First broadcast in the early 1980s, Agatha Christie's Partners in Crime stars James Warwick and Francesca Annis as the husband-and-wife team of detectives Tommy and "Tuppence" Beresford. Together they zoom around 1920's England in a very posh car and solve all kinds of high-society crimes, from forgery at an exclusive nightclub to the mysterious disappearance of an Arctic explorer's fiancée. The show benefits from two charming lead performances and some wonderful period details--Annis seems to change her hat and her dress every 30 seconds--but it is at best only moderately entertaining. The years have not been kind to this type of mystery, in which murder is the equivalent of an especially tricky crossword puzzle, offering the amateur sleuths an opportunity to avoid boredom and have a terribly thrilling time. Hercule Poirot and Miss Marple survive both in print and on film, because the central characters are interesting enough to make us forgive weak plotting and a lack of depth, but Tommy and Tuppence don't have the staying power of Christie's more famous creations. Their adventures are fun in small doses, and if you're in the mood for some witty repartee, but otherwise this series is little more than a quaint relic of a bygone age. --Simon Leake
When a group of archaeologists dig up a human skeleton near the historical monument of Stonehenge an ancient piece of machinery hidden beneath the bedrock is discovered. Not knowing what it could be the workers accidentally trigger the mechanism and start a chain of events that may very well end the world as we know it.
Open your eyes. You're in a closed space beneath 2500 pounds of soil. You have 90 mins of oxygen left to breathe. Your only connection to the outside world is a mysterious cell phone with limited reception & battery life.
Director John Carpenter and special makeup effects master Rob Bottin teamed up for this 1982 remake of the 1951 science fiction classic The Thing from Another World, and the result is a mixed blessing. It's got moments of highly effective terror and spine-tingling suspense, but it's mostly a showcase for some of the goriest and most horrifically grotesque makeup effects ever created for a movie. With such highlights as a dog that splits open and blossoms into something indescribably gruesome, this is the kind of movie for die-hard horror fans and anyone who slows down to stare at fatal traffic accidents. On those terms, however, it's hard not to be impressed by the movie's wild and wacky freak show. It all begins when scientists at an arctic research station discover an alien spacecraft under the thick ice, and thaw out the alien body found aboard. What they don't know is that the alien can assume any human form, and before long the scientists can't tell who's real and who's a deadly alien threat. Kurt Russell leads the battle against the terrifying intruder, and the supporting cast includes Richard Masur, Richard Dysart, Donald Moffat, and Wilford Brimley. They're all playing standard characters who are neglected by the mechanistic screenplay (based on the classic sci-fi story "Who Goes There?" by John W. Campbell), but Carpenter's emphasis is clearly on the gross-out effects and escalating tension. If you've got the stomach for it (and let's face it, there's a big audience for eerie gore), this is a thrill ride you won't want to miss. --Jeff Shannon
In Cairo, weeks before the 2011 revolution, Police Detective Noredin is working in the infamous Kasr el-Nil Police Station when he is handed the case of a murdered singer. Upon realizing the involvement of Egypt s power elite in the case, Noredin slowly changes sides to those who are defenseless against it. A political thriller based on a true story.
The film marks the latest in the highly popular "Final Destination" series as more disaster-dodging teens find out the hard way that you can't cheat Death!
Kotoko (pop star Cocco in her first starring role) is a young mother struggling to raise her young son Daijiro. Her grip on reality is shaky at best. Through her narration we quickly learn she see's double of everyone, one good and one evil. The problem is she can't tell which one is real, and is constantly moving from apartment to apartment as she assaults neighbours she fears are out to harm her or her baby. Every moment of her life devolves in to paranoid induced state, where she worries w...
Wealthy Jack Bauer (Urich) comes to the aid of a mother Laura McKillin whose daughter has been abducted. Together to their horror they discover a dedicated ring of professional child snatchers...
Vincent Price brings a theatrical flourish to his role in The Fall of the House of Usher. He plays Roderick Usher, a brooding nobleman haunted by the dry rot of madness in his family tree. This being an Edgar Allen Poe story, there's a history of family madness and melancholia, a premature burial and a sense of doom hanging over the gloomy, crumbling mansion. Roger Corman sold stingy AIP pictures on the concept by claiming "The house is the monster"--or so goes the oft-told story. True or not, Corman (with the help of his brilliant art director Daniel Haller and legendary cinematographer Floyd Crosby) creates an exaggerated sense of isolation and claustrophobia with the sunless forest and funereal fog that holds the house and its inhabitants prisoner in a land of the dead. It doesn't quite look real (some of the effects are downright phoney, notably the apocalyptic climax), and none of the costars can hold a candle to Price's elegant, haunted performance (often speaking in no more than a stage whisper), but it's a triumph of expressionism on a budget. Shot in rich, vivid colour and CinemaScope, from a literate script by genre master Richard Matheson, this is stylish Gothic horror in a melancholy key. It was such a success that Corman reunited his core group of collaborators for the follow-up The Pit and the Pendulum the very next year. Thus Corman's "Poe Cycle" was born. --Sean Axmaker
