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Director Jean-Luc Godard deconstructs the classic MGM musical in the first of his films to star then wife Anna Karina. Nightclub stripper Angela (Karina) wants to have a baby but her lover Emile (Jean-Claude Brialy) refuses to co-operate. Angela threatens to get pregnant by the first man that comes along and Emile suggests his friend Alfred (Jean-Paul Belmondo), who is in love with Angela.

With UNE FEMME EST UNE FEMME, French director Jean-Luc Godard pays tribute to American musicals in much the same way that his debut feature, the critical and commercial smash hit BREATHLESS, did to American gangster films. The story follows the beautiful Angela (Anna Karina), a strip-tease artist who wants nothing more than to have a baby. Her live-in boyfriend, Emile (Jean-Claude Brialy), doesn't want to refuse and risk sparking major friction between the two. However, fed up with her constant pleading, Emile finally suggests that she shack up with his best friend, Alfred (Jean-Paul Belmondo), and much to Emile’s dismay, she eventually takes his advice. Godard's second feature employs jump cuts and jarring sound mixing--most notably during Karina's strip-tease performances. UNE FEMME EST UNE FEMME is Godard at his most affectionate and good-natured. He also makes several cinematic in-jokes, including one in which Belmondo's character mentions that he wants to hurry home to watch BREATHLESS, the film that turned Belmondo into a megastar just one year before. Featuring a magnetically cute performance from Karina, who soon after the film became Godard's wife, this loving romantic comedy is a dazzler.