A group of homeless misfits must fight for survival when they discover a plot to exterminate every homeless person in the city.
A woman (Tilda Swinton), plagued by her rampant alcoholism, tries to extort money using a young boy as bait.
Cult horror film by Sergio Martino, which finds the wife of an ambassador at the centre of a slew of gruesome murders. Julie Wardh (Edwige Fenech) is tangled in a web of deceit and adultery, and, to make matters even more complicated, it looks like one of her lovers is a serial killer...
Experienced coroner Tommy Tilden and his grown-up son Austin run a family-owned morgue and crematorium in Virginia. When the local Sheriff brings in an emergency case - an unknown female corpse nicknamed 'Jane Doe', found in the basement of a home where a multiple homicide took place - it seems like just another open-and-shut case. But as the autopsy proceeds, these seasoned professionals are left reeling as each layer of their inspection brings frightening new revelations. Perfectly preserved on the outside, Jane Doe's insides have been scarred, charred and dismembered - seemingly the victim of a horrific yet mysterious ritualistic torture. As Tommy and Austin begin to piece together these gruesome discoveries, an unnatural and terrifying force takes hold of the crematorium. While a violent storm rages above ground, it seems the real horrors lie on the inside... THE AUTOPSY OF JANE DOE is directed by André Ãvredal (Trollhunter, Mortal). The film is produced by Fred Berger (LA LA LAND). The cast is led by Brian Cox (Manhunter, Braveheart, RED, The Escapist, Churchill) as seasoned coroner Tommy Tilden, Emile Hirsch (Killer Joe, Speedracer, Into The Wild, Lone Survivor) as Tommy's grown up son Austin, Ophelia Lovibond (Guardians of the Galaxy, Nowhere Boy, Man Up) as Austin's girlfriend, Michael McElhatton (Game of Thrones, The Hallow) as Sherriff Burke and Olwen Kelly as Jane Doe
The Butterfly Effect: A young man struggling to access sublimated childhood memories finds a technique that allows him to travel back to the past. Occupying his childhood body he is able to change history. But every change he makes has unexpected consequences... The Butterfly Effect 2: After his girlfriend is killed in a car accident Nick struggles to cope with the grief. He is tempted to use his ability to go back to the past to save her but in messing with the past he causes dire consequences for the present. The Butterfly Effect 3: Revelation: Sam's ability has been both a blessing and curse he can help the police solve crimes but can make no move to intervene in what he sees. But when a woman from his childhood comes begging for help in solving her sister's murder he finds himself drawn to breaking his golden rule.
Mermaids take the stage in Polish director Agnieszka Smoczynska's horror musical, a cult classic in the making. This genre-defying horror-musical mash-upthe bold debut of Polish director AGNIESZKA SMOCZYNSKA follows a pair of carnivorous mermaid sisters drawn ashore to explore life on land in an alternate 1980s Poland. Their tantalizing siren songs and otherworldly auras make them overnight sensations as nightclub singers in the half-glam, half-decrepit world of Smoczynska's imagining. The director gives fierce teeth to her viscerally sensual, darkly feminist twist on Hans Christian Andersen's The Little Mermaid, in which the girls' bond is tested and their survival threatened after one sister falls for a human. A coming-of-age fairy tale with a catchy synth-fuelled soundtrack, outrageous song-and-dance numbers, and lavishly grimy sets, The Lure explores its themes of emerging female sexuality, exploitation, and the compromises of adulthood with savage energy and originality. BONUS FEATURES DIRECTOR-APPROVED SPECIAL EDITION FEATURES: High-definition digital master, supervised by director of photography Kuba Kijowski, with 5.1 surround DTS-HD Master Audio soundtrack New program about the making of the film, featuring interviews with director Agnieszka Smoczynska, actors Marta Mazurek and Michalina Olszanska, screenwriter Robert Bolesto, Kijowski, composers Barbara and Zuzanna Wronski, sound designer Marcin Lenarczyk, and choreographer Kaya KoÅodziejczyk Deleted scenes Aria Diva (2007) and Viva Maria! (2010), two short films directed by Smoczynska New English subtitle translation PLUS: An essay by writer Angela Lovell
From director Mario Bava, the Godfather of Italian horror, comes Hatchet for the Honeymoon, a superlative early 70s slasher which places us and the erstwhile filmmaker back in the realm of the Gialli feature, a cinematic sub-genre he practically invented. With echoes of Psycho (1960) and Peeping Tom (1960), this unsettling production sees troubled protagonist John Harrington (Stephen Forsythe) turning to a life of serial killing. Refused a divorce by his uncaring wife, and haunted by childhood trauma John takes out his murderous frustrations on a string of would-be brides who innocently cross his path. Undoubtedly an influence on later movies like Maniac (1980), and a host of other chillers, this often-overlooked piece from one of Europe's finest, is a smart, beautifully stylised, gory delight. Product Features Audio Commentary by Giallo Cinema Export Troy Howarth Meet the Bavas - An Interview with Renowned Director Lamberto Bava Working With A Master - An Interview with Assistant Camerman Gianlorenzo Battaglia Trailer
