A serial killer is on the loose mutilating and sexually assaulting his victims with an arrow-headed weapon before murdering them. The investigations headed by Detective Superintendent Walker (David Hayman) eventually lead the police to Damon Morton (Iain Glen) and certain evidence including one survivor's description of her assailant makes them convinced they have got their man. But what appears to be a cut-and-dry case is thrown into confusion when three of Morton's employees each confess to committing the attacks... Drawing TV audiences of up to 11 million viewers 'Trial And Retribution' is a gritty urban drama that deals with graphic topics from abduction to serial murders and internal police corruption to psychological illness. Breaking new ground in terms of content and style each episode traces the entire trajectory of a serious crime from the act being committed to a detailed investigation and arrest before arriving at the law courts for a dramatic finale.
Only a Few Survive! Stu (Luke Perry) Tommy (Dan Cortese) and Gus decide to celebrate their new business venture with an exotic vacation to Bermuda. It's the perfect getaway until Stu begins to obsess about the Queen of Scots a ship lost 50 years ago to the Bermuda Triangle. Determined that the lost ship is out there filled with the former occupants' riches Stu charters a boat with a desperate captain and his beautiful first mate Charlie (Olivia d'Abo). When their boat hits a dense fog they beome lost and panicked until they see something slowly creep through the curtain of fog it's the Queen of Scots. After boarding the ship they discover that something happened to the passengers something horrible and it's starting to happen to them. Now they're trapped in a ghost ship in the middle of the Bermuda Triangle and there's no way out!
At the beginning of this engrossing story Larry Kelly (the delectable Jeremy Irons) has become a manager of rock bands - much easier to handle he asserts than a temperamental opera star. Managing Maria Callas's late career has left him scorched by the star's brilliant fire. Visiting her palatial Paris apartment Kelly is shocked to find a broken and reclusive Callas humiliated by the deterioration of her voice. Determined to re-ignite her passion and restore her legacy he convinces her to take on an important project: a film of the opera Carmen in which she will lip-sync her own glorious recording of many years previous. Thus begins a reawakening of their former relationship mixing creative passion genius and drive in an incendiary cocktail. The stars are ably supported by a feisty Joan Plowright as their mutually supportive journalist friend newcomer Jay Rodan as Larry's handsome artist boyfriend and a wonderfully steamy performance from sexy Gabriel Garko as the tenor who worships Callas and yearns for his own opportunity for greatness. The special relationship between Callas (a luminous Fanny Ardant reprising her stage portrayal) and her former manager forms the heart of this compelling fictional imagining of the diva's swan song written and directed by the late Callas's friend and colleague Franco Zeffirelli (ROMEO AND JULIET) in a worthy tribute to his legendary friend
The Avenging Conscience:Nightmarish visions of ghouls and devils highlight this D.W. Griffith silent feature based around Edgar Allen Poe's The Telltale Heart and Annabelle Lee. A young man (Henry B. Walthall) finds himself prevented from wooing the girl he loves (Blanche Sweet) due to the tyrannical edicts of his mean old uncle (Spottiswoode Aitken). The poor lad becomes haunted by a series of visions that convince him to murder this interfering relative. After the murder has been planned and executed the man finds himself haunted by still more visions this time of the fire and brimstone variety. An inquiring detective (Ralph Lewis) adds to the ever-mounting paranoia. Birth Of A Nation: The first part of the film chronicles the Civil War as experienced through the eyes of two families; the Stonemans from the North and the Camerons of the South. Lifelong friends they become divided by the Mason-Dixon line with tragic results. Large-scale battle sequences and meticulous historical details culminate with a staged re-creation of Lincoln's assassination. The second half of the film chronicles the Reconstruction as Congressman Austin Stoneman (Ralph Lewis) puts evil Silas Lynch (George Siegmann) in charge of the liberated slaves at the Cameron hometown of Piedmont. Armed with the right to vote the freed slaves cause all sorts of trouble until Ben Cameron (Henry B. Walthall) founds the Ku Klux Klan and restores order and decency to the troubled land. While The Birth Of A Nation was a major step forward in the history of filmmaking it must be noted that the film supports a racist worldview. Broken Blossoms: This strangely beautiful silent film from D.W. Griffith is also one of his more grim efforts; an indictment of child abuse and the violence of western society. An idealistic Asian (Richard Barthelemess) travels to the west in hopes of spreading the Buddha's message of peace to the round-eyed sons of turmoil and strife. Instead he winds up a disillusioned opium-smoking shopkeeper in London's squalid Limehouse District. Down the street a poor waif (Lillian Gish) suffers horrific abuse at the hands of her boxer father (Donald Crisp). When fortune delivers the battered girl into the Asian's tender care a strange and beautiful love blossoms between them a love far too fragile to survive their brutal environment. Intolerance: D.W. Griffith's biggest most ambitious spectacle uses stories from different times and places to illustrate humanity's intolerance of religious differences throughout the ages. The most visually impressive of these chronicles is the fall of Babylon for which Griffith built the largest sets in Hollywood and filled them with thousands of extras; there's also Christ's crucifixion and the massacre of the Heugenots in 15th century France. The most emotionally involving tale is the modern one about a poor girl (Mae Marsh) whose life is repeatedly ruined by the zealotry of social reformers. The image of a mother (Lillian Gish) rocking her child in a cradle links the stories. At one point angels reach down from heaven to stop soldiers in midbattle making it clear that Griffith intended this follow-up to The Birth Of A Nation as a message of global peace and love Way Down East: Innocent Anna is sent by her poverty-stricken mother to visit rich relations in Boston where she is seduced into a sham marriage by a smooth-talking scoundrel. When she becomes pregnant he abandons her; later the baby dies. Now a social outcast she changes her name and eventually finds shelter at the estate of the sternly religious Squire Bartlett. She falls in love with his handsome son but cannot divulge to him her terrible secret for fear of his father's righteous
The spine-chilling story of a way of life the economics the players the middlemen the victims the perpetrators: kidnapping encompasses all walks of life in the state of Bihar in India. The corrupt politicians the minority community leaders manipulating the public the honest young man who cannot lead an ordinary life and is snared into the dirty and corrupt world of kidnapping...
After the authorities discover that Frank Kane is Jewish rather than Catholic he's forced to switch orphanages because of a state law requiring children to live with those of their own faith. The move leaves him feeling rejected and orphaned again and the lonely Frank responds by descending into a life of petty thievery. He eventually succeeds in finding the family he never had by becoming the head of a crime syndicate but a final confrontation with the police costs him dearly.
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