Walk The Line (Dir. James Mangold 2005): In 1955 a tough skinny guitar-slinger who called himself J.R. Cash walked into the soon-to-be-famous Sun Studios in Memphis. It was a moment that would have an indelible effect on American culture. With his driving freight-train chords steel-eyed intensity and a voice as deep and black as night Cash sang blistering songs of heartache and survival that were gutsy full of real life and unlike anything heard before. That day kicked off the electrifying early career of Johnny Cash. As he pioneered a fiercely original sound... that blazed a trail for rock country punk folk and rap stars to come Cash began a rough-and-tumble journey of personal transformation. In the most volatile period of his life he evolved from a self-destructive pop star into the iconic 'Man in Black' - facing down his demons fighting for the love that would save him time and again and learning how to walk the razor-thin line between destruction and redemption. Sideways (Dir. Alexander Payne 2004): A wine tasting road trip to salute Jack's (Thomas Haden Church) final days as a bachelor careers woefully sideways as he and Miles (Paul Giamatti) hit the gas en route to mid-life crises. The comically mismatched pair who share little more than their history and a heady blend of failed potential and fading youth soon find themselves drowning in wine and women (Sandra Oh and Virginia Madsen). Emerging from a haze of pinot noir wistful yearnings and trepidation about the future the two inevitably collide with reality. Now the wedding approaches and with it the certainty that Miles and Jack won't make it back to Los Angeles unscathed or unchanged... if they get there in one piece at all. Winner of the 2005 Oscar for Best Adapted Screenplay. Good Night And Good Luck (Dir. George Clooney 2005): George Clooney's second film as director takes place during the early days of broadcast journalism in 1950s America chronicling the real-life conflict between television newsman Edward R. Murrow (Strathairn) and Senator Joseph McCarthy with the House Un-American Activities Committee. With a desire to report the facts and enlighten the public Murrow and his dedicated staff - headed by his producer Fred Friendly (Clooney) and Joe Wershba (Downey Jr.) in the CBS newsroom - defy corporate and sponsorship pressures to examine the lies and scaremongering tactics perpetrated by McCarthy during his communist 'witch-hunts'. A very public feud develops when the Senator responds by accusing the anchor of being a communist. In this climate of fear and reprisal the CBS crew carries on and their tenacity will prove historic and monumental. [show more]
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