Dawson (James Marsden) and Amanda (Michelle Monaghan) couldn’t lead more different lives in a small Southern town and yet soon they are falling head over heels in love. However they are soon separated by their families. Twenty years later they are reunited and soon both are forced into circumstances that test their love to its limit.
If Robert Zemeckis's mega-hit Forrest Gump was too sweet for your taste, you may enjoy the undiluted bitterness of his previous movie, a cynical black comedy that was ahead of its time. Death Becomes Her, an outlandish parable about America's obsession with youth and vanity, exposes the corrosive side of Zemeckis's comic sensibility, the sort of scathing satirical edge he gleefully flourished in his overlooked 1980 Used Cars, which has developed a cult following. Meryl Streep has a ball as the deliciously vicious Madeline Ashton, a flamboyantly mannered actress who makes Bette Davis's formidable Margo Channing in All About Eve look like a wallflower. Goldie Hawn is also in razor-sharp comedic form as Madeline's long-time "best friend," Helen. Sensing a bargain she just can't resist, Madeline steals Helen's meek, plastic-surgeon husband Ernest (Bruce Willis) for her own convenience, and the two women become sworn enemies. But the real complications arise when the two are introduced to a secret anti-aging formula by a mysterious and exotic woman (Isabella Rossellini, delightfully ridiculous) that not only smoothes away wrinkles but actually guarantees immortality. As their undying bodies are twisted and mutilated by violent attacks on each other, both women grow increasingly dependent on Ernest for cosmetic repair. The pioneering digital effects inflicted on Streep and Hawn are as grotesque as they are imaginative and hilarious. Like James Cameron (The Abyss, Titanic), Zemeckis loves a technical challenge, and the new visual tools developed for this movie made his later work (in Forrest Gump and Contact) possible. The digital video disc includes a short feature on the movie's production. --Jim Emerson, Amazon.com
Please note this is a region 2 DVD and will require a region 2 or region free DVD player in order to play. After being gone for five years, during which he suffered unimaginable ordeals, billionaire Oliver Queen returned home to Starling City with a mysterious agenda and a set of new skills that he uses in a war on crime in this hard-hitting action series. Reinventing the DC Entertainment character for a modern-day audience, the Arrow is not a super hero ... but a hero -- every bit as formidable as the criminals he's hunting. Determined to right his city's wrongs and sworn to bring justice to those who have corrupted it, Oliver (aka The Arrow) -- with the help of his iron-fisted right hand, John Diggle, the tech-savvy Felicity Smoak and the newest member of the team, Roy Harper -- narrowly defeats the vengeful Slade Wilson, his onetime ally and mentor on the island of Lian Yu. But like all wars, there are casualties. Sacrificing herself for her children, Moira Queen falls at the hand of Deathstroke, sending Oliver's sister, Thea, into self-imposed exile with her biological father, Malcolm Merlyn. Now, to honor his fallen friends and family and protect the people he loves, Oliver must rededicate himself to his cause -- to become a beacon of hope for those most in need, and a weapon of justice against those who prey upon them. He is The Arrow.
This film, about a downsized engineer (Michael Douglas) who goes ballistic, triggered a media avalanche of stories about middle-class white rage when it was released in 1993. In fact, it's nothing more than a manipulative, violent melodrama about one geek's meltdown. Douglas, complete with pocket protector, nerd glasses, crewcut and short-sleeved white shirt, gets stuck in traffic one day near downtown LA and proceeds to just walk away from his car--and then lose it emotionally. Everyone he encounters rubs him the wrong way--and a fine lot of stereotypes they are, from threatening ghetto punks to rude convenience store owners to a creepy white supremacist--and he reacts violently in every case. As he walks across LA (now there's a concept), cutting a bloody swath, he's being tracked by a cop on the verge of retirement (Robert Duvall). He also spends time on the phone with his frightened ex-wife (Barbara Hershey). Though Douglas and Duvall give stellar performances, they can't disguise the fact that, as usual, this is another film from director Joel Schumacher that is about surface and sensation, rather than actual substance. --Marshall Fine, Amazon.com --This text refers to the VHS edition of this video
Meet ove (rolf lassgård), an isolated retiree with strict principles and a short fuse - the quintessential angry old man next door. having entirely given up on life, his days are spent in a constant monotony of enforcing housing association rules and visiting his beloved wife sonja's grave. ove's somewhat contend existence is disrupted, however, with the arrival of a boisterous young family who move in next door. heavily pregnant parvaneh (bahar pars) and her lively children are the complete antithesis of what ill-tempered ove thinks he needs. yet, from this unhappy beginning an unlikely friendship blooms and ove's past happiness and heartbreaks come to light. based on the international bestselling novel by fredrik backman, the award-winning a man called ove is a wistful, heartwarming tale of unreliable first impressions and a wonderful reminder that life is sweeter when it's shared.
