Ballygar, Dublin, Ireland, 1968: close friends Lily (Maggie Smith), Eileen (Kathy Bates), and Dolly (Agnes O'Casey) win the trip of a lifetime - a pilgrimage to Lourdes. With each woman desperately in need of a personal miracle, the trip seems like an answer to all their prayers. But when they are joined by Chrissie (Laura Linney), returning to Dublin after decades in America, deep wounds from the past are re-opened and bitter truths exposed. As they confront one another and embrace their shared past, the group reckon with revelations that will change them forever. Directed by Thaddeus O'Sullivan, The Miracle Club is a heartfelt story of friendship, family, and forgiveness.
Rafaella Phillips (Stacy Haiduk) is young beautiful and has a wonderful marriage with the man of her dreams John Henry (Darren McGavin). He is much older than her but they are so in love their happiness looks destined to last forever. Then tragedy strikes when John falls ill and is confined to his bed while his life slowly ebbs away. Rafaella dedicates her life to nursing him and making him happy but deep down she knows her own needs and desires are going unfulfilled. At this vulnerable time in her life she meets a handsome stranger Alex Hale (Robert Urich). He offers her the emotional support and comfort that she so desperately needs and with it a chance at happiness and hope for the future. Rafaella is torn between a man with whom she could so easily fall in love and her devoted husband who needs her to be there for him until the end...
In his most powerful role ever Harrison Ford is the President of the United States in this must-see blockbuster action thriller. Aboard the presidential plane - the most heavily guarded aircraft in the world - President Marshall is returning home with his wife daughter and a planeload of top governmental officials. But no sooner have they taken off when the plane is hijacked by Communist radicals led by the ruthless terrorist Korshunov. Unless his country's imprisoned dictator is freed Korshunov will begin killing the passengers. Now the most protected man in the world must take responsibility for the safety of those onboard and the future of the free world...
What do you do if your father a former all-star shortstop and mod-bomber anarchist breaks out of Jail? You go after him of course. Even if his trail leads straight into being caught. Two brothers trek through deepest darkest Long Island only to discover that sometimes even the oddest things really are just what they seem.
The final section of the late Krzysztof Kieslowski's acclaimed Three Colours trilogy (preceded by Blue and White) is the least likely of the three to stand alone, and indeed benefits from a little familiarity with the first two parts. Nevertheless, it's a strong, unique piece that reflects upon the ubiquity of images in the modern world and the parallel subjugation of meaningful communication. Irène Jacob plays a fashion model whose lovely face is hugely enlarged on a red banner no one in Geneva, Switzerland, can possibly miss seeing. Striking up a relationship with an embittered former judge (Jean-Louis Trintignant), who secretly scans his neighbours' conversations through electronic surveillance, Jacob's character becomes an aural witness to the secret lives of those we think we know. Kieslowski cleverly wraps up the trilogy with a device that brings together the principals of all three films. --Tom Keogh
Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavour of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-coloured suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighbourhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice and Batman) are visual spectacles with elements of fantasy but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's child-like vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer
Jason Bateman, Tina Fey and Jane Fonda star in this comedy drama, directed by Shawn Levy and adapted by Jonathan Tropper from his own novel. After the death of his father, Judd Altman (Bateman), who is already depressed after discovering his wife cheating
NOTICE: Polish Release, cover may contain Polish text/markings. The disk has English audio.
'Witty, insightful, beautifully observed and heartbreakingly accurate' Time Out Newly restored from the original camera negative the BFI are excited to announce a new Blu-ray release of Bill Forsyth's much-loved coming-of-age comedy Gregory's Girl. Gregory (John Gordon Sinclair) and his friends are starting to notice girls particularly Dorothy (Dee Hepburn), not least because she's on the football team and is a better player than all the boys. With counselling from his younger sister, Gregory finally asks Dorothy out, but turns up to the date only to discover that the girls at school have other plans for him. A huge breakout hit on its original release in 1981, Gregory's Girl was nominated for four Bafta's, winning for Best Original Screenplay. Bill Forsyth's classic comedy remains to this day the ultimate depiction of coming-of-age awkwardness and an enduring favourite of Scottish cinema. Product Features Newly restored by the BFI and presented in High Definition Limited edition with slipcase Newly recorded audio commentary with Robert Buchanan, Alan Love, Douglas Sannachan and Caroline Guthrie Audio commentary with Bill Forsyth and Mark Kermode Bill Forsyth: The Early Years - an interview with the director Gregory's Girl Memories - an interview with Clare Grogan Dee Hepburn, Clare Grogan and John Gordon Sinclair in Conversation (2015, 31 mins): the stars of Gregory's Girl are interviewed on stage by Sue Harris to mark the film's 25th anniversary Isolated Score Colin Tully's never previously released score to Gregory's Girl Alternative US audio soundtrack Original trailer Illustrated booklet with new essays on the film and its director All extras are TBC and subject to change
Buddy Holly laid the foundations for a generation of popular music with his ground-breaking combination of country music and rhythm and blues. This film tells his story from it's explosive beginning to its tragic end with Gary Busey giving an electrifying Oscar nominated performance (Best Actor 1978) as the young genius from Lubbock Texas who changed the tune of rock 'n' roll history. Young Buddy's studious appearance gave no hint of the 'new music' which was about to take the worl
Sixth installment in the popular Rocky franchise - a full 3 years after the first introduction of the young back street brawler from Philly. Rocky (Sylvester Stallone) is now a 5-something widower after the death of his beloved Adrian. His relationship with his son (Milo Ventimiglia) has also deteriorated and Rocky finds his only solace in the stories he recounts to the customers who visit his deli. However, everything is about to change as a 'what if' debate emerges as to whether current champion Mason 'The Line' Dixon (Antonio Tarver) would have beaten Rocky in his prime. Nobody ever suspects that the match might actually happen, given the 3-year age difference. However, when Dixon's management sets up an exhibition fight, the gauntlet is well and truly thrown down and an enthusiastic Rocky grasps it with both hands. The 'Italian Stallion' re-applies for his license, rounds up the old gang and sets off on the arduous journey to regain his long-lost fitness and ability.