The Eyes of Laura Mars put an original spin on the "women in peril" plot staple by giving us Faye Dunaway as a fashion photographer disturbed by visions of real violence echoed in her flashy, S&M-influenced work. The visions start coming closer to home as her woman friends are butchered and their copies of her work vandalised. Good-looking cop Neville (Tommy Lee Jones) argues that her art is responsible, but nonetheless starts an affair with her. Hints are dropped that the killer might be someone close to her, like obsessive ex-con driver Tommy (Brad Dourif) or her possessive ex-husband Michael (Raul Julia). Evocative scenes of 70s' New York nightclub excess, and the strikingly perverse photographs of Helmut Newton, now create a period 70s' flavour to this flawed psychic thriller. Dunaway's performance is suitably overwrought and the young, slimline Jones is at once attractive and off-key. On the DVD: The DVD comes with subtitles, director's commentary, a publicity short made at the time and an interesting lecturette illustrated with yet more photographs. --Roz Kaveney
Terror Beyond Belief! A notorious horror classic returns in all its depraved glory. This infamous video nasty updated the classic Giallo blueprint for the gorified 80s courting controversy and drenching the viewer in crimson arterial spray. A razor-wielding psycho is stalking the horror writer Peter Neal in Rome to promote his latest work Tenebre. But the author isn’t the obsessive killer’s only target the beautiful women who surround him are doomed as one by one they fall victim to the murderer’s slashing blade… Will fiction and reality blur as fear and madness take hold? Watch in terror as by turns the cast fall victim to the sadistic imagination of Dario Argento Italy’s master of horror. Bonus Features: Newly remastered High Definition digital transfer of the film Presented in High Definition Blu-ray (1080p) and Standard Definition DVD Optional original English & Italian Mono Audio tracks (uncompressed PCM Mono 2.0 Audio on the Blu-ray) Optional English subtitles for Italian audio and English SDH subtitles for English audio for the deaf and hard of hearing Audio Commentary with authors and critics Kim Newman and Alan Jones Audio Commentary with Argento expert Thomas Rostock Introduction by star Daria Nicolodi The Unsane World of Tenebrae: An interview with director Dario Argento Screaming Queen! Daria Nicolodi remembers Tenebrae A Composition for Carnage: Composer Claudio Simonetti on Tenebrae Goblin: ‘Tenebrae’ and ‘Phenomena’ Live from the Glasgow Arches Brand new interview with Maitland McDonagh author of Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento Original Trailer Reversible Sleeve featuring original and newly commissioned artwork by Gilles Vranckx Exclusive collector’s booklet featuring writing on the film by Alan Jones author of Profondo Argento an interview with cinematographer Luciano Tovoli and an appreciation of the film by director Peter Strickland illustrated with original posters and lobby cards
A high school senior tries to cheat death, after a premonition of a disastrous roller-coaster accident.
Winner of the 1950 Academy Award for writing (Best Motion Picture Story) and directed by Elia Kazan (On the Waterfront Street Car Named Desire) Panic In The Streets is a gripping and powerful crime story that builds relentlessly from beginning to its shattering end. What begins as a simple homicide case turns into a race against an epidemic of death! An autopsy of a murdered man reveals he had the bubonic plague; now his killer must be found before he becomes contagious and begins spreading the deadly scourge. It's a nightmare manhunt through the seamy steamy underside of the New Orleans waterfront. This classic crime melodrama features an all-star cast taut action and searing performances by Richard Widmark Jack Palance and Zero Mostel. Palance is the cold-blooded killer who becomes a ticking time bomb. Widmark is the public health service doctor who has 48 hours to find him.
Horror written and directed by Sheldon Wilson. After a family mysteriously disappears from their home without a trace, it is left untouched and abandoned for 17 years. When single mum Jeanie (Pascale Hutton) and her young son Adrian (Sunny Suljic) decide to move in, local girl Angela (Jodelle Ferland) ignores pleas from her superstitious father not to work at the notorious house as Adrian's childminder. Things soon turn sinister however, when a number of disturbing phenomena occur, leaving Angela in no doubt that an evil that has remained dormant for years has now returned to torment a new set of victims.
The tale begins on the night of August 8th 1969, when one of the most brutal and shocking muyrders takes place on the notorious Cielo Drive. Actress Sharon Tate and several of her close friends are mercilessly tortured and gruesomely butchered to death by the cult, The Manson Family, as ordered by the inhuman, and now infamous Charles Manson. Just over 20 years on,rock singer Margot Lavigne moves into the same haunted house to record her new album. However, things take a terrifying turn as life soon becomes as hellish nightmare, as she learns the true barbarous nature of The Manson Family. To escape a similar tragic end, Margot must figure out a way to put the ghosts of the hideous past to rest, once and for all.
When lawyer and proud family man Chris Cleek (Sean Bridgers – True Blood, Deadwood) stumbles across a wild, feral woman (Pollyanna McIntosh – Exam, Burke and Hare) bathing in a woodland stream near his isolated country home, he makes a decision that will dramatically change both their lives. Capturing her, Chris chains The Woman up in the fruit cellar below his house, intending to tame and civilize her. But when the task at hand proves to be more difficult than first imagined, he sets in motion a collision course for a brutal showdown between his family and the wild female force of nature...From author Jack Ketchum (The Girl Next Door, The Lost) and director Lucky McKee (May), The Woman is laced with intense savagery and dark humour that builds to a haunting and simply unforgettable climax.
Joe D'Amato co-writes and directs this controversial Italian horror. A group of young tourists venturing to a remote Greek island become the victims of a murderous, cannibalistic creature. As they explore the island's abandoned town they become increasingly disturbed at what they discover, only to race back to their boat to find it cut adrift. When they head to a mansion on the island they unearth some clues about their stalker's identity. But this is only the start of their horror...
Based on true events, this frightening and supernatural film portrays the story of Katie and Micah, a carefree couple who become haunted by an unseen presence in their house.
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