Films in the sumptuous Technicolor, this unrivalled 1939 production of W.S. Gilbert and Arthur Sullivans most talented of D'Oyly Carte Opera Company, American Radio star Kenny Barker and the London Symphony Orchestra. Adapted, conducted and produced by Geoffrey Toye, this witty and truly lavish musical extravaganza captured some of the most legendary members of the D'Oyly Carte Opera Company at their very finest (including Sydney Granville and Martyn Green) and recreates the thrilling sound and spectacle of one of their greatest productions. "Agreeable films version...with some of the D'Oyly Carte Company's most celebrated members in excellent form" - Halliwell's Film Guide "Marvelous use of early Technicolor..." - Radio Times Guide to Films
Contains the titles: The Road To Morocco: Two bumbling buffoons are shipwrecked on an island off the coast of North Africa. When the beautiful Princess Shalimar comes to their rescue Jim and Turkey think they've died and gone to heaven. But once her brawny jealous husband finds out what these clowns have been up to they're going to wish they had never left their island. The Road To Singapore: Josh Mallon and his best buddy Ace Lannigan are avowed playboys. They won't even consider getting married. But Josh's shipping magnate father is tired of his prodigal son's whimsical ways. So he forces him to settle down and get a job. Rebellious to the bone Josh puts and end to those plans when -- on the eve of his big engagement party -- he and Ace set sail for Singapore. They accidentally wind up in Kaigoon instead but these free-spirited bachelors couldn't care less. Unfettered by money or responsibility they're as happy as can be. Their trouble begins when they both fall in love with the same lovely native lass. The Road To Utopia: The irrepressible Chester and Duke are back on the road again. This time around the vaudevillians -- disguised as Alaskan bruisers -- are trekking to the Klondike with a newly-found map to a gold mine. A comedy of errors begins when the citizens of a rough and tumble miner's town mistake the boys for claim-jumpers. Saloon mistress Sal goes gunning for the luckless pair whose treasure map just happens to have been her late father's property. Eventually the three gold-hunters team up and begin searching for the mine together. The Road To Zanzibar: After Chucks and Fearless sell a phony diamond mine to a crook the two escape to Zanzibar where they meet comely Brooklyn gals Donna and Julia. Amid jokes and songs the foursome embark on a wacky safari but the women are only going along in hopes of finding Donna's missing brother. When the guys discover the true reason for the safari they decide to return to Zanzibar; that is until they encounter a band of wild cannibals -- who have their own plans for the duo.
Rhythm On The River (Dir. Victor Schertzinger 1940): Bing Crosby and Mary Martin play a pair of star-crossed ghostwriters he of melody and she of lyrics who discover that the man they write for is a fake but their love for each other is real. Rhythm On The Range (Dir. Norman Taurog 1936): Bing plays a singing cowboy out where the b-b-b-buffalo roam in this lighthearted musical western.
A fantastic double bill from the legendary Bing Crosby. Birth Of The Blues (Dir. Victor Schertzinger 1941): Bing Crosby and Mary Martin star as two jazz artists in the swinging world of 1920's New Orleans. Crosby is Jeff Lambert a clarinet player who is out to start a band called the Basin Street Hot-Shots. When Betty Lou (Martin) joins as vocalist romance ensues between everyone involved stirring things up a bit. The film pays homage to Dixieland greats such as Duke Ellin
This box set features a quartet of 'Der Bingle's' best-loved movies! A Road To Zanzibar (Dir. Victor Schertzinger 1941): Chuck and his pal Fearless flee a South African carnival when their sideshow causes a fire. After several similar escapades they've finally saved enough to return to the USA when Chuck spends it all on a ""lost"" diamond mine. But that's only the beginning; before long a pair of attractive con-women have tricked our heroes into financing a comic safari featur
Bing Crosby an Bob Hope star in the first of the 'Road to' movies as two playboys trying to forget previous romances in Singapore - until they meet Dorothy Lamour...
