A frighteningly real exploration of the tribal culture of football hooligans from the Brit director of "Goodbye Charlie Bright."
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Please note this is a region 2 DVD and will require a region 2 (Europe) or region Free DVD Player in order to play. This is England's worst nightmare. Enjoy it! Tommy Johnson is a bored twentysomething who lives for his weekends of casual sex, watered-down lager, heavily-cut drugs and occasionally kicking the hell out of someone. Tommy's life ambles along until a violent encounter with the top boy of a rival firm starts a tit-for-tat war and a series of nightmares that force him to ask himself the question about his life: is it worth it? Told through Tommy's eyes and linked together by his relationships with three other generations of males, Nick Love has taken John King's bestselling novel 'The Football Factory' and turned it into a film that leaves a brilliant mixture of excitement and anguish in the pit of your stomach. Actors Danny Dyer, Frank Harper, Neil Maskell, Roland Manookian, Jamie Foreman & Tamer Hassan Director Nick Love Certificate 18 years and over Year 2004 Screen Widescreen 16:9 Anamorphic Languages English - Dolby Digital (5.1) Subtitles English for the hearing impaired Duration 1 hour and 30 minutes (approx) Region Region 2 - Will only play on European Region 2 or multi-region DVD players.
Study of football hooliganism and male culture in Middle England, based on the novel by John King. The main character, Tommy Johnson (Danny Dyer), is a bright but bored 30-year-old with a steady job and close-knit family, who lives for the weekend life of casual sex, lager, drugs - and violence. Through him we meet three other males in his world: Billy Bright (Frank Harper), a right-wing fascist full of bitterness at a country that he perceives as having failed him; Zeberdee (Roland Manookian), a mouthy hooligan whose life revolves around crime and drugs; and Bill Farrell (Dudley Sutton), a 70-year-old war veteran who tries to enjoy every day to the limit. Shot in documentary style using a handheld camera, the film realistically captures the lure and potency of football violence.
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