The Huntsman, four dwarves, and his long-thought-dead wife go on a quest to keep two evil queen sisters from finding the Mirror and gaining the power to rule the world. Click Images to Enlarge
When you get lost between the moon and New York City (ahem), chances are you'll find yourself taking another look at this hit comedy starring Oscar-nominated Dudley Moore as the charmingly witty, perpetually drunken millionaire Arthur Bach. Arthur falls in love with a waitress (Liza Minelli) who doesn't care about his money but unfortunately Arthur's stern father wants him to marry a Waspy prima donna. The young lush turns to his wise and loyal butler (Oscar-winner John Gielgud) for assistance and advice. Arthur was a huge hit when released in 1981, as was its Oscar-winning theme song by Christopher Cross. Few remember that the movie was,sadly, the only one ever made by writer-director Steve Gordon, who died less than a year after the film's release. Consistently funny and heartwarming, Arthur was hailed as a tribute to the great romantic comedies of the 1930s. --Jeff Shannon
Celebrated photographer Don McCullin worked for The Sunday Times from 1966 to 1983, at a time when the newspaper was widely recognised as being at the cutting edge of international investigative photo-journalism. During that period he covered wars and humanitarian disasters on virtually every continent: from civil war in Cyprus, the war in Vietnam and the man-made famine in Biafra to the plight of the homeless in swinging sixties London. This new documentary from the producers of the award-winning Senna uses rich, detailed archive footage and incredible in-depth interviews to reveal the truth behind McCullin's hard-hitting and controversial images, piecing together his remarkable story in truly breathtaking style.
Oscar winner Denzel Washington and Ryan Reynolds star in the action-thriller Safe House. An American traitor (Washington) has been taken to a location off the grid in South Africa, where he is being held by an inexperienced CIA employee (Reynolds).
A young man leaves his middle class existence for a life a adventure in the North American wilderness. His journey takes him to Alaska, where he must fight to survive in the harsh environment.
One Tree Hill: Season 7
Oscar-winners Denzel Washington and Russell Crowe clash in this true life gangster story set in 1970s Harlem.
Grease: John Travolta solidified his position as the most versatile and magnetic screen presence of the decade in this film version of the smash hit play Grease. Recording star Olivia Newton-John made her American film debut as Sandy Travolta's naive love interest. The impressive supporting cast reads like a who's who in this quintessential musical about the fabulous '50's. Grease is not just a nostalgic look at a simpler decade - it's an energetic and exciting musical homage to the age of rock n'roll! Grease 2: It's 1961 two years after the original gang graduated from Rydell High and there's a new crop of seniors. The Pink Ladies and the T-Birds are still the epitome of cool except that over the summer something's happened to Stephanie the sorority leader. She feels she's outgrown Johnny the head T-Bird and is looking for a new love - one who's even more cool and whose bike is even hotter. Meanwhile newcomer Michael is smitten with Stephanie who won't even notice him...