The Road To Morocco: Two bumbling buffoons are shipwrecked on an island off the coast of North Africa. When the beautiful Princess Shalimar comes to their rescue Jim and Turkey think they've died and gone to heaven. But once her brawny jealous husband finds out what these clowns have been up to they're going to wish they had never left their island. The Road To Singapore: Josh Mallon and his best buddy Ace Lannigan are avowed playboys. They won't even consider getting married. But Josh's shipping magnate father is tired of his prodigal son's whimsical ways. So he forces him to settle down and get a job. Rebellious to the bone Josh puts and end to those plans when -- on the eve of his big engagement party -- he and Ace set sail for Singapore. They accidentally wind up in Kaigoon instead but these free-spirited bachelors couldn't care less. Unfettered by money or responsibility they're as happy as can be. Their trouble begins when they both fall in love with the same lovely native lass. The Road To Utopia: The irrepressible Chester and Duke are back on the road again. This time around the vaudevillians -- disguised as Alaskan bruisers -- are trekking to the Klondike with a newly-found map to a gold mine. A comedy of errors begins when the citizens of a rough and tumble miner's town mistake the boys for claim-jumpers. Saloon mistress Sal goes gunning for the luckless pair whose treasure map just happens to have been her late father's property. Eventually the three gold-hunters team up and begin searching for the mine together. The Road To Zanzibar: After Chucks and Fearless sell a phony diamond mine to a crook the two escape to Zanzibar where they meet comely Brooklyn gals Donna and Julia. Amid jokes and songs the foursome embark on a wacky safari but the women are only going along in hopes of finding Donna's missing brother. When the guys discover the true reason for the safari they decide to return to Zanzibar; that is until they encounter a band of wild cannibals -- who have their own plans for the duo. The Road To Rio: To avoid being charged with arson after burning down a circus Hot Lips Barton (Bob Hope) and Scat Sweeney (Bing Crosby) stow away on an ocean bound ship. Aboard the vessel the duo fall for Lucia Maria de Andrade (Dorothy Lamour) who is under the spell of her evil aunt (Gale Sondergaard) who has arranged a marriage for the young beauty. This film was in good hands since many of Hope's best collaborators worked on the picture. Director Norman Z. McLeod went on to direct Hope in four more features -- Alias Jesse James Casanova's Big Night My Favourite Spy and The Paleface. McLeod had a remarkable career behind the cameras working with such Hollywood greats as Danny Kaye (The Secret Life Of Walter Mitty) W.C. Fields (It's A Gift) and Cary Grant (Topper). Writer Edmund Beloin supplied the stories for both My Favorite Spy and The Lemon Drop Kid. His collaborator Jack Rose penned My Favourite Brunette The Great Lover Sorrowful Jones and The Seven Little Foys. This The Road To Bali: Hope and Crosby play George Cochran and Harold Gridley American vaudevillains on the run from some angry fathers in Australia. To avoid a dual shotgun wedding George and Harold end up on the island of Bali and sign on as deep sea divers for Prince Arok - and become smitten with the princess Lalah. The Road To Hong Kong: Vaudevillians Harry (Crosby) and Chester (Hope) travel to Tibet to search for a drug to restore Chester's memory. Once they find the cure Chester's memory becomes so good that he accidentally memorizes a secret formula for space navigation. Soon the two meet up with a beautiful spy (Collins) and get slightly sidetracked... to another planet!
Road To Zanzibar (Dir. Victor Schertzinger 1941): A couple of scheming carnival performers hustle out of town after selling a phony diamond mine. Ending up in Zanzibar they meet a couple of beautiful girls who lure them into the jungle and introduce them to a tribe of hungry cannibals. Road To Morocco (Dir. David Butler 1942): Shipwreck survivors Jeff and Turkey (Bing Crosby and Bob Hope) are guests of a beautiful princess (Dorothy Lamour) who plans to marry Turkey. But the jealous Sheik Kassim has other plans for the groom. Jeff and Turkey manage to save their skins at the brink of a desert war. The film garnered 2 Academy Award Nominations including Best Original Screenplay. Road To Singapore (Dir. Victor Schertzinger 1940): Bing Crosby an Bob Hope star in the first of the 'Road to' movies as two playboys trying to forget previous romances in Singapore - until they meet Dorothy Lamour...
Pot O' Gold; While 'Born To Dance' is the movie musical most associated with James Stewart the largely forgotten Pot o' Gold is the one in which he is most involved with music. The plot has Stewart as Jimmy Haskell a music-loving harmonica-playing man who comes across a poor but excellent band (led by Horace Heidt) that rehearses on a boarding-house roof. Jimmy becomes interested in the people who own the boarding-house Ma McCorkle (Mary Gordon) and her lovely daughte
Something To Sing About: Cagney is at his best as a Manhattan bandleader who journeys to Hollywood when he is offered a contract with a studio but he is determined to do things his way and not theirs. A classic 1930's musical about Hollywood studio life that won an Oscar for best score. Basin Street Revue: Musical variety filmed at the Apollo Theatre in Harlem New York City. This is a collection of exciting R&B performances from the early-mid 1950's including Cab Ca
Something to Sing About wittingly mirrors Cagney's frustrations with the Hollywood rat race and pokes fund at the studio system as a whole. Production methods acting styles pompous executives overzealous agents and the era's intense fandemonium all provide choice fodder for the film's writers. Cagney is as smooth as silk acting with a comfortable naturalism his usual high-voltage portrayals often lack. During the dance sequences he has a ball obviously relishing the opportunity to strut his terpsichorean stuff before the cameras. Watching him flawlessly perform complicated steps in a bouncy marionette style makes one rue the lack of more Cagney musicals.
Titles Comprise: Great Guy:Great Guy was the first Jimmy Cagney produced film from Grand National Pictures and brings to the screen the reality of widespread corruption in the 1930's during FDR's New Deals. The movie does a good job of shedding light on that intriguing era and uncovers various plots and schemes that go all the way up to the highest offices. Directed by John G. Blystone. Something To Sing About: Something To Sing About wittily mirrors Cagney's frustrations with the Hollywood rat race and pokes fun at the studio system as a whole. Production methods acting styles pompous executives overzealous agents and the era's intense fandemonium all provide choice fodder for the film's writers. Directed by Victor Schertzinger. Blood On The Sun:Blood On The Sun is one of the most powerful films to try to explain exactly how the Japanese 'Co-Prosperity Sphere' came into mortal conflict with the United States. Based on historical fact this riveting brutal action-packed motion picture has a tremendous supporting cast typical of a Cagney Production never lets up on the great Jimmy Cagney-style action. Directed by Frank Lloyd.
Something To Sing About
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