Dramatic thriller Argo chronicles the life-or-death covert operation to rescue six Americans, which unfolded behind the scenes of the Iran hostage crisis, the truth of which was unknown by the public for decades.
Martin Scorcese handles directing duties in this 1986 sequel to the classic 1961 film The Hustler, which marks the return of Paul Newman to the role of pool shark Fast Eddie Felson. Anxious to break into the big time again, Eddie finds a talented protégé (Tom Cruise) to groom; but with the addition of the latter's manipulative girlfriend (Mary Elizabeth Mastrantonio) and the wild streak in Cruise's character, the trio make for a fascinating portrait in group psychology. The cast is brilliant, the script by Richard Price (Clockers) is a paragon of tightly controlled character study and drama (at least in the film's first half), and Scorcese and cinematographer Michael Ballhaus make an ornate show of the collision and flight of pool balls through space--something of a metaphor for the dynamics among the three principals. The film is generally regarded as weaker in its second half, and rightly so, as everything that was interesting in the first place disappears. Still, Newman won a deserved Oscar for his performance. --Tom Keogh
Ram Bowen (Paul Newman The Hustler) and Eddie Cook (Sidney Poitier In the Heat of the Night) are jazz musicians who live for music. Their Paris is one of underground, smoke-filled Jazz bars and the rain-drenched streets of the Left Bank at night. However their carefree idyll is disturbed when two American tourists (Joanne Woodward and Diahann Carroll) enter their lives, and against the backdrop of music and moonlight, they find themselves falling in love. All too soon however, romance is put to the test, as the men find themselves torn between their love for the women, and their passion for music. Featuring the legendary Louis Armstrong as Wild Man Moore, the film's score by the incomparable Jazz musician Duke Ellington was Oscar nominated in 1962. Extras Original trailer Fully illustrated booklet with new writing on the film
London 1818: a secret love affair begins between 23 year old English poet, John Keats, and the girl next door, Fanny Brawne, an outspoken student of fashion.
Gay-themed Australian drama based on Timothy Conigrave's memoir. The film follows the relationship of Conigrave (Ryan Corr) and his partner John (Craig Stott), who first met at their Catholic high school. With John the star captain of the school's football team and Tim an aspiring actor in the school play, the pair seem like an unlikely couple but continue their journey together through high school and university where they allow their love for each other to help them overcome the challenges being gay men in '80s Australia throws at them. However, one challenge proves too much for the pair after they are both diagnosed with HIV in 1985.
Multi award winning reworking of the Gospels that see Jesus Christ cast as a revolutionary fighting oppression in contemporary Africa. Son of Man challenges the Hollywood depictions of a western looking messiah with a gritty portrayal of a political activist rallying a township. In the state of Judea in southern Africa violence poverty and sectarianism are endemic. The neighbouring Alliance has invaded to restore 'peace' at gunpoint. Bloody street battles accompany the neighbouring dictatorship's incursion into its weaker satellite. Promises of a transition to open democratic rule accompany summary executions and brutal massacres.
Hugh Dancy stars in this moving drama about the Rwandan genocide.
Released in 1953, Summer with Monika, an early Ingmar Bergman-directed melodrama, did much to establish the reputation of Swedish cinema, and perhaps Swedish women in general, as leading the vanguard in sexual liberation. The film attracted the wrath of the censors and one scene of lovemaking had to be cut. While subsequent generations will look at the film and wonder whatever the fuss was about, it retains a vivid and frolicsome sensuality, before submitting to the inevitable, Bergmanesque bleakness. The film tells the story of a young couple, Harry (Lars Ekborg) and Monika (18-year-old Harriet Andersson, with whom Bergman would fall in love) stuck in lousy jobs in Stockholm. Harry is beset by parental responsibility--his mother died young and his father is ill--while Monika is fed up with her drunken, violent father. They escape in a motorboat and to spend a blissful summer on an island in the archipelago. Once Monika gets pregnant and they're forced to steal food, however, the idyll concludes and they return to Stockholm, where the relationship disintegrates. You realise that Monika, from a large and fractious family, yearns for escapism, while Harry, who has never known true family life, longs for domestic stability. It is he who is left holding the baby. But Bergman does not quite condemn Monika, giving her one of his best scenes: in a cafe, estranged from Harry, chatting up a stranger, she stares unwaveringly and directly to camera, as if defying us to judge her. Visually ravishing, this film would have a deep impact on French New Wave cinema. On the DVD: Summer with Monika on disc offers a fine restoration of the original film, and includes notes from Phillip Strick who points out that the film is in part hymn of praise to Stockholm's beauty and was influenced by the documentary "City Symphonies" made during World War II. --David Stubbs
Werner Herzog: He has taken his camera to parts of the world no other director would dare to go and told stories in ways no one had ever even considered. These five masterpieces which blur the line between 'fiction' and 'documentary' illustrate why Werner Herzog is the most daring visionary and dangerous filmmaker of our lives. Even Dwarfs Started Small (1970): Featuring a cast composed entirely of little people (the first time that had been done since the 1938 western
When she fails to meet an item on his list of requirements for a bride, Julia Thistlewaite (Zawe Ashton) is jilted by London's most eligible bachelor, Mr. Malcolm (Sope Dirisu). Feeling humiliated and determined to exact revenge, she convinces her friend Selina Dalton (Freida Pinto) to play the role of his ideal match. Soon, Mr. Malcolm wonders whether he's found the perfect woman...or the perfect hoax.
An enchanting tale about a family of herders in Mongolia's Gobi desert who face a crisis when a mother camel unexpectedly rejects her newborn calf.
Joan Castleman (Glenn Close) has spent forty years sacrificing her own talent, dreams and ambitions to support her charismatic husband Joe (Jonathan Pryce) and his stellar literary career. Ignoring infidelities and excuses made in the cause of his art, she has put up with his behaviour with undiminished grace and humour. The foundations of their marriage have, however, been built upon a set of uneven compromises and Joan has reached a turning point. On the eve of Joe's Nobel Prize for Literature, the crown jewel rewarding a spectacular body of work, Joan will confront the biggest sacrifice of her life and some long-buried secrets. Based on the bestselling book by Meg Wolitzer, The Wife is a poignant, funny and emotional journey, a celebration of womanhood, self-discovery and liberation, featuring a stunning cast that also includes Max Irons, Annie Starke, Harry Lloyd, Elizabeth McGovern and Christian Slater.
A mixed bag as variations on A Christmas Carol go, this 1970 British musical tells the usual story of Scrooge (Albert Finney) and his spirits on Christmas Eve, although the whole thing is set to music by Leslie Bricusse. Except for Finney's feisty and involved performance, however, there isn't much to recommend this. The songs, which absorb so much of the evolving story line and emotions, are not all that good. Plenty of support, however, from the likes of Roy Kinnear (Willy Wonka & the Chocolate Factory) and Dame Edith Evans (Tom Jones), the handsome production is directed by veteran Ronald Neame (The Prime of Miss Jean Brodie). --Tom Keogh
She is the mistress of several eligible men; he is the lover from her past... Based on the novel by Mary Wesley.
From circus to theatre, from anonymity to fame, Chocolat is the incredible true story of how Rafael Padilla Chocolat (Omar Sy), escaped slavery to become the first black stage performer in France. Performing a lead role in a circus pantomime act in Paris, Chocolat shot to stardom with his partner, Charles Footit (James Thieree), as the pair's unprecedented double act sent shock waves through conservative Parisian society. However, as their fame grew so did the gambling and discrimination, taking a toll on the duo's friendship and their lives.
"Infamous" is a compelling study of the complex and tortured relationship that resulted between Truman Capote and convicted murderer Perry Smith.
NASA's worst nightmare turned into one of the space agency's most heroic moments in 1970, when the Apollo 13 crew was forced to hobble home in a disabled capsule after an explosion seriously damaged the moon-bound spacecraft. Tom Hanks, Kevin Bacon, and Bill Paxton play (respectively) astronauts Jim Lovell, Jack Swigert, and Fred Haise in director Ron Howard's intense, painstakingly authentic docudrama. The Apollo 13 crew and Houston-based mission controllers race against time and heavy odds to return the damaged spacecraft safely to Earth from a distance of 205,500 miles. Using state-of-the-art special effects and ingenious filmmaking techniques, Howard and his stellar cast and crew build nail-biting tension while maintaining close fidelity to the facts. The result is a fitting tribute to the Apollo 13 mission and one of the biggest box-office hits of 1995. --Jeff Shannon
Giant (1956): George Stevens' sweeping Oscar-winning epic about the cataclysmic effect the discovery of oil in Texas has on the lifestyle of the former cattle barons. Dean is Jett Rink a sullen-farm hand who becomes a millionaire overnight. Tough always angry restless bewildered and reckless Rink's animal charm and tycoon's magnetism means he always gets his way. But when he fails in love with Leslie he loses his way with an equal violence... East Of Eden (1955): J
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