When Mr. Earnshaw encounters Heathcliff a ragamuffin orphan he kindly brings the boy into his home and makes him part of the family. Instantly Heathcliff falls hopelessly in love with the daughter of the house the beautiful but headstrong Catherine. When a wealthy neighbor woos her Catherine's material instincts overcome her adoration for Heathcliff and so she agrees to marry. Yet as time passes Catherine is to discover that she is unable to forget Heathcliff and not even dea
Howards End is E M Forster's beautifully subtle story of the criss-crossing paths of the privileged and those they disdain--and of a remarkable pair of women who can see beyond class distinctions. Dramatic and tragic but also surprisingly funny, this James Ivory film focuses on a pair of unmarried sisters (Emma Thompson, who won an Oscar, and Helena Bonham Carter) who befriend a poor young clerk (Sam West) and, without meaning to, ruin his life. Meanwhile, Thompson also makes the acquaintance of a dying neighbour (Vanessa Redgrave), who leaves her a family home in her will--which her husband (Anthony Hopkins) destroys. But, ironically, he meets and falls in love with Thompson, even as their paths once more intersect with the increasingly miserable young clerk. Ruth Prawer Jhabvala's beautifully economical script also won an Oscar.--Marshall Fine
An old shepherd lives his last days in a quiet medieval village perched high on the hills of Calabria, at the southernmost tip of Italy. He herds goats under skies that most villagers have deserted long ago. He is sick, and believes to find his medicine in the dust he collects on the church floor, which he drinks in his water every day. A beautiful and poetic vision of the revolving cycles of life and nature in the unbroken traditions of a timeless place, Le Quattro volte appeares as the metaphor of a soul that moves through four successive states of being.
In the waning days of the American Civil War, a wounded soldier embarks on a perilous journey back home to Cold Mountain, North Carolina to reunite with his sweetheart.
The true story of Roald Dahl and Patricia Neal. It's 1962 and Roald Dahl (Hugh Bonneville), an eccentric, burgeoning children's author and his wife, Patricia Neal (Keeley Hawes), a glamourous Hollywood movie star, have retreated to the English countryside to bring up their expanding young family. Tragically, their lives are turned upside down by the devastating death of their daughter Olivia and as the couple struggle through the unimaginable loss, their shared grief becomes a source of redemption and strength which changes their lives forever. Cast interviews with Darcey Ewart & Isabella Jonsson and Sam Heughan & Conleth Hill.
Three years after her untimely death, an upcoming exhibition celebrating famed war photographer Isabelle Reed brings her eldest son Jonah back to the family home, forcing him to spend more time with his father Gene and withdrawn younger brother Conrad than he has in years. With the three of them under the same roof, Gene tries desperately to connect with his two sons, but they struggle to reconcile their feelings about the woman they remember so differently. A funny and poignant drama starring Jesse Eisenberg, Gabriel Byrne and Isabelle Huppert.
The second volume collection of classic Australian soap opera Prisoner Cell Block H.
Based on the real-life story of college football hero Ernie Davis, The Express will remind some moviegoers of the heart-tugging Brian's Song. Ernie Davis was a star athlete at Syracuse University and the first African American to win the Heisman Trophy. Unlike other winners of that era, he wasn't allowed to attend his banquet dinner because the venue didn't serve blacks. He died of leukemia at the age of 23 in 1963. That element of his story is well known to football fans. What the filmmakers concentrate on in The Express isn't just Davis' athletic prowess, but the relationship he had with his coach Ben Schwartzwalder (Dennis Quaid). Rob Brown (Stop-Loss, Coach Carter) lends both gravity and charm to the role of Davis. He plays Davis as a strong willed and moral young man who refuses to let racism and discrimination dominate his life. He joins a Jewish fraternity, gets along with his predominantly white teammates and shows respect for his family and coach. The film is wise not to present Schwartzwalder as wholly colour blind. Though not overtly racist, he makes a few references that would not be acceptable in modern-day society. Overall though, the coach doesn't care what colour his players are, as long as they share the common goal of winning. Quaid is well cast in the role, adding just the right amount of gruff mannerisms without becoming a caricature. Brown has the difficult task of adding suspense to a character where most of the audience already knows his fate. Still, he manages to keep moviegoers on their toes--hoping for a miracle that we know will never come. --Jae-Ha Kim
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