The King of Comedy, which flopped at the box office, is actually a gem waiting to be rediscovered. Like A Face in the Crowd (a not-so-distant cousin to this film), Network, and The Truman Show, its target is show business--specifically the burning desire to become famous or be near the famous, no matter what. Robert De Niro plays the emotionally unstable, horrendously untalented Rupert Pupkin, a wannabe Vegas-style comedian. His fantasies are egged-on by Marsha, a talk-show groupie (brilliantly played by Sandra Bernhard) who hatches a devious, sure-to-backfire plan. Jerry Lewis is terrific in the straight role as the Johnny Carson-like talk-show host Jerry Langford. De Niro's performance as the obsessive Pupkin is among his finest (which is saying a lot) and he never tries to make the character likable in any way. Because there's no hero and no-one to root for, and because at times the film insists we get a little too close and personal with Pupkin, some will be put off. Yet it's one of Scorsese's most original and fascinating films, giving viewers much to consider on the subject of celebrity. Its inevitable climax is clever and quietly horrific. --Christopher J Jarmick
CLUBBED, based on the true life story of BAFTA winning writer Geoff Thompson, is a journey through family and fear set in the violent world of 80s Clubland.
From his first gig as a nervous Catskills comedian it's obvious that Lenny Bruce (Dustin Hoffman) is a force to be reckoned with. Armed with a shocking routine and a stripper as his muse (Valerie Perrine) Lenny turns comedy and America on its ear with his abrasive and often offensive humour. But life in the smoke-filled bars of the comedy curcuit begins to take its toll. The drugs and arrests for his subject matter wear heavily on this maverick crusader but don't stop him from goi
Joseph Fiennes and Jude Law star in the true story of a World War II duel between a young Russian sniper and a German officer set against the epic battle of Stalingrad.
BARBARA STANWYCK (Sorry, Wrong Number) sizzles, HENRY FONDA (12 Angry Men) bumbles, and PRESTON STURGES (The Palm Beach Story) runs riot in one of the all-time great screwballs, a pitch-perfect blend of comic zing and woon-worthy romance. Aboard a cruise liner sailing up the coast of South America, Stanwyck's conniving card sharp sets her sights on Fonda's nerdy snake researcher, who happens to be the heir to a brewery fortune. But when the con artist falls for her mark, her grift becomes a game of heartsand she is determined to win it all. One in a string of matchless comedic marvels that Sturges wrote, directed, and produced as part of a dazzling 1940s run, this gender-flipped battle-of-wits farce is perhaps his most emotionally satisfying work, tempering its sparkling wit with a streak of tender poignancy supplied by the sensational Stanwyck at her peak. Special Features: New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray Audio commentary from 2001 featuring film professor Marian Keane Introduction from 2001 by filmmaker Peter Bogdanovich Interview from 2020 with writer-director Preston Sturges's biographer and son Tom Sturges and friends New video essay by film critic David Cairns Costume designs by Edith Head Lux Radio Theatre adaptation of the film from 1942 featuring Barbara Stanwyck and Ray Milland Audio recording of Up the Amazon, a song from an unproduced stage musical based on the film English subtitles for the deaf and hard of hearing PLUS: An essay by critic Geoffrey O'Brien and a 1946 profile of Preston Sturges from LIFE magazine
The story is based on a real-life event the 1913 U.S. Open golf championship at which two equally sympathetic young men both of whom grew up economically and socially disadvantaged go club to club in one of the most exciting and dramatic athletic events of the early 20th century. Though British star Harry Vardon (Stephen Dillane) and the young American prodigy Francis Ouimet (Shia LaBoeuf) hail from opposite sides of the Atlantic the struggles that the two young golfers have had to overcome are markedly similar; both grew up in hard-scrabble working-class homes that happened to be adjacent to golf courses and both were preternaturally disposed to the game. In addition both must defy the disdain of the golfing gentry....
