastation of war and pays fine tribute to the endurance of the land. Set in a rural Scottish community, SUNSET SONG is driven by the young heroine Chris (Agyness Deyn) and her intense passion for life, the unsettled Ewan (Kevin Guthrie) and for the unforgiving land. The impact of the First World War is felt from afar, bringing the rapidly changing modern world to bear on this community in the harshest possible way. Yet, in a final moment of grace, Chris endures the great hardships. Now a woman of remarkable strength, she is able to draw from the ancient land in looking to the future. SUNSET SONG is an epic in emotional scale and deeply romantic at its core.
Revisit recent British classics by visionary directors Andrew Haigh, Terence Davies, Andrea Arnold and Lynne Ramsay with a special collection of films celebrating Artificial Eye's 40th anniversary. Read more at http://www.curzonartificialeye.com/artificial-eye-40th-anniversary-collection-volume-1-contemporary-british-cinema/#44ulBRqwOaqMTGZ3.99
House Of MirthDirector Terence Davies' sumptuous adaptation of the Edith Wharton classic novel 'The House of Mirth' is a tragic love story set against a background of wealth and social hypocrisy in the turn of the century New York. The Madness Of King GeorgeIn 'The Madness of King George' George III (Nigel Hawthorne) begins to behave in an odd manner thirty years into his rule over England shouting obscenities at people spouting garbled rubbish and attacking his wife's young Mistress of the Robes Lady Pembroke (Amanda Donohoe). The Prince of Wales (Rupert Graves) is determined to see that his father is declared unfit to rule so he can become Regent and denies him access to those close to him. The Prime Minister is forced to intervene and sends his own doctor to help the King instead of the Prince's doctors and the King eventually begins to regain his sanity. Land GirlsIt's 1941. World War II continues to rage across Europe. The young men of England have been called to the front to fight. So back at home a new regiment is formed an army of England's young women who are dispatched across the countryside to pick up the slack known as 'The Land Girls'.
Of Time and the City is both a love song and a eulogy to Liverpool. It is also a response to memory reflection and the experience of losing a sense of place as the skyline changes and time takes it toll. Terence Davies returns to his native Liverpool and to his film making roots to capture a sense of the City today and its influences on him growing up in the late 40's and early 50's.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy