The complete boxset of The Office: Seasons 1 to 9
En route from New York City to Hollywood for a drag queen beauty pagent Noxeema Vida and Chi Chi are forced to take an unwelcome detour when their 1967 Cadillac convertible breaks down. Stranded in the tiny midwestern town of Snydersville the three try to make the best of their unfortunate circumstance. And when their glitz and glamour wake up the sleepy local citizens the stage is set for an outrageously funny weekend...
Finally for the first time all three extended editions of The Lord Of The Rings come alive in high definition Blu-ray! See the epic trilogy the way it was meant to be seen with the complete re-mastered box set containing The Fellowship Of The Ring The Two Towers and The Return Of The King! The Lord of the Rings Trilogy tells the story of Frodo Baggins (Elijah Wood) a hobbit who battles against the Dark Lord Sauron to save his world Middle-earth from the grip of evil. In the films Frodo and his fellowship of friends and allies embark on a desperate journey to rid Middle-earth of the source of Sauron's greatest strength the One Ring -- a ring that has the power to enslave the inhabitants of Middle-earth. The trilogy tells tales of extraordinary adventures across the treacherous landscape of Middle-earth and reveals how the power of friendship love and courage can hold the forces of darkness at bay. The Lord Of The Rings - The Fellowship Of The Ring: In a time before history in a place called Middle-earth a dark and powerful lord has brought together the forces of evil to destroy its cultures and enslave all life caught in his path. Sauron's time has come and he needs only one small object - a Ring that has been lost for centuries - to snuff out the light of civilization and cover the world in darkness... The Lord Of The Rings - The Two Towers: The fellowship is now divided with Aragorn (Viggo Mortensen) Legolas (Orlando Bloom) and Gimli (John-Rhys Davies) helping to restore some order to the land of King Theodon (Bernard Hill) whose mind has been poisoned by the machinations of Grima Wormtongue (Brad Dourif). Wormtongue is a secret emissary of wizard Saruman (Christopher Lee) now ready to unleash his army of the night on Middle-Earth. Meanwhile Frodo (Elijah Wood) is falling deeper under the dreaded influence of The Ring as he journeys with Sam (Sean Astin) towards Mordor... The Lord Of The Rings - The Return Of The King: The remnants of the Fellowship marshal their forces for one final attack as Hobbits Sam (Astin) and Frodo (Wood) are led by Gollum to Mount Doom in the hope of destroying the One Ring forever...
The story of Calamity Jane, her saloon, and her romance with Wild Bill Hickok.
A purely tasteless, moronic, guilty pleasure. Director Harold Ramis employs a mixture of Mad magazine National Lampoon maturity and Saturday Night Live sarcasm in this goofball golf comedy set on the grounds of a posh country club. Somewhere buried in the slapstick antics, drug references, Marx Brothers-like insults, and gratuitous sex scenes are the intertwined, forgettable subplots of a poor caddie (Michael O'Keefe) trying to earn enough cash to attend college, and golf-tournament and class battles between rich and even richer snobs. Mainly, Ramisjust lets his colourful group of eccentrics crash into each other, relying on several inspired performances to create several hilarious moments of sketch comedy. Most come from the trio of Bill Murray (playing a vile, obsessed groundskeeper engaged in a one-man war with a charismatic and very stuffed gopher), Rodney Dangerfield (basically recreating his crude stand-up routine), and Chevy Chase (who looks bemusedly stoned throughout). Quotable favourites include Murray's acted-out fantasy of winning the Masters, his tall tale about caddying for the Dalai Lama, an overreaching priest's rain-soaked golf game, Dangerfield's verbal assault on the club's uptight dining patrons, and Chase's lesson on the essence of golf ("Be the ball, Danny"). A perfect double feature with other comparably crass films such as National Lampoon's Vacation or Stripes. --Dave McCoy
No film better utilises Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewellery. George Peppard is her upstairs neighbour, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay and Hepburn's mix of knowing experience and naivety combine to create one of the great screen romances and a refined slice of high-society bohemian chic. --Sean Axmaker
Harry, Ron and Hermione set out to track down and destroy the secret to Voldemort's power the Horcruxes. On their own and on the run, the three must rely on one another more than ever but Dark Forces threaten to tear them apart.
The Take
Based on the best-selling novel by Rosalie Ham, THE DRESSMAKER is a bittersweet, comedy drama set in early 1950s Australia. Tilly Dunnage (KATE WINSLET), a beautiful and talented misfit, after many years working as a dressmaker in exclusive Parisian fashion houses, returns home to the tiny middle-of-nowhere town of Dungatar to right the wrongs of the past. Not only does she reconcile with her ailing, eccentric mother Molly (JUDY DAVIS) and unexpectedly falls in love with the pure-hearted Teddy (LIAM HEMSWORTH), but armed with her sewing machine and incredible sense of style, she transforms the women of the town and in so doing gets sweet revenge on those who did her wrong.
From BAFTA-winning director Philippa Lowthorpe and Golden Globe-nominated screenwriter Emma Frost, comes this exhilarating adaptation of Daphne du Maurier's classic gothic novel, Jamaica Inn. Spirited Mary Yellan (Jessica Brown Findlay) finds herself alone in the world when her mother passes away. She is forced to move to the isolated Jamaica Inn, deep in the heart of the windswept Cornish moors, where she enters a world where nothing is as it first appears. Her Aunt Patience (Joanne Whalley) is a shell of the carefree woman she was, firmly under the spell of her domineering husband, Joss (Sean Harris). Joss is the head of a violent smuggling gang and when he isn't smuggling, he is drinking heavily to forget all he has seen and done. Then there is the enigmatic Jem (Matthew McNulty), her uncle's brother and therefore not to be trusted in Mary's mind although her heart may be saying otherwise... Life at Jamaica Inn challenges Mary's black-and-white sense of right and wrong as she finds herself living among smugglers in a lawless land. When she thinks she has witnessed a murder, Mary wonders at what cost she will stay silent. Special Features: Behind the scenes Interviews with cast and crew
The Wachowski Brothers trilogy is brought together on this fantastic boxed set. The Matrix: Perception: The Everyday World is Real. Reality: That World is a hoax an elaborate deception spun by all-powerful machines of artificial intelligence that control us. Mind blowing stunts. Techno-slamming visuals. Megakick action. Keanu Reeves and Laurence Fishburne lead the fight to free humankind in The Matrix the cyber thriller that you will watch again and again. Written and Directed by the Wachowski brothers (Bound) the story sears the special effects stake out new movie-making territory - the movie leaves you breathless. The Matrix Reloaded: Neo and the leaders of the human resistance discover that Sentinels are burrowing their way towards Zion. Estimating they have perhaps just 72 hours until an all-out assault Neo must return back into the Matrix and find the keymaker to gain access to the mainframe to ensure human survival... The Matrix Revolutions: In this final explosive third installment of the Matrix trilogy the city of Zion last bastion of the human race defends itself against the massive invasion of the machines as Neo attempts to fulfill his prophecy as 'The One'. As the Machine Army wages devastation on Zion its citizens mount an aggressive defense - but can they stave off the relentless swarm of Sentinels long enough for Neo adrift in a no man's land between the Matrix and the Machine world to harness the full extent of his powers and end the war?
Jack Ryan as a young covert CIA analyst uncovers a Russian plot to crash the U.S. economy with a terrorist attack.
Alien is the first movie of one of the most popular sagas in science fiction history, and introduces Sigourney Weaver as Ripley, the iron-willed woman destined to battle the galaxy's ultimate creature. The terror begin when the crew of the spaceship Nostromo investigates a transmission from a desolate planet and makes a horrifying discovery - a life form that breeds within a human host. Now the crew must fight now only for its survival, but for the survival of all mankind. The UHD has the following: Directors cut 2003: 2003 Audio Commentary by Ridley Scott and the Cast and Crew Theatrical Version 1979 1999 Audio Commentary by Ridley Scott [1979 Theatrical Version Only] Final Theatrical Isolated Score 5.1 Dolby Digital [1979 Theatrical Version Only] Composer's Original Isolated Score 5.1 Dolby Digital [1979 Theatrical Version Only] Deleted Scenes
Brimming over with style, intelligence and flashing wit, this splendid, irresistible film from director Rob Reiner is one of the best-loved romantic comedies of all time.
A Chimeron queen called Delta the last surviving member of her race is being pursued by the evil Gavrok and his Bannermen intent on a mission of genocide. Delta finds herself on board a space bus of tourists en route to Earth when it is knocked off course by an American satellite and ends up at a Welsh holiday camp in 1959.
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
This is the true story of the six members of a security team who fought to defend the American diplomatic compound in Benghazi, after the attack by Islamic terrorists on September 11, 2012. Click Images to Enlarge
Winner of seven Academy Awards including Best Picture, Director, and Screenplay, this critical and box-office hit from 1973 provided a perfect reunion for director George Roy Hill and stars Paul Newman and Robert Redford, who had previously delighted audiences with Butch Cassidy and the Sundance Kid in 1969. Set in 1936, The Sting features a pair of Chicago con artists (Newman and Redford) who find themselves in a high-stakes game against the master of all cheating mobsters (Robert Shaw) when they set out to avenge the murder of a mutual friend and partner. Using a bogus bookie joint as a front for their con of all cons, the two feel the heat from the Chicago Mob on one side and encroaching police on the other. But in a plot that contains more twists than a treacherous mountain road, the ultimate scam is pulled off with consummate style and panache. It's an added bonus that Newman and Redford were box-office kings at the top of their game, and while Shaw broods intensely as the Runyon-esque villain, The Sting is further blessed by a host of great supporting players including Dana Elcar, Eileen Brennan, Ray Walston, Charles Durning, and Harold Gould. Thanks to the flavourful music score by Marvin Hamlisch, this was also the movie that sparked a nationwide revival of Scott Joplin's ragtime jazz, which is featured prominently on the soundtrack. One of the most entertaining movies of the early 1970s, The Sting is a welcome throwback to Hollywood's golden age of the 30s that hasn't lost any of its popular charm. --Jeff Shannon, Amazon.com
Of all the "most anticipated" movies ever claiming that title, it's hard to imagine one that has caused so much speculation and breathless expectation as Christopher Nolan's final chapter to his magnificently brooding Batman trilogy, The Dark Knight Rises. Though it may not rise to the level of the mythic grandeur of its predecessor, The Dark Knight Rises is a truly magnificent work of cinematic brilliance that commandingly completes the cycle and is as heavy with literary resonance as it is of-the-moment insight into the political and social affairs unfolding on the world stage. That it is also a full-blown and fully realized epic crime drama packed with state-of-the-art action relying equally on immaculate CGI fakery and heart-stopping practical effects and stunt work makes its entrée into blockbuster history worthy of all the anticipation and more. It deserves all the accolades it will get for bringing an opulently baroque view of a comic book universe to life with sinister effectiveness. Set eight years after the events of The Dark Knight, TDK Rises finds Bruce Wayne broken in spirit and body from his moral and physical battle with the Joker. Gotham City is at peace primarily because Batman took the fall for Harvey Dent's murder, allowing the former district attorney's memory to remain as a crime-fighting hero rather than the lunatic destructor he became as Two-Face. But that meant Batman's cape and cowl wound up in cold storage--perhaps for good--with only police commissioner Jim Gordon in possession of the truth. The threat that faces Gotham now is by no means new; as deployed by the intricate script that weaves themes first explored in Batman Begins, fundamental conflicts that predate his own origins are at the heart of the ultimate struggle that will leave Batman and his city either triumphant or in ashes. It is one of the movie's greatest achievements that we really don't know which way it will end up until its final exhilarating moments. Intricate may be an understatement in the construction of the script by Nolan and his brother Jonathan. The multilayered story includes a battle for control of Wayne Industries and the decimation of Bruce Wayne's personal wealth; a destructive yet potentially earth-saving clean energy source; a desolate prison colony on the other side of the globe; terrorist attacks against people, property, and the world's economic foundation; the redistribution of wealth to the 99 percent; and a virtuoso jewel thief who is identified in every way except name as Catwoman. Played with saucy fun and sexy danger by Anne Hathaway, Selina Kyle is sort of the catalyst (!) for all the plot threads, especially when she whispers into Bruce's ear at a charity ball some prescient words about a coming storm that will tear Gotham asunder. As unpredictable as it is sometimes hard to follow, the winds of this storm blow in a raft of diverse and extremely compelling new characters (including Selina Kyle) who are all part of a dance that ends with the ballet of a cataclysmic denouement. Among the new faces are Marion Cotillard as a green-energy advocate and Wayne Industries board member and Joseph Gordon-Levitt as a devoted Gotham cop who may lead Nolan into a new comic book franchise. The hulking monster Bane, played by Tom Hardy with powerful confidence even under a clawlike mask, is so much more than a villain (and the toughest match yet for Batman's prowess). Though he ends up being less important to the movie's moral themes and can't really match Heath Ledger's maniacal turn as Joker, his mesmerizing swagger and presence as demonic force personified are an affecting counterpoint to the moral battle that rages within Batman himself. Christian Bale gives his most dynamic performance yet as the tortured hero, and Michael Caine (Alfred), Gary Oldman (Gordon), and Morgan Freeman (Lucius Fox) all return with more gravitas and emotional weight than ever before. Then there's the action. Punctuated by three or four magnificent set pieces, TDKR deftly mixes the cinematic process of providing information with punches of pow throughout (an airplane-to-airplane kidnap/rescue, an institutional terrorist assault and subsequent chase, and the choreographed crippling of an entire city are the above-mentioned highlights). The added impact of the movie's extensive Imax footage ups the wow factor, all of it kinetically controlled by Nolan and his top lieutenants Wally Pfister (cinematography), Hans Zimmer (composer), Lee Smith (editor), and Nathan Crowley and Kevin Kavanaugh (production designers). The best recommendation TDKR carries is that it does not leave one wanting for more. At 164 minutes, there's plenty of nonstop dramatic enthrallment for a single sitting. More important, there's a deep sense of satisfaction that The Dark Knight Rises leaves as the fulfilling conclusion to an absorbing saga that remains relevant, resonant, and above all thoroughly entertaining. --Ted Fry
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