By this time, A Nightmare on Elm Street series was definitely flagging and no amount of overkill style from promising Finnish director Renny Harlin (Die Hard 2) covers for the fact that the screenplay (partially by LA Confidential Oscar winner Brian Helgeland) is a hash of thrown-together scenes and ideas with no coherence whatsoever. The pizza-faced child murderer returns from that limbo he inhabits between sequels and kills off all the characters left over from Part Three (the wonderfully named Tuesday Knight briefly takes over Patricia Arquette's role) before going... after a new batch of uncharacterised, blatantly only-in-this-film-to-be-killed teens. The special effects highlight is a girl turning into a giant cockroach, though Harlin also includes more imaginative recurring and repeating nightmares. Lisa Wilcox is the new heroine, and Robert Englund finally gets top billing. --Kim Newman [show more]
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