Le Dernier Combat (1983) finds Luc Besson setting out his directorial convictions in vividly direct terms. He honours the French New Wave through spartan, documentary-style presentation and--save for possibly the two most meaningful "Bonjours" in cinema history--the total absence of dialogue, appropriate for a film in which devastation has robbed survivors of the power of speech. The action centres on Pierre Jolivet, good-guy in a society where vigilantism and subjugation are the primary tools of survival. Gladiatorially clad Jean Reno makes a characteristic showing... as his ruthless opponent, while Jean Bouise is the taciturn doctor who comes to Jolivet's aid. Eric Serra offsets the chill austerity with a motley score of modernist clichés and easy listening soundbites. To be honest, there's little about this film that could be considered ground-breaking, but if a Mad Max scenario filtered through European surrealist sensibilities appeals, then Le Dernier Combat will make absorbing viewing. On the DVD Le Dernier Combat's 2.35:1 anamorphic widescreen picture has a suitably stark immediacy, enhanced by the surround sound option. There are no subtitles, hardly a stumbling block in this instance, and no special features apart from the chance to see trailers for two rather different Hollywood productions. There's no directorial commentary, which is a pity, as Besson's subsequent career has been an eventful one and it would have been good to hear him discuss it from the perspective of his first feature. --Richard Whitehouse [show more]
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