It's 1958 and trouble is brewing in the Cambridgeshire village of Grantchester. Reverend Will Davenport (Tom Brittney) relishes his role as a firebrand vicar, willing to rock the boat and challenge conventions to help people. But the very role he loves put him at odds with his own ideals when his kind-hearted curate, Leonard Finch (Al Weaver) is caught up in a scandal.Will's best friend, Detective Inspector Geordie Keating (Robson Green), finds his principles shaken, housekeeper Mrs Chapman (Tessa Peake-Jones) is distraught, and Geordie's wife Cathy (Kacey Ainsworth) is defiant. With new crimes around every corner, and morality and legality at loggerheads, it's going to take all of Will's skill and empathy to navigate these choppy waters and help the ones he loves.
When Terms of Endearment was released in 1983, director and writer James L Brooks was lauded for his depiction of a complex mother/daughter relationship. For his leading ladies he chose actresses with two of the strongest personalities in Hollywood, but armed with an exceptionally witty script and endless patience he eventually drew magnificent performances from Shirley Maclaine as Aurora and Debra Winger as her daugher Emma, assisted considerably by Jack Nicholson's considerate professionalism. As the philandering retired astronaut who beds Maclaine and then provides her with surprising support in the film's dark later moments, Nicholson shines with comic brilliance which earned him an Oscar. It was no secret that Maclaine and Winger could barely contain a mutual antipathy on set. Yet they strike sparks off each other on screen. When comedy turns to tragedy with the development of Emma's cancer, the laughs continue even while the tear ducts are being given a good work out. In the glory days of Hollywood, this would have been acknowledged a great "women's picture" and its weepy credentials are impeccable. It stands out as a warm, accessible work that admirably rejects sugary sentiment in favour of the realistic rough edges that characterise most human relationships. On the DVD: Presented in 1.78:1 anamorphic widescreen with a Dolby Digital 5.1 soundtrack, this DVD is ideal for home cinema viewing. The picture and sound quality are fine, benefiting Michael Gore's gentle, memorable music and bringing the best out of Andrzej Bartkowiak's luminous photography. In addition to the original theatrical trailer, the major extra is the director's commentary in which James L Brooks reminisces with coproducer Penney Finkelman and production designer Polly Platt. They look back at their impressive work with a touching degree of wonder and apprentice directors should take note when Brooks recalls his steep learning curve in managing his leading ladies. --Piers Ford
The Ãtztal Alps, more than 5,300 years ago. A Neolithic clan has settled nearby a creek. It is their leader Kelab s responsibility to be the keeper of the group's holy shrine Tineka. While Kelab is hunting, the settlement is attacked. The members of the tribe are brutally murdered, amongst them Kelab's wife and son, only one newborn survives... and Tineka is gone. Blinded by pain and fury, Kelab is out for one thing alone: vengeance. He sets out after the murderers on what turns into a grand odyssey where he must fight constantly for the infant s survival; against the immense forces of nature; against hunters he encounters; and, amongst the loneliness of the quest, against a growing sense of doubt over the morality of his mission. Inspired by the discovery of Ãtzi The Iceman , the oldest known human mummy, found in 1991 approximately 5,300 years after his death, ICEMAN is an epic, riveting, visually stunning and immersive revenge thriller that investigates a five-thousand-year-old murder mystery. NB: the characters in ICEMAN speak an early version of the Rhaetic language. The film intentionally has no subtitles as translation is not required to comprehend the story.
After the break up of her marriage photographer Samantha Taylor retreats to the sanctuary of friend Caroline Lord's California ranch. An excellent rider Samantha is initially given a frosty welcome by the ranch hands but she begins to gain their respect as they see that she is more than able on a horse and in their environment. Samantha falls in love with ranch hand Tate Jordan and they share a deep and passionate love until Tate finds out that Samantha's ex-husband is popular and
This 3 DVD six-and-a-half-hour set features the 1968 film and brings all the passion and turbulence of Leo Tolstoy's epic masterpiece dramatically to the screen. The book was written in the nineteenth century and gives a graphic insight in to Russian society at the time and is still considered to be one of the greatest novel ever written. This classic film directed by Sergei Bondarachuk is considered to be the most faithful to the original novel and with a combination of amazing large scale battle scenes and intimate character portrayals this film is many peoples' favourite interpretation of Tolstoy's classic novel... The story follows the fortunes of the aristocratic Bolkonsky and Rostov families as Napoleon's armies sweep through Europe culminating in the French invasion of Russia in 1812. The evil effects of war are a significant theme and war forms the backdrop as it influences the lives of these families and their many associates.
