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Jean-Luc Godard directs this allegorical cine-essay meditating on the history, culture, philosophy and economics of modern Europe. Described by Godard as 'a symphony in three movements', the film opens with a depiction of Europe as a luxury cruise ship in the Mediterranean sea, peopled with passengers of many countries, backgrounds and languages. The second segment, set in France, unfolds as a family drama in which two children summon their parents to a 'tribunal of their childhood', demanding answers on the themes of liberty, equality, and fraternity. The third section traces an abstract and non-chronological history of the West, taking in the Mediterranean territories of Egypt, Palestine, Odessa, Hellas, Naples, and Barcelona through a montage of film clips, images and music.

One of cinema's greatest provocateurs, Jean-Luc Godard, presents another barbed but thoughtful meditation on culture, politics and cinema in this experimental drama. Shot using high-definition video equipment and a consumer-grade cell phone, with the crisp images of the former playing off the grain and distortion of the latter, Film Socialisme is divided into three segments. The first takes place on a luxury liner cruising the Mediterranean, as tourists from different lands attempt to communicate in their different languages. In the second, a French family calls a private tribunal, as the children challenge their parents on the issues of Liberty, Equality, and Fraternity while the media watches from outside. And, finally, Godard and his crew visit six different places -- Barcelona, Egypt, Naples, Odessa, Palestine, and "Hellas" (the latter could be Greece or France) -- as he confronts issues of truth versus myth and where the global community is headed.