The first of 1997's volcano disaster movies (the second being Volcano) was arguably the better of the two but both of them made for passable entertainment with some spectacular special effects to serve as icing on the stale cake. After all, Dante's Peak doesn't pretend to be anything more than an updated variation on a whole catalogue of disaster movie clichés. Despite all that, it's reasonably enjoyable. It's an added bonus that the script is just smart enough to allow Pierce Brosnan and Linda Hamilton to play their roles with straight faces, never condescending to the audience of the formulaic story. He's a volcano expert from the US Geological Survey, and she's the mayor of a cosy Washington State town perched beneath a volcano that's about to blow. Tell-tale signs are everywhere, so evacuation must be carried out immediately. Of course, not everybody's eager to leave and even some of Brosnan's colleagues think his alarm is premature. This sets the stage for massive ash clouds, rivers of raging mud and molten rock, flattened forests and death-defying escapes by Brosnan, Hamilton and some (but not all) of her family, friends and townsfolk. So what if it's all pretty flaky ... and can a four-wheel-drive vehicle travel over fire and molten lava without bursting its tires? Don't ask too many questions and you'll find Dante's Peak to be (if you'll pardon the pun) a total blast. --Jeff Shannon
Following the success of Anglo-Amalgamated's Scotland Yard and Edgar Wallace Mysteries, the production company scored another hit with Scales of Justice, thirteen dramas based on real-life trials that dramatise events from the alleged crime to the courtroom. As with the previous series, the films were produced at the company's Merton Park Studios to be screened as support features in British cinemas, making a successful transition to the small screen during the 1970s. This set contains all thirteen films, produced between 1962 and 1967. Introduced by crime writer Edgar Lustgarten and complemented by The Tornados' memorably pacy theme music, the dramas feature performances from some of the era's finest, and now most instantly recognisable, actors - including Alexandra Bastedo, Patrick Wymark, Peter Barkworth, Keith Barron, and Barrie Ingham.
Jack Nicholson was born to play the devil and in George Miller's adaptation of John Updike's novel he plays it for all he's worth. As a wolfish womaniser summoned by three bored women in a picturesque New England town, he's sating all of his appetites with a rakish grin. Cher, Susan Sarandon and Michelle Pfeiffer play the women who discover their untapped magical powers by accident. The smart and sexy singles, out of place in the conservatism of their village, find happiness, however briefly, in the arms and bed of the libidinous devil but he's got his own ulterior motives. Miller revels in the sensual display of sex, food and magic, whipping up a storm of effects that finally get out of hand in an overblown ending. It's a handsome film with strong performances all around but the mix of anarchic comedy and supernatural horror doesn't always gel and Miller seems to lose the plot in his zeal for cinematic excitement. The performances ultimately keep the film aloft: the hedonistic joy that Nicholson celebrates with every leering gaze and boorish vulgarity is almost enough to make bad form and chauvinism cool. --Sean Axmaker
A heart-warming story of mistaken identity and idealism, director Ivan Reitman (Ghostbusters) takes on the political establishment in this fresh, funny comedy. Kevin Kline (Sophie's Choice, A Fish Called Wanda) plays Dave Kovic, a sweet man with a big heart running an employment agency. Dave happens to be a dead ringer for the current president of the United States and he hires himself out as an impersonator for parties and mall openings. When the real president has a stroke while in bed with an aide, his ambitious chief of staff (Frank Langella) decides to hold onto the White House by appealing to Dave's sense of patriotism and having him pose as the president. Soon, however, Dave is running the country in a way contrary to what the chief of staff would like, even as he finds himself falling in love with the unsuspecting first lady (Sigourney Weaver). The movie's unbridled optimism is its best asset and it makes this a pleasant comedy worth seeing. --Robert Lane
The tense spy thriller by Len Deighton that turned Michael Caine into a superstar. Cynical and rebellious ex-army sergeant Harry Palmer has been blackmailed into working for Britain's security service. Hot on the trail of a kidnapped scientist Palmer finds himself enmeshed in a sinister conspiracy involving horrifying brainwashing techniques murder and treachery that reaches up to the highest levels of the security service itself. Often hailed as Len Deighton's finest spy story
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
Only Fools And Horses: Seasons 1 - 7 Box Set
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