Based on the novel Conjure Wife by Fritz Leiber, Night of the Eagle is a taut, atmospheric and terrifying film that remains a much-loved cult classic to this day. Professor Norman Taylor (Peter Wyngarde) seemingly has it all: a great job, the envy of his colleagues, a happy marriage, and a healthy scepticism when it comes to the supernatural. However, things begin to unravel when Taylor discovers that his wife Tansy (Janet Blair) has been practicing witchcraft apparently in an effort to progress his career and to protect him from jealous colleagues. Despite Tansy's warnings, Taylor insists on destroying all of her magic paraphernalia and tries to carry on as normal, refusing to believe that his wife's witchcraft could have been behind his success. That is, until the very next day when things in his life start going very wrong
A horror tale - reminiscent of such 70s classics as "The Texas Chainsaw Massacre" and "The Hills Have Eyes" - that tells of six teens trapped in the woods of West Virginia, hunted down by cannibalistic mountain men.
Shyamalan returns to his roots with the terrifying story of a brother and sister who are sent to their grandparents' remote Pennsylvania farm for a weeklong trip, where their chances of getting back home are growing smaller every day.
In a small town in Massachusetts, a group of friends perform a ritual in an attempt to debunk the lore of SLENDER MAN. When one of them goes mysteriously missing, they begin to suspect that she is, in fact, HIS latest victim.
Brick Bardo is a traveller from outer space who is forced to land on Earth. Though regular sized on his home planet, he is doll-sized here on Earth, as are the enemy forces who have landed as well. While Brick enlists the help of an impoverished girl and her son, the bad guys enlist the help of a local gang. When word leaks out as to his location all hell breaks loose. Brick is besieged by an onslaught of curious kids, angry gang members, and his own doll-sized enemies. Now he must protect the family who has helped him and get off the planet alive.
In the taut thriller The Shallows, when Nancy (Blake Lively) is surfing on a secluded beach, she finds herself on the feeding ground of a great white shark. Though she is stranded only 200 yards from shore, survival proves to be the ultimate test of wills, requiring all of Nancy's ingenuity, resourcefulness, and fortitude. Click Images to Enlarge
A would-be samaritan picks up a hitchhiker and soon discovers the man is a relentless serial killer. Framed by the cold-blooded murderer for a string of slayings, his only help comes from a caring waitress as they attempt to flee from both the law and the hitcher Special Features A new 4k restoration by Second Sight Films from the original camera negative supervised and approved by Director Robert Harmon Presented in HDR with Dolby Vision Features Dolby Atmos and original stereo audio mixes New audio commentary by Alexandra Heller-Nicholas Audio commentary with Robert Harmon and Writer Eric Red Scene specific audio commentary with Robert Harmon, Eric Red, Executive Producer Edward S Feldman, Composer Mark Isham, Director of Photography John Seale and Actors Rutger Hauer and C Thomas Howell The Projection Booth Podcast: featuring Robert Harmon and Rutger Hauer Bullseye: a new interview with Robert Harmon Penning the Ripper: a new interview with Eric Red Doomed to Live: a new interview with C Thomas Howell The Man from Oz: a new interview with John Seale A Very Formative Score: a new interview with Mark Isham Duel Runner: Leigh Singer on the evolution of The Hitcher and Rutger Hauer China Lake: a short film by Robert Harmon newly restored The Calling Card: Robert Harmon on China Lake Telephone: a short film by Eric Red The Hitcher: How do these movies get made? Trailers
On the strength of his Hitchcockian-thriller debut, Mute Witness, writer-director Anthony Waller was hired to direct this belated sequel to the 1981 horror comedyAn American Werewolf in London but lycanthropy in the City of Light just ain't what it used to be. The movie offers plenty of gruesome make-up and special wolf-transformation effects and there are some effectively spooky moments in the plot involving an underground population of hungry Parisian werewolves. One of them is seductively played by Julie Delpy, who is rescued from attempted suicide by an American tourist (Tom Everett Scott, from That Thing You Do!) but ultimately can't hide her dual identity when darkness falls and the full moon shines. The movie begins well but gradually succumbs to nonsense and mayhem, prompting critic Roger Ebert to observe that "here are people we don't care about,doing things they don't understand, in a movie without anyrules". In other words, you'd have to be a die-hard horror buff to give this one the benefit of the doubt.--Jeff Shannon
