Ben Richards has headed up the Anglo-French writing team behind the 10-part series, which will be primarily set in the coastal towns of Folkestone and Calais Inspired by Scandinavian drama The Bridge, The Tunnel is set against the backdrop of Europe in crisis. When a prominent French politician is found dead on the border between the UK and France, detectives Karl Roebuck and Elise Wassermann are sent to investigate on behalf of their respective countries. However, the case takes a surreal turn when a shocking discovery is made at the crime scene, forcing the French and British police into an uneasy partnership. As the serial killer uses ever more elaborate and ingenious methods to highlight the moral bankruptcy of modern society, Karl and Elise are drawn deeper into his increasingly personal agenda.
When a prominent French politician is found dead on the border between the UK and France detectives Karl Roebuck (Stephen Dillane) and Elise Wassermann (Clémence Poésy) are sent to investigate on behalf of their respective countries. However as the case takes a surreal turn a series of elaborate killings force the French and British police into uneasy partnership. Despite cultural divides they find common ground in the race to stop a serial killer who has no boundaries. Using increasingly ingenious methods to highlight five 'truths' about our morally bankrupt society the murderer draws Karl and Elise ever deeper into a powerful personal and deadly agenda. A compelling and sophisticated thriller set against the backdrop of Europe in crisis from the makers of Broadchurch Spooks and Life on Mars.
When a prominent French politician is found dead on the border between the UK and France detectives Karl Roebuck (Stephen Dillane) and Elise Wassermann (Clémence Poésy) are sent to investigate on behalf of their respective countries. However as the case takes a surreal turn a series of elaborate killings force the French and British police into uneasy partnership. Despite cultural divides they find common ground in the race to stop a serial killer who has no boundaries. Using increasingly ingenious methods to highlight five 'truths' about our morally bankrupt society the murderer draws Karl and Elise ever deeper into a powerful personal and deadly agenda. A compelling and sophisticated thriller set against the backdrop of Europe in crisis from the makers of Broadchurch Spooks and Life on Mars.
Versailles, 1672-1678. The Franco-Dutch war wages on, Louis XIV (George Blagden) confronts his bitter rival, Guillaume d'Orange. But danger threatens even inside the kingdom, within the court of Versailles itself with the Poison scandal. Between mysticism and obscurity, a dive into the dark side of power, with the king's downward spiral, and his return towards the light.Louis has completed the first stage of his plan: to build the most beautiful palace in Europe, far away from Paris...And to lock the nobility inside it so as to exercise absolute control over it. But his plan backfires. Louis has created a new civilisation where the courtiers are ready to do anything to get to the Sun. Behind the veneer of etiquette, they dream of money, power, and climbing the social ladder. They will do whatever they have to: morality is waning, and poison spreads...Versailles is rotting. Blinded by his affection for Madame de Montespan, Louis is deaf to the Church's injunctions. The greatest enemy standing before him is no longer the nobility, nor is it Guillaume d'Orange: the palace that he himself designed could end up becoming his worst enemy.
Versailles, 1672-1678. The Franco-Dutch war wages on, Louis XIV (George Blagden) confronts his bitter rival, Guillaume d'Orange. But danger threatens even inside the kingdom, within the court of Versailles itself with the Poison scandal. Between mysticism and obscurity, a dive into the dark side of power, with the king's downward spiral, and his return towards the light.Louis has completed the first stage of his plan: to build the most beautiful palace in Europe, far away from Paris...And to lock the nobility inside it so as to exercise absolute control over it. But his plan backfires. Louis has created a new civilisation where the courtiers are ready to do anything to get to the Sun. Behind the veneer of etiquette, they dream of money, power, and climbing the social ladder. They will do whatever they have to: morality is waning, and poison spreads...Versailles is rotting. Blinded by his affection for Madame de Montespan, Louis is deaf to the Church's injunctions. The greatest enemy standing before him is no longer the nobility, nor is it Guillaume d'Orange: the palace that he himself designed could end up becoming his worst enemy.
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