Mater thief Lupin III a.k.a. ""The Wolf"" and his right-hand gunman Jigen are hot on the trail of a counterfeiter who swindled them. But when their search leads them to the secluded European country of Cagliostro they find far more than they bargained for. Lupin unwittingly attracts the attention of the nation's mysterious monarch when he tries to help a damsel in distress escape the Count's henchman and in the process stumbles upon the key to finding the lost fortune of the Caglios
Kramer vs. Kramer: Kramer vs Kramer is the box office smash that gathered 5 Oscars including Best Picture Best Actor for Dustin Hoffman and Best Supporting Actress for Meryl Streep. Returning home late from work one night a career-obsessed Ted Kramer is told by his wife that she is leaving him. After a life of being 'somebody's daughter' or 'somebody's wife ' she's going off to find herself - leaving Ted to care for their 6 year-old son. Ted while trying to hold down his job gets to really know his son: cooking his meals taking him to the park understanding every need and fear. For the first time in his life he feels like a fulfilled parent. But then Joanna returns. And she wants her son back... Born Free: A New Adventure: Set in the heart of Africa Elsa the Lioness tranforms the lives of two American teenagers struggling to come to terms with a family move from downtown Chicago. Lorenzo's Oil: A five-year-old boy Lorenzo Odone is diagnosed as having a brain disease known as ALD a condition so rare that no medical body has undertaken to research the ailment and develop a cure. Desperate Lorenzo's parents (Nolte and Sarandon) embark on a desperate search for a cure and must battle the medical establishment when they make astounding progress using humble olive oil...
Three very different families become linked by the strong-minded Agnes Conway when at the beginning of the First World War she meets the wealthy Farrier clan for the first time...
A Tale Of Springtime (aka: Conte de Printemps): The first part of Rohmer's 'Four Seasons' quartet of films. The well-ordered life of Jeanne a high school philosophy teacher suddenly spins into disorder when a young stranger she meets at a party involves her in a devilish scheme. Natacha an adolescent pianist with a penchant for subtly playing her elders invites Jeanne to her father's home...hoping to make a match of the two and send her father's current lover Eve packing
With the melancholy open-road epic Two-Lane Blacktop, American auteur Monte Hellman (The Shooting, Cockfighter, and the recent Road to Nowhere) poeticised the beautiful, terrible rootlessness of his nation in the era of Vietnam. Funded by Universal in a bid to recreate the success of Easy Rider - by giving a number of filmmakers $1m and final cut - Hellman's effort is now regarded as one of the key films of the New Hollywood renaissance of the early 1970s.While driving eastward on Route 66, two rival car owners - The Driver (singer-songwriter James Taylor) and The Mechanic (Dennis Wilson of The Beach Boys) in a souped-up, drag-racing '55 Chevy, and a middle-aged braggart (Warren Oates) in a gleaming GTO - begin to race for each other's pink slips and the affections of the listless female hitchhiker (Laurie Bird) who joins them on the road.Scripted by esteemed novelist Rudy Wurlitzer, and featuring the only screen performances of Taylor and Wilson, Two-Lane Blacktop remains a timeless, existential portrait of lives in transit and of a country questioning its identity.
Juliet Stevenson (Truly Madly Deeply, Bend It Like Beckham, The Village) and Alex Lawther (The Imitation Game, X&Y) star in this new British drama about a mother and son both of whom are coming of age in their own ways. Stevenson plays Beatrice, an independent and strong willed woman in midst of starting again. She is in the middle of a separation from her husband and is trying to work out how to live life on her own terms. Together with her son, Elliot (Lawther) they have come to their holiday home in the French countryside where they are getting ready to pack up and sell the house. Whilst on the trip, Elliot meets the handsome French bad boy, Clement (Brossard) and he begins to work through the dawning of his own sexuality and alienation from his mother.
Joanna (Keira Knightley) and Michael (Sam Worthington) are a married couple in Manhattan who face temptation when they spend a night apart.
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