It's not quite as clever as it tries to be, but The Game does a tremendous job of presenting the story of a rigid control freak trapped in circumstances that are increasingly beyond his control. Michael Douglas plays a rich, divorced, and dreadful investment banker whose 48th birthday reminds him of his father's suicide at the same age. He's locked in the cage of his own misery until his rebellious younger brother (Sean Penn) presents him with a birthday invitation to play "The Game" (described as "an experiential Book of the Month Club")--a mysterious offering from a company called Consumer Recreation Services. Before he knows the game has even begun, Douglas is caught up in a series of unexplained events designed to strip him of his tenuous security and cast him into a maelstrom of chaos. How do you play a game that hasn't any rules? That's what Douglas has to figure out, and he can't always rely on his intelligence to form logic out of what's happening to him. Seemingly cast as the fall guy in a conspiracy thriller, he encounters a waitress (Deborah Unger) who may or may not be trustworthy, and nothing can be taken at face value in a world turned upside down. Douglas is great at conveying the sheer panic of his character's dilemma, and despite some lapses in credibility and an anticlimactic ending, The Game remains a thinking person's thriller that grabs and holds your attention. Thematic resonance abounds between this and Seven and Fight Club, two of the other films by The Game 's director David Fincher. -- Jeff Shannon, Amazon.com
From the director of Feast and Piranha 3DD and starring Daryl Hannah (Kill Bill: Vol. 1 and 2) and Anthony Michael Hall (The Dark Knight Edward Scissorhands) comes a zombie movie that doesn't take any prisoners. As darkness falls in small-town California the undead rise from the graves mausoleums and morgues and they're hungry! With an army of zombies thirsty human flesh pounding at their doors and windows can the townspeople survive till sunrise? It's time to lock the front door and get ready for the fright of your life.
Noble samurai Shinzaburo (Kojiro Hongo, Gamera) is visited one night by the beautiful courtesan Otsuyu (Miyoko Akaza, Lady Snowblood). She pleads with him to marry her and save her from life in a brothel. Instantly captivated by her beauty, Shinzaburo agrees and a cautious love affair develops, but in his infatuation, he fails to realise that Otsuyu is a ghost. His friends band together to drive off the spirit, but can the love-stricken Shinzaburo resist the haunting lure of this enchantress? Working from a script by Ugetsu's Yoshikata Yoda, original Shinobi director Satsuo Yamamoto brings this classic Japanese ghost tale to the screen with breathtaking stylistic beauty. His visualisation of the alluring female ghost prefigures A Chinese Ghost Story and greatly inspired the J-horror movement. SPECIAL FEATURES New 4K restoration Uncompressed mono PCM audio Appreciation by filmmaker and screenwriter Hiroshi Takahashi Audio commentary by critic and author Jasper Sharp Trailer Newly improved English subtitle translation
Nami (Kumi Takiuchi) is a young woman with numerous hang-ups sprouting from a dysfunctional childhood. She inherits a small fortune that allows her to pursue various interests many of which are highly abnormal. For example Nami loves to spy on people who not unlike herself have gone crazy from loneliness. She calls these people solitarians. Perhaps due to a father fixation her favourite spying targets are old men with stiff boners. One fateful day Nami spies on an elderly gentleman (Takashi Sasano) watching porn DVDs at home. She soon transitions from a peeping tom into a full-fledged stalker. Special Features: Interviews with Director and Cast
Samurai Iemon (Kazuo Hasegawa, Gate of Hell) has grown distant from his wife Oiwa since she miscarried. Oume, the pretty young daughter of a wealthy family, falls madly in love with Iemon after he saves her from a group of drunk swordsmen. Oiwa learns about the blossoming affair and grows despondent. Without his knowledge, Iemon's associates conspire to clear the way for him to marry Oume by poisoning his wife. But Oiwa returns from the grave as a horribly disfigured ghost to haunt Iemon and her tormentors. Director Kenji Misumi (Lone Wolf and Cub) and writer Fuji Yahiro (Sansho the Bailiff, A Bloody Spear at Mt. Fuji) turn the quintessential Japanese ghost story into a profoundly resonant doomed romance, with chilling ghost scenes that would leave a deep mark on the creators of J-horror. SPECIAL FEATURES New 4K restoration Uncompressed mono PCM audio Appreciation by filmmaker Kiyoshi Kurosawa Visual essay by Japanese film expert Kyoko Hirano Trailer Newly improved English subtitle translation
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